Cirrus

\- The Cirrus is a spatial-temporal modifier pedal that combines delay and reverb in one unit. \- It features three different delay and reverb modes, each with a special dynamic feature controlled by picking attack. \- The delay side offers up to 1.5 seconds of delay time, with modes including Modulated Delay (MOD), Sample & Hold (S/H), and Octave (OCT). \- The reverb side includes Modulated Reverb (MOD), Low-pass Filter (LP), and High-pass Filter (HP) modes. \- Each side has its own mix control and sensitivity control to adjust the reaction to picking dynamics. \- The pedal also offers tap tempo, the ability to change the order of effects, an expression input for controlling parameters, and an FX loop for inserting additional effects. \- It is handmade in Germany and requires a 9V DC center-negative power supply with a power consumption of 220mA. \- The dimensions of the pedal are H: 6.2 cm (including knobs), W: 9 cm, D: 12 cm, and it weighs 408g.

Wurm

Here's the information: \- The Wurm is a distortion pedal designed to deliver the legendary distortion sound from the out-of-production Boss HM2 MIJ pedal, known for its association with Swedish chainsaw metal. \- It features a graphic 4-band equalizer with variable center frequencies, along with three different high-mids settings and three different clipping styles. \- The pedal includes a TRS effect loop and an external trigger input for the noise gate, offering maximum sonic flexibility. \- Controls: Gain, Low, L-Mid, H-Mid, High, Low center frequency, L-Mid center frequency, H-Mid center frequency, High center frequency, Gate, Master \- Switches: Clip style, EQ style \- LED indicators for Distortion On and Noise Gate On \- Input: 6.3 mm jack \- Output: 6.3 mm jack \- FX Loop: 6.3 mm stereo jack \- EXT Trigger: 6.3 mm jack plug \- Power consumption: 100 mA \- Power supply via 9 V DC mains adapter (not included in delivery, suitable mains adapter: Art. 409939) \- True bypass \- Dimensions (W x D x H): 146 x 121 x 60 mm \- Weight: 584 g \- Handmade in Germany \- Note: Battery operation is not supported

Fuzzly Bear

The KMA Audio Machines Fuzzly Bear V2 is a modern re-imagining of the classic Silicium-Fuzz 'Jordan Boss Tone' for today. It is a handmade pedal designed and assembled in Berlin, Germany. The pedal features a true-bypass switching system and is powered by an optional 9V PSU with a current draw of approximately 2mA. The pedal is housed in a powder-coated die-cast enclosure, ensuring maximum durability. The controls on the Fuzzly Bear V2 include: \- SKIN/MEAT: Changing the bias of the gain stage and shifting the mid- frequency from skinny aggressive throaty sound to low-end fuzzy balls. \- GAIN: Dial in the perfect amount of fuzz from low gain distortion to a thick, meaty fuzzy sound. \- VOLUME: Controls the output signal. The specifications of the Fuzzly Bear V2 are as follows: \- Weight: 0.27 kg \- Dimensions: 11.5 × 6.1 × 3.1 cm \- Analog \- Available in Black or Orange color \- Power Connection Type: Centre Negative \- Silicon-based fuzz \- Voltage: 9V \- EAN 13: 0651650249037 \- MPN: Fuzzly Bear V2 \- GTIN 14: 00651650249037 Additionally, the Fuzzly Bear V2 is equipped with relay-based silent circuitry and improved electronics. It is suitable for use with electric guitars and basses.

Guardian of the Wurm

The Guardian of the Wurm by KMA Audio Machines is a high-gain distortion pedal with a built-in noise gate, designed for electric guitar and bass. It is the next evolution of KMA's top-seller WURM, offering extensive and configurable HM-2 style distortion. The pedal features a Blackmer® VCA-based noise gate that is easy to use and high-performance, providing ultra-fast noise reduction. Key Features: \- Distortion Pedal with Built-in Noise Gate \- 3 different clipping styles \- Clean Blend for a tight low end \- Highly configurable 4-band Active EQ with variable center frequencies \- 3 distinct types of HIGH MIDS frequency controls \- External Trigger Input for noise gate control from an external source \- FX-Loop between Distortion and Noise-Gate for signal-chain flexibility \- Relay-based soft-switching with variable Gate switching modes \- Made in Berlin, Germany \- Power supply: 9V DC (not included) \- Power consumption: >150mA max The pedal also includes an internal control for an input filter, signal- trigger source, and noise gate response. The Guardian of the Wurm is handmade in Germany and is powered by an optional 9V DC power supply with a maximum current draw of over 150mA. It does not support battery operation.

