Manufacturers
Welcome to your ultimate guide to BOSS's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by BOSS. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
The BOSS GT-6B Bass Effects Processor is a professional floor-based unit that offers a range of features and high-quality sound. Here are the technical specifications and key features: \- Professional bass multi-effects processor with COSM technology \- True analog bypass and 24-bit converters for uncompromised sound quality \- COSM Bass Amp Modeling recreates the tone of classic bass amps and speaker cabinets \- New COSM Compression effect modeled after 4 well-known compressors \- Ultra-intuitive interface with analog-style knobs \- Built-in expression and control pedals \- Versatile effects including chorus, reverb, delay, flanger, COSM Overdrive/Distortion Modeling, and Wah Modeling \- New performance effects include Auto Slap feature and sound-on-sound looping \- Balanced XLR output and coaxial digital output for recording applications The GT-6B is designed to provide bass players with a wide range of effects and modeling capabilities, allowing for easy integration into various musical setups.
The BOSS AW-3 Dynamic Wah pedal offers a wide range of classic auto-wah and dynamic wah effects, including a new "Humanizer" effect that can simulate human vowel sounds. It is the first compact wah pedal to incorporate human voice-type sounds through the "Humanizer" Mode. The pedal provides both fixed and auto wah settings using the Manual control or pedal for tempo input. Additionally, it features a dedicated Bass input for processing bass guitars and allows for wah control via an optional expression pedal in EXP Pedal mode. The AW-3 also offers a Tempo Mode and resonant synth-like Sharp Mode. The pedal is backed by a BOSS five-year warranty. Technical Specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Power Supply: 9V DC power supply or 9V battery \- Dimensions (W x D x H): 73 mm x 129 mm x 59 mm \- Weight: 420 g
The BOSS FT-2 Dynamic Filter specifications are as follows: \- Power Source: 9V DC, Dry Cell Battery (x 1), AC Adaptor (BOSS ACA-120, 220 or 240: optional) \- Current Draw: 16mA (9V DC) \- Controls: SENS, CUTOFF, FREQUENCY, Q CONTROL \- Switches: Mode Selector, Effect On/Off \- Indicators: Effect On/Off (Battery Check) \- Jacks: INPUT, EXPRESSION IN, OUTPUT, AC Adaptor \- Residual Noise: -85dBm (IHF-A) \- Input Impedance: 1M Ohm \- Output Load Impedance: Over 10k Ohm \- Dimensions: 70(W) x 55(H) x 125(D) mm, 2 3/4(W) x 2 3/16 (H) x 4-15/16(D) inches \- Weight: 400g / 14oz The FT-2 Dynamic Filter is an Auto Wah pedal that offers EQ-like capabilities for creating tonal effects with a specific frequency. It can be controlled by the touch sensitivity of the guitar string or an external expression pedal to control it like a wah. The Cut Off Frequency knob sets the center frequency where the effect occurs and can alter the effect completely. The pedal features Up/Down modes as well as a manual mode where it works as an equalizer, making it possible to create a cocked wah sound when used without an expression pedal.
The BOSS LMB-3 Bass Limiter Enhancer offers complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. Its features and technical specifications include: \- Full control of bass guitar's dynamic range via threshold level and ratio knobs \- Enhancer provides increased bass clarity and presence \- AC adaptor or 9V battery operation \- BOSS five-year warranty
The Boss PQ-3B Bass Parametric Equalizer features a three-band bass parametric equalizer with Low, Middle, and High bands. Each band allows users to set the frequency and level for more precise control over the bass frequencies. The pedal switch and level indicators provide easy operation and monitoring. The dimensions of the PQ-3B are 70(W) x 55(H) x 125(D) mm (2-3/4(W) x 2-3/16(H) x 4-15/16(D) inches), and it weighs 410g/15oz. The input impedance is 1M Ohm, output impedance is 1k Ohm, and the recommended load impedance is 10k Ohms or greater. The PQ-3B operates on a DC 9V dry battery or an AC adaptor (BOSS PSA-120, optional) with a current draw of 25mA (DC 9V). The residual noise is -98dBm or less (IHF-A) when all controls are centered. The package includes instructions and a dry battery (S-006P/9V), with the option to use the BOSS PSA-120 AC adaptor or other compatible dry batteries.
The BOSS GEB-7 Bass Equalizer is a 7-band graphic equalizer designed specifically for bass guitars and upright bass instruments. Its features and technical specifications include: \- 7 bands offering a 15 dB boost/cut over a frequency range of 50 Hz to 10 kHz, with the 10 kHz band being a high-frequency shelf \- Can be used as a "boost" or "cut" pedal using the level control knob \- Full range response, even for five- and six-string basses \- Inputs: 1 x unbalanced 1/4" instrument TS \- Nominal Input Level: -20 dBu \- Input Impedance: 1 MOhm \- Outputs: 1 x unbalanced 1/4" instrument TS \- Nominal Output Level: -20 dBu \- Output Impedance: 1 kOhm \- Residual Noise: -100 dBu \- Current Draw: 16 mA @ 9 VDC \- Dimensions: 2.9 x 5.1 x 2.4" / 73 x 129 x 59 mm \- Weight: 1 lb The pedal also features a level control knob, pedal switch, and indicator for battery check. It can be powered by a 9V DC dry battery or an AC adaptor (BOSS PSA-120 or PSA-120T, optional).
The BOSS GT-1B Bass Effects Processor is designed to provide bass players with a wide range of pro tone-shaping power in a compact and robust package. It is backed by BOSS's premium sound engine, offering access to a vast selection of bass-optimized amps and effects for both stage and studio playing. The GT-1B features a streamlined interface for fast sound dialing, an onboard control switch, and an expression pedal for real-time effect adjustments. It is compact, rugged, and battery-powered, making it an ideal mobile tone companion for every bassist. Key Features and Specifications: \- Premium
The BOSS GT-10B Bass Effects Processor is a top-of-the-line bass station optimized for the low-frequency domain. It features the massive power of BOSS’ latest DSP engine and COSM sound-modeling know-how, providing the most creative and essential features for bass. The GT-10B is equipped with essential effects such as OD/DS, Comp/Limiter, and offers top-quality sounds without sacrificing richness and bottom of the bass tone. Key Features and Specifications: \- Optimized for bass with essential effects such as OD/DS, Comp/Limiter \- EZ Tone enables intuitive tone creation using an interactive user interface based on graphic icons \- Parallel Chain offers two separate effects paths that can be blended, switched by playing dynamics, or with the onboard pedals \- Phrase Loop allows instant sound-on-sound loop creation \- USB capability offers audio- and MIDI-streaming in real time \- XLR outputs as well as 1/4-inch jacks \- High-contrast LCD and LED for easy operation on dark stages or in glaring sunlight \- Built-in expression pedal and six dedicated footswitches \- Powered by BOSS’ latest custom-made sound processor, providing dozens of stunning effects algorithms and COSM amp models specifically tailored for bass players The GT-10B also features the EZ Tone wizard for quick and intuitive sound design, as well as the Parallel Chain feature for blending complex effects with powerful, pure tones. Additionally, it comes equipped with Phrase Loop for sound-on-sound loop creation and USB connectivity for streaming audio and MIDI data to computers and digital recorders. The GT-10B is designed with a strong, stylish build and offers intuitive operation, making it an advanced yet user-friendly bass effects processor.
The BOSS ME-20B Bass Multiple Effects is a powerful multi-effects unit optimized for live performance. It features a tough metal construction designed for life on the road, with three footswitches, five control knobs, and an expression pedal for full control over your sound. The ME-20B includes a built-in chromatic auto-tuner for quick and easy bass tuning. It offers both Memory mode, allowing storage and recall of up to 30 user patches, and Manual mode for turning on and off currently selected effects with the pedals. The unit also includes a Bass Enhance function for an instant presence boost and an EZ Edit feature for quick sound creation. The ME-20B runs on battery power (six AA dry cells) for portability and can also be used with an optional AC adaptor for extended performances. Additionally, it includes an AUX IN jack for connecting a CD or MP3 player to jam along with favorite music. The ME-20B is designed for bassists who want an easy-to-use interface with BOSS tone and quality, offering a wide variety of effects including compressor, overdrive, distortion, T-Wah, phaser, flanger, chorus, delay, reverb, defretter, synth, and more.
