Manufacturers
Welcome to your ultimate guide to Effectrode's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Effectrode. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
The Effectrode Leveling Amplifier, also known as the 'LA-1A', is a studio- grade vacuum tube compressor in a pedal form. It is designed to enable artists and engineers to extract every nuance from a musical performance without compromise. The pedal features a parallel tube plate design, which is typically found in high-end tube phono-stage preamps for turntables, resulting in reduced noise floor and exceptional signal-to-noise ratio. Key specifications and features include: \- Input impedance: Greater than 1MΩ \- Output impedance: Less than 1KΩ \- Controls: Peak Reduction, Gain, Boost, Attack, and Knee \- Features: Dynamic tube equalizer, active tube boost, and tube-buffered output circuitry \- All-tube: Super low-noise parallel tube input stage (four tube sections) operating in class-A \- Photo-optical: Ultra-linear, low distortion photo-resistive attenuator with fast attack time (< 1ms) \- True bypass with 'anti-pop' foot-switching circuitry \- Power requirements: 12VDC @ 1A center positive \- Dimensions: Width 7.5", depth 4.8", height 1.3" \- Weight: 2lb \- Construction: Solid die-cast aluminum box with a tough light-grey powder coat finish The pedal also features various knobs for adjusting compression, sustain, make-up gain, tube boost, attack, knee, and dynamic EQ. Additionally, it includes balanced direct out and external select ¼” TRS (stereo) jack sockets for versatile connectivity options. The LA-1A Leveling Amplifier is hand-built and designed to provide exceptional tone enhancement and compression for musical instruments.
The Effectrode PC-2A is a compressor pedal with the following technical specifications and features: \- Input impedance: Greater than 1MΩ \- Output impedance: Less than 1KΩ \- Controls: Peak Reduction and Gain \- Features: Limit/Compress switch \- All tube: Based on a Sylvania N.O.S. mil-spec subminiature triode pencil tube operating in class-A \- Photo-optical: Ultra-linear, low distortion photo-resistive attenuator \- True bypass: With ‘anti-pop’ or ‘thump’ foot-switching circuitry \- Power requirements: 12VDC @ 600mA - Centre positive 2.1mm barrel connector \- Dimensions: Width 4.75"; Depth 3.75" \- Weight: 12oz (on Earth); 1.5oz (Callisto) \- Construction: Solid die-cast aluminum box \- Finish: Tough light-grey powder coat The PC-2A is designed to provide musical and smooth compression, achieved through thermionic technology found in high-end vintage studio compressors. The signal path is 100% analogue, class A, based on a vintage Sylvania tube and a special design Silonex photo-resistive attenuator. The pedal is designed for flexibility, simplicity, and outstanding sound quality, utilizing audiophile-grade components and silver solder throughout the circuit. The PC-2A features an all-tube audio path operating at amp plate voltages, ensuring maximum headroom and very low noise. It also includes a 'Proper' side-chain with A-weighted filtering, replicating the response of the human ear for natural and musical compression. The gain is controlled by an optical attenuator, ensuring minimal distortion and a smooth two-stage release characteristic. The pedal also includes controls for Peak Reduction and Gain, as well as a Limit/Compress toggle switch to alter the transfer characteristic of the compressor input/output curve, enabling it to operate as a compressor and limiter. Additionally, it features a true bypass with 'anti-pop' or 'thump' foot-switching circuitry to reduce noise when engaging the pedal. The PC-2A is a versatile and high-quality compressor pedal suitable for both live and studio applications, offering natural and quiet compression with a focus on preserving the attack characteristics while creating musical and transparent compression.