JHS Guitar Pedals

Manufacturers

Guitar Pedals from JHS

Welcome to your ultimate guide to JHS's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by JHS. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.

Chorus and Vibrato

3 Series Chorus

**3 Series Chorus by JHS** The 3 Series Chorus by JHS is a versatile guitar effects pedal that provides a wide range of modulation options. Designed with precision and innovation, this pedal offers exceptional performance and flexibility to enhance the guitarist's sound. **Features:** \- True Bypass: The 3 Series Chorus is equipped with a true bypass switch, ensuring that the pedal does not alter the original guitar signal when not in use, thus preserving the tone integrity. \- Depth Control: This pedal features a dedicated Depth control knob, allowing the user to adjust the intensity of the chorus effect. This enables a wide range of sonic possibilities, from subtle, shimmering modulation to deep and swirling chorus sounds. \- Rate Control: With the Rate control knob, the user can adjust the speed at which the chorus effect modulates the guitar signal. This feature allows for precise customization of the modulation rate, catering to different musical styles and preferences. \- Mix Control: The Mix control knob enables the guitarist to blend the dry and wet signals, providing seamless integration of the chorus effect into the overall guitar tone. This versatile feature allows for precise control over the level of modulation, ranging from subtle to pronounced. \- Classic Design: The 3 Series Chorus boasts a compact and robust enclosure, built to withstand the rigors of live performances and studio use. The pedal's sleek design and intuitive layout ensure easy operation and hassle-free integration into any pedalboard setup. \- Versatility: This pedal offers a wide range of chorus tones, making it suitable for various musical genres and playing styles. Whether it's adding shimmering textures to clean arpeggios or thickening distorted power chords, the 3 Series Chorus delivers exceptional sonic versatility. **Use-Cases:** \- Studio Recording: The 3 Series Chorus is an ideal choice for guitarists looking to add depth and dimension to their recordings. Its precise controls and high-quality sound make it a valuable tool in the studio environment. \- Live Performances: This pedal is well-suited for live performances, providing guitarists with the ability to enhance their sound and captivate audiences with lush and immersive chorus effects. \- Songwriting: The 3 Series Chorus can inspire creativity during the songwriting process. Its rich modulation capabilities allow musicians to explore new tonal landscapes and create unique sonic textures. **Functionality:** \- The 3 Series Chorus operates by modulating the guitar signal, creating a lush and swirling effect that simulates the sound of multiple instruments playing together. \- The Depth control adjusts the intensity or depth of the chorus effect, affecting the amount of modulation applied to the guitar signal. \- The Rate control determines the speed at which the chorus effect modulates the guitar signal, ranging from slow and subtle to fast and pronounced modulation. \- The Mix control blends the dry (unaffected) signal with the wet (modulated) signal, allowing for precise control over the level of modulation in the overall guitar tone.

The VCR

The VCR by JHS Pedals is a collaborative effort with PaxAM and Ryan Adams, designed to deliver the sounds of Ryan Adams' most recent albums with a perfect 80s reverb and chorus vibe. The pedal features three one-knob controls for the effects: Volume, Chorus, and Reverb. Each effect is engaged by a toggle below the knob, and the master on/off is controlled by the footswitch. The Volume control provides a simple boost that can be used to increase volume or send the amp into breakup, making it suitable for low-wattage amplifiers. The Chorus effect offers a classic swirling 80s style chorus, with the speed increasing as the depth decreases when the control is turned up, and vice versa. The Reverb is a hall reverb that adds an 80s style decay to the sound, with the knob controlling the reverb mix from fully dry to fully wet. The pedal also features individual bypass toggles for each effect, simple controls for easy sound dialing, and a master bypass footswitch to engage all effects at once. The VCR requires standard 9V DC Negative power, consumes 80mA, and measures 3.65"x4.65"x1.2". The pedal is designed to provide a versatile and high-quality 80s-style effects experience tailored to Ryan Adams' specifications.

The Emperor

The Emperor V2 by JHS is an analog chorus/vibrato pedal designed to deliver vintage-correct effects with modern control features. It utilizes a Bucket Brigade 3207 chipset to achieve the warmth of '80s-style analog chorus pedals. The pedal offers a mini toggle switch to select between chorus and vibrato effects, along with three available waveform types (sine, square, and triangle). The intuitive controls include Volume, EQ (active EQ control that functions as a Tilt), Speed, and Depth. The pedal provides in-depth tempo control through the Speed knob, tap tempo footswitch, and the option to use an external expression pedal for variable control in real time. It also features a Tap/Exp mini switch for controlling the side-mounted Tap/Exp TRS jack and an LED indicator to notify the effect’s tempo, even when disengaged. Additional features include stereo output capability, the ability to select between buffered or true-bypass operation, and a high-quality buffer to drive long cable runs and restore high-end loss. The pedal requires standard 9V DC negative power, consumes 57mA, and measures 2.6" x 4.8" x 1.6". The Emperor V2 is suitable for a wide range of use-cases, from adding subtle sheen to a sound to creating convincing rotary speaker simulation or seasick vibrato. It is designed to be versatile and adaptable to various musical styles and setups.

Space Commander

Unicorn

The JHS Unicorn V2 is an analog Uni-Vibe pedal with versatile features and precise controls. Here are the technical specifications for the Unicorn V2: \- Pedal Type: Uni-Vibe \- Inputs: 1 x 1/4" \- Outputs: 1 x 1/4" \- Other I/O: 1 x 1/4" (tap/expression) \- Power Source: Standard 9V DC Center Negative power supply required (sold separately) \- Power Usage: Consumes less than 100mA \- Dimensions: 2.2” x 4.8" x 1.6" \- Weight: Approximately 290g \- Features: All-analog vibrato/chorus pedal with integrated tap tempo, ratio, external tap control, and external rate control via expression pedal \- Additional Features: True bypass switching, volume control for up to 9dB of boost, mini toggle switch for wet/dry mixes, tap input/output for external tap controller or tap slaving The Unicorn V2 offers precise control over the modulation effect, with the ability to select between Uni-Vibe and vibrato settings, as well as adjust speed ratios including 1/4 note, 1/8 note, dotted 1/8 note, and triplet settings. It also allows for external tempo and expression control, making it a versatile and expressive modulation pedal.