The BOSS ME-50B Bass Multiple Effects Processor is a floor-based bass multi- effects unit designed for easy analog control. It features six sections of effects, including Compressor/Limiter, Master, Filter/Tone, Drive/Synth, Delay/Modulation, and Expression Pedal. The key features and specifications include: 1\. Killer COSM Compressor/Limiter and Drive effects, along with T-Wah, Slow Gear, and Defretter effects. 2\. Innovative Sound Hold function for sustaining a low note while playing on top. 3\. Sound On Sound recording with a new Kick Drum effect for keeping time. 4\. Easy Tone effects with preset EQ templates for quick tone editing. 6\. Three footswitches and an onboard expression pedal routed to six options like Octave, Wah, etc. 7\. Solid metal case built to withstand abuse. The ME-50B also includes independent COSM Compressor/Limiter and EQ sections, providing tight, punchy tone and precise tonal shaping. It offers a variety of unique tone-shaping effects for bass, such as Octave Up, Slow Gear, T-Wah, and Defretter, as well as overdriven sounds and synth bass sounds with superb tracking and natural feel. Additionally, the unit allows for Sound On Sound recording and features a new Kick Drum function for creating loops over the beat.
The BOSS CE-2B Bass Chorus pedal features the following technical specifications and design details: \- Power: 9VDC 006P(x1), AC Adaptor(ACA-120, 220 or 240) \- Current Draw: 10mA (9VDC) \- Controls: Rate, Depth, Effect Level \- Switch: Effect On/Off \- Indicator: Effect On/Off (=Battery Check) \- Jacks: Input, Output, AC Adaptor \- Residual Noise: Less than -100dBm (IHF-A) \- Maximum Input Level: 0dBm (100Hz) \- Input Impedance: 470k ohm \- Output Load Impedance: More than 10k ohm \- Dimensions: 70(W) x 55(H) x 125(D) mm / 2 1/4(W) x 2 1/4 (H) x 5(D) inches \- Weight: 400g / 14oz The pedal also includes three control knobs for Rate, Depth, and Effect Level, providing flexibility in adjusting the chorus effect. Additionally, it utilizes various ICs, transistors, and diodes, such as NJM4558DD, TL022CP, MN3007, MN3101, 2SC2240GR, 2SC945P, 2SK30A-Y, and others.
The BOSS ODB-3 Bass OverDrive is designed specifically for bass applications and delivers chest-resonating distortion suitable for hard rock, thrash, and punk bassists. Its features and specifications include: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms \- Onboard two-band equalizer \- Balance knob for controlling dry/overdriven sound \- AC adaptor or 9V battery operation \- BOSS five-year warranty The pedal is compact and offers a wide variety of heavy overdriven bass tones, making it a versatile tool for bass players seeking to enhance their sound.
The BOSS CE-2 Chorus features the following technical specifications: \- Power: 9V battery (1) or AC adaptor \- Current Requirements: 9mA at 9V \- Controls: Rate, Depth \- Other Features: Normal/Effect changeover switch, Effect indicator (also for confirmation of battery check) \- Jacks: Input, Output, AC Adaptor \- Signal/Noise Ratio: 90dB or more (IHF-A) \- Maximum Allowable Input: 0dBm (100Hz), -10dBm (1kHz) \- Input Impedance: 470k ohm \- Output Load Impedance: 10k ohm or more \- Dimensions: 70(W) x 55(H) x 125(D) mm / 2 3/4(W) x 2 1/4 (H) x 5(D) inches \- Weight: 400g / 14oz
The BOSS DC-2W Dimension C Waza Craft pedal offers vintage analog tones with modern design refinements for enhanced performance and versatility. It provides a perfect sonic recreation of the original DC-2 Dimension C pedal and the legendary SDD-320 Dimension D studio rack effect. The pedal features a four-button preset interface with electronic switching that unlocks a multitude of sonic variations not available on the vintage units. It offers 20 different Dimension variations with just four switches across its two effect modes (S and SDD-320). The DC-2W is equipped with modern electronic switches and status LEDs for more solid performance, allowing users to press two switches at once to access a variety of additional sounds. It also includes a newly designed internal bypass circuit and versatile I/O for integrating with any mono or stereo application. The pedal features a premium buffer circuit for ultra-transparent tone when switched off and is made in Japan. Additionally, the SDD-320 mode authentically reproduces the vintage Roland SDD-320 Dimension D, offering six sound variations when two buttons are pressed, including four "in-between" sounds and two all-new voices. The vintage Dimension effect subtly enhances the width and depth of the source audio without creating prominent modulated movement, resulting in a more open and natural sound. The DC-2W pedal delivers vintage analog tones with modern design refinements for enhanced performance and versatility.
The BOSS CE-2W Chorus Waza Craft pedal offers the following features and technical specifications: Features: 1\. Waza Craft innovation for a premium analog tone experience. 2\. Standard mode provides a perfect reproduction of the legendary CE-2 sound. 3\. CE-1 mode features chorus and vibrato, authentically reproducing the two stereo sound modes in the world’s first chorus pedal. 4\. Includes new sounds not available in the original pedals, including CE-2 stereo output and variable depth for CE-1 chorus sounds. 5\. Rate and Depth knobs provide fine sound adjustment in both pedal modes. 6\. Premium all-analog circuitry with bucket-brigade (BBD) delay line. 7\. Made in Japan. 8\. BOSS five-year warranty. Technical Specifications: 1\. Dimensions (W x D x H): 2.9 x 5.1 x 2.3 inches. 2\. Weight: 15.9 oz / 450.0 g. 3\. Power Requirements: 9VDC Center Negative (Power Supply Unit not included). The CE-2W Chorus Waza Craft pedal faithfully recreates the classic CE-2 chorus sound and the stereo chorus and vibrato sounds of the legendary CE-1, offering a premium analog tone experience with versatile sound adjustment options.
The BOSS CH-1 Super Chorus pedal features a nominal input level of -20 dBu, an input impedance of 1 M ohm, a nominal output level of -20 dBu, and an output impedance of 1 k ohm. It is recommended to use a load impedance of 10 k ohms or greater. The pedal offers a clean classic chorus sound with crystal-clear highs and a unique stereo effect that can be varied between left and right speakers. It includes mono input and stereo outputs for connection to dual amps. The pedal also comes with an effect level, EQ, rate, and depth knobs for precise sound shaping. The dimensions of the pedal are approximately 6" L x 3.8" W x 2.8" H, and it weighs around 1.05 pounds.
The BOSS DC-2W Waza Craft Dimension C pedal offers a perfect sonic recreation of the original DC-2 Dimension C pedal and the legendary SDD-320 Dimension D studio rack effect. It features an intuitive four-button preset interface, modern electronic switching, and LED status indicators. The pedal provides 20 different Dimension variations with just four switches across its two effect modes (S and SDD-320). The vintage Dimension effect enhances the width and depth of any sound, subtly enriching the source audio without prominent modulated movement. The pedal's modern design refinements include a newly designed internal bypass circuit and versatile I/O for integration with mono or stereo applications. Additionally, it includes a premium buffer circuit for ultra-transparent tone when the pedal is switched off. The DC-2W's SDD-320 mode captures the original Dimension D vibe and enables six sound variations when two buttons are pressed, including four "in-between" sounds and two all-new voices. When S (Standard) mode is selected, the pedal delivers the exact sound of the original DC-2 pedal. Specifications: \- Pedal Type: Dimensional Chorus \- Analog/Digital: Analog \- Inputs: 2 x 1/4" \- Outputs: 2 x 1/4" \- Bypass Switching: Buffered Bypass \- Power Source: 9V DC \- Current Draw: 65 mA \- Dimensions: H: 5.7 cm, W: 6.4 cm, D: 11 cm \- Weight: 410g (14oz) \- Made in Japan \- BOSS five-year warranty
The BOSS CE-2B Bass Chorus pedal features the following technical specifications and design details: \- Power: 9VDC 006P(x1), AC Adaptor(ACA-120, 220 or 240) \- Current Draw: 10mA (9VDC) \- Controls: Rate, Depth, Effect Level \- Switch: Effect On/Off \- Indicator: Effect On/Off (=Battery Check) \- Jacks: Input, Output, AC Adaptor \- Residual Noise: Less than -100dBm (IHF-A) \- Maximum Input Level: 0dBm (100Hz) \- Input Impedance: 470k ohm \- Output Load Impedance: More than 10k ohm \- Dimensions: 70(W) x 55(H) x 125(D) mm / 2 1/4(W) x 2 1/4 (H) x 5(D) inches \- Weight: 400g / 14oz The pedal also includes three control knobs for Rate, Depth, and Effect Level, providing flexibility in adjusting the chorus effect. Additionally, it utilizes various ICs, transistors, and diodes, such as NJM4558DD, TL022CP, MN3007, MN3101, 2SC2240GR, 2SC945P, 2SK30A-Y, and others.
