Doppelganger

The Lovetone Doppelganger is a twin oscillator phaser/vibrato pedal that offers a wide range of classic and non-classic uses. It is known for its unparalleled purity and transparency of tone, as well as its harmonic richness, making it a versatile texture machine. The pedal covers a spectrum from mellow and subliminal to Hendrix-style, crunchy, and swirling rotary-type effects. The Doppelganger features two oscillators and a separate stop for phase and vibrato with the option to bypass. It offers deep and rich phase, making it highly suitable for studio use. The pedal also includes two inputs for expression or volume pedals to control either one or both of the onboard LFOs. One of the unique features of the Doppelganger is the input for a light- sensitive reactor, which can be used for theremin-like modulation. The pedal's dimensions are 200 mm wide, 185 mm high, and 3 1/4 inches (8.3 cm) in depth at the deepest point. The Lovetone Doppelganger is designed to run off a 9V battery via snap inside or a standard 9V jack. It is a discontinued pedal that was produced by Lovetone, a company known for its innovative and high-quality effects pedals.

Wobulator

The Flanger with No Name

The Flanger with No Name by Lovetone is a highly evolved pedal that offers a wide range of spatial time-based effects. It is known for its versatility, spanning from hypnotic chilled-out subtlety to extreme and comforting extremes. The pedal features innovative concepts that produce stunning spatial effects, offering a unique combination of flanger, phaser, chorus, tape echo simulation, vibrato, tremolo, ring mod-like sounds, reverb effects, rotary effects, and more. Technical Specifications: \- Stereo outputs \- Wide range triangle/square LFO \- CV/pedal input for delay time \- Gain control \- FX loop for emulating echoplex-like sounds with digital delay \- Twin mode delay mix \- Twin mode regen. control \- Gate/sync input \- Loop on/off footswitch \- 2 Bypass footswitches \- Light jack for light-sensitive reactor modulation \- Dimensions: Height 7 1/8 in. (18.1 cm), Width 7 7/8 in. (20 cm), Depth 3 1/4 in. (8.3 cm) at the deepest point \- Power: 9VDC, can be powered by a 9V battery or standard 9V power adapter The pedal is designed to deliver vintage fatness and smoothness of tone, making it suitable for studio use and live performances. It offers a unique reactor input for light-sensitive modulation, allowing for theremin-like effects. The Flanger with No Name is a rare and coveted pedal, known for its pristine burnished sounds and its ability to create a wide array of time-based and modulation effects.

? The Flange With No Name

The Flange With No Name by Lovetone, also known as the ?™, is a highly versatile flanger pedal with innovative features that expand its applications into various areas. The pedal is essentially a time delay-based device with separate access to delay time modulation and the straight signal, enabling stereo use and various control options. It is designed to self-oscillate, generating its own sounds and offering a wide range of sonic possibilities. Key Technical Specifications: \- Height: 7 1/8 in. (18.1 cm) \- Width: 7 7/8 in. (20 cm) \- Depth: 3 1/4 in. (8.3 cm) at the deepest point Features: \- Offers flanging, phasing, chorusing, and genuine vib/trem effects \- Capable of self-oscillation, expanding into modular synth-like territory \- Provides a wide range of delay times, from phasing to cardboard tube reverb and slap back echo \- Allows for separate control of delay time modulation and straight signal, enabling unique sonic possibilities \- Offers various control options for manual and LFO modulation, including depth, rate, and reaction controls \- Includes input gain control for optimizing signal level and headroom \- Features an effects loop for additional signal processing and experimentation \- Provides connections for volume pedal, light jack, and control voltage for versatile modulation control \- Equipped with a stereo output for stereo use and a summed mono output The pedal's design and functionality make it suitable for a wide range of musical genres and applications, from studio use to live performances. It has been favored by musicians across genres and generations, including rock and shoegaze icons like Kevin Shields of My Bloody Valentine, J. Mascis of Dinosaur Jr., and the Greenwoods of Radiohead. The pedal comes with its original instruction document but lacks the original box and power supply.

