Ottobit Jr. Guitar Pedal By Meris

Ottobit Jr.

Pedal Manufacturer

Meris

Description

The Ottobit Jr. by Meris is a highly versatile bit-crusher pedal with a range of innovative features. It is designed to deliver a wide array of effects inspired by vintage gaming consoles, making it a unique addition to any musician's setup.

Key Technical Specifications:
- Pedal Type: Stutter Effect, Bit Crusher
- Analog/Digital: Digital with Analog Signal Path
- Effects: Bit Crushing, Triggered Stutter, Lowpass Filter
- Conversion: 24-bit A/D and D/A
- DSP: 32-bit floating point
- Sample Rate: 48kHz to 48Hz sample rate reduction
- Bypass: Selectable true bypass or buffered bypass
- Power Consumption: 9V DC center negative, 150 mA
- Dimensions: 4.25" wide, 4.5" long, 2" tall

Features and Functionality:
- The Ottobit Jr. features a 6-step sequencer with three different control modes, allowing for precise manipulation of the audio signal.
- It offers a stereo bit-crusher, pitch-shifter, and filter pedal, providing musicians with a wide range of sonic possibilities.
- The pedal boasts premium quality 24-bit A/D and D/A conversion, along with a 32-bit floating point DSP hardware for high-fidelity audio processing.
- With a selectable sample rate that covers the range from 48 Hz to 48 kHz, users can achieve a diverse spectrum of lo-fi and grainy sounds.
- The Ottobit Jr. is built to boutique standards in Los Angeles, California, USA, featuring a low-noise analog signal path throughout.

Use-Cases:
- Musicians can use the Ottobit Jr. to add unique bit-crushing, stutter, and filter effects to their guitar, bass, synthesizer, or any other audio source.
- It can be employed to create retro video game-inspired sounds, robotic ring modulation, and a variety of other creative audio manipulations.
- The pedal is suitable for studio recording, live performances, and sound design applications, offering a wide range of inspiring sound design possibilities.

Overall, the Ottobit Jr. is a powerful and innovative pedal that pushes the boundaries of traditional bit-crushing effects, making it a valuable tool for musicians and sound designers seeking to explore new sonic territories.

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