The BOSS VB-2W Vibrato Waza Craft pedal features include: \- Waza Craft innovation for a premium analog tone experience \- Custom mode offers a new vibrato sound with a unique filter wave \- Standard mode provides a true reproduction of the vintage VB-2 Vibrato sound \- All-analog circuit with BBD (bucket brigade) vibrato line \- Control the effect depth in real time with an optional expression pedal \- Rise Time knob to control the initial onset of the vibrato effect \- Unlatch mode activates the effect only while pressing the pedal, ideal for adding vibrato to specific notes and chords \- Bypass mode takes the BBD out of the signal path to eliminate latency when the effect is off \- Made in Japan \- BOSS five-year warranty The pedal authentically reproduces the true pitch-shifted vibrato of the original VB-2 pedal and adds an innovative new vibrato mode and real-time control function for enhanced expression.
The BOSS CE-5 Chorus Ensemble is a compact chorus pedal that offers the following technical specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Residual Noise Level: -93 dBu (IHF-A, Typ.) Additional features and design elements include high- and low-cut filters for shaping the tonality of the chorus, Effect Level, Rate, Depth, and Filter knobs for complete control, mono input, and stereo outputs for connection to dual amps or for studio use. The pedal is designed to produce a range of chorusing effects, from subtle to extreme, and comes with a BOSS five-year warranty.
The BOSS DC-3 Digital Dimension is a digital dimension effects unit that provides spacious and realistic chorus effects. It features high-quality digital delay line and modulation, allowing for expansive and accurate signal response. The unit offers controls for Effect Level, Equalizer, Rate, and Depth, enabling users to create custom-tailored dimensional effects. The DC-3 is designed to produce clear, high-quality dimensional sounds with perfect two-phase synchronization based on digital modulation. It is equipped with Input, Output A, Output B, and AC Adaptor connectors, with a current draw of 65 mA (DC 9V) and an input impedance of 1Mohm. The sampling rate is 50kHz, and the frequency response ranges from 20Hz to 20kHz (+1/-3 dB). The DC-3 was sold from March 1988 to August 1993.
The BOSS CE-3 Chorus is an analog stereo chorus pedal, offering stereo in two modes: a WET A / DRY B, and a WET A / WET B (phase inverted signal). It features controls for Rate and Depth, as well as a 2-way Mode Switch. The pedal has Input, Output A, Output B, and AC Adaptor connectors, with a current draw of 13 mA at 9V. The CE-3 weighs 400g/0.88 lbs and has an input impedance of 1Mohm. It was sold from October 1982 to February 1992 and is available in different label variations, including black and green labels. The pedal is compatible with the ACA Series AC Adaptor.
The BOSS NS-2 Noise Suppressor is a compact noise suppression pedal designed for eliminating noise and hum in guitar and bass effects and amplifier setups. It features a unique noise detection circuit that preserves the natural attack and envelope of an instrument's sound. The pedal includes Threshold and Decay knobs, allowing users to shape the elimination or suppression of noise as desired. Additionally, it comes with a BOSS 5-year warranty, providing users with long-term support and peace of mind.
The BOSS LMB-3 Bass Limiter Enhancer offers complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. Its features and technical specifications include: \- Full control of bass guitar's dynamic range via threshold level and ratio knobs \- Enhancer provides increased bass clarity and presence \- AC adaptor or 9V battery operation \- BOSS five-year warranty
The BOSS CS-3 Compression Sustainer is a compact compression/sustainer pedal with high-quality circuitry. It is designed to compress loud signals and boost softer signals for a smooth overall sound. The pedal features onboard Level, Tone, Attack, and Sustain controls for precise tonal shaping. Additionally, it is equipped with a low-noise design for super-quiet operation. The pedal has a nominal input level of -20 dBu, input impedance of 1 M ohm, nominal output level of -20 dBu, and output impedance of 1 k ohm. The recommended load impedance is 10 k ohms or greater. The pedal can be powered by a 9V DC power supply or a 9V battery. It comes with a BOSS five-year warranty.
The BOSS AD-2 Acoustic Preamp is designed to provide natural, studio-quality sound for acoustic-electric guitarists performing on stage. It features an advanced BOSS sound engine and compact pedal design with intuitive controls. The key features and technical specifications include: \- Acoustic Resonance: Reproduces the complex resonance characteristics of an unplugged acoustic guitar, allowing for tonal balance adjustments for various playing styles. \- Ambience: Provides studio-quality reverb optimized for acoustic guitar, enhancing the depth and dimension of the sound. \- Notch Filter: Offers instant feedback reduction for clear and uninterrupted performance. \- Outputs: Equipped with two independent outputs - Output jack for connecting to an acoustic guitar amp or stage monitor, and Line Out for sending a balanced signal directly to a PA mixer. \- Mute Function: Allows for convenient tuning and guitar switching on stage. \- Controls: Pedal switch, ACOUSTIC RESONANCE knob, AMBIENCE knob, NOTCH knob. \- Power Supply: Supports 9V DC power supply (sold separately) or alkaline/carbon-zinc battery. \- Dimensions: 73mm (W) x 129mm (D) x 59mm (H) \- Weight: 450g (including battery) The AD-2 Acoustic Preamp is designed to bring out the natural sound of acoustic guitars and provide essential stage tools for live performances.
The BOSS ES-5 Effects Switching System is a powerful and versatile pedalboard tool that offers complete control over a guitarist's effects. Here are the technical specifications and features: \- Programmable switching system with five loops \- Analog circuit design to protect the purity of the tone \- Unprecedented routing flexibility with the ability to change the routing order and create a parallel effect chain \- External control parameters such as delay time can be saved for each patch \- Buffers can be turned on/off individually for the input and output and stored in each patch; level variability for output buffer \- Highly reliable footswitches with switch-noise mute capability \- Backlit LCD display shows detailed information at a glance \- 200 patch memories provide unmatched capability for actively gigging musicians \- Completely customizable pedal function assignments \- Pro-level practicality and creativity in a compact body The ES-5 allows guitarists to connect their pedals to the system's audio loops and activate the loops as needed to achieve various pedal combinations. It provides powerful routing flexibility, real-time control options, MIDI integration, and more in a space-saving unit. The system's innovative routing flexibility allows for easy rearrangement of the order of stompbox effects, offering total creative freedom to achieve unique sounds. Additionally, the ES-5's comprehensive connectivity includes two TRS control output jacks and a TRS control/expression input jack, as well as MIDI capability for seamless integration with MIDI-controlled stomp effects. The ES-5 is designed to protect the purity of the tone, with carefully designed analog circuitry and input and output buffers that can be turned on and off independently as needed to suit any rig. It is built with durable mechanical functions in a road-tough design and features memory capability with 200 patches, a large display with extensive naming capacity, and robust responsive foot switches with full assignability. For optimal performance, users are encouraged to stay up to date with the current ES-5 system software and editor.
The BOSS NS-2 Noise Suppressor is a compact noise suppression pedal designed for eliminating noise and hum in guitar and bass effects and amplifier setups. It features a unique noise detection circuit that preserves the natural attack and envelope of an instrument's sound. The pedal includes Threshold and Decay knobs, allowing users to shape the elimination or suppression of noise as desired. Additionally, it comes with a BOSS 5-year warranty, providing users with long-term support and peace of mind.
