Manufacturers
Guitar Pedals from Strymon
Welcome to your ultimate guide to Strymon's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Strymon. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
Amp Modelers and Cab Sims
Iridium
The Iridium by Strymon is an amp modeler and impulse response (IR) cabinet pedal designed to provide a comprehensive range of features and functionalities. Here are the technical specifications for the Iridium: \- Input Impedance: 1M Ohm \- Output Impedance: 100 Ohm \- Input: 1/4″ TS mono; switchable 1/4″ TRS stereo (unbalanced) \- Outputs: 1/4″ TS (unbalanced) \- A/D & D/A: 24-bit 96kHz \- Max Input Level: +8dBu \- Frequency Response: 20Hz to 20kHz \- Signal to Noise: 110dB typical \- DSP Performance: 1585 MegaFLOPS \- Bypass Switching: Buffered Bypass \- Dimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall) \- Power requirements: 9VDC center negative; 500mA minimum when using headphone output, 300mA minimum without headphones The Iridium features a hybrid room ambience design that combines 256ms impulse response captures of real rooms for realistic early reflections, with an algorithm for extended decay and modulation. It delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. The pedal includes three iconic amplifiers and nine impulse response speaker cabinets, providing a wide range of tonal options. Additionally, it offers adjustable room ambience with selectable small, medium, and large rooms. The Iridium is designed with premium stereo high impedance discrete JFET analog front end with up to 22dB of pure analog gain, providing a responsive amp-style control for Drive, Level, Bass, Middle, and Treble. It also allows users to load their own impulse responses using Strymon Impulse Manager software. All Strymon products are designed and built in the USA, ensuring high-quality manufacturing standards and attention to detail.
Zuma
The Strymon Zuma is a high-current pedal power supply designed to meet the needs of professional guitarists and musicians. It features nine high-current, fully isolated outputs, each offering a 9V DC option with 500mA per output, capable of powering nearly any pedal. Additionally, it includes two selectable outputs that offer 9V, 12V, or 18V DC options, with the 12V option providing 375mA and the 18V option providing 250mA. The Zuma delivers a maximum of 48W and comes with nine pedal cables (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight cables) and a detachable IEC power cable. Furthermore, it includes a 24V OUT jack that allows connection to additional outputs via the Strymon Ojai or Ojai R30 (sold separately). The Zuma's design incorporates two stages of isolation, effectively eliminating ground loop and AC line noise issues, ensuring that the pedals sound as they were designed to sound. It also features automatic international power compatibility, making it suitable for worldwide use. The expandable system allows for the addition of more outputs by connecting a Strymon Ojai or Ojai R30, providing a modular power distribution system that can grow with the user's pedalboard. The pedal's construction includes a lightweight and rugged anodized midnight blue aluminum chassis, designed to fit under most pedalboards. The Zuma's dimensions are 6.8″ x 3.3″ x 1.8” (173mm x 84mm x 46mm), and it weighs 1.25 lbs. (680g). The Zuma is the most advanced isolated pedal power supply available, offering ultra-low noise, dual isolation, and energy efficiency. It is designed and built in the USA by a power design team with over 25 years of experience in power system design.
Chorus and Vibrato
Ola
The Ola by Strymon is a digital chorus and vibrato pedal designed to deliver lush and organic modulation sounds. It features a dedicated SHARC DSP for high-performance processing. The pedal offers true bypass, a favorite preset, stereo input and output, and a high-quality analog front end and output section. Key Specifications: \- Pedal Type: Chorus/Vibrato \- Analog/Digital: Digital \- Inputs: 2 x 1/4" (left, right) \- Outputs: 2 x 1/4" (left, right) \- Bypass Switching: True bypass \- Power Requirements: 9V DC center negative, minimum of 250mA current Modes and Controls: \- Chorus Type: Traditional single-delay-line chorus \- Multi Type: Studio chorus effect with three individual dBucket delay sections per channel \- Vibrato Type: Employs a sinusoidal-type LFO and a single dBucket delay line per channel \- Mode Switch: Normal (on/off), envelope controlled, ramp mode \- Controls: Speed, Type, Depth, Mix, Ramp/Env, Tone, Favorite preset, Bypass Additional Features: \- Hand-crafted dBucket algorithm for accurate reproduction of analog bucket brigade chip \- Three modulation types and three dynamic modes \- Global Tone control for modulation color \- Mix control for modulation intensity \- Controllable Ramp speed and Envelope sensitivity The Ola pedal is known for its ability to capture the warmth and sonic complexities of analog choruses and vibratos, making it a versatile chorus and vibrato workhorse.
