Carl Martin Guitar Pedals

Manufacturers

Guitar Pedals from Carl Martin

Welcome to your ultimate guide to Carl Martin's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Carl Martin. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.

Chorus and Vibrato

Atlantic Chorus

The Carl Martin Atlantic Chorus features a compact design, measuring 4.52" L x 2.36" W x 1.97" H and weighing 340g. It is housed in a solid diecast chassis with an ocean blue anodized finish and four off-white knobs. The pedal is powered by a 9V DC adapter, drawing a maximum of 20mA, and requires a regulated DC power supply with at least 40mA of current at 9V. The input and output jacks are located at the top of the pedal, allowing for efficient use of pedalboard space. The pedal includes four control knobs: Speed, Depth, Level, and Rate. The Speed knob adjusts the rate of modulation, while the Depth knob controls the overall amount of the chorus effect. The Level control allows for adjustment of the pedal's output level, providing a volume boost if desired. The Rate knob blends in vibrato for a deeper chorus effect, offering a wide range of tonal control. The Atlantic Chorus is equipped with true bypass switching and a blue LED indicator to show when the effect is active. It is a mono-only pedal with a 1M Ohm input impedance and 100 Ohm output impedance. The pedal is designed for pedalboard economy and practicality, offering an unusual degree of tonal control and a warm, spacious sound. The Atlantic Chorus is made in China and comes with a one-year warranty to the original purchaser. It is a versatile and attractive pedal suitable for a wide range of musical styles.

Purple Moon

The Purple Moon by Carl Martin is an all-analog, true-bypass pedal that features dual-speed Vibe with Fuzz. It is designed with creative guitarists in mind and aims to recreate classic guitar sounds inspired by artists such as Jimi Hendrix, Robin Trower, and David Gilmour. The pedal features a die-cast case with its own special color, mini knobs for ease of use, high-quality switching, and bright visible LED indicators. The Purple Moon offers the ability to switch between two vibe speed settings, a silicon fuzz with thick, saturated sustain, and a range of adjustability to create interesting vintage- flavored tones. The pedal is known for its unusual design approach that yields fantastic and unique results. It is a versatile pedal that provides a combination of vibe and fuzz, offering a wide range of tones for creative guitarists.

Bass Chorus

The Bass Chorus by Carl Martin is designed specifically for bass and features a dual stereo effects pedal with independent sets of speed and depth controls. It is housed in a wider/lower metal casing with 'chicken-head knobs' for adjustment. The chorus effect has been fine-tuned to ensure its full impact is evident even as low as low B. The pedal includes a 'Select' button to use or bypass the effect, an 'On' button to choose between two chorus settings, and LED indicators for each chorus setting. Additionally, when switching from a slow chorus to a faster chorus, the effect speeds up slowly for a vintage Leslie effect. The Bass Chorus is true stereo operation and has a regulated +/-12V power supply for maximum headroom and clarity. The pedal is analog, with a mono input and mono output, and operates on a 9V DC power supply with a power consumption of 130 mA. It does not work on batteries and offers true bypass mode.

Chorus xII

The Carl Martin Chorus xII is a dual stereo chorus foot pedal designed by Canadian electronics wizard Daniel Van Kranendonk. It features two identical but independent sets of speed and depth controls, each with an LED indicator that lights up when in use and flashes to indicate the speed setting. The pedal has a stereo output via two quarter-inch jacks, and the "on" switch allows users to engage or bypass the chorus. Additionally, the "select" switch enables switching between the two chorus settings without needing to adjust the controls manually. The Chorus xII is suitable for use with guitar, bass, or keyboards, providing a rich sound, quiet operation, and importantly, it does not alter the basic sound. It is equipped with a built-in, regulated (+-12V) power supply, allowing for high-quality circuitry with maximum headroom. Dimensions: 120 x 95 x 77 mm Weight: 625 g Power: 100 or 115 or 230 VAC 50-60Hz Power consumption: 2.4 Watts S/N ratio: 90 dB Input impedance: 1M Ohm Output impedance: 100 Ohm THD distortion: 0.01%