Big Cheese

The Lovetone Big Cheese is a fuzz pedal that was produced in the mid to late 1990s in the United Kingdom. It is known for its epic fuzz sound and innovative controls. The pedal features three knobs: "Curds" for gain, "Whey" for volume, and a tone selector that allows users to sculpt the tone by boosting or scooping the mids, as well as a "Swiss" gated mode. The Big Cheese is designed to deliver a brash, wild fuzz that works best when cranked up high in a rock setting. The pedal's dimensions are approximately 5 1/2 inches in height, 5 5/8 inches in width, and 2 1/2 inches in depth at the deepest point. It is housed in a giant aluminum enclosure with a distinctive sharp cheddar paint job. The Big Cheese is powered by a 9V battery via snap inside, or a 9V power adapter with a 3.5mm jack. It is noted for its harmonically rich early fuzz characteristics and its ability to create a distinct character of its own. The pedal has been used by musicians across genres and generations, including notable artists such as Kevin Shields of My Bloody Valentine, J. Mascis of Dinosaur Jr., and the Greenwoods of Radiohead. The Lovetone Big Cheese is considered one of the most versatile fuzz pedals ever made, delivering a wide range of fuzz tones from thick and chunky to spluttery and fizzy. It has been praised for its high quality and innovative, interactive controls that can take the fuzz from almost "gated" break-up to overkill of shred proportions.

Brown Source

The Flanger with No Name

The Flanger with No Name by Lovetone is a highly evolved pedal that offers a wide range of spatial time-based effects. It is known for its versatility, spanning from hypnotic chilled-out subtlety to extreme and comforting extremes. The pedal features innovative concepts that produce stunning spatial effects, offering a unique combination of flanger, phaser, chorus, tape echo simulation, vibrato, tremolo, ring mod-like sounds, reverb effects, rotary effects, and more. Technical Specifications: \- Stereo outputs \- Wide range triangle/square LFO \- CV/pedal input for delay time \- Gain control \- FX loop for emulating echoplex-like sounds with digital delay \- Twin mode delay mix \- Twin mode regen. control \- Gate/sync input \- Loop on/off footswitch \- 2 Bypass footswitches \- Light jack for light-sensitive reactor modulation \- Dimensions: Height 7 1/8 in. (18.1 cm), Width 7 7/8 in. (20 cm), Depth 3 1/4 in. (8.3 cm) at the deepest point \- Power: 9VDC, can be powered by a 9V battery or standard 9V power adapter The pedal is designed to deliver vintage fatness and smoothness of tone, making it suitable for studio use and live performances. It offers a unique reactor input for light-sensitive modulation, allowing for theremin-like effects. The Flanger with No Name is a rare and coveted pedal, known for its pristine burnished sounds and its ability to create a wide array of time-based and modulation effects.

? The Flange With No Name

The Flange With No Name by Lovetone, also known as the ?™, is a highly versatile flanger pedal with innovative features that expand its applications into various areas. The pedal is essentially a time delay-based device with separate access to delay time modulation and the straight signal, enabling stereo use and various control options. It is designed to self-oscillate, generating its own sounds and offering a wide range of sonic possibilities. Key Technical Specifications: \- Height: 7 1/8 in. (18.1 cm) \- Width: 7 7/8 in. (20 cm) \- Depth: 3 1/4 in. (8.3 cm) at the deepest point Features: \- Offers flanging, phasing, chorusing, and genuine vib/trem effects \- Capable of self-oscillation, expanding into modular synth-like territory \- Provides a wide range of delay times, from phasing to cardboard tube reverb and slap back echo \- Allows for separate control of delay time modulation and straight signal, enabling unique sonic possibilities \- Offers various control options for manual and LFO modulation, including depth, rate, and reaction controls \- Includes input gain control for optimizing signal level and headroom \- Features an effects loop for additional signal processing and experimentation \- Provides connections for volume pedal, light jack, and control voltage for versatile modulation control \- Equipped with a stereo output for stereo use and a summed mono output The pedal's design and functionality make it suitable for a wide range of musical genres and applications, from studio use to live performances. It has been favored by musicians across genres and generations, including rock and shoegaze icons like Kevin Shields of My Bloody Valentine, J. Mascis of Dinosaur Jr., and the Greenwoods of Radiohead. The pedal comes with its original instruction document but lacks the original box and power supply.