The BOSS SG-1 Slow Gear is a rare and unique compact effect pedal that was produced in Japan by Roland Corporation between May 1979 and February 1982. It is designed to replicate the sound of a guitarist rolling their volume knob to create a tremolo-like effect with a dynamic of its own. The pedal features two controls: 'Sens' for sensitivity and threshold adjustment, and 'Attack' for controlling the speed at which the volume increases. The SG-1 shares the same circuit as the BOSS NF-1 Noise Gate, which is used to eliminate unwanted low- level background noise. It can be used with a compressor or overdrive in front of the pedal for more consistent operation, and a delay after the SG-1 can create unusual bowed, organ-like, or backwards-style sounds. The SG-1 Slow Gear is highly sought after and collectible due to its relative scarcity and uniqueness, making it a valuable vintage market item. Good quality SG-1 Slow Gear pedals are difficult to track down and can attract high prices. The pedal is known for its finicky reputation and requires experimentation and technical practice to create unique sounds. It has been favored by alternative and indie rock guitarists over the years.
The BOSS ES-8 Effects Switching System is designed to provide professional and high-end users with innovative solutions for their musical expression. It features a programmable switching system with eight loops, along with an additional loop. The system incorporates analog circuit design to protect the purity of the tone and offers unprecedented routing flexibility, allowing users to change the routing order and create parallel effect chains. Key features and technical specifications include: \- Onboard memory for storing external control parameters such as delay time for each patch \- Individual on/off control for input and output buffers, with level variability for the output buffer \- Highly reliable footswitches with switch-noise mute capability \- LCD and 7-segment LED display for detailed information at a glance \- 800 patch memories for unmatched capability for touring musicians \- Completely customizable pedal function assignments \- Comprehensive connectivity, including three TRS control output jacks, two TRS expression output jacks, and two TRS control/expression input jacks \- MIDI capability for seamless integration with MIDI-controlled stomp effects \- Durable mechanical functions in a road-tough design The ES-8 is designed to offer musicians a whole new world of musical expression, with a focus on flexibility, sound quality, and durability.
The BOSS MS-3 Multi Effects Switcher is a powerful and versatile pedalboard solution that combines a world-class multi-effects engine and multi-pedal switcher in one compact unit. Here are the technical specifications and features: \- Capable of running six internal pedal effects simultaneously \- Seamlessly integrates three external pedals \- Deep rig control capabilities for switching amp channels, adjusting effects in real time, and working with MIDI devices \- 112 built-in effects types for guitar and bass, including delays, reverbs, mod/pitch effects, overdrives, and distortions \- Intuitive user interface with a backlit LCD, editing knobs, and panel LEDs for on/off status of loops and effects \- Control assign, wave pedal, and other functions for deep real-time expression \- Equipped with numerous jacks for amp channel switching, effects control, and more \- MIDI output for working with MIDI-enabled effects \- Built-in tuner, noise suppressor, and global EQ \- USB for patch creation and backup via free MS-3 Editor/Librarian software \- Highly flexible design suitable for simple to complex effects systems \- Three audio loops for connecting external effects devices \- 200 patch locations for storing effects and control setups \- Heavy-duty footswitches for easy command of the entire system \- Support for external footswitches and expression pedals \- Control out jacks for switching amp channels and controlling effects \- Two audio outputs can be set for full stereo or selectable mono operation per patch \- USB support for accessing the free MS-3 Editor/Librarian software on a Mac or Windows computer The MS-3 is designed to provide a compact, professional pedalboard solution with unlimited sound creation capabilities and extensive control options.
The BOSS DD-3T Digital Delay is an updated version of the industry-standard DD-3, offering enhanced functionality for modern players. Its features and technical specifications include: \- Ultra-easy operation for fast sound creation \- Delay time of 12.5 to 800 ms, divided into three ranges for quick setup \- Tap in tempos with the onboard pedal switch or an external footswitch \- Short Loop setting for creating phrase loops (same as the Hold function on the original DD-3) \- Direct output for sending dry and wet sounds to separate amps \- Main and direct output jacks now positioned on one side of the pedal \- BOSS five-year warranty \- Buffered Bypass \- Battery operated (9V, center negative) \- Dimensions: Width 7.3 cm, Height 5.9 cm, Depth 12.9 cm \- Weight: 0.42 kg \- GTIN 14: 00761294515068, 04957054515065 The DD-3T retains the classic warm, round delay tone and simple controls of the DD-3, with the addition of tap tempo functionality and improved connectivity for wet/dry setups.
The BOSS RE-20 Space Echo is a pedal that offers an amazing simulation of the famous Roland RE-201, with the spacious, analog tone of the original Space Echo. It faithfully models the RE-201’s tape flutter and magnetic head sound saturation. The pedal features a tap input that allows delay time to be set by foot, and it offers a longer delay time than the original RE-201. Additionally, users can control parameters such as REPEAT RATE, INTENSITY, and more via an Expression pedal. The MODE SELECTOR knob has 12 placements, just like the original Space Echo. The nominal input level is -20 dBu (INPUT VOLUME knob: center), with a maximum of +4 dBu, and the input impedance is 1 M ohms. The nominal output level is -20 dBu.
The BOSS DD-200 Digital Delay is a versatile pedal that offers a wide range of delay modes and features inherited from the flagship DD-500 in a compact size. Here are the technical specifications and key features: \- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate \- Twelve versatile delay modes providing a wide range of delay types, including digital, analog, tape, drum, shimmer, and more \- Fast and easy operation with hands-on controls for essential delay parameters \- 128 user setups available for instant recall, with the ability to assign consecutive memories for scrolling access \- Real-time panel setting via footswitch or dedicated panel button \- Phrase looper with up to 60 seconds of recording time \- Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more \- Support for expanded control via external footswitches, an expression pedal, or MIDI \- Full MIDI I/O provided with mini TRS jacks \- Micro USB jack for firmware updates \- Analog dry through and buffered bypass \- Runs on PSA-series AC adaptor or three AA-size batteries The DD-200 offers 12 different delay modes, including Standard, Analog, Tape, Drum, Shimmer, Tera Echo, Pad Echo, Pattern, Lo-Fi, Dual, Reverse, and Ducking, allowing for a wide variety of delay effects. The pedal's no-nonsense interface and dedicated controls make it easy to craft inspiring sounds in real-time, while the 127 user memories and real-time panel setting provide flexibility for storing and recalling favorite setups. Additionally, the DD-200 features deep real-time control, a ready-to-go looper, and the ability to recall consecutive memories and control a wide range of functions via MIDI. For optimal performance, the DD-200 supports firmware updates via a micro USB jack. Overall, the BOSS DD-200 Digital Delay offers a comprehensive set of features and high-quality sound in a compact and user-friendly design.
The BOSS DD-6 Digital Delay pedal offers the following technical specifications and features: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohms \- Recommended Load Impedance: 10 ohms or greater \- Stereo input/output for true stereo delay and panning effects \- Over 5 seconds of delay time (5200ms) \- Hold function records phrases up to 5,200ms \- Tempo mode permits tap tempo without external footswitch \- First-of-its-kind Warp mode generates radical delay effects instantly \- Reverse mode creates cool backwards effects \- Dimensions: 73 (W) x 129 (D) x 59 (H) mm \- Weight: 440 g / 1 lb (including Battery) \- Current Draw: 55 mA (DC 9 V)
The BOSS TE-2 Tera Echo is a next-generation compact pedal with innovative Multi-Dimensional Processing technology. It offers rich, spacious echo and ambience effects, dramatically enhancing the direct tone without overwhelming it. The pedal features a freeze function that holds the ambient sound for lead backing and sound effects. It is ultra-responsive to volume changes and playing dynamics, and offers a wide range of sound adjustment with simple controls. The TE-2 Tera Echo has mono/stereo input and output, and comes with a BOSS five-year warranty. Technical Specifications: \- Manufacturer: BOSS \- Made In: Taiwan \- Type: Pedal \- FX: Delay, Ambient \- Controls: Pedal switch \- Input Impedance: 1 M ohm \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Dimensions (WxHxD): 73 x 59 x 129mm / 2-7/8 x 2-3/8 x 5-1/8 inches \- Weight: 450 g / 1 lb (including battery) \- Power Supply: Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22), AC adaptor (sold separately) The TE-2 Tera Echo pedal represents a milestone as the 100th model in the long history of the BOSS compact series, showcasing the brand's dedication to bringing inspiring, leading-edge technologies to musicians worldwide.
