Manufacturers

Guitar Pedals from EMMA Electronic

Welcome to your ultimate guide to EMMA Electronic's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by EMMA Electronic. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.

Compression/Sustain

Distortion

StinkBug

The StinkBug by EMMA Electronic is designed to be the ultimate "classic" overdrive pedal, distilling the best parts of a vintage drive pedal while addressing common issues like overbearing mids and nasal, fizzy tones on higher gain settings. It is described as spitting out warm amp-like drive tones and adding a touch of mid-presence that allows the user to cut through a mix effectively. The pedal is designed to maintain the natural timbre and sound of the instrument, providing an overdriven sound that is dynamic and articulate. Key features and technical specifications include: \- Low and High EQ dials for a wide range of tonal options \- Warm, smooth gain with harmonic tube-like crunch \- Designed to maintain the body and character of the instrument \- Suitable for blues, pop, rock, and various musical styles The StinkBug is intended to offer a versatile overdrive solution for musicians seeking classic drive tones with dynamic and expressive qualities.

ReezaFRATzitz 2

The EMMA Electronic ReezaFRATzitz 2 is a unique type of overdrive/distortion pedal designed to faithfully emulate the distortion characteristics of a real tube amp. It features a bias control that allows the user to adjust the pedal's inner workings from class B to class A and anywhere in between, altering the harmonic structure of the signal and providing a wide variety of tonal options. The Class A mode provides a smoother clipping akin to Vox AC30, while Class B is more similar to classic Marshall Amp tones. Additionally, it includes controls for Level, Gain, and Low and High tone controls, providing the user with the ability to fine-tune the pedal to their preference. The pedal has a huge gain range from low gain bluesy to high gain rock, and it offers true amp-like distortion with internal control for Class A or B, or a mix of both. The ReezaFRATzitz 2 is known for its wide gain range and its ability to deliver warm and vintage-sounding drive tones to tight modern distortion tones while maintaining the integrity of the core sound.

PisdiYAUwot

It features an extremely tight and transparent attack, offering a wide gain range. The EQ options are versatile, allowing for interaction between the pots, and the gain stage is described as raw and brutal yet clear and defined. The pedal is designed to provide speed, power, and clarity to metal guitar players. The gain range is extremely wide, and the EQ section pots are optimized to work in interaction with each other, allowing for a variety of tonal options.

Okto-Nøjs

The Okto-Nøjs by EMMA Electronic is a dual-function pedal combining an accurate, fast-tracking Octave down (Okto) with a dynamically responsive, synth-like Octave-Fuzz (Nøjs). The Okto channel utilizes proprietary tracking circuitry to create a sub-octave that tracks accurately down to the open-E string of a Bass Guitar, with the ability to go even lower with minor note wobble. Its Tone control offers a range from round, fat subs to a hollow, nasally honk tone. The Nøjs section features a harmonic distortion generator that reacts to playing dynamics, creating unique Octave-Fuzz effects. The Gain, Tone, and Level controls adjust the Nøjs circuit’s Fuzz section, yielding a variety of drive sounds from smooth overdrive to squelchy feedback distortion. Both Okto and Nøjs sections can be blended to taste against the Dry signal, covering a wide range of colors from subtle to extreme, allowing for clean octave, dirty drive, overdriven octave, synth-octave, or any combination of these sounds. The pedal is designed to be pedalboard-friendly and offers a plethora of octave and distortion sounds in a compact form factor.

Fuzz

Octave/Pitch Shifters

Overdrive and Boost

StinkBug

The StinkBug by EMMA Electronic is designed to be the ultimate "classic" overdrive pedal, distilling the best parts of a vintage drive pedal while addressing common issues like overbearing mids and nasal, fizzy tones on higher gain settings. It is described as spitting out warm amp-like drive tones and adding a touch of mid-presence that allows the user to cut through a mix effectively. The pedal is designed to maintain the natural timbre and sound of the instrument, providing an overdriven sound that is dynamic and articulate. Key features and technical specifications include: \- Low and High EQ dials for a wide range of tonal options \- Warm, smooth gain with harmonic tube-like crunch \- Designed to maintain the body and character of the instrument \- Suitable for blues, pop, rock, and various musical styles The StinkBug is intended to offer a versatile overdrive solution for musicians seeking classic drive tones with dynamic and expressive qualities.

Okto-Nøjs

The Okto-Nøjs by EMMA Electronic is a dual-function pedal combining an accurate, fast-tracking Octave down (Okto) with a dynamically responsive, synth-like Octave-Fuzz (Nøjs). The Okto channel utilizes proprietary tracking circuitry to create a sub-octave that tracks accurately down to the open-E string of a Bass Guitar, with the ability to go even lower with minor note wobble. Its Tone control offers a range from round, fat subs to a hollow, nasally honk tone. The Nøjs section features a harmonic distortion generator that reacts to playing dynamics, creating unique Octave-Fuzz effects. The Gain, Tone, and Level controls adjust the Nøjs circuit’s Fuzz section, yielding a variety of drive sounds from smooth overdrive to squelchy feedback distortion. Both Okto and Nøjs sections can be blended to taste against the Dry signal, covering a wide range of colors from subtle to extreme, allowing for clean octave, dirty drive, overdriven octave, synth-octave, or any combination of these sounds. The pedal is designed to be pedalboard-friendly and offers a plethora of octave and distortion sounds in a compact form factor.

Wah Wah