Compression/Sustain

The Whitey Tighty

The Whitey Tighty by JHS is a FET compressor pedal designed to provide studio- quality compression in a compact form factor. The pedal features three simple controls: Volume, Compression, and Blend. The Volume control allows users to set the volume at unity gain or slightly boosted to compensate for any perceived loss from the compression. The Compression knob enables control over the amount of compression, ranging from subtle smoothing to a pleasing squash suitable for various music genres such as country, blues, pop, and rock. The Blend knob allows users to dial in the right amount of clean tone along with the compressed signal, retaining the natural feel of the clean tone while enhancing it with studio-quality compression. Technical Specifications: \- Type: FET Compressor \- Controls: Volume, Compression, Blend \- Power Requirement: Standard 9V DC Negative Power \- Dimensions: 3.6" x 1.5" x 1" \- Weight: Not available Use Cases: The Whitey Tighty is suitable for guitarists and musicians looking to enhance their tone with transparent and versatile compression. Its compact size makes it ideal for pedalboards with limited space, and its simple yet effective controls make it suitable for a wide range of musical styles and playing techniques. Functionality: The pedal's FET-based circuitry ensures high-quality compression, while the intuitive controls allow users to tailor the compression effect to their specific preferences. The ability to blend in clean tone alongside the compressed signal provides flexibility and preserves the natural dynamics of the instrument.

3 Series Compressor

The JHS 3 Series Compressor is a simple and powerful compressor pedal designed to provide a wide range of sounds, suitable for both beginners and professionals. It offers everything from subtle tone smoothing to a super squashed sound. The pedal features three simple controls and one toggle, allowing for easy adjustment and a versatile range of compression effects. Technical Specifications: \- Power Requirement: 9V DC Negative Center \- Power Consumption: 8mA \- Dimensions: 4.42” x 2.38” x 1.22” \- Weight: Approximately 210g \- Made in the USA Key Features: \- Attack and Sustain knobs for adjusting the compression's overall feel and response to playing \- Volume knob for setting the overall volume at unity or boosted \- Bright toggle engages a brighter EQ to prevent tone loss in certain situations The JHS 3 Series Compressor is built using high-quality parts and undergoes rigorous quality control to ensure reliability and performance. It is designed to inspire playing and facilitate exploration of new sounds at an approachable price point.

Pulp 'N' Peel

The JHS Pulp 'N' Peel V4 is a versatile compressor, preamp, and DI box designed to provide transparent compression and tone enhancement for electric instruments. Here are the technical specifications and features: \- Dimensions: 2.6" x 4.8" x 1.5" \- Power Requirements: Standard 9V DC Center Negative, consumes less than 100mA \- Input/Output: Standard 1/4" instrument input and output, XLR/DI balanced output for direct connection to a board or interface \- Controls: Volume, Compression, Blend, EQ, Dirt toggle \- Additional Features: Improved detection circuit for smoother tones with added sustain, active EQ control for cutting or boosting high end, parallel blend control for balancing compressed and uncompressed signals \- Design: The pedal features a low-profile gain control located on the side, with a ground-lift switch to eliminate hum and buzz when interfacing with other equipment \- Use Cases: Suitable for use on electric guitars and basses, with the ability to add warmth and grit to the sound, making it suitable for studio and stage applications \- Version History: The V4 model includes four controls, an added EQ knob, Dirt Toggle, and XLR output The Pulp 'N' Peel V4 is designed to maintain the natural attack of the instrument, with a low noise floor and professional polish to enhance the overall tone. It offers a warm studio-style grit and can be used as a full- frequency boost. The pedal is suitable for a wide range of compression needs and is equipped with high-quality connectivity options for various use-cases.

Delay

The Panther Cub

The Panther Cub by JHS is an analog delay pedal designed to deliver dark and chewy repeats that analog delay enthusiasts seek. It offers 1000 milliseconds (1 full second) of delay time, providing ample flexibility for various musical applications. The pedal features an all-analog signal path and utilizes eight 3208 Bucket Brigade Delay chips, ensuring high-quality, classic analog delay tones. Key Features: \- 1000 milliseconds of delay time \- 100% analog signal path \- Eight 3208 Bucket Brigade Delay chips \- Efficient and compact 1590BB size case (4.7 x 3.7 inches) \- 4 Position Ratio control (1/4, 1/8, dotted 1/8, Triplets) \- Standard 9V DC Negative power \- Soft-touch Tap Tempo switch \- Onboard Modulation (speed/depth) that remains accurate even when using Tap Tempo \- Internal ROAR switch for 2 modes of oscillation sensitivity \- EFX Loop (via TRS splitter) that allows placement of any effect on repeats only \- Dry Out (via TRS splitter) for stereo field of sound \- Space-saving top-mounted Input/Output jacks \- True Speed LED (indicates the rate of actual delay) \- Assignable Expression (control Speed, Ratio, Mod Depth, Mod Speed) \- Improved and Strengthened Feedback and Oscillation \- Improved Delay overall definition and strength \- Tap Input/Output allows external tap controller or tap slaving \- True Bypass Switching \- 100% Designed, Populated, and Assembled in Kansas City, USA The Panther Cub also offers tap tempo functionality, active tilt-style EQ, and the ability to assign expression control to Time, Ratio, or Modulation. It is housed in a durable metal enclosure and features true bypass switching for transparent signal routing. Power: The pedal requires a standard 9V DC Negative power supply, consuming 100mA. Dimensions: The Panther Cub measures 4.7 x 3.7 x 1.2 inches and weighs 290 grams. Manufacturing: The pedal is entirely designed, populated, and assembled in Kansas City, USA. The Panther Cub by JHS is a versatile analog delay pedal suitable for guitarists and musicians seeking classic analog delay tones with modern functionality and flexibility.