Cheese Source

The Lovetone Cheese Source is a highly sought-after pedal due to its unique features and capabilities. It is a combination of the Big Cheese and Brown Source pedals, offering a range of functionalities for guitar and bass applications. The Source section of the Cheese Source pedal provides a subtle overdrive effect, delivering soft psychedelic amp distortion reminiscent of classic sounds from the late 60s and early 70s. It offers controls for Drive, Tone, and Volume, allowing for a wide variety of driven sounds. The Tone control interacts with a three-position switch, providing a preset EQ control for adjusting the top end of the signal. The Cheese section of the pedal is a loving homage to the buzzy, harmonically rich early fuzz. It features controls for Curds (gain), Whey (volume), and a Tone control with a three-position switch for adjusting the EQ curves. The Cheese section offers a distinct character of its own, with innovative controls that can take it from almost "gated" break-up to overkill of shred proportions. The pedal also offers flexible routing options, allowing the Source and Cheese sections to be used independently or in combination, providing many interesting tonal combinations. Additionally, the Cheese Source can be used as an insert effect within the Meatball's effects loop, offering further sonic possibilities. The Cheese Source pedal is designed to run on 9V PP3 batteries or a 12V external power supply. It is built with solid construction using pressed metal, and its control knobs and switches are mounted directly onto a single circuit board, providing durability for both studio and live performance use. Overall, the Lovetone Cheese Source pedal offers a range of tonal possibilities for guitar and bass applications, with its unique combination of overdrive and fuzz effects, flexible routing options, and solid construction.

Big Cheese

The Lovetone Big Cheese is a fuzz pedal that was produced in the mid to late 1990s in the United Kingdom. It is known for its epic fuzz sound and innovative controls. The pedal features three knobs: "Curds" for gain, "Whey" for volume, and a tone selector that allows users to sculpt the tone by boosting or scooping the mids, as well as a "Swiss" gated mode. The Big Cheese is designed to deliver a brash, wild fuzz that works best when cranked up high in a rock setting. The pedal's dimensions are approximately 5 1/2 inches in height, 5 5/8 inches in width, and 2 1/2 inches in depth at the deepest point. It is housed in a giant aluminum enclosure with a distinctive sharp cheddar paint job. The Big Cheese is powered by a 9V battery via snap inside, or a 9V power adapter with a 3.5mm jack. It is noted for its harmonically rich early fuzz characteristics and its ability to create a distinct character of its own. The pedal has been used by musicians across genres and generations, including notable artists such as Kevin Shields of My Bloody Valentine, J. Mascis of Dinosaur Jr., and the Greenwoods of Radiohead. The Lovetone Big Cheese is considered one of the most versatile fuzz pedals ever made, delivering a wide range of fuzz tones from thick and chunky to spluttery and fizzy. It has been praised for its high quality and innovative, interactive controls that can take the fuzz from almost "gated" break-up to overkill of shred proportions.

Ring Stinger

The Ring Stinger by Lovetone is a rare and sought-after ring modulator/fuzz octave doubler/repeater/dirt box/optical synth. It is based on the original transformer matrix for a distinctive vintage ring mod sound and 60s germanium distortion. The pedal is designed with concepts akin to modular synths, offering numerous sound possibilities. The Ring Stinger features a ring modulator that combines two inputs (A and B) into one output, transforming them into new sounds not originally heard at the inputs. It can produce atonal and "bell-like" effects commonly associated with ring modulation. The pedal allows various ways of modulating the carrier frequency, including footpedal, light, external control voltage, and a built- in Low Frequency Oscillator (LFO). The pedal's housing is designed for easy access to the battery compartment and features a warning about sharp circuit board components. It is optimized for instrument level (-20dBm to -15dBm) and can be powered by a 9V or 12V power supply. The VCO output is much higher than instrument level, and it is important to turn down the amp or monitoring volume before calibration. The Ring Stinger also includes controls for LFO Depth/Manual, LFO Rate, VCO Freq., Drive(I), Timbre, Blend, LFO selector switch, VCO selector switch, and footswitches for LFO/Unlock and Oct./Ring mode selection. The pedal offers a wide range of sound possibilities, including "Dalek" effects, bell tones, bowed/plucked effects, repeater effects, frequency- doubled VCO, and more. It is known for its versatility and unique sound capabilities.

