Manufacturers
Welcome to your ultimate guide to Analog Man's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Analog Man. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
The Analog Man CompROSSor is a hand-made pedal based on the Ross compressor, which is an improved Dynacomp. It is available in two box types. The pedal features a MIX control for parallel compression, allowing the blending of the normal compressed sound with the unprocessed dry guitar sound. The pedal also offers an ATTACK control, which adjusts the release time of the compressor, affecting the attack of the notes. Additionally, the pedal includes a RYCK toggle option, providing three different treble settings for a brighter tone. The pedal is designed to provide strong compression as an effect, with the ability to be used for subtle applications such as clean boost. The REV5 circuit includes improvements such as excellent output impedance for a clearer tone, more available output for boosting the amp, no phase reversal, and less compression available. The pedal is suitable for use with a power supply and is available with various customization options.
The Analog Man Mini Bi-Comp is a versatile pedal that combines two effects in one unit. The left side is based on an improved version of the Ross compressor (compROSSor), while the right side features the Dan Armstrong Orange Squeezer (Juicer). Each effect is independent and can be used separately or together, with the Juicer placed before the compROSSor if used together. Basic specifications include true bypass on both effects, two 3PDT stomp switches, two LEDs (yellow for the Juicer and red for the compROSSor), and a power adaptor jack (9V Boss style). The compROSSor side features volume and sustain knobs, while the Juicer side features a volume knob. Optional mix and attack knobs are also available. The pedal can be powered by a 9V alkaline internal battery or a 9V DC negative center adaptor. The compROSSor side is similar to an MXR DynaComp but with improvements to provide more solid sustain and less wavering. The Juicer side offers smooth compression and "squashing" tone, adding a bit of grit to the sound. The Mini Bi-Comp is the same size as the Juicer or small compressor and works on battery or 9V DC adaptor. It is recommended for power supply use rather than battery. The REV5 version with MIX control became available in early 2016, offering additional flexibility in sound shaping. The pedal is known for its high-quality components and versatile sound capabilities, making it a popular choice for guitarists seeking a compact yet powerful compressor pedal.
The Analog Man Bi-Comprossor is a pedal that combines two compressor circuits in one enclosure. The pedal features the Ross compressor and the Dan Armstrong Orange Squeezer compressor, each of which can be used independently or combined together via dual foot switches. The Ross compressor side of the pedal includes controls for Attack, Sustain, Mix, and Volume, as well as a three-way switch for a treble boost. The Orange Squeezer side includes a Volume knob and a three-way switch for high cut options. The pedal is designed to retain the inherent tone and squashy feel of both the Ross and Orange Squeezer originals, without added transparency. The controls are highly interactive, allowing for adjustments to the attack, sustain, and mix to achieve the desired compression effect. The pedal is suitable for guitar and bass, offering sustain and a variety of tonal options. The build quality is excellent, with dials that turn with authority and resistance. The pedal can be powered by an internal 9-volt battery or a 9-volt DC adapter and features true bypass on both effects. The Analog Man Bi- Comprossor is available for purchase at a retail price of $285. Overall, the pedal is described as a fun "effecty" type compressor, offering two compression engines in one pedal with a focus on squish and sustain.
The Sun Face Fuzz Pedal by Analog Man is a custom-built fuzz pedal available with several transistor choices and numerous options. It is designed with a high-quality board and features true bypass, ensuring no alteration of sound when turned off. The pedal includes an internal CLEAN trim pot, which acts similarly to adjusting the volume knob on a guitar to clean up the fuzz. This feature also facilitates easier control of the guitar's volume knob and can help mitigate Radio Frequency Interference. Additionally, the pedal is highly sensitive to guitar volume, with different levels producing varying degrees of distortion. The Sun Face Fuzz Pedal is available with options such as BC183 Silicone, Medium Gain Germanium, BART, and RCA Low Gain, each offering distinct tonal characteristics.
The Peppermint Fuzz by Analog Man is a hand-made fuzz pedal designed with specific tweaks to offer flexibility and unique sound characteristics. It is similar in architecture to a fuzzface but with modifications to enhance its versatility and sonic capabilities. The pedal features a true bypass on/off switch, ensuring no loss of tone when turned off. Additionally, the battery is disconnected when the input cord is removed, and it operates on positive ground power. The pedal does not include a power jack or LED, as these components are considered detrimental to the ultimate fuzz in sound and battery life. It is recommended to use a cheap non-alkaline general-purpose battery for optimal performance. The Peppermint Fuzz is equipped with a volume knob on the left and a fuzz knob on the right, allowing users to achieve a wide range of fuzz tones. It also includes a buzz knob in the center, which controls the intensity of the fuzz from weak to hard-edged, offering flexibility in shaping the desired sound. Furthermore, the pedal does not clean up when the guitar volume is backed down, but adjusting the guitar volume can affect the sustain and low end, providing a different tonal character. There is a trimpot inside the pedal that allows it to work at various temperatures and for different sounds. The Peppermint Fuzz is known for its versatility, capable of producing subtle overdrive to full-on buzzsaw meltdown, making it suitable for various music styles. The Dark Peppermint Fuzz is a variation of the standard Peppermint Fuzz, utilizing darker sounding transistors, resulting in a fatter and slightly different tonal character. Both versions of the pedal are hand-made in the USA and are designed to deliver classic and modern fuzz tones. The Peppermint Fuzz has received positive feedback from notable musicians such as Al Schnier from moe. and Adrian Belew, highlighting its versatility and prominent place in their guitar rigs. It is considered a versatile and highly regarded fuzz pedal suitable for a wide range of musical applications.