Lex
The Strymon Lex is a studio-class pedal designed to faithfully recreate the classic sound of a rotating speaker system. It features a complete, accurately reproduced rotary system, including the low-frequency bass rotor, rotating treble horn, tube-driven amplifier, and finely tuned microphone placement. The pedal utilizes a powerful SHARC DSP to authentically represent these details. Key features and specifications of the Strymon Lex include: \- Hand-crafted rotary algorithms faithfully deliver the signature, three- dimensional rotating speaker experience \- Extensive control over rotating speaker mechanics and configuration \- Four rotary adjustment and tone shaping knobs: Fast Rotor Speed, Preamp Drive, Mic Distance, Horn Level \- Four "hidden" knobs for extensive tone tweaking: Slow Rotor Speed, Cab Direction, Acceleration Time, +/- 6dB Boost/Cut \- Instantly alternate between a fast and slow rotor speed with the Fast/Slow footswitch \- Selectable Cab Filter allows for an optimal experience in front of guitar amplifiers and full-range systems \- Ins and Outs: Input, Exp (Expression pedal), Left Output, Right Output, Power (9 volts DC center negative, with a minimum of 250mA current) The pedal also offers a range of secondary functions, including Cab Direction, +/- 6dB Boost/Cut, and Acceleration Time, providing users with in-depth control over the rotary speaker simulation.
Delay
Brigadier dBucket Delay
The Strymon Brigadier dBucket Delay is a digital pedal that accurately emulates the analog bucket brigade delay (BBD) sound. It features a handcrafted dBucket algorithm that reproduces the sonic complexities of analog bucket delays with high precision. The pedal offers three distinct delay voicings: 3205, 3005, and Multi, each delivering unique analog delay characteristics. Key Features: \- Handcrafted dBucket algorithm for highly accurate reproduction of analog bucket brigade delay and associated circuitry \- Bucket Loss control to vary the amount of loss at each stage of the dBucket \- 3 delay time modes: Short, Medium, and Long \- Tap Tempo modes for quarter notes, dotted eighth notes, and eighth note triplets \- Filter control for adjusting the tone of the delay repeats \- Dedicated Modulation control \- Adjustable +/- 3dB boost or cut when the effect is engaged \- Press and hold Tap for Infinite Repeats Controls and Inputs/Outputs: \- FILTER: Adjusts EQ filtering, noise, and bucket loss of the repeats based on the selected voice \- MOD: Adds LFO modulation to the delay time \- TIME: Controls the delay time according to the selected voice \- MIX: Controls the balance of analog dry signal and wet signal \- VOICE: Selects from three delay voicings: 3205, 3005, and Multi \- FOOTSWITCH: Engages and disengages the effect \- REPEATS: Varies the number of delay repeats \- IN: High impedance, ultra-low noise, discrete Class A JFET preamp input \- OUT: Low impedance stereo TRS output \- EXP/MIDI: Multifunction communication jack for external control and MIDI operation \- 9V DC: Power supply input Audio Quality: \- High impedance ultra-low noise discrete Class A JFET TRS stereo input \- Low impedance TRS stereo output \- USB jack for MIDI control from a computer and firmware updates The Brigadier dBucket Delay pedal offers a versatile and powerful delay experience, with MIDI control, premium components, and rugged construction in a compact form factor.
El Capistan dTape Echo
The Strymon El Capistan dTape Echo pedal is a versatile and powerful tape echo emulation pedal designed to deliver a wide range of classic delay effects. It features handcrafted dTape algorithms that meticulously recreate the nuances of tape echo systems. The pedal offers three different tape machine types in one, each with three unique modes, providing extensive control over tape quality, machine health, and tone shaping. Key Features: \- Three tape machine types in one pedal, each with three unique modes \- Extensive control over tape quality, machine health, and tone shaping \- Sound on sound looping without the maintenance and repair associated with traditional tape machines \- Full MIDI implementation for remote control of switches, knobs, and settings \- MIDI Clock Sync for synchronized delay time \- 300 MIDI preset locations for saving favorite settings \- Premium analog JFET input circuit for superb responsiveness \- Mono or stereo input selection \- Spring reverb algorithm with a vintage vibe \- ARM DSP chip for enhanced processing power and energy efficiency The pedal also offers a range of delay controls, including tape speed adjustment, repeats, wow & flutter, tape age, crinkle, and bias, as well as low-end contour and sound on sound functionality. It provides true/buffered bypass, JFET input, boost/cut, and ARM processor for versatile and high- quality performance. The El Capistan dTape Echo pedal is designed to transform pedalboards into inspiration machines, offering classic sound with new features and technological advancements. It is suitable for a wide range of musical styles and applications, from classic single-note slapback to ambient, washed-out echoes and multi-layered soundscapes.
