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E1005 Analog Delay

The Yamaha E1005 Analog Delay Line provides variable time delay of up to 400 milliseconds. It is equipped with both a mic input and a switchable mic/instrument input, each with its own input level control. The unit features controls that enable it to create chorus, double-tracking, flanging, and other special effects. Additionally, a foot switch jack allows for convenient on/off control of the effects. The E1005 offers two outputs: one carries an adjustable blend of direct and delayed signal, enabling standalone use without an external mixer, while the second output carries delayed signal only for stereo synthesis, pure delay, and other effects. The high input impedance ensures that the delay line will not load high impedance instrument pickups, allowing the direct sound to retain its full frequency response regardless of the delay settings. All controls are clearly labeled and recessed to avoid inadvertent changes in settings, and the front panel-mounted input and output jacks enable shorter patch cables in musical instrument amplification systems. The analog delay line provides echo and related effects by slowing down audio signals, offering a space-age alternative to older tape-loop echo machines. The term "analog" indicates that the audio signal retains its original voltage levels throughout the electronics, distinguishing it from digital delay lines where the signal is converted and stored as binary numbers.

E1005 Analog Delay

The Yamaha E1005 Analog Delay Line provides variable time delay of up to 400 milliseconds. It is equipped with both a mic input and a switchable mic/instrument input, each with its own input level control. The unit features controls that enable it to create chorus, double-tracking, flanging, and other special effects. Additionally, a foot switch jack allows for convenient on/off control of the effects. The E1005 offers two outputs: one carries an adjustable blend of direct and delayed signal, enabling standalone use without an external mixer, while the second output carries delayed signal only for stereo synthesis, pure delay, and other effects. The high input impedance ensures that the delay line will not load high impedance instrument pickups, allowing the direct sound to retain its full frequency response regardless of the delay settings. All controls are clearly labeled and recessed to avoid inadvertent changes in settings, and the front panel-mounted input and output jacks enable shorter patch cables in musical instrument amplification systems. The analog delay line provides echo and related effects by slowing down audio signals, offering a space-age alternative to older tape-loop echo machines. The term "analog" indicates that the audio signal retains its original voltage levels throughout the electronics, distinguishing it from digital delay lines where the signal is converted and stored as binary numbers.

UD-Stomp

The Yamaha UD-Stomp is a collaboration between Yamaha and guitar legend Allan Holdsworth, offering an innovative guitar effects stompbox that provides the ultimate in modulation and delay. This incredible guitar effects processor is like having 8 of the world's finest rack mount delay units in one rugged design. Key Features: \- 8-Band Delay with a maximum delay time of 696ms per band \- Delay Time, Loop Filter (High Cut, Low Cut), Feedback, Tap, Pan, Level parameters can be set for each individual Effect Band \- Effect Bands can be connected in series or parallel and grouped together \- Maximum delay time (8 bands grouped) is 5890ms \- Tap Tempo Function (Delay Time) and Loop Sampling Function \- Individual Modulation Settings (Speed, Depth) for each Effect Band are available \- Two types of modulation waves can be set simultaneously (Sine + Triangle/Saw Up/Saw Down) \- Modulation sync between bands is available MIDI Functions: \- Receive: Program Change, Control Change, Bulk In \- Transmit: Program Change, Control Change, Bulk Out, Merge Out Controller Switch: \- Top Panel Push Switch x17 \- FUNCTION Knob x14 \- Footswitch x4 \- Rear Panel STAND-BY ON/OFF, INPUT LOW/HIGH \- Display: 7 Segment LED (3 digit) x1, Push Switch LED x17, Foot Switch LED x4 Connections/Jacks: \- INPUT: Standard Monaural Phone Jack \- OUTPUT L/MONO, R: Standard Monaural Phone Jack \- PHONES: Standard Stereo Phone Jack \- EXP. PEDAL: Standard Stereo Phone Jack \- DIGITAL OUT: COAXIAL (Sampling Rate: 44.1 kHz) \- MIDI IN, MIDI OUT: 5 pin DIN A/D Converter: 20 bit + 3 bit D/A Converter: 20 bit Sampling Frequency: 44.1 kHz Memory Allocations: Preset - 90, User - 90 Input Level/Impedance: INPUT HIGH -25dBm/1MΩ, INPUT LOW -15dBm/1MΩ Output Level/Impedance: OUTPUT L/MONO, R - 0dBm/1kΩ, PHONES - 0dBm/47Ω (47Ω load) Power: Exclusive Power Adaptor (AC-10), AC Output: AC12V, 1000mA Power Consumption: 15W Dimensions (WxHxD): 280x70x184mm (11.0”x2.8”x7.2”) Weight: 2.2kg (4lbs 14oz) The Yamaha UD-Stomp offers a comprehensive set of features for guitarists seeking high-quality modulation and delay effects in a rugged and versatile design.