The Beano Boost by Analog Man is a treble booster effects pedal that is an improved version of the 1960s Dallas Rangemaster pedal. Here are the technical specifications and features: \- Size: 2.5" wide x 4.75" long x 1.5" tall (not including switches, etc. ) \- True Bypass with 3PDT stomp switch \- Status LED \- Power adaptor jack (Boss style, optional at extra charge) \- Volume knob with optional Power Off switch \- Toggle tone switch with 3 positions \- NOS Germanium transistor selected for correct calculated gain, best tone, and low noise \- Hand-wired circuitry \- Switchcraft input and output jacks \- Powder coated in grey hammer finish \- Power: 9V internal battery or 9V DC adaptor (adaptor jack optional) \- Volume knob allows substantial boost \- Three-way, short and sturdy toggle switch for tone selection: Middle (HI), Up (MIDs), Down (LOW) \- Optional PUSH PULL volume pot allows two tone settings \- Durable grey hammertone powder-coated cast alloy case \- Circuit hand-wired point to point like the original, no circuit board used \- True Bypass switching with minimal popping \- LED for on/off status \- Can use a 9V Battery, a Boss style power jack is optional \- Cleans up well when you back down your volume control The Beano Boost is known for its ability to provide a treble and gain boost to dark British amps, exciting certain frequencies, and pushing the amp to create rich tube distortion. It is designed to work well with various guitar and amp setups, providing a raw, open sound without a lot of compression and sustain like most overdrive pedals. The pedal is hand-made in the USA and is based on the 1960s British Dallas Rangemaster, known for its use by iconic guitarists such as Eric Clapton, Brian May, Tony Iommi, and others. The Beano Boost uses a carefully selected NOS Germanium transistor to achieve its characteristic tone. Additionally, the Beano Boost is designed to work best near the beginning of the signal chain and should be placed before other drive/dirt pedals to wake them up and keep noise low. It is also noted that using a buffered pedal in front of the Beano Boost can affect its sound negatively. The Beano Boost is available in a standard size and a mini size, with the mini version lacking a battery option and ON/OFF volume pot. The pedal is also known to work well with the Analog Man SUNFACE fuzz pedal.
The Analog Man Prince of Tone overdrive pedal is a versatile and high-quality effects pedal designed for guitarists. Here are the technical specifications and features: \- The Prince of Tone (POT) is essentially half of the King of Tone pedal, featuring the same sound but in a smaller size. \- The pedal offers three modes: Normal Overdrive mode (OD mode), Clean mode, and Distortion mode, each providing distinct tonal characteristics. \- It includes an external MODE switch as a standard feature, allowing users to select between the different modes. \- The POT is equipped with two new DIP switches inside, offering additional tonal shaping options. \- The pedal is hand-made in China using high-quality components such as the best Japanese chip and capacitors, ensuring reliability and performance. \- It can be powered using a standard Boss PSA120 type 9V DC adapter, consuming approximately 6mA of current at 9V. \- The pedal's size is 2.5" wide x 4.5" long x 1.5" tall, not including switch/knobs/jacks. \- Users have the option to add an active buffer inside the POT to optimize performance when using long cables or tone-sucking pedals. \- The POT is known for its ability to produce a wide range of overdriven and distorted tones, making it a highly regarded overdrive pedal in the guitar community.
The King of Tone by Analog Man is a highly sought-after overdrive pedal known for its exceptional features and design. It is available in two versions, Ver2 (four knob) and Ver3 (five knob), each offering distinct functionalities. The Ver2 model includes two channels with individual volume controls and LEDs, a master DRIVE and TONE control, and a TREBLE BOOST knob. It also features a 3 or 4 position DIP switch for selecting between Clean, OD, and DISTORTION modes. The Ver3 model was developed due to popular demand for a separate DRIVE control on each channel, achieved using a special relay to switch the drive knob and the DISTORTION mode. The pedal's features include the ability to replace two pedals (Overdrive and Clean boost), a true bypass ON/OFF switch, a 2nd stomp switch to choose between two channels, and a small size with top-mounted jacks for optimal pedalboard layout. Additionally, it runs on internal battery or a Boss style 9V power adaptor, with low current usage of about 5-7mA, and features super bright RED and YELLOW LEDs to indicate the selected channel. The King of Tone's versatility is evident in its ability to deliver a range of sounds, from standard overdrive to clean boosts and hard distortion. It offers tonal transparency, extensive tweakability, and versatility, making it suitable for various guitar and amp combinations. The pedal's bespoke service allows customization based on individual preferences, and despite its high demand, Analog Man has maintained a reasonable price for the pedal, contributing to its popularity. The waiting list for the King of Tone has contributed to its fame, with factors such as scarcity, popularity among notable guitarists, the second-hand market, novelty, and Analog Man's reputation playing significant roles. The pedal's exceptional build quality, use of rare components, and the company's dedication to maintaining high standards have led to the extensive waiting list, emphasizing the pedal's worth and desirability. Overall, the King of Tone is renowned for its exceptional sound, versatility, and build quality, making it a highly sought-after overdrive pedal in the guitar community.