TremO´vibe

The Carl Martin TremO´vibe is an analog "two in one" effect pedal consisting of a tremolo and a real vibrato, both with independent sets of speed and depth controls. The tremolo effect works as a change in volume, while the vibrato, which works as a change in tone (pitch modulation), is carefully designed to imitate the sound of a real tube vibrato. The unit features two switches: the "on" switch allows you to engage or bypass the unit, and the "select" switch allows you to switch between Tremolo and Vibrato. The TremO´vibe is suitable for use with guitar, bass, keyboard, or any other electronic instrument that requires high sonic clarity, maximum dynamic range, and noise-free performance. It is equipped with a built-in regulated power supply, enabling the design of circuitry of the highest quality with maximum headroom. The pedal is priced at 249.00 € (EU incl. VAT) and $329.00 (USA/Non-EU). It has received positive reviews for its natural and musical vibrato, pleasing shimmer of the tremolo, and its deep, rich, and musical sound. The pedal offers transparent and warm amp-like tone and provides independent depth and speed control for each effect.

Purple Moon 2019

The Carl Martin Purple Moon 2019 is an analog Fuzz/Vibe Effect Pedal for Electric Guitar that combines the two most important elements of the typical '60s sound in one compact unit. The interactive combination of Vibe and Fuzz guarantees lively and inspiring sound experiences for creating your own song ideas. The main features of the Purple Moon 2019 include: \- Depth/Level/Speed/Fuzz/Fuzz Level Controls \- Consumption: 62mA \- True Bypass \- 9V DC Adaptor Powered (Not Included) \- Dimensions (WxDxH): 60 x 115 x 50mm \- Weight: 340g The pedal features a die-cast case with its own special color, mini knobs for ease of use, high-quality switching, and bright visible LED’s. The Purple Moon is designed for vintage sound lovers and is the only True Bypass, all analog, Vibe with Fuzz, offering the same classic guitar sounds that inspired Carl Martin. The pedal has received positive reviews for its ambitious and challenging design, excellent sound quality, and range of adjustability. It has been praised for delivering the Uni-vibe sound and fantastic fuzz, making it a worthwhile purchase for dedicated vibe pedal enthusiasts and creative guitarists. The Purple Moon 2019 is designed to provide a wide range of tones, from subtle shimmer to deep, swooshing tones reminiscent of Pink Floyd, as well as thick lead tones suitable for Hendrix-inspired space-blues licks. The fuzz can be adjusted from low gain for edge and punch to high gain for a thick lead tone. Overall, the Carl Martin Purple Moon 2019 is a versatile and inspiring pedal that offers a unique combination of vibe and fuzz, making it a valuable addition to any guitarist's setup.

Compression/Sustain

Classic Opto-Compressor V2

The Classic Opto-Compressor V2 by Carl Martin features an onboard light- sensitive cell to attenuate the compression applied to the signal. It is a 100% analog old-school compressor designed to provide classic guitar sounds. The pedal includes four controls: Gain, which controls the 'pre-glow' of the optical circuit; Level, which controls the overall volume of the compressor; Compression, which controls the intensity of the compression; and Attack, which adjusts the signal from transparent to total squeeze. The Classic Opto-Compressor comes in a solid diecast housing with cool chicken-head knobs, CM color and graphics, and a 9V battery compartment. It is part of the Vintage Series and is made in China. The pedal is equipped with buffered bypass and runs on a 9V battery or a regulated power supply. The dimensions of the pedal are approximately 9.5 cm in width, 5.6 cm in height, and 12 cm in depth, with a weight of around 0.35 kg.

Andy Timmons Compressor

The Carl Martin Andy Timmons Signature Compressor/Limiter is a versatile guitar dynamics processor developed in collaboration with Andy Timmons. It features two presets for Compression Rate and Level, allowing users to switch between subtle rhythm parts and hard compression for solos without the need for multiple compressors. The Threshold and Response settings are fixed for both presets, resulting in a user-friendly interface with six knobs. Additionally, it incorporates a ¼” jack for remote switching of presets (Latching). One notable feature is the incorporation of newly developed DC/DC converter circuitry, enabling the pedal to run with +-12V internally while maintaining the same sonic quality and headroom as the previous model using a regular 9V DC 200mA power supply. The pedal is designed to deliver studio-quality compression and limiting, offering sonic clarity, quietness, and performance comparable to the best studio compressor/limiters. The price for the Carl Martin Andy Timmons Signature Compressor/Limiter is 249.00 € in the EU and $279.00 in the USA/Non- EU regions. The product has received positive reviews for its versatility, quiet operation, and preservation of tone quality. It is praised for its ability to provide different compression effects and its user-friendly design.