The Milkman

The JHS Milkman is a versatile pedal designed to provide both slap delay and clean boost effects. It features two fully independent effects, with the boost on the right side and the slap delay on the left. The boost is a fully clean boost that can be used to push an amp into natural overdrive or as a preamp. The slap delay includes controls for Slap, Mix, Repeat, and EQ. The Slap control adjusts the delay time from 0ms to 250ms, creating a doubled effect or spacious echoes. The Mix control adjusts the echo volume, the Repeat control adjusts the number of repeats, and the EQ control adjusts the brightness of the repeats, allowing for a range of ambient or cutting tones. Technical Specifications: \- Two fully independent effects in a compact footprint \- Boost for always-on preamp or natural breakup \- Slap delay for just the right amount of echo \- Perfect for slide, country, rockabilly, and Americana \- Power Requirement: Standard 9V DC Negative \- Power Consumption: 27mA \- Dimensions: 2.6" x 4.8" x 1.6" The Milkman is designed to meet the needs of country and Americana players, providing a perfect combination of slap delay and clean boost in a compact and versatile pedal.

Lucky Cat

The Lucky Cat Delay by JHS is a versatile digital delay pedal designed to provide a range of delay effects in a compact form factor. The pedal offers the following technical specifications and features: \- Dimensions: 2.6" x 4.8" x 1.6" \- Power Requirement: Standard 9V DC Negative, consuming 75mA \- Delay Time: Up to 1000ms of classic digital delay \- Tap Tempo: On-board tap-tempo with ratio subdivision control \- Modulation: Two modulation settings (Mod 1 and Mod 2) with the center setting disengaging the modulation \- EQ Control: Darken (EQ) knob for adjusting the tone of the repeats \- Delay Modes: Vintage Tape mode for compressed, slightly driven echo and Digital Clean mode for crisp and clean delay sounds \- External Tap Jack: Allows control of the tempo of the delay with an external tap pedal \- Diamond eyes design The pedal's basic controls consist of Time, Mix, Ratio, Repeats, Darken (EQ), and a Modulation toggle. The Mix control adjusts the volume of the repeats, while the Ratio control offers subdivision options for the tap tempo. The Repeats control adjusts the number of repeats, and the Darken control functions as an EQ for the repeats, providing a range of delay tones. The Lucky Cat Delay is capable of delivering crystal clear digital delay with a variety of features to satisfy different musical needs.

3 Series Delay

The JHS 3 Series Delay is a compact and versatile delay pedal designed to offer simplicity without compromising quality. It provides a wide range of delay options suitable for both beginners and professionals. The pedal features a straightforward design with three simple controls and a toggle switch, allowing users to achieve rich and warm echoes or clear and pristine echoes. Key Technical Specifications: \- Delay Time: 80ms to 800ms \- Power Requirement: 9V DC Negative Center, consuming 71mA \- Dimensions: Length 4.42” x Width 2.38” x Height 1.22” Functionality: \- The Type toggle switch enables users to select between a clearer digital- voiced delay and a darker analog-voiced delay. \- The pedal offers classic bucket brigade runaway when the Repeats knob is maxed out in analog-voiced delay mode. \- Suitable for creating anything from slapback to long ambient washes of pad- like echo. Use-Cases: \- Suitable for guitarists and musicians looking to add depth and texture to their sound. \- Ideal for a wide range of musical styles and genres due to its versatile delay options. Overall, the JHS 3 Series Delay is a high-quality, affordable pedal that provides a range of delay effects in a user-friendly and compact design.

Distortion

The PackRat

The JHS PackRat is a multi-effect pedal that offers nine unique ProCo RAT distortion circuit recreations. It utilizes advanced digital design to access nine distinct analog circuits, providing a wide range of iconic RAT tones. The pedal features the following modes: 1\. The OG V1 (1979-83) 2\. White Face V3 (1984-1986) 3\. Turbo V5 (1989) 4\. BRAT V6 (1997) 5\. Dirty V7 (2004) 6\. LA (1986) 7\. Landgraff MO’D (1999) 8\. Caroline (2010) 9\. JHS Mode The controls on the PackRat include a "Volume" control for adjusting the overall volume, a "Distortion" control for manipulating the amount of gain or distortion, a "Filter" control for brightening or darkening the overall effect, and a "Mode" control for selecting one of the nine modes. Specifications: \- Type: Distortion \- Power Supply: 9 Volt DC Power Supply (Not Included) \- Ins - Outs: 1 x 1/4" In - 1 x 1/4" Out \- Analog/Digital: Analog The pedal is designed to replicate the exact circuitry of each mode, including aging components, and offers a versatile and comprehensive range of RAT- inspired tones.

3 Series Distortion

The JHS 3 Series Distortion pedal is a versatile distortion pedal designed to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The pedal features three simple controls and one toggle, offering a wide range of sounds suitable for both beginners and professionals. The controls on the Distortion pedal include Volume, Filter (or Tone), and Distort knobs, providing a broad spectrum of usable sounds in any position. Additionally, the Gain toggle allows users to choose between more saturated and compressed or a more open and crunchy distortion, significantly impacting the pedal's response to playing and touch dynamics. Technical Specifications: \- Power Requirement: 9V DC Negative Center \- Power Consumption: 9mA \- Dimensions: Length 4.42” x Width 2.38” x Height 1.22” The JHS 3 Series Distortion pedal is designed to inspire playing and facilitate the exploration of new sounds at an approachable price point. Each pedal in the 3 Series is manufactured in Kansas City, MO, using high-quality parts, rigorous quality control, and meticulous attention to detail.

PG-14

The PG-14 by JHS is a signature distortion pedal designed to Paul Gilbert's specifications. It features a FET-based distortion engine that emulates the touch, feel, and response of a pushed tube amplifier, allowing players to achieve the dynamics and tone of a loud stadium-level amplifier at low/moderate volume levels. One unique feature of the PG-14 is an active mid-frequency preamp located at the front of the FET distortion circuitry, providing users with a wide range of tonal possibilities with any amp or guitar combination. This design feature gives the pedal a vast sweep of tonal possibilities. The pedal requires standard 9V DC negative power, consumes 36mA, and measures 2.2" x 4.8" x 1.6".

