Manufacturers
Welcome to your ultimate guide to DOD's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by DOD. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
The DOD FX55B Supra Distortion is a high-gain distortion pedal originally manufactured in the late 80s and early 90s. It features a three-knob control interface, providing a symmetrical standard distortion sound with a boost of gain in its upper range. The pedal operates on 9V power and offers buffered bypass functionality. The FX55B is an analog pedal that is designed to produce a high-gain preamplifier effect, overdriving the input signal to create sustained notes and characteristic distortion similar to an overdriven guitar amplifier.
It features the ability to blend the original signal with the distorted signal, allowing for a large sound with a mix of low or punch from the original signal and the distortion. Users have reported that the pedal can produce a filthy, broken-down bass goodness and can do interesting things in a feedback loop. Additionally, it is noted for its heavy, low-end rumble without sacrificing highs. Some users have also mentioned that the pedal is designed to keep the low end clean on basses.
The DOD FX65 Stereo Chorus is an analog chorus pedal that offers controls for speed, depth, and delay time. It features a delay time control, allowing for extra creative control over the chorus effect. The pedal uses an MN3007 BBD chip for its analog chorus and is equipped with input and stereo output connectors. The input impedance is 500 kOhms, and the output impedance is 1 kOhms. The pedal is recommended to be powered by a 10V source and utilizes buffered bypass. The dimensions of the pedal are 76mm wide and 127mm high.
The DOD FX84 Milk Box Compressor is a stompbox pedal designed to provide transparent compression and a touch-sensitive high-cut frequency expander. It features a level control for adjusting the output level, a compress control for setting the amount of compression, a hi exp control for adjusting the high-frequency expansion, and an attack control for adjusting the compressor's attack. The pedal is known for its ability to add sustain and a full, "big" character to the sound, with a focus on maintaining the integrity of the highs and lows. The footswitch is not true bypass, and the pedal is powered by a 9-volt battery or external power supply. The DOD FX84 Milk Box Compressor is no longer available new but can often be found on the used market.
The DOD FX90 Delay pedal is an analog delay effect that was introduced in 1984. It features an input impedance of 500 k Ohms, an output impedance of 4.7 k Ohms, and a gain of 0 dB. The pedal utilizes bucket brigade technology to provide echo, reverberation, slapback, and controlled feedback. It is equipped with a Panasonic MN3005 chip, which is no longer in production, and is known for its warm and dark analog delay sound. The delay time is typically set at 300 milliseconds, but it can be adjusted using a trim pot inside the pedal. Additionally, the FX90 can be modified for true-bypass switching, allowing for a more seamless integration into pedalboards. The pedal has been praised for its organic and characterful tone, making it a sought-after choice for musicians seeking classic analog delay effects.
The DigiTech Rubberneck by DOD is an analog delay effect pedal with over a second of warm and musical 100% analog repeats. It features tap-tempo, subdivisions, and tails. The pedal has double concentric knobs for independent control of modulation rate and depth, as well as gain and tone of the delay. It also includes double footswitches for unique extended features like user- customizable momentary control of oscillation and the pitch sweep of "Rubbernecking." These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Additionally, the pedal offers feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction. It has jacks to allow FS3X 3-button remote foot switching and a send and return for adding external effects to the delay path. The DOD Rubberneck uses a 9VDC power supply for easy integration into an existing pedalboard.
The DOD FX96 Echo FX Analog Delay is an analog delay pedal that offers tape delay simulation. It features the MN3005 4096-stage BBD chip driven by a MN3101 clock generator/driver CMOS chip, as well as an NE570N (rev. A) or SA571N (rev. B) compander, and three surface-mounted 4560 op-amps. The pedal includes controls for Dry/Tape blend, Echo delay time (up to 800ms), Slap repeats, and Tape Quality for adjusting the tonal quality of the tape emulation. The delay time is 300-400ms, and it can produce warm analog tape delay sounds. The pedal was discontinued after undergoing a cosmetic change, internal restructurings, and a new Chinese production location.