Classic Opto-Compressor

The Carl Martin Classic Opto-Compressor is a compressor pedal designed for electric guitar, featuring an opto-electronic circuit. It offers controls for Gain, Comp, Attack, and Level, allowing precise adjustment of the compression response and character. The pedal operates with a 9V battery or an optional power supply unit. Its sturdy metal housing measures approximately 95 x 120 x 56 mm (WxDxH) and weighs around 0.35 kg. The compression action is described as a smooth optical squish, capable of a wide range of action from gentle smoothing to peak limiting. The pedal provides a characteristic warm Old School coloration to the sound, with a fairly clean tone and low noise level. The construction quality is decent, and it runs on standard Boss-type 9V DC.

Opto-Compressor

The Opto-Compressor by Carl Martin is a 100% analog old-school compressor designed to provide classic guitar sounds. It features four controls: Gain, which controls the 'pre-glow' of the optical circuit; Level, which controls the overall volume of the compressor; Compression, which controls the intensity of the compression; and Attack, which adjusts the signal from transparent to total squeeze. The pedal comes in a solid diecast housing with chicken-head knobs, CM color and graphics, and a 9V battery compartment. It is recommended to use a regulated power supply or batteries. Technical Specifications: \- Manufacturer: Carl Martin \- Series: Vintage Series \- Made In: China \- FX Type: Compressor \- Jacks mounted on: Top \- Bypass: Buffered Bypass \- Battery: Yes \- Voltage: 9 \- Polarity: Center Negative \- Circuit: Analog \- Tube equipped: No \- Color: Blue \- Weight: 0.35 kg \- Width: 9.5 cm \- Height: 5.6 cm \- Depth: 12 cm \- GTIN 14: 00852940000554 The Opto-Compressor has received positive reviews for its studio-quality compression, clarity of sound, and versatile sound shaping capabilities. It is praised for its ability to deliver everything from subtle squash to brick-wall limiting.

Compressor/Limiter Pedal

The Carl Martin Compressor/Limiter pedal is designed to be a versatile and user-friendly guitar dynamics processor. It incorporates features for smooth, natural compression and offers sonic clarity and quietness comparable to the best studio compressor/limiters. The pedal is equipped with fixed Threshold and Response settings, leaving it with only two knobs, the Comp and Level, for ease of use. The pedal has been developed to maintain the same sonic quality and headroom as the previous model, using a regular 9V DC 200mA external power supply. Additionally, it incorporates a specially developed DC/DC converter circuitry, enabling it to run with +-12V internally. The Andy Timmons Signature Compressor/Limiter, developed in collaboration with Andy Timmons, offers two presets for Compression Rate and Level, allowing users to switch between subtle rhythm parts and hard compression for solos without taking up additional space on the pedalboard. It also features a ¼” jack for remote switching of presets (Latching). The Carl Martin Compressor/Limiter and the Andy Timmons Signature Compressor/Limiter have received positive reviews for their transparent, subtle compression, quiet operation, and versatility, making them suitable for a wide range of musical styles and applications. The Carl Martin Compressor/Limiter is priced at 179.00 € in the EU and $199.00 in the USA/Non-EU, while the Andy Timmons Signature Compressor/Limiter is priced at 249.00 € in the EU and $279.00 in the USA/Non-EU.