Moonshine

The JHS Moonshine V2 Overdrive pedal is a highly unique and massively tweaked version of the most famous overdrive ever created. It is housed in a compact green enclosure and offers a range of features and specifications: \- The pedal features a simple 2-position “Proof” toggle switch that provides low gain amp-like breakup with powerful colored boost settings in the down position, and more open and forceful crunchy tones in the up position. This allows for a wide range of overdrive tones, from low gain to heavy distortion. \- The Moonshine V2 includes Volume, Tone, and Drive knobs, as well as a new Clean knob that allows users to blend in any amount of clean signal to their tone. \- It utilizes an internal 9V to 18V charge pump, similar to the SuperBolt pedal, which allows it to run on a standard 9V power supply while internally converting it to 18V. This provides increased headroom, added low-end, and more overall punch. \- The pedal measures 2.2" x 4.8" x 1.6" and requires a standard 9V DC center negative power supply, consuming less than 100mA. \- The Moonshine V2 is suitable for use with bass guitars and is designed and made in the USA. \- The V2 version of the pedal features a square-shaped knob layout and includes a Clean Blend Control, distinguishing it from the V1 version. The Moonshine V2 Overdrive pedal is suitable for a wide range of musical styles, including blues, rock, country, jazz, and even hardcore/metal. It offers a versatile and unique overdrive character with the ability to shape and create mid-heavy tones for various musical needs.

The Kilt

The Kilt V2 by JHS Pedals is a versatile overdrive, fuzz, and distortion pedal designed in collaboration with Stu G, a legendary guitarist, writer, and producer. The pedal features a heavily tweaked Expandora-style circuit with a specifically chosen op-amp for low noise and improved slew rate. The pedal offers a wide range of tonal options through three toggles. The cut/flat toggle allows users to cut low-end frequencies for better mix integration, while the G1 and G2 toggles provide various forms of distortion via select resistance values, offering light transparent drive to a wall of fat fuzz/distortion. The Kilt V2 has the following specifications: \- Pedal Type: Overdrive, Fuzz, Distortion \- Circuit: Heavily tweaked Expandora-style \- Toggles: Cut/Flat, G1, G2 \- Power Requirement: Standard 9V DC Center Negative, consumes 64mA \- Dimensions: 2.6” x 4.8” x 1.6” \- Version History: V1 (larger enclosure, two foot switches, independent boost, four knobs, and four toggles), V2 (smaller enclosure, three knobs, three toggles, Red Remote system added) The Kilt V2 is a compact and versatile tone-machine suitable for studio work and extensive touring gigs, offering a wide range of distortion and fuzz tones for various musical applications.

Andy Timmons Drive

The JHS Andy Timmons Drive (AT+) is a signature overdrive pedal designed in collaboration with guitarist Andy Timmons. It is known for delivering Andy's unmistakable lead and rhythm tones. The pedal features a drive channel that is identical to the original AT pedal, with controls including Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume control provides ample headroom, while the Drive control offers a wide range from high gain blues to thunderous distortion. The EQ and Air controls allow for tone shaping and articulation, and the three-way toggle simulates different amplifier wattages. The AT+ also includes an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The Boost side provides a slightly dirty and overdriven pre-boost, allowing for more saturation and definition. The pedal requires standard 9V DC center negative power, consumes 15mA, and measures 2.2" x 4.8" x 1.6". It can be safely run at 18 or 9 volts. The version history includes V1 with a diamond-shaped knob layout and a single footswitch, and V2 with a "AT+" U-shaped knob layout, two foot switches, and limited edition AT+ pedals also available in a Sweetwater exclusive black enclosure. The JHS Andy Timmons Drive is designed to provide unparalleled amp-like feel, with a wide range of volume and drive sweep for tonal variation. It is suitable for applications where a guitarist needs soaring overdrive and distortion with options to craft their tone.

Double Barrel

The JHS Double Barrel V4 is a 2-in-1 dual overdrive pedal designed for players seeking a versatile and transparent overdrive at medium and light gain levels. It combines the JHS Moonshine V2 and Morning Glory V4 overdrive circuits, offering a wide range of tonal options. Key Features: 1\. Two pedals in one: JHS Moonshine V2 and Morning Glory V4 2\. Selectable stacking order for flexible tonal options 3\. Transparent and open low/medium gain overdrive 4\. Red Remote capability with the Morning Glory V4 for on-the-fly gain toggle 5\. True bypass 6\. Small footprint design Technical Specifications: \- Power Requirement: Standard 9V DC center negative power \- Power Consumption: Less than 100mA \- Dimensions: 4.7" x 3.7" x 1.5" \- Weight: Approximately 386g \- Version History: V4 features updated Moonshine V2 on the right side and Morning Glory V4 on the left side \- Top-mount jacks for convenient pedalboard integration The pedal offers endless overdrive tones from low to medium gain, making it suitable for a wide range of musical styles and playing preferences. The Double Barrel V4 is a versatile and powerful tool for guitarists looking to expand their tonal palette with high-quality overdrive effects.

Muffuletta

The JHS Muffuletta is a versatile fuzz pedal that offers six variations of the classic Big Muff fuzz tones. The pedal features all-analog re-creations of the pedal’s most beloved tones, including the JHS Mode, 1973 Rams Head, The Triangle, The Pi, The Russian, and The Civil War. Each mode emulates a specific era of the Big Muff's history, providing a wide range of sonic possibilities. Technical Specifications: \- Power Requirement: Standard 9V DC negative power \- Power Consumption: 4mA \- Dimensions: 2.2" x 4.8" x 1.6" \- Bypass: True bypass \- Weight: Approximately 265g \- Small footprint design The JHS Mode offers a JHS original take on the classic circuit, providing a more powerful and less compressed sound with a haunting midrange, making it suitable for bass guitar. The other modes each emulate a specific era of the Big Muff's history, offering distinct tonal characteristics associated with famous users and iconic recordings. The Muffuletta is designed to deliver a wide range of classic fuzz tones in a compact and user-friendly format, making it suitable for a variety of musical styles and applications.