The BOSS DD-3 Digital Delay is a compact pedal that provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control. It offers three delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms to 800ms. The pedal also features a Hold function that repeats delay sound indefinitely for interesting effects. The DD-3 Digital Delay comes with a BOSS five-year warranty. Technical specifications include: \- Input Impedance: 1 M ohms \- Output Impedance: 10 k ohms or greater \- Residual Noise Level: -95 dBu (IHF-A, Typ. ) \- Power: 9V DC Dry Battery or AC Adaptor (DC 9V) - BOSS PSA-120 or PSA-120T (Optional) \- Current Draw: 45mA to 65mA \- Weight: 450 g (0.99 lb.)
The BOSS DD-8 Digital Delay pedal offers a diverse range of features and specifications: \- Eleven versatile modes including basic digital delay, vintage echoes, shimmer, mod, looper, and more \- Looper mode with up to 40 seconds of recording time, overdub capability, and support for external footswitches \- Three newly developed delay types: Warm, +RV (delay+reverb), and GLT (rhythmic delay) \- Up to 10 seconds of delay time available with tap tempo input \- True stereo I/O and three selectable output modes (independent, panning, and wide stereo) \- Smart I/O jacks support a variety of connection setups (mono, stereo, wet/dry, wet only, and more) \- Support for external control with two footswitches or an expression pedal \- Unique Twist function available in each delay mode via an external footswitch \- Built-in looper with control functions accessible via the onboard switch or external footswitches \- Diverse selection of delay modes including Analog, Standard, Tape, Warm, Reverse, +RV, Shimmer, Mod, Warp, GLT, and Loop The DD-8 is designed to offer maximum versatility in a compact pedal, delivering a wide range of delay options, control capabilities, and connectivity features.
The BOSS DD-2 Digital Delay pedal, introduced in December 1983, was the world's first commercial compact digital delay pedal. It features a custom integrated circuit (IC) derived from the flagship Roland SDE-3000 studio rack delay unit, utilizing 12-bit digital converters for a flat frequency response from 40Hz to 7kHz. The delay range spans from 12.5ms to 800ms, offering a wider range than analog circuits and clearer fidelity in the repeats. The pedal's circuit includes a 64-pin 'long chip' that processes the delayed signal to mimic the natural decay of echoes, resulting in a warm tone with minimal digital artifacts. The DD-2 is designed to retain a guitar-friendly tone and set the industry standard for delay effects, leading to the demise of analog delays for a period. The pedal shares visual similarities with modern BOSS pedals and has continued to influence the development of BOSS Digital Delay technology. The DD-2 is known for its extended delay range, providing clean and clear echoes, and is considered a milestone effect in the industry.
The BOSS DM-2W Delay Waza Craft pedal offers the following technical specifications and features: \- Utilizes 100% analog circuitry \- Standard mode replicates the lush sound and 20-300 ms delay range of the original DM-2 \- Custom mode provides a cleaner analog tone with over twice the available delay time, up to 800 ms \- Premium all-analog circuit with BBD (bucket brigade) delay line \- Expression pedal input for foot control of delay time \- Two output jacks allow separate output of delay and direct sounds \- Made in Japan \- BOSS five-year warranty Dimensions: \- Height: 5.7 cm \- Width: 6.4 cm \- Depth: 11 cm Power Requirements: \- 9V DC center negative (power supply sold separately) \- Power consumption: 35 mA This information is based on the official product details provided by BOSS.
The BOSS DD-5 Digital Delay is a compact stereo delay pedal with delay capabilities ranging from 1ms to 2000ms. It offers 11 modes that provide access to various delay settings. The pedal features tap tempo capabilities in real time with an optional FS-FU footswitch and a Hold mode for sampling passages. Additionally, it includes a Reverse mode for creating unique sounds. The pedal can be powered by an AC adaptor or a 9V battery. The DD-5 is equipped with a 16-bit linear A/D and D/A conversion, and a sampling frequency of 32 kHz. The product is now discontinued, and the latest version is the DD-8 Digital Delay pedal.
The BOSS DD-500 Digital Delay pedal offers the following technical specifications and features: \- Sampling Frequency: 96 kHz \- AD/DA Conversion: 32 bits \- Processing: 32-bit floating point \- Delay Modes: 12 versatile modes, including Standard, Analog, Tape, Vintage Digital, Dual, Pattern, Reverse, SFX, Shimmer, Filter, Slow Attack, and Tera Echo \- Studio-level stereo sound with 32-bit/96 kHz processing \- Unrivaled real-time expression with customizable control settings for onboard and external switches \- Graphic LCD for easy, intuitive operation while performing and editing \- Onboard patch memories and hands-on controls \- Equipped with a built-in Phrase Looper, MIDI, USB, and more \- Selectable buffered-bypass or true-bypass operation \- Runs on four AA-size batteries or PSA-series AC adapter \- Dedicated editor software available for remote editing and patch backup \- Dimensions (W x D x H): 170 x 138 x 62 mm \- Weight: 1 kg The DD-500 Version 2 software update brings powerful new performance enhancements and unparalleled flexibility to the pedal, including improved control parameters, routing options, and effects. The update also adds five new effect types to the current delay algorithms and introduces additional detailed tone-editing parameters. The pedal's 12 delay modes allow users to create a wide range of delay sounds, from warm, gritty vintage delays to complex modern delay lines employing pitch shifting, filtering, and other unique processing. Each delay type includes a semi-parametric four-band EQ, modulation, ducking, and many other parameters for maximum precision in sound refinement. The DD-500 supports analog pass-through on the straight guitar tone and offers the choice of buffered- or true-bypass operation. The large, integrated LCD provides clear visibility of delay time, patch ID, and more on one screen, with USB connectivity for remote editing and patch backup using the DD-500 Editor. MIDI I/O opens up additional control options for advanced setups with effects switching systems and other devices. The pedal's freely assignable controls deliver unmatched creative expression and performance flexibility, allowing users to customize the A, B, and TAP/CTL switches for intuitive control of various functions, including tap tempo, hold, warp, twist, momentary effects, and more. The DD-500 Digital Delay pedal is a versatile and powerful tool for creating a wide range of delay effects with exceptional audio quality and deep editing controls.
The BOSS DM-2W Waza Craft Delay pedal features 100-percent analog circuitry, offering two switchable sound modes for greater versatility. In Standard mode, it provides the lush sound and a delay range of 20-300 ms, replicating the original DM-2. Flipping into Custom mode changes the sound character to a cleaner analog tone with over twice the available delay time, providing a maximum 800 ms delay time. The pedal also includes an expression pedal input for foot control of delay time, two output jacks for separate output of delay and direct sounds, and is made in Japan. It comes with a BOSS five-year warranty. Technical Specifications: \- Manufacturer: BOSS \- Series: Compact \- Made In: Japan \- FX Type: Delay \- Jacks mounted on: Sides \- Bypass: Buffered Bypass \- Battery: Yes \- Voltage: 9 \- Polarity: Center Negative \- Circuit: Analog \- Tube equipped: No \- Weight: 0.46 kg \- Width: 7.3 cm \- Height: 5.9 cm \- Depth: 12.9 cm Famous Users: Dave Grohl, John Frusciante, Kurt Cobain, Joe Satriani, Cliff Burton, Prince, Mike McCready, Gary Moore, Beck, John 5, and many more have used the DM-2 Delay. This information is based on the official BOSS website and other reliable sources.
The BOSS RV-5 Digital Reverb offers the following technical specifications and features: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohms \- Recommended Load Impedance: 10 k ohms or greater \- Compact pedal with stereo input/output for use with other stereo effects \- Six high-quality reverb modes on par with rackmount processors \- New Spring reverb emulation offers realistic spring reverb sounds \- New Gate reverb derived from high-end Roland studio gear \- Modulate mode detunes the reverb sound for added spaciousness \- BOSS five-Year Warranty The pedal dimensions are approximately 2.88 x 5.13 x 2.38 inches (73 x 129 x 59mm), and it weighs 440g / 1lb.
The BOSS DD-7 Digital Delay offers the following features and technical specifications: \- Expanded delay time, up to 6.4 seconds \- Modulation Delay mode provides chorus-flavored sounds \- Analog Delay mode models the classic warm BOSS DM-2 analog delay sound \- Tap tempo controllable via external footswitch \- Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately) \- Up to 40 seconds of recording for sound on sound (Hold mode) \- Stereo output for creating spatial audio sweeps via true stereo panning and separate dry and wet signal paths The DD-7 also allows for hands-free control with an external footswitch and Expression pedal, and it comes with a BOSS five-year warranty.