Compressor Limiter

The Carl Martin Compressor-Limiter is designed to incorporate the features and sonic clarity found in high-quality professional studio compressors. It includes a variable threshold, variable compression ratio, variable attack and release controls, and a gain level. The threshold control determines how much of the signal will be compressed, while the compression control determines the amount of compression applied to the signal allowed by the threshold setting. The response control determines the attack/release times, and the gain control sets the overall gain. The busy indicator shows the amount of compression being applied, even in bypass mode. The pedal has received positive reviews for its studio-quality compression, clarity of sound, smooth threshold, compression, response, and gain controls, as well as its versatility and wide dynamic range. Price: \- EU incl. VAT: 249.00 € \- USA/Non EU: $279.00 The pedal has been praised for its ability to deliver everything from subtle squash to brick-wall limiting, making it a versatile compressor suitable for experienced users with studio compressor experience.

Controllers and Switches

Noise Terminator

The Carl Martin Noise Terminator is a 9V-battery-powered pedal designed to preserve the original tonal characteristics while removing unwanted noise that occurs when multiple effects are used. It surpasses the performance of conventional noise gates by allowing the player to switch between two threshold settings: Soft - with less noisy equipment, and Hard - when more radical settings are required. The remote jack allows connection to an external MIDI switching system, enabling the player to switch between the soft and hard settings with ease. The Noise Terminator also features an AC adapter jack. The product is priced at 139.00 € (EU incl. VAT) and $166.00 (USA/Non EU). Reviews from Guitar World (USA) and Audiofanzine highlight its effectiveness in removing noise without altering the original tone characteristics of the setup. Technical Specifications: \- Power: 9V battery or AC adapter \- Threshold settings: Soft and Hard \- Remote jack for MIDI switching system \- Dimensions: 5.25 x 4.24 x 2.5 inches \- Weight: 12.3 ounces

Match Box Line Selector

The Carl Martin Match Box Line Selector is designed to address the challenges of using two instruments through the same amplifier. It functions as an A/B switch with independent gain controls for the instrument inputs. Users can plug two instruments into the 1 & 2 inputs, connect the output to either a pedal board or directly into an amp, and adjust the gain controls to ensure both instruments provide the same output gain. This eliminates the need to reset gain levels on the amp when switching guitars, allowing for quick and seamless transitions between instruments during performances. Specifications: \- Power: 9V DC \- 9V DC adapter plug (+ on ring) \- Power consumption: 12 mA \- Signal-to-noise ratio: 60 dB \- Input 1 impedance: 1 mOhm \- Input 2 impedance: 1 mOhm \- Output impedance: 100 Ohm \- Level adjust: +6dB \- Dimension: 4-1/3"D x 3"W x 1-3/4"H \- Weight: 1lb The Match Box Line Selector is suitable for use with electric and electric/acoustic guitars as well as bass instruments. It is built with top- quality components and chassis, ensuring reliable performance without introducing noise or affecting the tone during instrument switching.

Paraloop

The Carl Martin Paraloop is designed to bridge the gap between digital effects and analog signals. It is particularly useful when using digital multi-effects through amplifiers with only serial fx-loops. The Paraloop allows users to adjust the amount of digital fx signal or the amount of analog signal preferred with the Wet/Dry Control Knob. Additionally, it features a Bypass switch to take the entire digital effects unit out of the loop. This enables a certain percentage of analog signal to remain under the digitally affected signal, creating a fuller, richer tone. The pedal has four slots for Send, Return, Input, and Output, providing flexibility in signal routing. The Paraloop also includes a single knob to control the mix, allowing users to blend their dry analog tone with the digitally processed sounds of a multi- effects processor. The product is available for purchase at a price of 139.00 € (EU incl. VAT) or $194.00 (USA/Non EU).

Octa-Switch MK3

The Octa-Switch MK3 by Carl Martin is a versatile effects pedal switcher designed to accommodate up to eight effects pedals. It features eight effects loops on the back, all of which are true-bypass, impedance-free, and equipped with gold relays. Users can activate or deactivate the numbered switches in each of the eight DIP Bank switches to determine which effects to use simultaneously in each bank. Each effects loop used and each bank is indicated by a blue LED, providing clear visual feedback. The Octa-Switch MK3 also includes a bypass switch, allowing users to bypass all eight pedals and enjoy the unaffected sound of their amplifier. Additionally, it features two external switching jacks for use with two amplifiers and/or for switching channels on those amps. The unit offers a buffered (or switchable) mono input and a stereo output. It can be powered by dual 9V batteries or by a regulated power supply, such as the PowerJack or the Pro Power, both by Carl Martin. The pedal has received positive reviews for its mechanical simplicity, ease of use, and sound quality. It is praised for its ability to store and recall up to eight different combinations of connected effects with a single button, making it a game-changer for many players. The Octa-Switch MK3 is also noted for its dead-silent switching and its capability to keep unused effects completely out of the signal path, contributing to improved sound quality. Dimensions (W x D x H): 311 x 155 x 65 mm Weight: 1.6 kg Price: \- EU incl. VAT: 399.00 € \- USA/Non-EU: $427.00