Angry Charlie

The Angry Charlie by JHS is a high-gain overdrive/distortion pedal designed to replicate the tones of a JCM800 amplifier. The V3 version of the pedal features a 3-band tone stack, allowing for precise control over bass, mids, and treble frequencies. The pedal has five controls: Volume, Drive, Bass, Mids, and Treble. The Volume control acts as a standard master volume control, while the Drive control determines the amount of overall dirt/overdrive in the signal path. The Angry Charlie V3 pedal requires standard 9V DC Negative power, consuming less than 100mA. It can also be run at 18V for more headroom and greater dynamics, but it is important not to use more than 18V DC. The pedal measures at 2.6" x 4.8" x 1.6" and features true bypass. The Angry Charlie V3 is suitable for guitarists seeking high-gain overdrive/distortion with a British flavor, characterized by rich bass response, thick mids, and a balanced high-end response. It is designed to turn any amp into a screaming Marshall stack and offers the flexibility to go from bluesy breakup to high-gain British tones with a twist of the Drive knob. The V3 version of the Angry Charlie pedal has undergone several changes from its previous versions, including a color change to red, the addition of a 3-band tone stack, and a total of five controls.

The AT+

The AT+ by JHS Pedals is an Andy Timmons signature overdrive pedal that offers a range of features and technical specifications. The pedal's design includes a drive channel identical to the original AT pedal, with controls for Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume provides ample headroom, while the Drive control offers a wide range from high gain blues to thunderous distortion. The EQ functions as a standard bright/dark tone control, and the Air control rolls in top end like a presence control for articulation and clarity. The three-way toggle provides the feel of different amplifier wattages, offering various levels of compression, saturation, and volume. Additionally, the AT+ features an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows users to achieve more saturation and definition for applications where more drive is needed. The Boost is independent and can be used alone to drive an amp or other drive pedals in conjunction with the AT+ drive channel. Technical specifications for the AT+ include the requirement for standard 9V DC center negative power, consuming 15mA, and measuring 2.2" x 4.8" x 1.6". It can be safely run at 18 or 9 volts. The AT+ pedal offers guitarists the ability to craft their tone with a versatile range of features, making it suitable for various musical styles and performance settings.

EQ

Haunting Mids

The Haunting Mids by JHS is a parametric mid EQ pedal designed to transform any amp or pedal into a versatile tone-shaping tool. It offers the following technical specifications and features: \- Controls: The pedal features Volume, Mids, Sweep, and a Lo/Hi toggle. The Volume control adjusts the signal level, while the Mids and Sweep controls work together to boost or scoop mid frequencies. The Lo/Hi toggle adjusts the sharpness of the frequency peak affected by the Mids knob. \- Functionality: The pedal is designed to boost/cut the perfect amount of midrange frequencies and offers a sweepable midrange frequency to find the perfect EQ to cut through any mix. It can be used to modify the tone of almost-breaking-up amps, overly scooped distortions, or overly mid-heavy amp or pedal rigs. \- Specifications: \- Boost: +10dB with EQ flat \- Total Harmonic Distortion: 0.007% \- Signal to Noise Ratio: 83dB \- +/- 15dB boost or cut \- Sweepable center frequency from 400Hz to 7.5kHz \- Switchable Q (LO-gentle broad, HI-peaking tight) \- Power Requirements: Standard 9V DC negative power, consumes 13mA \- Dimensions: 2.6" x 4.8" x 1.6" The Haunting Mids pedal is a powerful tool for shaping midrange frequencies and can be a valuable addition to any guitarist's setup, offering a wide range of tonal possibilities.

Fuzz

3 Series Fuzz

The JHS 3 Series Fuzz is a versatile fuzz pedal designed to provide affordability and simplicity without compromising quality. It offers a perfect balance of vintage and modern tones with soaring sustain and clear articulation. The pedal features three simple controls and one toggle, allowing for a wide range of sounds suitable for both beginners and professionals. Technical Specifications: \- Power Requirement: 9V DC Negative Center \- Power Consumption: 9mA \- Dimensions: 4.42” x 2.38” x 1.22” \- Weight: Approximately 210g (0.46 lbs) Features: \- Versatile fuzz box that cleans up well with the guitar's volume knob \- Bias knob for creating a wide variety of sounds, including a more gated sound \- Fuzz knob usable across 100% of the sweep for different flavors such as distortion and pushed amp overdrive tones \- Fat toggle for engaging a bass boost, resulting in a fatter, more powerful sound Use-Cases: \- Suitable for guitarists looking for a versatile fuzz pedal that offers vintage and modern tones \- Ideal for musicians seeking a pedal that responds well to volume knob adjustments and provides a wide range of tonal possibilities Functionality: \- The JHS 3 Series Fuzz is designed to deliver a wide spectrum of fuzz tones, from gated to all-out gained up sustain, while offering controls for Volume, Bias, and Fuzz. The pedal's design allows for easy manipulation of various parameters to achieve different fuzz and overdrive tones.

The Supreme

The Supreme by JHS is a replica of the 1972 Univox Super-Fuzz, designed to produce unique and iconic fuzz effects. The pedal features Volume and Expand controls, with the Volume making the effect louder and the Expand increasing the amount of fuzz. Additionally, it includes a "Tone" button that engages a mid-cut, flattening out the attack of the pedal, and a "Mode" button that activates a more pronounced octave-up effect, producing a thicker mid-range and available volume/boost. The pedal operates on 9V DC negative center with a 4mA consumption and measures 5.68 x 3.62 x 2.0 inches, weighing 0.85 lbs. It also allows for battery operation via a single 9V battery. The Supreme is known for replicating classic octave fuzz sounds and is suitable for use in various musical styles, including those of artists like Pete Townshend, Black Keys, White Stripes, Beastie Boys, and Mudhoney. The JHS Supreme is an analog, true bypass pedal with its jacks mounted at the top. It is known for its optimal build quality and reliability, making it a durable and efficient pedal. The pedal is designed to provide users with the iconic fuzz tones of the original Univox Super-Fuzz, making it a valuable addition to any guitarist's setup.