The BOSS RV-2 Digital Reverb pedal was introduced in 1987 as the world's first digital reverb compact pedal. It features vintage circuitry and a high sound quality digital reverb effect that is incorporated with a high-quality DSP (Digital Signal Processor) chip. The pedal offers six different reverb modes, including Room, Hall (x2), Plate, Gate, and Delay. It has a pre-EQ circuit for precise tone-shaping and is designed with a modern styling featuring four color-capped control knobs. The RV-2 has a high current draw of 130mA and runs off a 9V power supply unit with no option to run on a battery. The pedal is known for its versatility, providing a range of sounds from subtle special effects to broader, dreamier soundscapes. It is robust, pedalboard-friendly, and has become a classic in the world of effect pedals.
The BOSS OD-1X OverDrive is a special edition overdrive pedal that offers a next-generation sound, feel, and response. It combines over 35 years of innovation in pedal design with advanced technologies, providing a completely new tonal experience. The pedal features powerful real-time processing that delivers rich, wide-range sounds with natural compression. It offers bold, high-definition tone that is smooth and refined, while preserving the unique tonal characteristics of different guitars and pickup types. The OD-1X is designed to have very low noise, even with high-gain settings. It includes Drive, High, and Low knobs that offer a wide range of sound shaping not typically found in stompbox pedals. The pedal also features BOSS' innovative Multi-Dimensional Processing (MDP), realized with proprietary technology and custom DSP. Additionally, it comes with a BOSS five-year warranty. The OD-1X is known for delivering overdrive unlike any other pedal, with an all-new dimension of sound quality, clarity, and tonal range. It is designed to be ultra-responsive, providing an unmatched level of performance for guitarists with an ear for tone.
The BOSS FZ-5 is a modern pedal designed to recreate vintage fuzz sounds from the '60s and '70s using advanced COSM technology. It offers a Boost control for more aggressive tone and features road-tough BOSS metal construction. The pedal's dimensions are approximately 7.3 cm wide, 5.9 cm long, and 12.9 cm tall, with a weight of about 0.44 kg. The FZ-5 also comes with a BOSS five- year warranty. The proprietary COSM technology enables guitar players to recreate classic fuzz and provides BOOST control for a more aggressive tone. This pedal is ideal for players looking to enhance their setups with classic retro fuzz sounds.
The BOSS FBM-1 Fender '59 Bassman pedal recreates the legendary tone of the 1959 Fender Bassman amp. It features the same controls as the original Bassman, including Presence, Treble, Mid, and Bass EQ controls. The pedal also includes an additional BRIGHT IN function for a brighter sound, similar to the original Bassman. The FBM-1 is designed for road-tough BOSS metal construction and functions perfectly as a pre-gain pedal for adding or retaining Fender tone color.
The BOSS DS-1 Distortion pedal is a legendary guitar effects pedal that has been used by guitarists since 1978. It is known for its classic tones suitable for various music genres. The pedal features a hard-edged attack that remains clear even at maximum distortion settings, making it ideal for heavy rhythms and cutting solos. Additionally, it can function as a booster at low distortion settings. The DS-1 Distortion pedal incorporates a unique tone control that offers a wide range of sound shaping. Unlike typical tone controls that only cut highs, the DS-1's tone circuit has an innovative design that provides a broader range. This allows users to dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The pedal's tone control is particularly effective for maintaining low-end definition when used as a booster with vintage-style amps. The pedal's distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for powerful rock riffs. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages, which is critical to the DS-1's characteristic low-frequency fullness, loved by guitarists who play heavy music genres. The technical specifications of the BOSS DS-1 Distortion pedal include: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Power Supply: 9V DC The DS-1 Distortion pedal is a true icon in the world of guitar effects, and its original, unchanged design continues to inspire the creation of great music.
The BOSS HM-2 Heavy Metal is a guitar distortion pedal manufactured by BOSS. It was originally produced from 1983 to 1991 and has been reissued as part of the Waza Craft pedal series. The pedal is designed to emulate the mid-range response of Marshall stacks and is associated with the Swedish death metal sound known as "Chainsaw tone." Technical specifications: \- Effects type: Distortion pedal \- Controls: Distortion (Dist), highs (H), lows (L), output volume (level), standard and custom mode (Waza Craft) \- Input/output: Mono inputs and outputs The pedal is known for its "chainsaw tone" when all knobs are set to the maximum. It has gained a cult following in the heavy metal scene and has been used by notable guitarists in various extreme metal styles.
The BOSS OC-3 Super Octave is a versatile pedal with the following technical specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohms \- Recommended Load Impedance: 10 k ohms or greater Features and functionality include: \- World’s first compact pedal with true Polyphonic Octave effects \- New Drive mode adds distortion to octave notes for a fatter, more aggressive tone \- Includes the original OC-2 mode, capable of producing notes one and two octaves down \- Poly Octave effect adjustable to play within a specific note range \- Bass input for adapting octave sound to bass guitars \- BOSS five-year limited warranty The pedal offers three modes: Polyphonic Octave mode, Drive mode with distortion, and the original OC-2 mode. It also has separate inputs for both guitar and bass, making it suitable for a wide range of musical applications.
The BOSS OD-3 OverDrive pedal features a dual-stage overdrive circuit that offers a level of sustain and compression unmatched by any overdrive pedal. It provides increased dynamics, yielding a "bigger" sound compared to previous BOSS overdrive pedals. The pedal delivers dynamic, non-muffled tones reminiscent of classic overdriven "stack" amps. It is equipped with straightforward Drive, Tone, and Level controls, allowing for easy adjustments. The pedal also comes with a BOSS five-year warranty. Technical specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater Dimensions: \- Width: 70 mm \- Depth: 125 mm \- Height: 55 mm These details provide an overview of the features and technical specifications of the BOSS OD-3 OverDrive pedal.
The BOSS SD-1 Super Overdrive is a compact overdrive pedal designed to deliver warm and smooth overdriven sounds. It features an asymmetric overdrive circuitry that produces a classic, natural tube-amp-style sound. The pedal includes controls for Level, Tone, and Drive, allowing users to adjust the overdrive effect to their preference. The input impedance is 1 M ohm, while the output impedance is 1 k ohm. The pedal operates on a 9V power source, with a current draw of approximately 4 mA. Its dimensions are approximately 2.9 x 5.13 x 2.4 inches, and it weighs around 13 ounces. The SD-1 is known for its genre-defining BOSS overdrive sound, mild-to-moderate drive tones with focused midrange and tight low end, and its ability to stack well with boost, overdrive, and distortion pedals.
The BOSS MT-2 Metal Zone is an iconic high-gain distortion pedal known for its innovative dual-stage gain circuit that produces thick and tight distortion sounds with smooth, singing sustain. It features a three-band active EQ with semi-parametric midrange, providing intense sound customization with up to 15 dB boost/cut on each band. The pedal is designed to achieve dense, heavy crunch and singing sustain at any volume, making it suitable for players at every skill level. The MT-2 employs an innovative analog circuit design with two gain stages configured in series, providing mid-focused clarity and aggressive character. The post-distortion Low, Middle, and High knobs offer +15 dB cut or boost to match different guitar and amp types or craft entirely new tones. The midrange control allows setting the frequency in the critical band anywhere from 200 Hz to 5 kHz. The pedal also comes with a BOSS five-year warranty. For the MT-2W Metal Zone, it is a refined version of the MT-2 with Waza Craft innovation, featuring a dual-stage gain circuit built with discrete analog components. It offers Standard mode, which delivers an evolved version of the original mid-focused Metal Zone tone, and Custom mode, introducing a fresh, wide-ranging voice suitable for diverse high-gain styles. The pedal also includes a powerful three-band EQ, a premium buffer for clean and clear tone when bypassed, and is made in Japan with a BOSS five-year warranty. The Waza Craft version enhances the performance and versatility of the original MT-2, providing premium tones with increased clarity and refined EQ for both Standard and Custom modes.
The BOSS MZ-2 Digital Metalizer is a distortion pedal featuring six different modes, including straight distortion, distortion with digital delay (three types), and distortion with digital chorus (two types). The pedal incorporates an analog circuit for distortion and a digital chip for chorus and delay functions. It offers stereo outputs and is designed to meet the needs of heavy metal and hard rock musicians. The controls include Level, Tone, Drive, and a 6-way Mode switch. The pedal has a current draw of 70 mA (DC 9V) and weighs 450g (0.99 lbs). It is equipped with input and output connectors, as well as an AC adaptor. The MZ-2 was sold from December 1987 to August 1992.