Dead Stag

Fuzzly Bear

The KMA Audio Machines Fuzzly Bear V2 is a modern re-imagining of the classic Silicium-Fuzz 'Jordan Boss Tone' for today. It is a handmade pedal designed and assembled in Berlin, Germany. The pedal features a true-bypass switching system and is powered by an optional 9V PSU with a current draw of approximately 2mA. The pedal is housed in a powder-coated die-cast enclosure, ensuring maximum durability. The controls on the Fuzzly Bear V2 include: \- SKIN/MEAT: Changing the bias of the gain stage and shifting the mid- frequency from skinny aggressive throaty sound to low-end fuzzy balls. \- GAIN: Dial in the perfect amount of fuzz from low gain distortion to a thick, meaty fuzzy sound. \- VOLUME: Controls the output signal. The specifications of the Fuzzly Bear V2 are as follows: \- Weight: 0.27 kg \- Dimensions: 11.5 × 6.1 × 3.1 cm \- Analog \- Available in Black or Orange color \- Power Connection Type: Centre Negative \- Silicon-based fuzz \- Voltage: 9V \- EAN 13: 0651650249037 \- MPN: Fuzzly Bear V2 \- GTIN 14: 00651650249037 Additionally, the Fuzzly Bear V2 is equipped with relay-based silent circuitry and improved electronics. It is suitable for use with electric guitars and basses.

Minos

The KMA Audio Machines Minos is a versatile three-stage Germanium Fuzz pedal designed for electric guitar. It offers a wide range of fuzz tones, from woolly or lo-fi jangle to thick and angry sounds. The pedal features various controls and switches to shape the tone and match different rigs, including the INPUT, ANGER, VOLUME, TONE CUT, and BASS SWITCH. The BASS SWITCH offers three different settings from lo-fi garage over to punchy mids to thick and saturated fuzz from the golden era. The Minos is a modern approach to the old-fashioned and beloved three-stage Germanium sound, providing a tool for different styles of fuzz sounds and music. It is designed, assembled, silkscreened, tested, and numbered by hand in a small workshop in Berlin, Germany. The pedal uses double-sided PCBs designed, tested, and assembled by KMA Audio Machines to guarantee a high- quality standard. Technical Specifications: \- Type: Germanium Fuzz \- Controls: INPUT, ANGER, VOLUME, TONE CUT, BASS SWITCH \- Power Supply: 9V DC Center Negative (Adapter Only) \- Consumption: 5mA \- True-Bypass switching \- Handmade in Berlin, Germany \- Dimensions: 112mm (L) x 60mm (W) x 50mm (H) \- Weight: 0.24 kg

Dead Stag

Wurm

Here's the information: \- The Wurm is a distortion pedal designed to deliver the legendary distortion sound from the out-of-production Boss HM2 MIJ pedal, known for its association with Swedish chainsaw metal. \- It features a graphic 4-band equalizer with variable center frequencies, along with three different high-mids settings and three different clipping styles. \- The pedal includes a TRS effect loop and an external trigger input for the noise gate, offering maximum sonic flexibility. \- Controls: Gain, Low, L-Mid, H-Mid, High, Low center frequency, L-Mid center frequency, H-Mid center frequency, High center frequency, Gate, Master \- Switches: Clip style, EQ style \- LED indicators for Distortion On and Noise Gate On \- Input: 6.3 mm jack \- Output: 6.3 mm jack \- FX Loop: 6.3 mm stereo jack \- EXT Trigger: 6.3 mm jack plug \- Power consumption: 100 mA \- Power supply via 9 V DC mains adapter (not included in delivery, suitable mains adapter: Art. 409939) \- True bypass \- Dimensions (W x D x H): 146 x 121 x 60 mm \- Weight: 584 g \- Handmade in Germany \- Note: Battery operation is not supported

Queequeg

The Queequeg by KMA Audio Machines is a monophonic suboctave generating device designed for guitar, bass, and synth applications. It features an all-analog circuit design for ultra-fast tracking, providing an organic and smooth suboctave sound. The pedal includes a single knob SUB control, allowing users to blend the generated suboctave with the clean signal. The SUB control ranges from completely clean to 100% suboctave action, with various sonic blends in between. The pedal is powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 10mA current draw). It is housed in an indestructible powder- coated die-cast enclosure, ensuring maximum durability. The dimensions of the pedal are 74 x 128 x 60 mm, and it weighs approximately 350 g. The Queequeg 2, the latest version, offers additional sub-octave, octave selection, and mix controls that are freely adjustable. It features three different modes and true bypass. The power consumption is 60 mA, and it is powered via a 9V DC mains adapter (not included). The pedal is handmade in Germany and is designed, assembled, silkscreened, tested, and numbered by hand in the manufacturer's small workshop. The use of double-sided PCBs, designed, tested, and assembled by the manufacturer, ensures a high-quality standard while keeping the price reasonable.