The Bender

The Bender by JHS is a vintage-style fuzz effect pedal designed to replicate the 1973 MKIII Tonebender. It features specific technical specifications as follows: \- Power Requirements: It uses 9V DC negative center with a 4mA consumption. It is important not to use more than 9V DC to avoid voiding the warranty. \- Dimensions: The pedal measures 5.68 x 3.62 x 2.0 inches and weighs 0.85 lbs. \- Battery Operation: The Bender allows for battery operation via a single 9V battery. The backplate can be opened to access the battery clip for installation. The controls on the pedal include Volume, Tone, and Attack. The Volume knob sets the overall output level, the Tone knob allows for sweeping between bright and dark tones, and the Attack knob controls the distortion level. Additionally, there is a "Mode" button that provides access to a unique "JHS Mode" for increased gain and mid-frequency boost. The Bender is designed to cater to a wide range of use-cases, from achieving middle-of-the-road crunch distortion to full-out aggression. It is suitable for users who appreciate the fuzz sounds of artists such as Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine. The pedal's tone control is highly flexible, offering numerous sonic variations. It is built with carefully chosen modern silicon transistors to provide accuracy and consistency while capturing the touch, feel, and response of vintage germanium fuzz. Overall, the Bender by JHS is a meticulously crafted pedal that offers a blend of vintage fuzz tones with modern reliability and functionality, making it a valuable addition to any guitarist's setup.

The Crimson

The Crimson by JHS is a fuzz pedal that is an exact replica of the Red Army Overdrive, based on the rare first edition Soviet Big Muff. The pedal features controls for Volume, Tone, and Distort, allowing users to achieve a distinctive crunch. Additionally, it includes a Mode button that engages a bespoke JHS circuit with a mid boost for added tonal versatility. Specifications: \- Dimensions: 5.68" x 3.62" x 2" \- Weight: 0.85 lbs \- Controls: Volume, Tone, Distort, Mode button \- Circuitry: Based on the first version of the Soviet Big Muff \- True Bypass switching Use Cases: \- Suitable for guitarists seeking to replicate the early Soviet Big Muff tone \- Ideal for musicians looking for a fuzz pedal with versatile tonal shaping capabilities Functionality: \- Authentic recreation of the circuitry and sound of fuzz in the '90s \- Offers a mid frequency boost through the Mode button \- True Bypass switching for preserving signal integrity when the pedal is disengaged The Crimson by JHS is designed to provide guitarists with a faithful recreation of the iconic Soviet Big Muff fuzz tone, along with modern enhancements for added flexibility in shaping their sound.

The Calhoun

The Calhoun V2 by JHS Pedals is a dual effects pedal designed in collaboration with Mike Campbell, featuring a vintage overdrive and fuzz circuit. The overdrive side is similar to the Twin Twelve pedal, providing amp-like breakup from subtle to thick. The fuzz circuit is based on the popular 60s and 70s Tone-Bender fuzzes. The pedal includes controls for Volume, Fuzz, Bias, EQ, Drive, Bass, and Treble, offering extensive tonal shaping capabilities. The right side of the Calhoun V2 is dedicated to the fuzz circuit, with controls for Volume, Fuzz, Bias, and EQ, engaged by the right footswitch. The fuzz is based on vintage Tone-Bender fuzzes, offering a wide range of fuzz tones from lower gain to high gain. The Bias control fine-tunes the character of the fuzz, while the EQ provides a wide sweep for fat or vintage tones. The left side of the pedal features the Twin Twelve channel drive, designed after vintage Silvertone amps from the early 60s. It offers a ton of vintage character and tonal control with Volume and Drive knobs. Separate Treble and Bass controls provide further tone shaping, akin to vintage amps. Additionally, the pedal includes a toggle to select the order of the effects when both are engaged, allowing users to customize their signal chain. The Calhoun V2 is a versatile pedal suitable for rhythm and lead tones, both live and in-studio, and is the first-ever signature pedal for Mike Campbell. It offers a combination of vintage character, tonal control, and flexibility, making it a go-to pedal for guitarists seeking classic overdrive and fuzz tones. The pedal's dimensions are approximately 3.65 x 4.65 x 1.2 inches.

Muffuletta

The Smiley

The JHS Smiley is a fuzz pedal inspired by first-era silicon model Arbiter fuzzes. It is designed to replicate the sound and characteristics of the early silicon Fuzz Faces. The pedal features two simple controls: Volume and Fuzz. The Volume control sets the overall output level of the effect, while the Fuzz control adjusts the distortion level. Additionally, the pedal includes a "Mode" control button that activates the unique "JHS Mode," sending the Smiley into high gain/gated fuzz territory. The Smiley pedal has dimensions of 5.68 x 3.62 x 2.0 inches and weighs 0.85 lbs. It operates using 9V DC negative center power with a 4mA consumption. It is important not to use more than 9V DC, as doing so will void the warranty. The pedal also allows for battery operation via a single 9V battery. The Smiley is known for its clear and defined sound, straddling the line between a distortion pedal and a searing sustain, with sustaining low end and crisp mid-range bite. It is designed to clean up effectively when the guitar's volume is rolled back, capturing the classic tones associated with vintage Arbiter units. The pedal is suitable for musicians seeking to replicate coveted classic tones, as it has been used by legendary guitarists such as Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson on numerous albums.

The Firefly

The Firefly by JHS is a tribute to the Tonebender MKIII model of the late 60s, featuring a classic three-transistor Germanium fuzz circuit. The pedal includes four controls: Volume, EQ, Fuzz, and Bias. The Volume control acts as a master volume with significant headroom, allowing it to function as a boost. The EQ control operates as a cut, removing highs and fattening the tone as it is rotated to the right. The Fuzz control adds more distortion/fuzz to make the signal dirtier. The major addition to this classic circuit is the Bias control knob, which fine-tunes the power to the hand-matched germanium AC128 transistors inside, resulting in loud and powerful tones when rolled to the left and more dirty/saturated tones when rolled to the right. This control also helps overcome the issue of transistors sounding different in various temperatures and environments. The pedal also features internal voltage and polarity adjustments, allowing it to be powered on a normal 9V power supply. The Firefly is designed for fans of classic fuzz and offers unique touch sensitivity, response, and rich tone characteristic of true Germanium fuzz. It is described as a powerful and versatile piece of gear that can cover a range of genres from blues to rock to heavy grinding distortion. Technical Specifications: \- Type: Fuzz \- Controls: Volume, EQ, Fuzz, Bias \- Finish: Silver \- LED Color: White \- Power: Standard 9V DC Negative power, consumes less than 100mA \- Dimensions: 2.2" x 4.3" x 1.5" Additionally, the I/O for the amp and guitar are not labeled, and no manual is included or available online.