OD-10MII

Rex-50

The Yamaha REX50 is a digital multi-effector released in 1987/88. It is a compact and lightweight unit that offers a range of effects and features. The REX50 provides 30 preset effects in ROM and 60 in RAM, utilizing PCM sound generation method. It features a numeric LCD display in red on black, and offers MIDI control. The unit includes two stereo inputs and two stereo outputs, and is operated using buttons. The REX50 is known for its great delays and special effects, making it suitable for a variety of instruments including keys, guitar, bass, and vocals.

DG Stomp

The Yamaha DG Stomp is a digital guitar pre-amplifier that integrates the power and performance of the DG Series amplifiers into a rugged stomp box design. It features electronic circuit modeling, 8 amp types, 16 speaker cabinet types, and a variety of digital effects including compressor, chorus, flanger, phaser, tremolo, rotary speaker, digital delay, tape echo, spring reverb, hall reverb, and plate reverb. The pedal also includes a tap tempo function, tuner, and speaker simulator with 16 types. It offers external controller functions for expression pedal and MIDI, with 8 controllers/parameters available. The DG Stomp has a 48 kHz digital output for noise-free direct-to-disk recording and a stereo and headphone output. Additionally, it comes with 4 built-in footswitches and a 7-segment LED display with push switch LED indicators. The pedal's dimensions are 280 x 70 x 184mm (11 x 2-3/4" x 7-1/4") and it weighs 2.2kg (4.85 lbs). The DG Stomp is powered by an exclusive power adaptor (AC-10) with AC output of AC12V, 1000mA, and has a power consumption of 15W. The package includes a power adaptor (AC-10).

Magicstomp

The Yamaha Magicstomp UB99 Guitar Effects Processor Pedal is a versatile and powerful device designed to deliver high-quality amp simulations and effects for guitarists. It utilizes a 32-bit DSP designed by Yamaha to provide amp simulations and effects from the DG series amplifiers and DG, AG, and UD-Stomp effects, as well as digital effects derived from the Yamaha SPX series. The pedal features 99 factory preset patches and 99 user patches, allowing for extensive customization and sound creation. Key Features: \- Powerful 32-bit DSP technology for amp simulations and effects \- New algorithms for stunning effects and powerful amplifier simulations \- 99 factory preset patches and 99 user patches for customization \- Simple design with 4 knobs and 3 footswitches for easy operation \- USB connectivity for uploading new patch data and editing patches on a computer \- Built-in chromatic auto tuner for live performances and recording Technical Specifications: \- A/D Conversion: 24-bit \- Sampling Frequency: 44.1 kHz \- Weight: 910 g (2 lbs. ) \- Accessories: Power Adaptor (AC-10), CD-ROM, USB Cable, Owner's Manual, Patch List \- Power Consumption: 12 W The pedal's design and functionality make it suitable for a wide range of use- cases, from live performances to studio recording, offering guitarists the flexibility to create and customize their own unique sound.

MFC1 Midi Foot Controller

The Yamaha MFC1 Midi Foot Controller is a versatile MIDI foot control device designed to provide hands-free operation of MIDI equipment. It offers broad control of MIDI program change and control change functions, allowing users to operate MIDI equipment via foot control while leaving their hands free to play an instrument or perform other operations. Key Features: \- Capable of transmitting MIDI program change numbers to select voices on a synthesizer or different programs on a MIDI-compatible effect unit. \- Received MIDI data from the MIDI IN terminal is merged with the data internally generated by the MFC1 and delivered via the MIDI OUT terminal. \- Chain function enables the transmission of a sequence of MIDI commands by pressing a footswitch. Technical Specifications: \- Brand: Yamaha \- Model: MFC1 \- Categories: Controllers, Volume and Expression \- Made In: Japan \- Finish: Black \- Year: 1986 \- Condition: Good (Used) \- Dimensions: Specific dimensions not available