The DOD Boneshaker is a distortion pedal equipped with a versatile three-band parametric EQ designed by Black Arts Toneworks. It features independent distortion, depth, and level controls, along with separate low level, low frequency, mid level, mid frequency, high level, and high frequency controls. The pedal is designed for extended-range guitars, bass, and baritone instruments, offering more frequency-specific, bowel-churning lows, responsive highs, and bare-knuckle mids. The Boneshaker is built with a true bypass, 9V power supply jack, crisp blue status LED, and an aluminum chassis. It is suitable for stacking, solo use, and can be integrated into both dirty and clean channels. The collaboration with Black Arts Toneworks ensures that the Boneshaker can provide a powerful 3-band semi-parametric EQ for tone sculpting and boosting the front-end of an amp into overdrive.
The DOD FX86 Death Metal is a distortion pedal designed to produce intense noise tones. It features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The pedal is capable of producing tones ranging from low-end grinding mess to hyper-noise screech. It is known for its ability to create a grinding wall of noise, making it perfect for harmonic corruption and creating a savage, raw tone characteristic of death metal music. The pedal has been described as having a unique distortion, with heavy bass, painful middle, and scratchy high frequencies, making it suitable for creating a brutal and aggressive sound. The DOD FX86 Death Metal is often favored for its loudness, superb EQ, and array of possible super brutal distortion sounds. It is also known for its solid construction and cool look. The DOD FX86 Death Metal Distortion pedal is available in various conditions and price ranges, with options for both new and used units. It is often praised for its ability to produce a variety of harsh noise distortion sounds and is considered a must-have for those seeking a powerful and aggressive distortion effect.
The DOD Gonkulator Ring Modulator pedal by DOD features an adjustable carrier signal that allows users to tune the ring modulation, providing the ability to achieve slightly-skewed modulation to wildly atonal chaos. Additionally, the pedal includes an aggressive distortion circuit to further manipulate the guitar's signal. The pedal offers independent controls for Gain, Distortion, Output, Frequency, and Ring. It features true bypass circuitry, an updated PSU jack, and a vintage-style aluminum chassis. The true bypass functionality ensures that the tone remains pristine even when the pedal is turned off. The pedal operates on a 9V DC power supply input, making it pedalboard-friendly. The dimensions of the pedal are 4.68 x 2.63 x 2.25 inches (11.88 x 6.68 x 5.71 cm), and it is constructed with an all-metal chassis.
The Department of Defense (DoD) recognizes the criticality of corrosion prevention and control (CPC) planning to acquisition program success. Corrosion is defined as the deterioration of a material or its properties due to a reaction of that material with its chemical environment. The CPC Source provides information on planning, design, sustainment, and workforce competencies, as well as corrosion science, paints, coatings, environmental severity classifications (ESC), and cathodic protection. Corrosion can affect a vast array of physical assets, including buildings, wharves, airfields, pavements, and other facility categories. The CPC Source offers insights into planning, design, sustainment, and workforce competencies related to corrosion. It also provides specific facility category CPC information. The Department of Defense (DoD) spends approximately $20 billion annually on maintenance due to corrosion, which accounts for almost 20% of every maintenance dollar. Therefore, CPC planning is essential from system inception to disposal, as it reduces the Total Ownership Cost and improves availability and safety. The primary responsibility for the CPC Guidebook resides with the Office of Deputy Assistant Secretary of Defense for Materiel Readiness (Corrosion Policy and Oversight) within the Office of the Undersecretary of Defense for Acquisition and Sustainment. The guidebook assists the acquisition and sustainment workforce, and system procuring activities in developing and executing an effective CPC plan. It focuses on integrating CPC planning and execution early and throughout the acquisition process, resourcing the necessary funding and expertise, managing CPC risks, incorporating CPC language in procurement and contract documents, and monitoring CPC planning and execution throughout the acquisition process.
The DOD Overdrive Preamp/250 is an analog overdrive pedal with a classic design and modern functionality. It features vintage correct LM741 OpAmp, a tough, light, pedalboard-friendly aluminum chassis, standard power input jack, true bypass, LED indicator, and bullion gold powder-coat. The pedal offers gain and level controls, and it is equipped with true-bypass circuitry and a bright blue LED indicator for easy visibility. The dimensions of the pedal are approximately 4.68 x 2.63 x 2.25 inches (11.89 x 6.68 x 5.71 cm), making it compact and suitable for pedalboards. The power source required is a 9V DC power supply.