Octave/Pitch Shifters

3 Series Reverb

The JHS 3 Series Reverb pedal is a versatile unit designed to provide affordability and simplicity without compromising quality. It is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. The pedal features three simple controls and one toggle that offer a wide range of sounds, suitable for beginners and professionals alike. Technical Specifications: \- Power: 9V DC Negative Center \- Power Consumption: 74mA \- Dimensions: Length 4.42” x Width 2.38” x Height 1.22” Features: \- Versatile reverb pedal suitable for creating various reverberation effects, from small room sounds to nearly endless washes of ambiance \- EQ control for adjusting the overall tone of the reverb, allowing for bright or dark textures \- Pre-Delay toggle for selecting a short delay before the reverb begins, enabling exploration of effects ranging from slap-like sounds to spacey textures Use Cases: \- Suitable for guitarists and musicians seeking a versatile and affordable reverb pedal for live performances, studio recordings, and practice sessions \- Ideal for creating a wide range of reverberation effects to enhance the overall sound and atmosphere of musical compositions Functionality: \- The JHS 3 Series Reverb pedal offers intuitive controls and versatile sound-shaping capabilities, making it suitable for a wide range of musical styles and genres \- The pedal's compact design and low power consumption make it a practical and portable solution for musicians on the go

Overdrive and Boost

Little Black Amp Box

The JHS Little Black Amp Box is a passive amp attenuator designed to control the signal sent to an amplifier's power section. It is specifically intended for use with amplifiers that have a series effects loop. The device allows users to push the front end of their amp for natural feel and tone at lower volume levels. Technical Specifications: \- Type: Series Effects Loop Attenuator \- Power Handling: Line Level only \- Inputs: 1 x 1/4" \- Outputs: 1 x 1/4" \- Power Source: Passive \- Dimensions: 1.57" (H) x 1.96" (W) x 4.33" (D) \- Weight: 0.26 lbs \- Manufacturer Part Number: Little Amp Black Box Features: \- Enables users to achieve cranked amp tones at lower volume levels \- Retains the response and tone of the amp's sweet spot at lower levels \- High-grade components for clear and pure tone \- Compact, low-profile design for easy integration into a rig \- Does not require power Usage: The Little Black Amp Box is intended to be used in the series effects loop of an amplifier to attenuate the signal and control volume levels without affecting the amp's tone. It is not recommended to run other pedals in the effects loop with the Little Black Amp Box, as it may affect the sound of other pedals. Note: It is important to avoid placing the Little Black Amp Box between the power section of the amplifier and the speakers, as this can result in damage to the gear. Additionally, it should not be used with a parallel effects loop. The Little Black Amp Box offers a convenient solution for achieving cranked amp tones at lower volume levels, making it suitable for both studio and live performance applications.

Haunting Mids

Moonshine

The Kilt

The Bonsai

The Bonsai by JHS is an overdrive pedal that pays tribute to the classic Tube Screamer. It features a simple rotary knob to switch through nine classic, vintage, rare, or hard-to-find variations of the Screamer. The pedal is an exact replication, not emulation, and each mode activates components specific to that mode, replicating the quirks, drift, vintage mojo, and individuality of a vintage pedal. The nine modes of The Bonsai are as follows: 1\. OD-1 - 1977: Brighter and slightly higher gain mode that does not utilize the Tone knob, with asymmetrical clipping. 2\. TS-808 - 1979: Classic low gain with a pronounced mid-range. 3\. TS-9 - 1982: Nearly identical to the TS-808 but with a slightly more pushed low-mid range. 4\. MSL, Power, or L Series - 1985: Higher gain sound with more low end and an overall gooey feel. 5\. TS-10 - 1986: Slight upgrade from the TS-9 for the late ’80s, bluesy, crisp, with more low end roll off and low gain. 6\. Exar OD-1 - 1989: Polish made TS-style pedal with a slightly different drive character and a slightly more transparent feel. 7\. TS-7 (+mode) - 1999: The hot mode on this version gives the highest gain sound in the Bonsai, with more low end and dirt fill out the tone. 8\. Keeley Mod Plus - 2002: Tightens up the tone on the original, giving smoother mid-range and high frequencies, and increased bass response. 9\. JHS Strong Mod - 2008: Cleaner and overall more powerful mode with more pronounced higher and low end drop-offs. Technical Specifications: \- Power Supply: Standard 9V DC, center negative \- Power Consumption: Less than 100mA \- Bypass Mode: True Bypass \- Dimensions: 2.6" x 4.8" x 1.6" (inches) / 5.6 x 4.1 x 12.1 (cm) \- Made in the USA It is important to mention that the Bonsai is not affiliated or endorsed by Ibanez, Boss, Roland, Tubescreamer, TS9, 808, Exar, Keeley, and Audio Precision.

The Calhoun

The Milkman

Andy Timmons Drive

Morning Glory

The JHS Morning Glory V4 is an overdrive pedal known for its transparent tone and versatile functionality. It features Volume, Drive, Tone, and Gain controls, offering a wide range of tonal shaping capabilities. The Volume control provides 2x the available headroom compared to the V3, while the Drive control dials in overdrive with a slight increase in treble content. The Tone control acts as a basic high-pass filter, allowing users to adjust the brightness of the tone. The Gain toggle activates a new boost mode, providing more powerful, low-end content and high-gain tones. The pedal also includes a Bright Cut toggle for adjusting high-end frequencies. The Morning Glory V4 is designed to be touch-sensitive and preserves the instrument's feel, making it suitable for various playing styles and guitar types. It can be powered by a standard 9V DC center-negative power supply, consuming less than 100mA. The pedal measures 2.2" x 4.3" x 1.5" and is equipped with input and output jacks for seamless integration into pedalboard setups. Overall, the Morning Glory V4 offers transparent overdrive, touch responsiveness, and on-the-fly versatility, making it a valuable addition to any guitarist's rig.

