Raster 2

The Red Panda Raster 2 is a digital delay and pitch-shifting pedal designed to deliver a wide range of sounds, including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self- oscillation, and continuously evolving soundscapes. The pedal features a clean delay with up to 1600 milliseconds of delay time, with three delay ranges for precise resonant feedback sounds and rhythmic shifts. The feedback control offers infinite repeats and chaotic, textured feedback loops at higher levels.

Pitch shifting repeats up or down in semitone steps, creating tempo-synced arpeggios and alien organ sounds. The detune setting can dial in micro pitch shifts and chorused repeats. Additionally, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging, which can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart.

The modulation section offers seven waveforms that can be assigned to delay time, pitch shift, or effect level, with two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. The pedal also features stereo controls to adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes.

The Raster 2 is performance-friendly, with 6 knobs and 9 switches, offering flexible modulation and extensive stereo functionality. It supports full MIDI implementation with additional parameters, MIDI clock synchronization, and presets accessible via MIDI. The pedal also includes a web-based editor for editing presets and accessing hidden parameters.

Technical Specifications:
- Size: 3.05" x 4.75" x 2.5"
- Power: 9 VDC, center negative
- Current: 250 mA
- Input Impedance: 1 MΩ
- Output Impedance: < 1 kΩ
- Bypass: Analog buffered
- Stereo input/output (TRS)
- Requires an isolated power supply that can supply at least 250 mA of current (300+ mA preferred)

The Raster 2 is designed and assembled in the USA and is suitable for both extreme sonic experimentation and adding unique character to your sound.