Cheese Source

The Lovetone Cheese Source is a highly sought-after pedal due to its unique features and capabilities. It is a combination of the Big Cheese and Brown Source pedals, offering a range of functionalities for guitar and bass applications. The Source section of the Cheese Source pedal provides a subtle overdrive effect, delivering soft psychedelic amp distortion reminiscent of classic sounds from the late 60s and early 70s. It offers controls for Drive, Tone, and Volume, allowing for a wide variety of driven sounds. The Tone control interacts with a three-position switch, providing a preset EQ control for adjusting the top end of the signal. The Cheese section of the pedal is a loving homage to the buzzy, harmonically rich early fuzz. It features controls for Curds (gain), Whey (volume), and a Tone control with a three-position switch for adjusting the EQ curves. The Cheese section offers a distinct character of its own, with innovative controls that can take it from almost "gated" break-up to overkill of shred proportions. The pedal also offers flexible routing options, allowing the Source and Cheese sections to be used independently or in combination, providing many interesting tonal combinations. Additionally, the Cheese Source can be used as an insert effect within the Meatball's effects loop, offering further sonic possibilities. The Cheese Source pedal is designed to run on 9V PP3 batteries or a 12V external power supply. It is built with solid construction using pressed metal, and its control knobs and switches are mounted directly onto a single circuit board, providing durability for both studio and live performance use. Overall, the Lovetone Cheese Source pedal offers a range of tonal possibilities for guitar and bass applications, with its unique combination of overdrive and fuzz effects, flexible routing options, and solid construction.

Brown Source

Doppelganger

The Lovetone Doppelganger is a twin oscillator phaser/vibrato pedal that offers a wide range of classic and non-classic uses. It is known for its unparalleled purity and transparency of tone, as well as its harmonic richness, making it a versatile texture machine. The pedal covers a spectrum from mellow and subliminal to Hendrix-style, crunchy, and swirling rotary-type effects. The Doppelganger features two oscillators and a separate stop for phase and vibrato with the option to bypass. It offers deep and rich phase, making it highly suitable for studio use. The pedal also includes two inputs for expression or volume pedals to control either one or both of the onboard LFOs. One of the unique features of the Doppelganger is the input for a light- sensitive reactor, which can be used for theremin-like modulation. The pedal's dimensions are 200 mm wide, 185 mm high, and 3 1/4 inches (8.3 cm) in depth at the deepest point. The Lovetone Doppelganger is designed to run off a 9V battery via snap inside or a standard 9V jack. It is a discontinued pedal that was produced by Lovetone, a company known for its innovative and high-quality effects pedals.

Ring Stinger

The Ring Stinger by Lovetone is a rare and sought-after ring modulator/fuzz octave doubler/repeater/dirt box/optical synth. It is based on the original transformer matrix for a distinctive vintage ring mod sound and 60s germanium distortion. The pedal is designed with concepts akin to modular synths, offering numerous sound possibilities. The Ring Stinger features a ring modulator that combines two inputs (A and B) into one output, transforming them into new sounds not originally heard at the inputs. It can produce atonal and "bell-like" effects commonly associated with ring modulation. The pedal allows various ways of modulating the carrier frequency, including footpedal, light, external control voltage, and a built- in Low Frequency Oscillator (LFO). The pedal's housing is designed for easy access to the battery compartment and features a warning about sharp circuit board components. It is optimized for instrument level (-20dBm to -15dBm) and can be powered by a 9V or 12V power supply. The VCO output is much higher than instrument level, and it is important to turn down the amp or monitoring volume before calibration. The Ring Stinger also includes controls for LFO Depth/Manual, LFO Rate, VCO Freq., Drive(I), Timbre, Blend, LFO selector switch, VCO selector switch, and footswitches for LFO/Unlock and Oct./Ring mode selection. The pedal offers a wide range of sound possibilities, including "Dalek" effects, bell tones, bowed/plucked effects, repeater effects, frequency- doubled VCO, and more. It is known for its versatility and unique sound capabilities.

Wobulator

Meatball

The Lovetone Meatball is a dynamic filter pedal known for its versatile filtering capabilities and has been used by numerous artists since the 1990s. The pedal features the following technical specifications and functionalities: \- Dimensions: 200 mm wide, 185 mm high \- Current Draw: Not specified \- Price: Discontinued Key Features: \- Sensitivity control \- Attack and Decay controls \- Range control for fine-tuning frequency response and creating subtle effects \- Resonance control \- Blend for mixing straight signal with effect \- Pedal facility for creating wah-type effects using a standard passive volume pedal \- FX loop for inserting octaves and distortion or using external trigger facility \- High, Low, and Band-pass filter modes \- Four selectable filter frequency ranges \- Triggering off full or half bandwidth and trigger off for static tone control or adding/scooping tone with blend \- LED indicators for filter response and effect on/off Additional Functionality: \- The Meatball can be used as a static filter by disengaging the trigger. \- Offers low-pass, band-pass, or high-pass filtering options. \- Provides pedal inputs for remote real-time filter adjustment, compatible with specific expression pedals recommended by Lovetone. The Meatball's filtering capabilities allow for a wide range of tonal changes, making it a valuable tool for musicians seeking unique and expressive sounds.