GW10

The Yamaha GW10 is a portable and convenient multi-effect device designed for guitars and other instruments. It features three basic effect blocks: Distortion, Chorus, and Delay, each with additional effect types such as Compressor, Overdrive, Crunch, Wah, Amp Simulator, Equalizer, and Pitch Shifter, along with a built-in Noise Gate. The GW10 offers high-quality sound in all effects and exceptional ease of use, allowing users to adjust parameters much like conventional pedal effects. Key Features: \- Three basic effect blocks: Distortion, Chorus, and Delay \- Additional effect types within each block \- Built-in Noise Gate \- User memory for storing up to 20 effect programs \- Built-in tuner for tuning the instrument without removing it from the signal chain \- Real-time control over various effect parameters \- Foot Controller for easy volume adjustment and real-time control over effect parameters \- Stereo output and onboard noise gate \- Compact and robust design \- Powered from an external mains adapter The GW10 provides comprehensive effect control with twenty professionally programmed multi-effects, using high-quality Distortion, Chorus, and Delay blocks. It is suitable for signal processing in home recording, studio, and live performance applications.

AG Stomp

The Yamaha AG Stomp is an acoustic guitar pre-amplifier and multi-effector designed for acoustic-electric guitars. It is equipped with a mic simulator that can emulate condenser, dynamic, and tube microphones, providing a natural acoustic-electric sound. The pedal also features settings for nylon strings and includes feedback reduction to prevent unwanted noise. The AG Stomp offers four effects: limiter, chorus, delay, and reverb. The pedal's top panel includes controls for manual settings, utility mode, and storing patches. It also features tone controls for bass, middle, treble, and presence, as well as output level control. The effect section includes controls for chorus speed, depth, and level, as well as delay time and volume. Additionally, it offers reverb effect buttons and feedback reduction buttons with frequency and depth controls. The rear panel includes power, guitar power supply, MIDI, digital output, EXP pedal, and headphone jacks, as well as input and output jacks for connecting to mixers, amplifiers, and other devices. The AG Stomp can also be controlled using MIDI devices and foot controllers. The pedal is powered by a supplied AC-10 power adaptor and can also deliver power to an electric-acoustic guitar's built-in pre-amplifier via the supplied TRS phone cable. It is important to follow the specified precautions for using the AG Stomp, including avoiding extreme temperatures, high humidity, and excessive dust, and using only the supplied power adaptor.

OD-10MII

PH-01 Phaser

GW10

The Yamaha GW10 is a portable and convenient multi-effect device designed for guitars and other instruments. It features three basic effect blocks: Distortion, Chorus, and Delay, each with additional effect types such as Compressor, Overdrive, Crunch, Wah, Amp Simulator, Equalizer, and Pitch Shifter, along with a built-in Noise Gate. The GW10 offers high-quality sound in all effects and exceptional ease of use, allowing users to adjust parameters much like conventional pedal effects. Key Features: \- Three basic effect blocks: Distortion, Chorus, and Delay \- Additional effect types within each block \- Built-in Noise Gate \- User memory for storing up to 20 effect programs \- Built-in tuner for tuning the instrument without removing it from the signal chain \- Real-time control over various effect parameters \- Foot Controller for easy volume adjustment and real-time control over effect parameters \- Stereo output and onboard noise gate \- Compact and robust design \- Powered from an external mains adapter The GW10 provides comprehensive effect control with twenty professionally programmed multi-effects, using high-quality Distortion, Chorus, and Delay blocks. It is suitable for signal processing in home recording, studio, and live performance applications.

Rex-50

The Yamaha REX50 is a digital multi-effector released in 1987/88. It is a compact and lightweight unit that offers a range of effects and features. The REX50 provides 30 preset effects in ROM and 60 in RAM, utilizing PCM sound generation method. It features a numeric LCD display in red on black, and offers MIDI control. The unit includes two stereo inputs and two stereo outputs, and is operated using buttons. The REX50 is known for its great delays and special effects, making it suitable for a variety of instruments including keys, guitar, bass, and vocals.