Brigadier
The Brigadier by Strymon is a powerful and compact digital delay pedal designed to deliver the best analog bucket brigade sound. It features a SHARC DSP chip powered bucket brigade delay emulation pedal with a dBucket algorithm that provides highly accurate reproduction of every stage of an analog bucket brigade chip and the associated clock driver circuitry. Key specifications and features include: \- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters \- 115dB typical signal to noise ratio \- Analog dry path for zero latency dry signal \- Bucket Loss control to vary the amount of loss that occurs at each stage of the dBucket \- 3 delay time modes: Short, Medium, and Long \- Tap Tempo modes for quarter, dotted eighth, and eighth note triplets \- Filter control for adjusting the tone of the delay repeats \- Dedicated Modulation control \- Adjustable +/- 3dB boost or cut when the effect is engaged \- Press and hold Tap for Infinite Repeats \- Selectable true bypass or buffered bypass \- Power consumption: 9V DC center negative (power supply included) 250 mA \- Dimensions: H: 6.2" The pedal offers a versatile delay powerhouse with the ability to produce warm and clean repeats as well as noisy, saturated delays. It also includes assignable expression pedal input for added control. The Brigadier is capable of recreating every nuance of an analog delay with none of the drawbacks, making it a valuable tool for musicians and audio professionals seeking high- quality delay effects.
Volante
The Volante by Strymon is a multi-head magnetic media delay machine that provides four playback heads with individual feedback, panning, and level controls. It features processor-intense algorithms that deliver meticulously nuanced recreations of vintage magnetic echo systems, including drum echo, tape echo, and studio reel-to-reel echo. The pedal offers dedicated control over echo machine tone and media, with options for low cut, mechanics, wear, and input record level for clean reproduction to warm, fat saturation. Additionally, it includes independent spring reverb and a sound on sound looping mode (mono) with reverse, pause, splice, and infinite repeat functions. The pedal's specifications include a completely analog dry path with all- analog, ultra-low noise, discrete, class-A stereo JFET preamps, ensuring studio-quality effects. It is powered by the Analog Devices SHARC ADSP-21375 processor, providing a 266 MHz core instruction rate and 1.596 Gigaflops of peak performance, allowing for the creation of processor-intense echo algorithms without compromise. Volante also offers individual head control, tape saturation, spring reverb, presets, head spacing, stereo panning, playable feedback, speed switch, infinite repeats, sound on sound, reverse, pause, MIDI control, expression, line level switch, and MultiSwitch Plus. The pedal's dimensions are 114.3 mm deep x 177.3 mm wide x 44.5 mm tall, and it is designed and built in the USA.
El Capistan
The Strymon El Capistan V2 dTape Echo is a digital tape delay pedal designed to provide a wide range of classic delay effects. It features powerful tape echo emulation, offering three different tape machine types, each with three unique modes, and ten parameters for extensive control over tape quality, machine health, and tone shaping. The pedal includes a dedicated Spring knob for controlling the level of the Spring Reverb, stereo inputs and outputs, and an upgraded ARM processor with significant MIDI capabilities. The pedal offers a Sound on Sound mode with instant tape splice and bulk erase functions, simulating a built-in tape-style looper. It is DSP-driven, providing a range of tape experiences without the maintenance and repair associated with traditional tape machines. The El Capistan V2 dTape Echo also supports full MIDI control, including MIDI clock sync and access to 300 presets via MIDI. It features USB-C connection for MIDI-over-USB and firmware updates, enabling bi-directional MIDI communication with Strymon’s Conduit interface. Technical Specifications: \- Effect: Delay \- Design: Digital \- Mono/Stereo: Stereo In, Stereo Out, USB \- Knobs: Time, Mix, Spring, Tape Age, Repeats, Wow & Flutter \- Switches: Mode, Tape Head \- Bypass Mode: True/Buffered Bypass \- Power Supply: 9V DC, center negative \- Power Consumption: 300 mA \- Works on batteries: No \- Format: Medium \- Made in: USA The Strymon El Capistan V2 dTape Echo pedal is suitable for musicians seeking versatile and high-quality tape echo effects with advanced control and MIDI capabilities.
Deco
The Deco by Strymon is a tape saturation and doubletracker effects pedal designed to recreate the mechanics and technology of vintage studio reel-to- reel tape decks. It offers a range of features and controls for creating classic tape effects and enhancing sound quality. Key Features and Specifications: \- Tape Saturation: The Deco provides smooth and warm analog tape saturation, enhancing touch sensitivity and playing dynamics. It offers transparent overdrive and dynamic compression, with adjustable saturation and level controls. \- Doubletracker: The pedal features controls for creating slapback tape echoes, spacious doubletrack chorusing, and tape flanging effects. It includes lag time, blend, and wobble controls for shaping the doubletracked sound. \- Controls: The front panel controls include saturation, blend, lag time, volume, blend type, and wobble. Additionally, there are secondary functions for high trim, doubletracker boost/cut, auto-flange time, low trim, and wide stereo mode. \- Ins & Outs: The pedal includes input, expression pedal input, left and right outputs, and power input (maximum 9 volts DC center negative, with a minimum of 250mA current). \- Additional Features: The Deco offers auto-flange, wide stereo mode, expression pedal control, individual bypass, TRS stereo input, and studio mode. The Deco pedal is designed to provide a nuanced sonic delivery of classic tape saturation effects and offers a range of tone-shaping options for creating vintage tape effects. It is suitable for guitarists and musicians seeking to add warmth, character, and depth to their sound.