Moai Maea

The KMA Audio Machines Moai Maea is an analog octaver pedal designed to produce a wide range of octave tones. It generates one higher octave with a fuzzy character, reminiscent of late '60s and early '70s octave-up tones, and up to two sub-octaves, effectively creating a massive wall of sound from a single note. The pedal features three modes, including the higher octave, the first sub-octave, the second sub-octave, or a combination of both sub-octaves. The Moai Maea offers the following technical specifications: \- Effect Type: Analog Octaver \- Technology: Analog \- Mono / Stereo: Mono In, Mono Out \- Controls: OC+1, OC-1, OC-2, Clean \- Bypass Mode: True Bypass \- Power Supply: 9 VDC, Center negative \- Battery Type: 9 V Block \- Housing Size: Medium Size \- Also Suitable for Bass: Yes \- Boutique Effect: Yes \- Country of Origin: Germany \- Internal trimming for fuzz part and volume of the High Octave \- Internal DIP switch for phase invert \- FX loop in the clean signal path for looping in external effect pedals The pedal also includes a serial buffered FX loop in the clean path and a phase inverter to prevent phase cancellation when mixing signals. Each octave section is foot-switchable, allowing for precise control over the generated octaves and the original signal mix. The Moai Maea is handmade in Berlin, Germany, and features true-bypass switching. It is powered by an optional 9V PSU with a current draw of approximately 20mA. Additionally, the pedal offers the possibility to create an individual mix of each generated octave and the original signal, providing expanded soundscapes for the user.

Logan

The Logan by KMA Audio Machines is a versatile overdrive pedal designed to transcend the boundaries of traditional overdrive effects. It offers a range of features and functionalities tailored for guitarists seeking tonal flexibility and expressive control. Key Features: \- Open and super touch-responsive overdrive pedal \- Impressive high-headroom design with up to 25 dB gain \- Suitable for use as a preamp with IR cab simulators or modelers \- 3-band Active EQ with adjustable Mid Frequency for ultimate tonal flexibility \- Dedicated Mids footswitch for pushing solos \- Standard expression input for hands-free control of midrange frequency, enabling fast and quacky wah-like sounds to slow and enveloping phaser-style filter sweeps \- True Bypass silent relay-based soft switching \- Handmade in Berlin, Germany \- Powered by optional 9 V PSU (9 V DC, center -, 2.1 mm, 30 mA max. current draw) The Logan's active 3-band EQ, including a fully parametric Mid-EQ with a separate On/Off-Footswitch, Pre or Post Gain position-switch, and expression input, provides outstanding flexibility and control over the pedal's tone. The pedal's design allows for a wide range of overdriven tones, from clean boost and amp-like breakup to full-on rock distortion. The 3-band EQ enables boosting or cutting of the signal by around 15 dB for shaping the tone, while the fully parametric Mid-EQ section allows for precise control over the midrange frequency and level. The dedicated Mids footswitch and expression pedal input further enhance the pedal's versatility, making it suitable for a variety of musical styles and playing techniques. The Logan is a meticulously crafted overdrive pedal that offers guitarists a new era of overdriven tones, combining exceptional sound quality with extensive tonal control and expressive capabilities. For sales in the EU, prices will be converted to Euro during checkout, and relevant local VAT will be added where appropriate.

Horizont

The Horizont by KMA Audio Machines is an interdimensional multi-spatial stereo JFET phaser designed to push beyond classic phasing sounds. It offers the following technical specifications and features: \- Multi-spatial JFET Phaser with 8 different waveforms \- LFO, Envelope, and Manually controlled phasing for dynamic phaser tones \- Stereo Outs for standard stereo or stereo panning mode \- Expression and CV input for expressive phaser tones \- Effects loop for creating unique phaser tones by adding other pedals \- Tap Tempo for precise tempo synchronization \- True Bypass silent relay-based soft switching \- Power by optional 9 V PSU (9 V DC, center -, 2.1 mm, 75 mA max. current draw) \- Handmade in Berlin, Germany Dimensions: 125 x 153 x 58 mm Weight: 0.55 kg The Horizont is suitable for electric guitar use and offers a wide range of phasing capabilities, making it a versatile tool for musicians seeking expressive modulation effects.

Cirrus

\- The Cirrus is a spatial-temporal modifier pedal that combines delay and reverb in one unit. \- It features three different delay and reverb modes, each with a special dynamic feature controlled by picking attack. \- The delay side offers up to 1.5 seconds of delay time, with modes including Modulated Delay (MOD), Sample & Hold (S/H), and Octave (OCT). \- The reverb side includes Modulated Reverb (MOD), Low-pass Filter (LP), and High-pass Filter (HP) modes. \- Each side has its own mix control and sensitivity control to adjust the reaction to picking dynamics. \- The pedal also offers tap tempo, the ability to change the order of effects, an expression input for controlling parameters, and an FX loop for inserting additional effects. \- It is handmade in Germany and requires a 9V DC center-negative power supply with a power consumption of 220mA. \- The dimensions of the pedal are H: 6.2 cm (including knobs), W: 9 cm, D: 12 cm, and it weighs 408g.