Double Barrel

Colour Box

The JHS Colour Box V2 is a versatile preamp, EQ, and distortion generator designed to replicate the sounds of "direct-in" electric guitar recordings. It features a combination XLR/TS jack with a switch between instrument and microphone input, and separate XLR and 1/4” outputs. The pedal runs on standard 9V DC center negative power, consuming 193mA. The Gain section includes three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume, while the Pre-Vol adjusts the amount of gain between the internal gain stages. The Step control increases the gain in five stages, ranging from +18 dB to +39 dB. The Colour Box V2 also includes a Hi/Lo switch for clean headroom control, a -20dB pad switch for XLR input mode, and an output transformer. The EQ section has three Shift controls for precision EQ adjustments, along with standard Treble, Middle, and Bass controls. The Hi-Pass section features a 2nd order 6dB per octave highpass filter with adjustable cutoff frequency. The pedal measures 5.7” x 3.75” x 1.85” and is designed for mono input/mono output, with true bypass mode. It is made in the USA and does not work on batteries.

Angry Charlie

Sweet Tea

The JHS Sweet Tea V3 is a versatile overdrive/distortion pedal designed to cover a wide range of medium-to-high gain tones. It features two independent circuits: the Moonshine V2 and the Angry Charlie V3. The Moonshine V2, located on the right side of the pedal, offers classic mid- heavy tones with increased gain, volume, and tonal options. It includes a "Clean" knob to blend in the perfect amount of clean signal with the overdrive signal. On the left side, the Angry Charlie V3 provides a high gain JCM 800 type "Brown" sound tone with volume, drive, and a full bass, mid, and treble tone stack, similar to those found on the amp. Key Features: \- Independent Moonshine V2 and Angry Charlie V3 circuits \- Order toggle to select the order of effects when stacking \- Tons of control to dial in the perfect sound The Sweet Tea V3 also includes a classic order switching toggle, allowing users to choose which circuit is first in the chain for optimal stacking tones. Version History: \- V1: Slightly different icon, no toggles \- V2: Order toggle and gain toggle added \- V3: Updated Moonshine V2 on the right and Angry Charlie V3 on the left, top-mount jacks Technical Specifications: \- Power Requirement: Standard 9V DC center negative power \- Power Consumption: 51mA \- Dimensions: 4.7" x 3.7" x 1.66"

The Clover

The Clover by JHS is a versatile preamp/boost pedal designed for electric, acoustic, and bass players. It is a faithful interpretation of the FA-1 FET Preamp with additional features. The pedal features four standard controls and a rotary switch on the top. The Volume control allows users to set their volume at unity or as a boost to push their amp or dirt pedals. The three EQ controls provide extensive control to cut or boost Bass, Mids, and Treble. The rotary switch offers three settings: Full EQ, No Mid, and No EQ, allowing for various tonal shaping options. The Clover also includes an XLR output for use as an acoustic or bass preamp, which can be used individually or simultaneously with the 1/4” output. The XLR output is designed to give players a great amount of control over their sound, with a ground lift feature to address potential hum issues. The pedal has up to +24dB of gain (X16.4) with EQ Flat, and specific EQ settings include Treble (+/- 15dB shelving filter at 10kHz), Middle (+/- 15dB peaking filter at 1.3kHz), and Bass (+/- 15dB shelving filter at 270Hz). Additionally, the pedal features a Low Cut engaged at -3dB point at 212Hz. The technical specifications of The Clover are as follows: \- Input impedance: >1M ohm \- Output impedance: 520 ohms \- Current draw at idle: 45.5mA \- Power requirements: Standard 9V DC negative power, consuming 45.5mA \- Dimensions: 2.6" x 4.8" x 1.6" The Clover is a versatile tool suitable for various music styles and amplifiers, offering tonal shaping and boosting capabilities for different types of pickups and amplifiers.

Pulp 'N' Peel

3 Series Overdrive

The AT+

3 Series Reverb

The Firefly

Preamps

Colour Box

The Clover

Reverb

The VCR

Space Commander

3 Series Reverb

Tremolo

The Tidewater

The Tidewater by JHS is a compact amp-style tremolo pedal designed to faithfully recreate the beloved amp tremolo with warmth and character. It features standard controls for Volume, Mix, and Speed, allowing for versatile tone shaping. The Volume control sets the overall volume at unity, below unity, or above unity for a boosted tone. With the Mix turned all the way down, the Tidewater can be used as a warm preamp boost. The Mix knob controls the depth of the tremolo, while the Speed knob controls the tremolo speed, indicated by an LED next to the Speed knob. The pedal measures 3.6" x 1.5" x 1" and requires standard 9V DC negative power, consuming 3 mA. Additionally, it features a three-way dip switch on the back plate for adjusting the Speed's range, providing further customization options for users. The Tidewater is suitable for guitarists seeking a simple, amp-like tremolo effect in a compact form factor, making it an ideal choice for those looking to add tremolo to their pedalboard without taking up much space.

Kodiak

The JHS Kodiak Tremolo pedal is a versatile addition to the tap-tempo series, offering a range of features and controls for creating tremolo effects. The pedal is based around classic Vox and Black Face tremolo sounds and features four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to provide total control and inspiration for creating unique tremolo effects. Key Features: \- Controls: The Kodiak pedal features five controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control allows users to set the overall volume, acting as a preamp or slightly driven boost when the Mix knob is turned down. The Speed knob provides manual control for the speed of the tremolo, which can also be set using the onboard tap-tempo switch. The Mix knob controls the depth of the tremolo effect, from fully clean to fully wet. The Ratio control enables users to dial in faster speeds perfectly sync'd with the BPM of the tap, with options for quarter notes, eighth notes, "triplets," or sixteenth notes. The Wave control offers four different wave variations: Sine, Rhythmic, Square, and Ramp, each providing distinct tremolo sounds. \- Tap/Expression Jack: The Kodiak pedal also features a Tap/Expression jack on the right side, allowing users to plug in an external tap tempo or an expression pedal to control the speed of the tremolo. The pedal includes a switch on the left side to select either TAP or EXP mode. Technical Specifications: \- Power Requirements: Standard 9V DC negative power \- Power Consumption: 10mA \- Dimensions: 2.6” x 4.8” x 1.6” The JHS Kodiak Tremolo pedal offers a wide range of tremolo effects and control options, making it suitable for various musical styles and applications.