Deco Tape Saturation & Doubletracker
The Deco Tape Saturation & Doubletracker by Strymon is a dual tape machine pedal with dual saturation control, offering a range of vintage tape effects. It provides warm double-tracked tape sounds from the 1950s and can be used to add dimensionality and luscious tape saturation to the signal. The pedal features a tape saturation control that smooths out the sound with familiar and delicious tape compression and saturation, while also providing subtle tape-driven transparent overdrive. The Doubletracker function of the pedal allows users to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds. The pedal also includes new features such as full MIDI implementation, new cassette tape voicing with an auto level control (ALC) process, and a dedicated Tone knob for adjusting the tone of the Tape Saturation from dark to bright. The Deco pedal is equipped with a premium analog JFET input circuit for superb responsiveness to playing, and it offers the option to select mono or stereo input with the flick of a rear panel switch. Additionally, the pedal features a new ARM DSP chip that provides more processing power for every sonic nuance with less energy consumption on the pedalboard. The pedal's specifications include high impedance ultra low-noise discrete Class A JFET TRS stereo input, low impedance independent TS stereo outputs, expression pedal input, USB jack for MIDI control from a computer or firmware updates, and dedicated Tape Saturation On/Off & Doubletracker On/Off footswitches. Overall, the Deco Tape Saturation & Doubletracker by Strymon is a versatile pedal that offers a wide range of vintage tape effects and new features for enhanced sonic flexibility and control.
DIG
The Strymon DIG is a dual digital delay pedal designed for versatile and expressive delay effects. It features two simultaneous, integrated delays with unique digital rack delay voicings from the 1980s and modern high-resolution 24/96 mode. The pedal offers a delay time range from 20ms to 1.6s, extendable to 3.2s with Half Note Delay 1 Subdivision. It provides five rhythmic subdivisions including triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio. The DIG pedal offers three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12-bit pulse code modulation mode, and the modern high-resolution 24/96 mode. It also includes modulation controls, allowing users to select from Off, Light, or Deep modulation levels. The pedal features five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, and Repeats, providing extensive control over the delay effects. Additionally, the DIG pedal offers practical delay controls, including Tap Tempo switch, circular repeats effect, and a full suite of tone adjustment and shaping controls. It also provides advanced features such as Free Mode, expression pedal compatibility, TRS stereo input, and configurable delay signal routing options including Series, Parallel, and Ping Pong configurations. The hardware specifications include an input impedance of 1 Meg Ohm, output impedance of 100 Ohm, signal-to-noise ratio of 115 dB typical, and A/D & D/A conversion at 24-bit 96kHz. The pedal operates on a maximum 9 volts DC center negative power supply, with a minimum of 250mA current. The Strymon DIG pedal is suitable for guitarists and musicians seeking a wide range of delay effects, from ambient soundscapes to rhythmic atmospheric repeats, and is praised for its versatility and audio quality.
Flangers
Orbit
The Strymon Orbit is a digital bucket brigade flanger pedal designed to recreate vintage analog flangers with added features such as through-zero flanging. The pedal features a hand-crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip. It offers three flanger feedback types: positive, negative, and positive/negative, as well as three flanger LFO types: logarithmic, linear, and through zero. The mix control allows for dialing in the intensity of the flange sounds. The Orbit pedal also provides extensive expression pedal control, allowing any control to be assigned to the expression pedal, opening up possibilities for morphing from subdued to wild effects. It features true bypass, a favorite preset, super high-quality analog front end and output sections, and low power consumption. The specifications of the Strymon Orbit include: \- Hand-crafted dBucket algorithm for accurate reproduction of analog bucket brigade chip stages \- Three flanger feedback types: positive, negative, positive/negative \- Three flanger LFO types: logarithmic, linear, through zero \- Mix control for intensity adjustment \- Extensive expression pedal control \- True bypass \- Favorite preset \- High-quality analog front end and output sections \- Low power consumption All Strymon products are designed and built in the USA.
Deco
The Deco by Strymon is a tape saturation and doubletracker effects pedal designed to recreate the mechanics and technology of vintage studio reel-to- reel tape decks. It offers a range of features and controls for creating classic tape effects and enhancing sound quality. Key Features and Specifications: \- Tape Saturation: The Deco provides smooth and warm analog tape saturation, enhancing touch sensitivity and playing dynamics. It offers transparent overdrive and dynamic compression, with adjustable saturation and level controls. \- Doubletracker: The pedal features controls for creating slapback tape echoes, spacious doubletrack chorusing, and tape flanging effects. It includes lag time, blend, and wobble controls for shaping the doubletracked sound. \- Controls: The front panel controls include saturation, blend, lag time, volume, blend type, and wobble. Additionally, there are secondary functions for high trim, doubletracker boost/cut, auto-flange time, low trim, and wide stereo mode. \- Ins & Outs: The pedal includes input, expression pedal input, left and right outputs, and power input (maximum 9 volts DC center negative, with a minimum of 250mA current). \- Additional Features: The Deco offers auto-flange, wide stereo mode, expression pedal control, individual bypass, TRS stereo input, and studio mode. The Deco pedal is designed to provide a nuanced sonic delivery of classic tape saturation effects and offers a range of tone-shaping options for creating vintage tape effects. It is suitable for guitarists and musicians seeking to add warmth, character, and depth to their sound.