The DOD FX55B Supra Distortion is a high-gain distortion pedal originally manufactured in the late 80s and early 90s. It features a three-knob control interface, providing a symmetrical standard distortion sound with a boost of gain in its upper range. The pedal operates on 9V power and offers buffered bypass functionality. The FX55B is an analog pedal that is designed to produce a high-gain preamplifier effect, overdriving the input signal to create sustained notes and characteristic distortion similar to an overdriven guitar amplifier.
The DOD Death Metal Distortion FX86B is designed to channel raw, savage tones of the metal genre into a single pedal with an easy-to-use interface. The pedal features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The tones range from low-end grinding mess to a hyper-noise screech. It is capable of producing intense noise tones and can oscillate when the "R.I.P." control is turned up, allowing oscillation at any amp volume. The pedal is known for its over-the-top distortion, sturdy construction, and the ability to create a grinding wall of noise perfect for harmonic corruption. The DOD Death Metal Distortion FX86B is suitable for creating a wall of sound and can be used to add low-end distortion to your sound, particularly when playing death metal.
It features the ability to blend the original signal with the distorted signal, allowing for a large sound with a mix of low or punch from the original signal and the distortion. Users have reported that the pedal can produce a filthy, broken-down bass goodness and can do interesting things in a feedback loop. Additionally, it is noted for its heavy, low-end rumble without sacrificing highs. Some users have also mentioned that the pedal is designed to keep the low end clean on basses.
The DOD Gunslinger Mosfet Distortion pedal features gain, volume, low, and high controls, allowing for precise tonal shaping. It can be powered by either 9 or 12 volts, with some conflicting information about the voltage requirement. The pedal is designed with true bypass functionality. The gain knob offers a range of dirty tones, with the pedal maintaining articulation and dynamics even at full gain. The pedal's pronounced mid-range and 2-band EQ contribute to its ability to sit well in a mix. The pedal is known for its aggressive distortion and mix-friendly EQ focus, making it suitable for various playing styles.
The DOD FX75 Stereo Flanger is a compact pedal effect capable of generating regeneration flanging, chorus, and vibrato effects. It features delay, speed, depth, and regen controls, allowing for precise adjustment of the center amount of flanger delay, speed/rate of the LFO wave, depth/amplitude of the LFO wave, and resonance/feedback of the flanger. The pedal is designed to produce deep, churning flange sounds with full ambient stereo imaging. It is suitable for use on stage, in the studio, or anywhere music is being created. The FX75 Stereo Flanger is a versatile and compact option for musicians seeking a range of flanging effects.
The DOD FX90 Delay pedal is an analog delay effect that was introduced in 1984. It features an input impedance of 500 k Ohms, an output impedance of 4.7 k Ohms, and a gain of 0 dB. The pedal utilizes bucket brigade technology to provide echo, reverberation, slapback, and controlled feedback. It is equipped with a Panasonic MN3005 chip, which is no longer in production, and is known for its warm and dark analog delay sound. The delay time is typically set at 300 milliseconds, but it can be adjusted using a trim pot inside the pedal. Additionally, the FX90 can be modified for true-bypass switching, allowing for a more seamless integration into pedalboards. The pedal has been praised for its organic and characterful tone, making it a sought-after choice for musicians seeking classic analog delay effects.
The DOD FX86 Death Metal is a distortion pedal designed to produce intense noise tones. It features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The pedal is capable of producing tones ranging from low-end grinding mess to hyper-noise screech. It is known for its ability to create a grinding wall of noise, making it perfect for harmonic corruption and creating a savage, raw tone characteristic of death metal music. The pedal has been described as having a unique distortion, with heavy bass, painful middle, and scratchy high frequencies, making it suitable for creating a brutal and aggressive sound. The DOD FX86 Death Metal is often favored for its loudness, superb EQ, and array of possible super brutal distortion sounds. It is also known for its solid construction and cool look. The DOD FX86 Death Metal Distortion pedal is available in various conditions and price ranges, with options for both new and used units. It is often praised for its ability to produce a variety of harsh noise distortion sounds and is considered a must-have for those seeking a powerful and aggressive distortion effect.
The Carcosa Analog Fuzz by DOD is a modern classic with a wide range of silicon fuzz tones. It features interactive controls and a distinctive design inspired by the King in Yellow. The pedal offers a wide range of usable gain with the Before control and powerful biasing with the After control, making it suitable for various musical styles. The Hi-Cut control helps to manage its bright character. Additionally, the Demhe/Hali mode allows the Carcosa to blend well with dirty or clean amp channels, providing versatility and the ability to function as a bright dirty boost. The pedal also offers a doorway into an alternate fuzz universe, where classic tones of legend coexist with abstract variations.