Pro Power

The Pro Power by Carl Martin is a power supply designed for musicians with several features tailored to their needs. It offers a switchable (110-230 V) fused AC input, which is split into 8 individual isolated and regulated 9v (150mA) – 12v (150mA) outputs, with extended power at outputs 7-8 (9v 350mA - 12v 300mA). The unit includes a simple DIP switch on the back, allowing users to switch the voltage of each output between 9-12v. Housed in a traditional black metal case, the Pro Power is suitable for standalone use or for powering personal pedal boards. It also comes with a selection of 9V DC cables for convenience. Technical Specifications: \- Mains power input: 115V & 230V \- DC Output 1-6: 9V DC 150mA each or 12VDC 110mA each \- DC Output 7-8: 9V DC 350mA each or 12VDC 220mA each \- Max output current: 1600mA \- Weight: 1.5Kg packed \- Size: 220x170x50mm The Pro Power is designed to provide reliable and versatile power for pedal boards, catering to the specific needs of discerning musicians.

Delay

Red Repeat

The Red Repeat 2016 Edition by Carl Martin is an analog delay pedal designed to repeat a guitar signal after a specified amount of time. It is based on the technology of vintage tape recorders and offers a range of features for creating various delay effects. The pedal includes the following controls: 1\. Echo: Determines the amount of the delay effect, from subtle to pronounced, creating slap-back sounds. 2\. Tone: Adjusts the presence (EQ) of the echoed signal while leaving the original signal EQ unchanged. 3\. Time: Controls the space between the original signal and the echoed signal, adjustable from 0 to 600 milliseconds. 4\. Repeat: Determines the number of echoes from each signal. Additionally, the Red Repeat 2016 Edition includes the following special features: \- Tap Tempo Function: Allows the player to tap in the tempo to synchronize the echoes with the beat of the song. \- Modulation Switch: Engaging this switch and adjusting the Depth and Speed controls modulates the echoes to mimic the 'wow and flutter' of a vintage tape echo, adding a subtle effect to solo performances. The pedal can be used to fatten up the sound, provide a percussive flavor, or create long delays for playing over. It has been used by renowned artists and offers a versatile range of delay effects. The Red Repeat 2016 Edition is priced at 165.00 € (EU incl. VAT) and $169.00 (USA/Non EU). Reviews from Premier Guitar, Vintage Guitar, and Mixdown Magazine highlight the pedal's analog-sounding digital delay, flexibility, and the addition of tap tempo and modulation functions, making it suitable for a wide range of musical styles and preferences.

EchoTone

The Carl Martin EchoTone offers 1200 milliseconds of vintage echo, with foot- switchable Tap or Manual time settings, an insert loop, and a switchable trail function at bypass. It allows for seamless switching between Manual and Tap time settings, enabling players to transition from slap-back echo on rhythm to tempo-set echo for lead or solo performances. Additionally, users can enhance their echo effects by integrating chorus, flange, or distortion pedals into the insert loop. The pedal is designed in a low-profile housing, coated in an off-white color, and features a built-in 12v (+-) regulated power supply. The EchoTone is priced at 349.00 € (EU incl. VAT) and $476.00 (USA/Non EU). It has been praised for its warm, organic delay and its ability to provide instant gratification for analogue delay fans. The pedal is known for its roadworthy design and the ability to add modulation to the delay repeats, offering versatility and creativity to musicians.