Deco Tape Saturation & Doubletracker
The Deco Tape Saturation & Doubletracker by Strymon is a dual tape machine pedal with dual saturation control, offering a range of vintage tape effects. It provides warm double-tracked tape sounds from the 1950s and can be used to add dimensionality and luscious tape saturation to the signal. The pedal features a tape saturation control that smooths out the sound with familiar and delicious tape compression and saturation, while also providing subtle tape-driven transparent overdrive. The Doubletracker function of the pedal allows users to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds. The pedal also includes new features such as full MIDI implementation, new cassette tape voicing with an auto level control (ALC) process, and a dedicated Tone knob for adjusting the tone of the Tape Saturation from dark to bright. The Deco pedal is equipped with a premium analog JFET input circuit for superb responsiveness to playing, and it offers the option to select mono or stereo input with the flick of a rear panel switch. Additionally, the pedal features a new ARM DSP chip that provides more processing power for every sonic nuance with less energy consumption on the pedalboard. The pedal's specifications include high impedance ultra low-noise discrete Class A JFET TRS stereo input, low impedance independent TS stereo outputs, expression pedal input, USB jack for MIDI control from a computer or firmware updates, and dedicated Tape Saturation On/Off & Doubletracker On/Off footswitches. Overall, the Deco Tape Saturation & Doubletracker by Strymon is a versatile pedal that offers a wide range of vintage tape effects and new features for enhanced sonic flexibility and control.
Zelzah
The Zelzah by Strymon is a multifaceted phaser pedal designed to deliver a wide array of classic and innovative modulation effects. It features two independent 4-stage and 6-stage phasers that can be used individually or in various routing configurations, including series, parallel, or split. The pedal offers true stereo operation, with each half of the pedal housing two phasers running side by side or in series, and independently adjustable stereo spread for each. Key Technical Specifications: \- Input Impedance: 1 Meg Ohm \- Output Impedance: 100 Ohm \- A/D & D/A: 24-bit 96kHz \- Max Input Level: +10dBu \- Signal/Noise: 109 dB typical \- Bypass Switching: True Bypass (electromechanical relay switching) \- Dimensions: 4.5″ deep x 4″ wide x 1.75″ tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall) \- Power Requirements: 9VDC center-negative; 300mA minimum The Zelzah's controls are carefully voiced to produce musically useful sounds at any setting, and it offers adjustable input level switch to accommodate both instrument and line level signals. Additionally, it provides selectable Buffered or True Bypass and full-featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, and access to 300 preset locations. The pedal's sound design includes vintage 4-stage phaser with three phaser sweep modes (classic, barber, and envelope) and a groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance. Overall, the Zelzah by Strymon is a versatile and meticulously tuned phaser pedal that offers multidimensional modulation capabilities, true stereo operation, and extensive control options for creating a wide range of phasing, flanging, and chorus effects.
Multi-Effect Pedals
Mobius Modulator
The Strymon Mobius Modulator is a versatile guitar modulation pedal designed to provide a wide range of modulation effects. It features 12 distinct modulation machines, including Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, and Quadrature. Each machine offers fully tweakable and adjustable parameters, allowing for precise control over the modulation effects. The Mobius is equipped with studio-class modulation algorithms, 24-bit, 96kHz converters, and 32-bit floating-point processing, ensuring meticulous and detailed modulation experiences with a 110dB signal-to-noise ratio. It also offers 200 easily accessible and nameable presets, allowing users to save and recall their preferred settings at the press of a switch. In terms of hardware, the Mobius features dual 1/4" stereo outputs, a 9VDC (center negative) power input with a minimum power consumption of 300mA, and MIDI integration for external control. Additionally, it includes an expression pedal input for real-time parameter control and assignable knobs for further customization. The pedal's design incorporates a front panel with intuitive controls for adjusting modulation parameters, while the rear panel provides flexible signal routing options, including standard stereo in/out operation or pre/post mode. The pre/post mode allows the Mobius to be placed in two different locations in a mono signal chain. Overall, the Strymon Mobius Modulator is praised for its high-quality effects, flexibility, and sound quality, making it suitable for both live performance and studio applications. It is considered a versatile and powerful tool for creating a wide range of modulation effects, offering a comprehensive solution for guitarists and musicians seeking expressive and characterful modulation capabilities.