The DOD Meatbox is a subharmonic synthesizer and octaver pedal designed to add a massive low octave to guitar or bass signals. It features controls for output, octave, low, and sub, allowing for experimental knob-twiddling to create a variety of low-octave sounds, from traditional octave divider tones to uncontrollable walls of sub-noise. The pedal's simple control layout encourages hands-on experimentation for generating unique and chaotic low-end effects. Additionally, the Meatbox offers enough output to provide a convincing boost and can be used as an "inspiration machine" for creative sound manipulation. The pedal also includes a TRS output for splitting the subharmonic synthesized signal to a P.A. system. The DOD Meatbox is known for its classic sonic glory and is suitable for bassists, guitarists, and synth enthusiasts looking to enhance their tracks with booming low-end presence.
The DOD Death Metal Distortion FX86B is designed to channel raw, savage tones of the metal genre into a single pedal with an easy-to-use interface. The pedal features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The tones range from low-end grinding mess to a hyper-noise screech. It is capable of producing intense noise tones and can oscillate when the "R.I.P." control is turned up, allowing oscillation at any amp volume. The pedal is known for its over-the-top distortion, sturdy construction, and the ability to create a grinding wall of noise perfect for harmonic corruption. The DOD Death Metal Distortion FX86B is suitable for creating a wall of sound and can be used to add low-end distortion to your sound, particularly when playing death metal.
The DOD Gonkulator Ring Modulator pedal by DOD features an adjustable carrier signal that allows users to tune the ring modulation, providing the ability to achieve slightly-skewed modulation to wildly atonal chaos. Additionally, the pedal includes an aggressive distortion circuit to further manipulate the guitar's signal. The pedal offers independent controls for Gain, Distortion, Output, Frequency, and Ring. It features true bypass circuitry, an updated PSU jack, and a vintage-style aluminum chassis. The true bypass functionality ensures that the tone remains pristine even when the pedal is turned off. The pedal operates on a 9V DC power supply input, making it pedalboard-friendly. The dimensions of the pedal are 4.68 x 2.63 x 2.25 inches (11.88 x 6.68 x 5.71 cm), and it is constructed with an all-metal chassis.
The DOD Meatbox is a subharmonic synthesizer and octaver pedal designed to add a massive low octave to guitar or bass signals. It features controls for output, octave, low, and sub, allowing for experimental knob-twiddling to create a variety of low-octave sounds, from traditional octave divider tones to uncontrollable walls of sub-noise. The pedal's simple control layout encourages hands-on experimentation for generating unique and chaotic low-end effects. Additionally, the Meatbox offers enough output to provide a convincing boost and can be used as an "inspiration machine" for creative sound manipulation. The pedal also includes a TRS output for splitting the subharmonic synthesized signal to a P.A. system. The DOD Meatbox is known for its classic sonic glory and is suitable for bassists, guitarists, and synth enthusiasts looking to enhance their tracks with booming low-end presence.
The DOD Bifet Boost 410 features include: \- Up to 20dB clean boost \- Selectable Buffer On/Off Toggle Switch \- True bypass \- 9V DC power supply jack \- Crisp blue status LED \- Lighter aluminum chassis The pedal offers independent Volume and Tone controls, with Volume controlling the amount of boost and Tone allowing for either bass or treble boost. The modern 9V DC power supply input makes the pedal more pedalboard-friendly. The revamped Bifet Boost 410 includes a selectable Buffer On/Off toggle switch that affects its bypass state, providing flexibility to be integrated anywhere in your signal chain and pedalboard.
The DOD FX86 Death Metal is a distortion pedal designed to produce intense noise tones. It features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The pedal is capable of producing tones ranging from low-end grinding mess to hyper-noise screech. It is known for its ability to create a grinding wall of noise, making it perfect for harmonic corruption and creating a savage, raw tone characteristic of death metal music. The pedal has been described as having a unique distortion, with heavy bass, painful middle, and scratchy high frequencies, making it suitable for creating a brutal and aggressive sound. The DOD FX86 Death Metal is often favored for its loudness, superb EQ, and array of possible super brutal distortion sounds. It is also known for its solid construction and cool look. The DOD FX86 Death Metal Distortion pedal is available in various conditions and price ranges, with options for both new and used units. It is often praised for its ability to produce a variety of harsh noise distortion sounds and is considered a must-have for those seeking a powerful and aggressive distortion effect.