E1010

The Yamaha E1010 is an analog delay unit with a maximum delay of around 300ms. It features a panel full of knobs, providing immediate changes without the need to navigate menus. The unit is designed for real-time tweaking and is equipped with five latching buttons for selecting delay ranges of 10ms, 75ms, 150ms, 225ms, and 300ms. The DELAY control scales the selected range between 0.25X and 1X. The E1010 is suitable for echo, slap, and Haas processing effects, but modulated effects such as chorus and flanging may not sound optimal due to the missing delay range and the implementation of the LFO sweep control law. The unit utilizes multiple BBD ICs, including the MN3004 512-stage BBD for the 10ms range and a quad of chained MN3005 4096-stage BBDs for other ranges. To address noise accumulation, passive low pass filters, active filters, and a NE570 compander are employed to improve the signal-to-noise ratio. Basic controls for MIX, FEEDBACK, FREQUENCY, and DEPTH are available, along with separate BASS and TREBLE controls to modify the tone of the direct signal before entering the BBD chain. The E1010 also features front and rear panel jacks for input and output, with an optional direct output available on the rear panel only. Overall, the Yamaha E1010 is suitable for simple slap delay or Haas effects for stereo enhancement, and it is a go-to unit for imparting a subtle stereo image on guitars.

E1005 Analog Delay

The Yamaha E1005 Analog Delay Line provides variable time delay of up to 400 milliseconds. It is equipped with both a mic input and a switchable mic/instrument input, each with its own input level control. The unit features controls that enable it to create chorus, double-tracking, flanging, and other special effects. Additionally, a foot switch jack allows for convenient on/off control of the effects. The E1005 offers two outputs: one carries an adjustable blend of direct and delayed signal, enabling standalone use without an external mixer, while the second output carries delayed signal only for stereo synthesis, pure delay, and other effects. The high input impedance ensures that the delay line will not load high impedance instrument pickups, allowing the direct sound to retain its full frequency response regardless of the delay settings. All controls are clearly labeled and recessed to avoid inadvertent changes in settings, and the front panel-mounted input and output jacks enable shorter patch cables in musical instrument amplification systems. The analog delay line provides echo and related effects by slowing down audio signals, offering a space-age alternative to older tape-loop echo machines. The term "analog" indicates that the audio signal retains its original voltage levels throughout the electronics, distinguishing it from digital delay lines where the signal is converted and stored as binary numbers.

Rex-50

The Yamaha REX50 is a digital multi-effector released in 1987/88. It is a compact and lightweight unit that offers a range of effects and features. The REX50 provides 30 preset effects in ROM and 60 in RAM, utilizing PCM sound generation method. It features a numeric LCD display in red on black, and offers MIDI control. The unit includes two stereo inputs and two stereo outputs, and is operated using buttons. The REX50 is known for its great delays and special effects, making it suitable for a variety of instruments including keys, guitar, bass, and vocals.

SPX90 II Digital Multi-Effects Processor

The Yamaha SPX90 II Digital Multi-Effects Processor is a versatile and powerful unit designed for professional audio processing. It offers a range of features and functionalities tailored to meet the demands of various use- cases. The SPX90 II boasts the following technical specifications and features: \- Reverb: Four distinct reverb programs provide rich, lifelike recreations of the ambience of various acoustic environments. \- Early reflection: This effect brings punch and presence to vocals and instruments by simulating the first discrete reflections of a sound before reverb begins. \- Delay: Independent delay settings for both right and left channels expand the range of delay effects, with a maximum delay time of 2 seconds. \- Echo: The gradual decay of discrete reflections, with independently programmable settings for complex echo effects on both right and left channels. \- Modulation: Professional-quality modulation effects including Stereo Flange, Chorus, Stereo Phasing, Tremolo, Vibrato, and Symphonic, enrich the sound. \- Auto panning: An automatic pan with programmable direction, speed, and depth of the sound between right and left channels. \- Reverb and gate: A programmable gate controls the envelope of the reverb sound, creating a wide range of unique and unusual sonic possibilities. \- Pitch change: Varies the pitch of an input signal over a two-octave range, enabling chorus and harmonizer effects with fine and coarse adjustments. \- Freeze: Records up to two seconds of sound for complete or partial playback at any pitch, triggerable from various sources. \- Compressor: An effective way to smooth out the dynamics of a sound. \- ADR/Noise gate: Uses an envelope or gate to control the volume contour of any input signal, for gating sounds or creating reverse gate effects. \- Parametric EQ: Programmable 2-band parametric equalization plus variable Hi-pass/Low-pass filters. \- Remote control unit (optional): Permits instant recall of preset effects from any location. The SPX90 II is known for its ability to add 80s/90s vibes to audio tones and has been used by renowned artists such as Brian Eno, Depeche Mode, Howard Jones, Steve Vai, and Thomas Dolby. With its advanced features and high- quality effects, the Yamaha SPX90 II Digital Multi-Effects Processor is a valuable tool for audio professionals and enthusiasts alike.