Mobius
The Mobius by Strymon is a versatile guitar modulation pedal designed to deliver a wide range of modulation effects. It features studio-class modulation algorithms with meticulous and detailed modulation experiences. The pedal offers twelve modulation machines, including Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, and Quadrature. The hardware specifications include 24-bit, 96kHz converters, 32-bit floating- point processing, and a 110dB signal-to-noise ratio, ensuring high-quality sound output. The pedal provides 200 easily accessible and nameable presets, allowing users to save and recall presets at the press of a switch. Additionally, it offers expression pedal control, assignable knobs, pre/post mode, and MIDI integration. The Mobius pedal is equipped with a variety of input and output options, including left and right inputs and outputs, an expression pedal input, signal routing switch, MIDI input, MIDI output, and power input of 9VDC (center negative), with a minimum requirement of 300mA. The pedal's front panel features a display for LFO speed, preset name, or preset bank number, along with knobs for speed, depth, level, param 1, and param 2, allowing for complete control over modulation parameters, global settings, and fine-tuning of LFO speed. The rear panel includes various input and output connections, as well as power input. The Mobius pedal has received positive reviews for its sound quality, flexibility, and versatility, making it suitable for both live performances and studio applications. It is praised for its ability to deliver classic analog effects with expressive and characterful sound, as well as its extensive editing capabilities and wide range of modulation effects. Overall, the Mobius by Strymon is a powerful and versatile modulation pedal designed to meet the needs of guitarists and musicians seeking high-quality modulation effects for their performances and recordings.
Overdrive and Boost
Sunset
The Sunset by Strymon is a versatile dual overdrive pedal that combines six classic guitar distortion pedals into one unit, allowing the use of two at once. It features a hybrid design with an analog JFET gain stage and precision-crafted DSP algorithms to capture the nuances and character of each circuit type. The pedal offers a wide range of sought-after tones and is designed for complementary tones when stacked. Key Features: \- Six classic overdrive circuits: Ge overdrive, Texas overdrive, Treble boost, 2stage overdrive, Hard overdrive, and JFET boost \- Independent selection and flexible routing of two overdrive pedals \- Custom-voiced tone knob for quick sound adjustment \- All-analog JFET gain stage for optimal touch sensitivity and dynamic interaction \- Configurable signal flow with series, reverse series, and parallel drive circuit stacking \- Optional variable-threshold noise reduction for taming hum, buzz, and system noise \- Bright switch to tailor the sound for use with different amplifiers \- Expression pedal input for continuous control over any or all of the knobs, or for volume mode control \- MIDI control for seamless integration into a MIDI setup Technical Specifications: \- Input: High impedance mono input \- Output: Mono signal output \- Power: 9V DC center-negative, minimum 250mA \- Dimensions: 8" x 5" x 4" \- Weight: 1.34 pounds The Sunset pedal provides a comprehensive range of classic overdrive tones, offering musicians a versatile tool for shaping their guitar sound with precision and flexibility.
Riverside
The Riverside by Strymon is a tube-inspired multistage drive pedal designed to deliver harmonically rich, versatile, tube-inspired drive sounds. It features a custom cascading multistage distortion topology that provides a wide range of drive tones, from clean overdrive to colossal distortion. The pedal incorporates a digitally controlled analog class A JFET input gain stage, which maximizes headroom and adds up to 20dB of pure analog gain. Additionally, precision-crafted DSP gain stages provide detailed complexity and responsiveness. Key Features: \- Custom cascading multistage distortion topology \- Digitally controlled analog class A JFET input gain stage \- Precision crafted DSP gain stages \- Low gain channel for smooth classic overdrive \- High gain channel for modern saturated distortion \- 3-band EQ with independent Bass, Middle, and Treble controls \- Selectable post-analog gain mid-band EQ push \- Presence switch to tailor the sound for use with all amplifiers from dark to bright \- Optional variable-threshold noise reduction to tame noisy guitar pickups Controls: \- Drive: Adjusts the amount of gain applied to the signal with continuously variable circuit tuning \- Gain: Toggles between low or high gain channels \- Push: Toggles between flat or enhanced mid-range frequencies \- Norm: For cleaner, more transparent tones \- Mid: Adds a mid-band EQ push just after the analog front-end gain \- Level: Controls the output volume level when the effect is engaged \- Bass, Middle, Treble: Active EQ controls for shaping drive tones \- Favorite: Used to recall a stored favorite preset setting \- On: Activates electro-mechanical relay for true bypass Secondary Functions: \- Optional variable-threshold Noise Reduction \- Boost Level for up to +6dB of available boost when using an external Boost foot switch Rear Panel: \- In: High impedance mono input \- Out: Mono signal output \- Presence switch: Three-position switch that tailors the highest frequencies of the output signal \- Boost: Allows use of an external switch to toggle up to +6dB of post boost on/off \- Expression Pedal Input: Provides continuous expression pedal control over any or all of the knobs, in any direction, with your foot \- Power supply input: Maximum 9 volts DC center-negative, with a minimum of 250mA of current The Riverside pedal is designed to integrate with any setup and adapt to any amp, offering a wide range of tonal possibilities and dynamic responsiveness.