The BOSS DS-1X Distortion pedal is a special edition distortion pedal that offers next-generation sound, feel, and tonal response. It features a completely new design that provides a superior playing experience unattainable with analog distortion pedals. The pedal is powered by BOSS' innovative Multi- Dimensional Processing (MDP) technology, realized with proprietary technology and custom DSP. Key features and specifications include: \- Powerful real-time processing that adapts to your playing to provide ideal distortion tones in every register \- High-clarity distortion sound that remains clear and defined, even when playing multiple notes simultaneously \- Ultra-responsive to volume changes and picking dynamics \- Very low noise, even with high-gain settings \- Drive, High, and Low knobs that offer a wide range of sound shaping not typically found in stompbox pedals \- Striking appearance with exclusive chrome knobs and control plate, along with a vintage silver knob for battery compartment access \- BOSS five-year warranty The DS-1X Distortion pedal redefines the distortion stomp, delivering distortion that sounds perfect across the entire fretboard, from tight, crisp tones on the low strings to fat, singing tones on the highest notes. It provides a rich, satisfying playing experience that is both effortless and inspiring.
The BOSS ML-2 Metal Core is an extreme metal distortion pedal designed to deliver massive distortion and gain with heavy lows, suitable for playing genres such as Nu Metal, Grind Core, Industrial, and Hard Core. The pedal features ultra-heavy distortion with a sharp-edged attack for crushing metal riffs. It includes LOW and HIGH controls for heavy, low-frequency sound akin to a 7-string guitar or dropped tuning, as well as screaming, metallic tones. The pedal is constructed with road-tough BOSS metal and is backed by a five- year warranty.
The BOSS OS-2 OverDrive/Distortion pedal is a flexible distortion pedal capable of producing blended overdrive/distortion sounds. It provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing. The pedal includes Level, Tone, Drive, and Color controls for precise tonal shaping. It is a sturdy metal pedal with a weight of 0.4 kg and dimensions of 5.9 cm (height), 7.3 cm (width), and 12.9 cm (depth). The body houses knobs, two side jacks, and a 9V battery. The OS-2 has a footswitch to turn the pedal on and off, and a 9V battery powers the circuit. It has four control knobs to control the type and range of amplification desired. The level knob provides high levels of distortion and overdrive, the tone knob controls the degree of brightness of the tone effect, the drive knob provides a thick metal crush to the sound when increased, and the color knob helps switch between distortion and overdrive. The pedal allows users to combine both distortion and overdrive to create a unique sound while maintaining the subtle nuances of a single-coil pickup. The OS-2 is suitable for beginners, intermediate players, and professionals, producing high-level metallic effects and is commonly used for hard rock.
The Boss PQ-3B Bass Parametric Equalizer features a three-band bass parametric equalizer with Low, Middle, and High bands. Each band allows users to set the frequency and level for more precise control over the bass frequencies. The pedal switch and level indicators provide easy operation and monitoring. The dimensions of the PQ-3B are 70(W) x 55(H) x 125(D) mm (2-3/4(W) x 2-3/16(H) x 4-15/16(D) inches), and it weighs 410g/15oz. The input impedance is 1M Ohm, output impedance is 1k Ohm, and the recommended load impedance is 10k Ohms or greater. The PQ-3B operates on a DC 9V dry battery or an AC adaptor (BOSS PSA-120, optional) with a current draw of 25mA (DC 9V). The residual noise is -98dBm or less (IHF-A) when all controls are centered. The package includes instructions and a dry battery (S-006P/9V), with the option to use the BOSS PSA-120 AC adaptor or other compatible dry batteries.
The BOSS GEB-7 Bass Equalizer is a 7-band graphic equalizer designed specifically for bass guitars and upright bass instruments. Its features and technical specifications include: \- 7 bands offering a 15 dB boost/cut over a frequency range of 50 Hz to 10 kHz, with the 10 kHz band being a high-frequency shelf \- Can be used as a "boost" or "cut" pedal using the level control knob \- Full range response, even for five- and six-string basses \- Inputs: 1 x unbalanced 1/4" instrument TS \- Nominal Input Level: -20 dBu \- Input Impedance: 1 MOhm \- Outputs: 1 x unbalanced 1/4" instrument TS \- Nominal Output Level: -20 dBu \- Output Impedance: 1 kOhm \- Residual Noise: -100 dBu \- Current Draw: 16 mA @ 9 VDC \- Dimensions: 2.9 x 5.1 x 2.4" / 73 x 129 x 59 mm \- Weight: 1 lb The pedal also features a level control knob, pedal switch, and indicator for battery check. It can be powered by a 9V DC dry battery or an AC adaptor (BOSS PSA-120 or PSA-120T, optional).
The BOSS GE-7 Graphic Equalizer is a compact pedal with seven frequency bands ranging from 100 to 6400 Hz, each controlled by mini-faders that can boost or cut the corresponding frequency by up to 15 dB. This allows for precise control over sound, making it suitable for dialing in brighter, cutting tones for leads, creating alternate sounds, or controlling feedback. The pedal is designed for guitar sounds and offers a boost/cut of +/- 15 dB per band. It can be powered by a 9V battery or a 9V DC power supply. The pedal's dimensions are approximately 2.4" x 6" x 3.7" (H x W x D), and it weighs around 450g (1 lb).
The BOSS EQ-200 Graphic Equalizer features the following technical specifications: \- Sampling Frequency: 96 kHz \- AD/DA Conversion: 32 bits \- Processing: 32-bit floating point \- Memory: 4 + Manual \- Nominal Input Level: INPUT A/MONO, B: -10 dBu \- Maximum Input Level: INPUT A/MONO, B: +7 dBu \- Input Impedance: INPUT A/MONO, B: 2 M ohm \- Nominal Output Level: OUTPUT A/MONO, B: -10 dBu \- Maximum Output Level: OUTPUT A/MONO, B: +7 dBu \- Output Impedance: OUTPUT A/MONO, B: 1 k ohms \- Bypass: Buffered bypass \- Current Draw: 170 mA \- Width: 4 inches \- Depth: 5-7/16 inches \- Height: 2-3/8 inches \- Weight: 1 lb 7 oz. The EQ-200 is designed to provide precision tonal control with superior audio quality, offering dual 10-band EQs that can be used in stereo, parallel, or series. It also includes an insert function for processing external effects with pre and/or post tone shaping, three different range settings, and a stereo link function for operating both EQ channels together. The pedal is equipped with an intuitive interface, hands-on sliders, and a graphic EQ display for easy operation and visual monitoring of the current EQ curve. Additionally, it supports 128 user setups, real-time panel settings, and deep real-time control via footswitches, an expression pedal, or MIDI.
The BOSS PH-1R Phaser is a four-stage analog phaser pedal that was manufactured by the Japanese Roland Corporation from October 1980 to May 1985. It is an updated version of the original PH-1, featuring an additional "Resonance" control to increase tonal variations and provide a wider range of available sounds. The pedal is designed to create a wide array of different tones and offers a lush phase effect. Key Features: \- Controls: Rate, Resonance, Depth \- Connectors: Input, Output, AC Adaptor \- Current Draw: 11 mA (DC 9V) \- Weight: 400 g (.88 lbs) \- Input Impedance: 470kOhm \- Signal/Noise Ratio: Over 90dB (IHF-A) \- Recommended Load Impedance: Over 10kOhm \- LFO Speed: 100 ms ~ 16 s \- Recommended AC Adaptor: ACA Series The "Rate" knob controls the speed of the oscillation, the "Depth" knob controls the amount of effect applied, and the "Resonance" knob controls the amount of signal fed back into the effect. The pedal also features a BOSS treadle footswitch to turn the effect on and off, as well as a red LED "Check" light to indicate when the effect is in use. The PH-1R Phaser is known for its sturdy construction and streamlined controls, making it a versatile and sought-after phaser pedal for creating unique and expressive guitar tones.