The DOD FX53 Classic Tube is designed to replicate the warm, smooth distortion and long, singing sustain of early 1960s amp stacks made famous by iconic musicians like Jimi Hendrix, Cream, and Led Zeppelin. The pedal features clickless FET switching, LED indicator, and AC/DC operation. Its controls include Volume, Tone, and Drive. The pedal is known for its ability to produce warm, smooth distortion and long, singing sustain, reminiscent of vintage amp stacks. It is an overdrive effects pedal that offers a classic tube-like sound and is suitable for guitarists looking to achieve a specific vintage tone.
The DOD FX102 Mystic Blues Overdrive, introduced in 1998, is the successor to the Juice Box Overdrive and features much the same circuitry and design. The unit incorporates level, drive, low, and high controls. It responds to the dynamics of your signal and is designed to add the right amount of distortion to a guitar when it is already running into a distorted amplifier. The pedal delivers singing highs and velvety lows, and just enough overdrive to rattle the windows. The manufacturer's suggested retail price is $99.95.
The Department of Defense (DoD) recognizes the criticality of corrosion prevention and control (CPC) planning to acquisition program success. Corrosion is defined as the deterioration of a material or its properties due to a reaction of that material with its chemical environment. The CPC Source provides information on planning, design, sustainment, and workforce competencies, as well as corrosion science, paints, coatings, environmental severity classifications (ESC), and cathodic protection. Corrosion can affect a vast array of physical assets, including buildings, wharves, airfields, pavements, and other facility categories. The CPC Source offers insights into planning, design, sustainment, and workforce competencies related to corrosion. It also provides specific facility category CPC information. The Department of Defense (DoD) spends approximately $20 billion annually on maintenance due to corrosion, which accounts for almost 20% of every maintenance dollar. Therefore, CPC planning is essential from system inception to disposal, as it reduces the Total Ownership Cost and improves availability and safety. The primary responsibility for the CPC Guidebook resides with the Office of Deputy Assistant Secretary of Defense for Materiel Readiness (Corrosion Policy and Oversight) within the Office of the Undersecretary of Defense for Acquisition and Sustainment. The guidebook assists the acquisition and sustainment workforce, and system procuring activities in developing and executing an effective CPC plan. It focuses on integrating CPC planning and execution early and throughout the acquisition process, resourcing the necessary funding and expertise, managing CPC risks, incorporating CPC language in procurement and contract documents, and monitoring CPC planning and execution throughout the acquisition process.
The DOD Overdrive Preamp/250 is an analog overdrive pedal with a classic design and modern functionality. It features vintage correct LM741 OpAmp, a tough, light, pedalboard-friendly aluminum chassis, standard power input jack, true bypass, LED indicator, and bullion gold powder-coat. The pedal offers gain and level controls, and it is equipped with true-bypass circuitry and a bright blue LED indicator for easy visibility. The dimensions of the pedal are approximately 4.68 x 2.63 x 2.25 inches (11.89 x 6.68 x 5.71 cm), making it compact and suitable for pedalboards. The power source required is a 9V DC power supply.
The DOD FX101 Grind Rectifying Overdrive is designed to emulate Mesa/Boogie- type rectified distortion. It shares the same circuitry as its sibling overdrive, the DOD FX100. The pedal features controls such as Blast (volume), Rumble (low frequencies), Burn (high frequencies), and Fear (gain/distortion). The FX101 is known for its ability to produce a wide range of tones, from mild overdriven and boosted tones to massive Marshall stack-like distortion. The pedal is capable of handling modern output pickups without sacrificing tone quality. It is equipped with an EQ section and is suitable for both rhythm and lead tones. The DOD FX101 Grind Rectifying Overdrive is a versatile distortion pedal with a wide range of tonal capabilities.
The DOD Death Metal Distortion FX86B is designed to channel raw, savage tones of the metal genre into a single pedal with an easy-to-use interface. The pedal features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The tones range from low-end grinding mess to a hyper-noise screech. It is capable of producing intense noise tones and can oscillate when the "R.I.P." control is turned up, allowing oscillation at any amp volume. The pedal is known for its over-the-top distortion, sturdy construction, and the ability to create a grinding wall of noise perfect for harmonic corruption. The DOD Death Metal Distortion FX86B is suitable for creating a wall of sound and can be used to add low-end distortion to your sound, particularly when playing death metal.