Iridium
The Iridium by Strymon is an amp modeler and impulse response (IR) cabinet pedal designed to provide a comprehensive range of features and functionalities. Here are the technical specifications for the Iridium: \- Input Impedance: 1M Ohm \- Output Impedance: 100 Ohm \- Input: 1/4″ TS mono; switchable 1/4″ TRS stereo (unbalanced) \- Outputs: 1/4″ TS (unbalanced) \- A/D & D/A: 24-bit 96kHz \- Max Input Level: +8dBu \- Frequency Response: 20Hz to 20kHz \- Signal to Noise: 110dB typical \- DSP Performance: 1585 MegaFLOPS \- Bypass Switching: Buffered Bypass \- Dimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall) \- Power requirements: 9VDC center negative; 500mA minimum when using headphone output, 300mA minimum without headphones The Iridium features a hybrid room ambience design that combines 256ms impulse response captures of real rooms for realistic early reflections, with an algorithm for extended decay and modulation. It delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. The pedal includes three iconic amplifiers and nine impulse response speaker cabinets, providing a wide range of tonal options. Additionally, it offers adjustable room ambience with selectable small, medium, and large rooms. The Iridium is designed with premium stereo high impedance discrete JFET analog front end with up to 22dB of pure analog gain, providing a responsive amp-style control for Drive, Level, Bass, Middle, and Treble. It also allows users to load their own impulse responses using Strymon Impulse Manager software. All Strymon products are designed and built in the USA, ensuring high-quality manufacturing standards and attention to detail.
Reverb
NightSky
NightSky by Strymon is a reverb pedal that offers a range of innovative features for experimental sound design. The hardware specifications include: \- Dry Signal: Analog Dry Path \- Input Impedance: 1M Ohm \- Output Impedance: 100 Ohm \- Input: 1/4″ TS (unbalanced) \- Outputs: 1/4″ TS (unbalanced) \- A/D & D/A: 24-bit 96kHz \- Max Input Level: +8dBu \- Frequency Response: 20Hz to 20kHz \- Signal to Noise: 115dB typical \- DSP Performance: 1585 MegaFLOPS \- Bypass Switching: True Bypass (electromechanical relay switching); optional Buffered Bypass or when using Stereo output \- Dimensions: 4.5” deep x 7” wide x 2.5” tall (11.4 cm deep x 17.8 cm wide x 6.0 cm tall) \- Power requirements: 9VDC center negative; 300mA minimum NightSky is designed and built in the USA, and it offers a reverberant synthesis workstation with real-time continuous control of reverb pitch, processing rate, core size, harmonics, and a synth-like resonant filter with multiple modulation waveshapes. It also features a step sequencer with variable glide, providing a new standard in experimental reverb sound design. The pedal allows for deep and powerful sound manipulation with instant response knob-tweaking and no menu diving, setting a new standard in experimental reverb sound design. It also achieves mind-bending sounds by using a Variable Process Rate for its reverb core, allowing simultaneous changes in the size of the reverb and the pitch, which can be completely smooth or quantized to a variety of musical scales and can be sequenced. NightSky also includes a MOD section with various waveforms to modulate the reverb or tone filters, a TONE section to sculpt the high and low EQ of the reverb, a VOICE section to enhance the aural spectrum of the reverb, adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb, GLIMMER to dynamically enhance high or low frequency harmonics for synth-like textures, and more. The pedal offers access to 16 presets from the front panel and 300 presets via MIDI, making it a versatile and powerful tool for musicians and sound designers.
BlueSky
The BlueSky by Strymon is a powerful and versatile reverb pedal designed to deliver lush, majestic, and stunning reverbs. It features three different reverb types, each with three modes, providing a total of nine unique reverb experiences. The pedal offers plate, room, and spring algorithms, with mod and shimmer modes per algorithm for extremely versatile reverb options. It also includes high damp and low damp controls for flexible reverb tone shaping. The mod mode adds gorgeous modulation to the selected reverb type, while the shimmer mode adds regenerative pitch shifting for a reverb trail that rises into the clouds. The BlueSky pedal is equipped with 24-bit 96kHz converters and boasts a typical signal-to-noise ratio of 115dB, making it suitable for studio use as well as live performances. It also features dedicated pre-delay control to fine-tune reflection times, providing users with precise control over their reverb sound. In terms of connectivity, the BlueSky pedal offers stereo input and output, allowing for a wide range of routing options. The pedal operates on a 9V DC power supply, with a minimum requirement of 250mA current. The pedal has received acclaim for its sound design, audio quality, and overall performance, making it a highly regarded choice for musicians seeking professional-grade reverb effects.