Distortion

The Fuzz

The Fuzz by Carl Martin is a distortion pedal that sets new standards with its revolutionary wave guide. It features deep and high controls in conjunction with a 3-band EQ, allowing users to clean up the distortion and shape the sound as needed, achieving a wide range of tones from old blues fuzz to mid-80s hard rock and hardcore metal sounds. The pedal has a built-in regulated (+-12V) power supply, enabling the design of high-quality circuitry with maximum headroom. The Fuzz is known for its flexibility and all- encompassing fuzz capabilities, making it suitable for studio applications and live performances. It has received positive reviews for its versatility and ability to deliver a wide range of usable fuzz tones.

TOD

The TOD (Transparent Overdrive) by Carl Martin is a high-gain overdrive pedal designed to replicate the sound achieved by Dizzy Mizz Lizzy guitarist Tim Christensen's rig, which featured a Boss Turbo Overdrive into his Marshall Stack. The pedal is housed in a compact, pedal-board friendly die-cast case with 4 knobs and one switch. Key Features and Specifications: \- Power: 9 V DC (regulated), 50 mA minimum, 2.1 mm female plug, center negative (-) \- Power consumption: max. 11 mA \- S/N ratio: 54dB \- Input impedance: 1M Ohm \- Output impedance: 3K Ohm \- The Level knob adjusts the overall output level of the TOD. \- The Drive knob adjusts the amount of overdrive from light crunch to maximum overdrive with loads of sustain. \- The Edge knob is a midrange/presence filter, allowing control over midrange frequencies and presence. \- The Tone knob is a high cut filter, allowing fine-tuning of tone by filtering out high frequencies. \- Bypass switch button with active buffered output and red LED indicator.

Crush Zone

It is built with high-quality components and features a heavy die-cast metal chassis with satin-finish paint and cream-colored stenciling, heavy-duty mechanical-bypass footswitches, easy-access 9-volt battery compartments, 9-volt power adaptor jacks, and cream-colored chickenhead knobs. The pedal is designed to deliver a range of distortion from a slight edge to mind-blowing levels.

AC-Tone Single Channel

The Carl Martin AC-Tone Single Channel pedal is a scaled-down version of the dual channel Pro Series AC-Tone, featuring top-boosted Vox tones in a compact metal enclosure. It includes three simple controls for drive, output level, and high-frequency cut, mimicking the cutting drive tones of vintage AC-series British amps. The pedal incorporates a new DC-DC converter circuitry, allowing it to be powered by a regulated 9V power supply while operating on the same +-12V level as the original AC powered AC-Tone. This ensures the use of high- quality components that provide the same tone and headroom as the CM Pro- Series pedals. The pedal dimensions are 186mm (D) x 120mm (W) x 55mm (H). The power specifications include power consumption of 2.3 Watts and the ability to operate on 100, 115, or 230 VAC 50-60Hz power. The pedal offers a gain max of +80dB and a boost max of +20dB, with a signal-to-noise ratio of 58 dB.

PlexiTone

The Carl Martin PlexiTone is an unusual high-gain three-step overdrive pedal. It offers two overdrive channels, the crunch channel, and the high-gain channel, along with an up to 20dB clean boost channel. The crunch channel ranges from subtle overdrive to hard rock gain stage, while the high-gain channel goes from rock gain stages to absolute meltdown, with loads of gain and low end, reminiscent of the early 80s high-gain guitar heroes. The pedal is equipped with a built-in regulated (+-12V) power supply to ensure the necessary headroom for great tone. It is priced at 235.00 € (EU incl. VAT) and $265.00 (USA/Non-EU). The PlexiTone has received positive feedback from users and reviewers, highlighting its versatility, ability to deliver a true amp tone, and its solid build quality. It has been praised for its ability to cover a wide range of tones, from subtle boost to tight crunch to massive gain, while remaining focused and warm even at high gain. Additionally, the pedal has been commended for its ability to stay true to the Marshall tone, even with added gain, and for its clear and natural high gain with plenty of low end. The response is described as smooth, with the natural compression typical of real valve amps. Overall, the Carl Martin PlexiTone is lauded for its exceptional performance and versatility, making it an attractive option for guitar players seeking a high-quality overdrive pedal.