The DOD Looking Glass Overdrive is a Class-A FET overdrive pedal designed in collaboration with SHOE Pedals. It offers a range of tone shaping tools, making it a versatile and intuitive pedal for guitarists. The key features and technical specifications include: \- Versatile, intuitive pre-drive bass cut and post-drive treble controls, allowing players to retain clarity in the mix or dial in various tones. \- Unique input filter control to tame overly bright guitars and interact with guitar pickups to cut through the mix without overwhelming the audience's ears. \- Ability to shape tone from glassy boost and light overdrive to the psychedelic sounds of a vintage amp pushed to the brink of failure. \- Level control for setting the output level of the pedal. \- Gain control to adjust the intensity of overdrive/distortion. \- Treble control to manage high frequencies after the main distortion stages of the pedal. \- Internal DIP switches for adjusting input impedance and engaging a darker voicing of the input filter when using buffered pedals before the Looking Glass. Overall, the DOD Looking Glass Overdrive offers a wide range of tone shaping capabilities and is designed to provide guitarists with a versatile and dynamic overdrive pedal.
The DOD FX51 Juice Box is an overdrive pedal designed to add an extra boost to a distorted amp channel. It features a 3-band EQ, volume, gain, and tone controls, and true bypass functionality. The pedal is powered by a nine-volt battery or power supply. The Juice Box is an analog pedal and is not rack- mountable as it is a stomp box. It was introduced at the Winter 1996 NAMM meeting and was the first overdrive pedal introduced by DOD since the FX53 Classic Tube in 1990. The FX51 Juice Box was discontinued by early 1998. The pedal is designed to add the right amount of distortion to a guitar when it is already running into a distorted amplifier. It features independent controls for low and high EQ, and its harmonics stand out, allowing users to achieve various tones, from tube-like scream to rock-a-billy twang. The pedal is equipped with two 4558-type op amps and is loosely based on the FX100 and FX101 circuits.
The DOD FX86 Death Metal is a distortion pedal designed to produce intense noise tones. It features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The pedal is capable of producing tones ranging from low-end grinding mess to hyper-noise screech. It is known for its ability to create a grinding wall of noise, making it perfect for harmonic corruption and creating a savage, raw tone characteristic of death metal music. The pedal has been described as having a unique distortion, with heavy bass, painful middle, and scratchy high frequencies, making it suitable for creating a brutal and aggressive sound. The DOD FX86 Death Metal is often favored for its loudness, superb EQ, and array of possible super brutal distortion sounds. It is also known for its solid construction and cool look. The DOD FX86 Death Metal Distortion pedal is available in various conditions and price ranges, with options for both new and used units. It is often praised for its ability to produce a variety of harsh noise distortion sounds and is considered a must-have for those seeking a powerful and aggressive distortion effect.
The DOD FX53 Classic Tube is designed to replicate the warm, smooth distortion and long, singing sustain of early 1960s amp stacks made famous by iconic musicians like Jimi Hendrix, Cream, and Led Zeppelin. The pedal features clickless FET switching, LED indicator, and AC/DC operation. Its controls include Volume, Tone, and Drive. The pedal is known for its ability to produce warm, smooth distortion and long, singing sustain, reminiscent of vintage amp stacks. It is an overdrive effects pedal that offers a classic tube-like sound and is suitable for guitarists looking to achieve a specific vintage tone.
The DOD FX65 Stereo Chorus is an analog chorus pedal that offers controls for speed, depth, and delay time. It features a delay time control, allowing for extra creative control over the chorus effect. The pedal uses an MN3007 BBD chip for its analog chorus and is equipped with input and stereo output connectors. The input impedance is 500 kOhms, and the output impedance is 1 kOhms. The pedal is recommended to be powered by a 10V source and utilizes buffered bypass. The dimensions of the pedal are 76mm wide and 127mm high.
The DOD FX102 Mystic Blues Overdrive, introduced in 1998, is the successor to the Juice Box Overdrive and features much the same circuitry and design. The unit incorporates level, drive, low, and high controls. It responds to the dynamics of your signal and is designed to add the right amount of distortion to a guitar when it is already running into a distorted amplifier. The pedal delivers singing highs and velvety lows, and just enough overdrive to rattle the windows. The manufacturer's suggested retail price is $99.95.