BigSky
The BigSky by Strymon is a versatile and powerful guitar reverb pedal designed to deliver studio-class reverb experiences. It offers twelve unique reverb machines, including Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, and Reflections. The pedal features seven front- panel tone shaping knobs for Decay, Pre-Delay, Mix, Tone, Mod, Param 1, and Param 2, which are assignable per preset. Additionally, it provides 300 easily accessible and namable presets, along with press-and-hold Infinite Sustain and Freeze functions, which are saveable per preset. The BigSky pedal also includes spillover and Reverb Persist modes, which are also saveable per preset. It offers selectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications. The pedal can be controlled using an expression pedal and features MIDI input and output for integration with external MIDI controllers. In terms of hardware, the BigSky pedal features stereo input and output, as well as an expression pedal input with selectable control over any knob or combination of knobs, which can be saved per preset. The pedal operates on a 9V DC 300mA power supply, which is included. The sound design of the BigSky pedal is based on hand-crafted, studio-class reverb algorithms that deliver lush, gorgeous, and musically inspiring reverb experiences. The pedal utilizes traditional reverb elements such as feedback- delay networks, allpass-delay-filter loops, Schroeder reverb sections, multi- tapped delay-lines, as well as all-new reverb elements developed by Strymon. The BigSky pedal is designed to empower creativity without getting in the way, offering simple yet powerful controls and easy customization of reverb sounds. It is a comprehensive reverb workstation suitable for a wide range of musical styles and applications.
Flint
The Flint by Strymon is a studio-class effects pedal that combines tremolo and reverb in a pedalboard-friendly format. It features three hand-crafted tremolo algorithms: '61 Harmonic Tremolo, '63 Power Tube Tremolo, and '65 Photocell Tremolo. On the reverb side, it offers the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb. The pedal provides extensive control over tremolo and reverb characteristics with nine parameters to tweak. The second generation Flint incorporates technological advancements, hardware improvements, and design enhancements. It offers full MIDI implementation, allowing remote control of switches, knobs, and settings via MIDI commands. Tremolo speed can be synchronized via MIDI Clock Sync, and 300 MIDI preset locations are available for loading and saving favorite settings. The pedal also features a premium analog JFET input circuit, mono or stereo input selection, and a new ARM DSP chip for enhanced processing power with reduced energy consumption. The Flint's controls include tremolo speed, intensity, and effect engagement, as well as reverb time, tone, and effect selection. It also offers true/buffered bypass, stereo output, and an expression pedal input for continuous control over the pedal's knobs. The pedal can be powered by a 9VDC, center-negative, 300mA minimum power supply and features a USB jack for MIDI control from a computer or firmware updates.
blueSky Reverberator
The Strymon blueSky Reverberator is a high-quality guitar effects pedal designed to deliver lush, majestic, and stunning reverbs. It features a dedicated SHARC DSP for producing complex reverb algorithms, providing three different reverb types, each with three modes, for a total of nine unique reverb experiences. The pedal includes Plate, Room, and Spring algorithms, with additional Mod and Shimmer modes for versatile reverb options. Technical Specifications: \- Sound Design: Handcrafted, computationally intense Plate, Room, and Spring algorithms \- Reverb Types: Plate, Room, Spring \- Modes: Normal, Mod, Shimmer \- Controls: Decay, Mode, Type, Mix, Low Damp, Pre-Delay, High Damp, Favorite footswitch \- Ins & Outs: Left Input, Right Input, Left Output, Right Output, Power (9 volts DC center negative, minimum 250mA current) \- Audio Quality: 24-bit 96kHz converters, 115dB typical signal to noise \- Reviews: Highly acclaimed for its tone-shaping capabilities and studio- quality performance The blueSky Reverberator is equally suitable for studio and live performance applications, offering a wide range of reverb tones and deep tone-shaping controls. With its high-quality construction and innovative algorithms, it is considered one of the best reverb pedals on the market.
DIG
The Strymon DIG is a dual digital delay pedal designed for versatile and expressive delay effects. It features two simultaneous, integrated delays with unique digital rack delay voicings from the 1980s and modern high-resolution 24/96 mode. The pedal offers a delay time range from 20ms to 1.6s, extendable to 3.2s with Half Note Delay 1 Subdivision. It provides five rhythmic subdivisions including triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio. The DIG pedal offers three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12-bit pulse code modulation mode, and the modern high-resolution 24/96 mode. It also includes modulation controls, allowing users to select from Off, Light, or Deep modulation levels. The pedal features five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, and Repeats, providing extensive control over the delay effects. Additionally, the DIG pedal offers practical delay controls, including Tap Tempo switch, circular repeats effect, and a full suite of tone adjustment and shaping controls. It also provides advanced features such as Free Mode, expression pedal compatibility, TRS stereo input, and configurable delay signal routing options including Series, Parallel, and Ping Pong configurations. The hardware specifications include an input impedance of 1 Meg Ohm, output impedance of 100 Ohm, signal-to-noise ratio of 115 dB typical, and A/D & D/A conversion at 24-bit 96kHz. The pedal operates on a maximum 9 volts DC center negative power supply, with a minimum of 250mA current. The Strymon DIG pedal is suitable for guitarists and musicians seeking a wide range of delay effects, from ambient soundscapes to rhythmic atmospheric repeats, and is praised for its versatility and audio quality.