The DOD FX55B Supra Distortion is a high-gain distortion pedal originally manufactured in the late 80s and early 90s. It features a three-knob control interface, providing a symmetrical standard distortion sound with a boost of gain in its upper range. The pedal operates on 9V power and offers buffered bypass functionality. The FX55B is an analog pedal that is designed to produce a high-gain preamplifier effect, overdriving the input signal to create sustained notes and characteristic distortion similar to an overdriven guitar amplifier.
The DOD FX96 Echo FX Analog Delay is an analog delay pedal that offers tape delay simulation. It features the MN3005 4096-stage BBD chip driven by a MN3101 clock generator/driver CMOS chip, as well as an NE570N (rev. A) or SA571N (rev. B) compander, and three surface-mounted 4560 op-amps. The pedal includes controls for Dry/Tape blend, Echo delay time (up to 800ms), Slap repeats, and Tape Quality for adjusting the tonal quality of the tape emulation. The delay time is 300-400ms, and it can produce warm analog tape delay sounds. The pedal was discontinued after undergoing a cosmetic change, internal restructurings, and a new Chinese production location.
The DOD Death Metal Distortion FX86B is designed to channel raw, savage tones of the metal genre into a single pedal with an easy-to-use interface. The pedal features controls for "R.I.P." (master level), "Guts" (low EQ), "Pain" (mid EQ), and "Scream" (high EQ). The tones range from low-end grinding mess to a hyper-noise screech. It is capable of producing intense noise tones and can oscillate when the "R.I.P." control is turned up, allowing oscillation at any amp volume. The pedal is known for its over-the-top distortion, sturdy construction, and the ability to create a grinding wall of noise perfect for harmonic corruption. The DOD Death Metal Distortion FX86B is suitable for creating a wall of sound and can be used to add low-end distortion to your sound, particularly when playing death metal.
The DOD FX51 Juice Box is an overdrive pedal designed to add an extra boost to a distorted amp channel. It features a 3-band EQ, volume, gain, and tone controls, and true bypass functionality. The pedal is powered by a nine-volt battery or power supply. The Juice Box is an analog pedal and is not rack- mountable as it is a stomp box. It was introduced at the Winter 1996 NAMM meeting and was the first overdrive pedal introduced by DOD since the FX53 Classic Tube in 1990. The FX51 Juice Box was discontinued by early 1998. The pedal is designed to add the right amount of distortion to a guitar when it is already running into a distorted amplifier. It features independent controls for low and high EQ, and its harmonics stand out, allowing users to achieve various tones, from tube-like scream to rock-a-billy twang. The pedal is equipped with two 4558-type op amps and is loosely based on the FX100 and FX101 circuits.
The DOD FX25 Envelope Filter features the following technical specifications: \- Input Impedance: 500K ohms \- Output Impedance: 1K ohms \- Filter Frequency Range: 50Hz-2.5KHz \- Filter Q (Range): Variable 1-100 \- Gain: 0db \- Size: 5" x 3" x 2" \- Weight: 1.2 lbs. The FX25 is an automatic wah wah pedal that varies the wah effect based on the intensity of the guitar strings' attack. The "Range" control adjusts the amount of sweep the wah provides, while the "Sensitivity" control sets the level of attack required to trigger the wah effect. The pedal is designed to provide a level-dependent wah effect, where the intensity of playing determines the sweep of the wah effect. It can be used for subtle accompaniment or for bold and bright solos.
The DOD Envelope Filter 440 offers classic, funky, quack filter tones that respond to picking dynamics. It features an up/down switch that enables emphasizing desired areas of the sweep. The pedal has a level control to adjust the sensitivity of the envelope based on pick attack. It is based on the original DOD Envelope Filter 440 circuit design with updated components. The pedal works equally well on guitar, bass, and keys, providing options for funky chordal work, simulated wah, or trippy drawn-out filter sweeps. The pedal is designed with a lightweight aluminum chassis for portability and features a blue LED power indicator. The dimensions of the pedal are approximately 4.68" L x 2.63" W x 2.25" H, and it can be powered by a 9V battery or a 9V DC power supply (sold separately).