The BOSS PH-1 Phaser is a 4-stage phaser pedal that covers a range of 16 sec. to 100 msec. It was released alongside the OD-1 and SP-1 as the first three Boss compact pedals. The phaser aims to emulate the swirling sounds of rotating speaker systems, such as the Hammond Leslie cabinets popular among organ players in the 70s. The PH-1 features controls for Rate and Depth, with Input, Output, and AC Adaptor connectors. It has a current draw of 7 mA (DC 9V) and weighs 400g. The input impedance is 220kOhm, and the output impedance is over 600Ohm. The signal-to-noise ratio is over 80dB. The PH-1 was sold from November 1977 to November 1981.
The BOSS BF-3 Flanger pedal offers the following features and specifications: \- BOSS' best flanging effects in a compact pedal \- New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer- type sounds \- Momentary mode turns flanging on instantly \- Tap tempo adjustable via pedal \- Independent Guitar and Bass inputs and stereo outputs \- BOSS five-year warranty
The BOSS FZ-5 is a modern pedal designed to recreate vintage fuzz sounds from the '60s and '70s using advanced COSM technology. It offers a Boost control for more aggressive tone and features road-tough BOSS metal construction. The pedal's dimensions are approximately 7.3 cm wide, 5.9 cm long, and 12.9 cm tall, with a weight of about 0.44 kg. The FZ-5 also comes with a BOSS five- year warranty. The proprietary COSM technology enables guitar players to recreate classic fuzz and provides BOOST control for a more aggressive tone. This pedal is ideal for players looking to enhance their setups with classic retro fuzz sounds.
The BOSS TB-2W Tone Bender is an authentic sonic recreation of the iconic Tone Bender MK II fuzz pedal from the 1960s. It features select germanium transistors that have been carefully tested for superior performance. The pedal includes a three-way voltage selector for shaping the overall tone and response, as well as selectable true bypass or buffered bypass operation. The TB-2W also boasts a refined circuit design for ultra-consistent performance from pedal to pedal. The pedal is a limited production run, with approximately 3000 units available due to component availability. It is designed with chicken-head knobs, hammertone finish, and typeface reminiscent of the original Tone Bender MK II. Additionally, the TB-2W offers adjustable voltage settings, allowing users to replicate the shifts in gain, response, and sound character of the original pedal. It also features two output modes, Thru mode for true bypass operation and Buffer mode for optimized signal for downstream connections. The TB-2W Tone Bender is a collaboration between BOSS and Sola Sound, aiming to capture the soul of the Tone Bender and deliver an authentic vintage fuzz experience with modern innovations.
The BOSS FZ-1W Fuzz Waza Craft pedal is a premium Waza Craft pedal designed to deliver classic fuzz tones with modern versatility and stability. It features two modes: Vintage and Modern. The Vintage mode offers a retro fuzz experience with aggressive tone, dynamic touch response, and extreme sensitivity to input volume. On the other hand, the Modern mode provides a fatter sound and more mid focus to suit a wider range of music styles. The pedal is equipped with a powerful Tone knob that provides deep sound-shaping control tuned for each mode. The FZ-1W also features silicon transistor circuitry for consistent sound and reliable performance, as well as a high-quality buffer for clean and clear tone when bypassed. The pedal comes with a BOSS five-year warranty. The Vintage mode delivers a raspy and assertive sound character without being harsh, allowing for smooth transitions from heavy fuzz to crunch to crystal clean by adjusting the guitar's volume. The Modern mode offers a more refined and versatile fuzz voice with focused midrange and fatter tone, making it ideal for various music styles. The gain range in the Modern mode is wider than in the Vintage mode, and the Tone knob allows for tweaking the brightness without altering the midrange. The FZ-1W pedal is the result of deep analysis of many legendary pedals and detailed Waza craftsmanship, delivering the inspiring tone, feel, and vibe of classic fuzz in a reliable modern design. It is designed to provide all the great musical characteristics of vintage fuzz without the downsides, offering stable performance in any temperature or operating condition. The pedal is part of the Waza Craft series, known for exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail.
The BOSS SY-1000 Guitar Synthesizer is a powerful creation machine that transforms your guitar or bass rig with limitless sound design options. It features a next-generation synth engine with custom DSP and 48 kHz/32-bit processing throughout. The SY-1000 offers unprecedented sound and expression with three simultaneous instrument types and advanced real-time signal processing. Each instrument provides pitch, level, and panning of each string for instant alternate tunings and wide, layered voicings. The SY-1000 includes a new Dynamic Synth that perfectly follows the guitar’s natural envelope for uncompromised tone shaping. It also features a new sound engine and GK 13-pin interface that deliver clear, dynamic sound and precision tracking with zero latency. The Dynamic Synth includes two 16-part step sequencers for evolving control of pitch, filter, and amplitude. Additionally, the SY-1000 offers newly refreshed versions of historic BOSS/Roland guitar synth and modeling technologies, including OSC Synth, GR-300, E.Guitar, E.Bass, Acoustic, VIO Guitar, and Poly FX. It also features normal ¼-inch guitar/bass input for blending and Dynamic Synth processing, premium effects and amps derived from the flagship GT-1000, large LCD and intuitive editing interface, eight freely assignable footswitches, external control support, effects loop, and configurable Main/Sub outputs. The SY-1000 also includes USB Audio/MIDI and MIDI I/O, dedicated Guitar and Bass modes, and the ability to customize sounds with the BOSS Tone Studio editor and download pro patches at BOSS Tone Central. It requires a Roland GK- compatible pickup and 13-pin cable for full access to all synth and modeling features. For recording tracks and playing MIDI instruments via USB, the SY-1000's USB audio/MIDI interface opens up a world of creative options with your favorite DAW. With the GK input, you’re able to record each of your instrument’s strings to separate audio tracks, either processed live or captured dry for later “re-synth” processing through the SY-1000. And with the Guitar-to- MIDI/Bass-to-MIDI function, you can use your axe to play soft synths, record MIDI sequences, input notation data, and more. The SY-1000 represents a new era of guitar synth innovation, offering deep sound design tools, ultra-expressive dynamic synth capabilities, two step sequencers, OSC Synth and GR-300 instruments, advanced guitar/bass modeling, and flagship-class effects and interface.
The BOSS SY-1 Synthesizer is a versatile pedal that transforms any guitar or bass into a synthesizer without the need for programming. It offers 121 ultra- responsive sounds across 11 categories, including expressive leads, sweeping pads, layered organs, fat basses, rhythmic synth patterns, and more. The pedal is polyphonic, allowing for the playing of both single notes and chords. The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing a plug-and-play experience with latency-free performance. It features grab-and-go Tone/Rate and Depth knobs for adjusting synth voices, and it can be integrated into a pedal chain with the send/return loop and dedicated mix controls. Additionally, the pedal offers real-time control options, including sustaining the last-played synth sound, tap tempo and octave-shift effects with an external footswitch, and continuous Tone/Rate control with an expression pedal. The standard features of the SY-1 include expressive synth sounds, no programming needed, plug-and-play and latency-free performance, a universe of synth sounds inside, compatibility with any rig, and options for enhancing performances with real-time control.
The BOSS RC-2 Loop Station (Compact) offers the following technical specifications and features: \- Up to 16 minutes of record time \- Loop Quantize for perfect loop timing \- Realistic Guide-Tone drum patterns built in \- Easy, logical overdubbing and navigation \- Undo/Redo function \- 11 phrases can be stored and recalled \- AUX input to capture phrases from external audio devices \- External pedal input (stop/tempo) The RC-2 can record and store up to 16 mono minutes of audio, either from your own instrument or other external input devices, such as MP3 players/recorders. Each of your layered loop creations can be stored to one of 11 internal patch preset locations. In addition to its recording, layering, and looping capabilities, the RC-2 provides a wealth of other features, such as a jam-along Rhythm Guide, Auto Start, Tap Tempo, Loop Quantize, and Undo/Redo. The RC-2 benefits from a clean and friendly user interface, with clearly labeled buttons and knobs, making it easy to operate. Its standard compact- pedal shape and size allow it to fit perfectly alongside other BOSS pedals, making it pedalboard ready. Overall, the BOSS RC-2 Loop Station is a compact and affordable Loop Station suitable for various musical applications.
The BOSS DD-200 Digital Delay is a versatile pedal that offers a wide range of delay modes and features inherited from the flagship DD-500 in a compact size. Here are the technical specifications and key features: \- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate \- Twelve versatile delay modes providing a wide range of delay types, including digital, analog, tape, drum, shimmer, and more \- Fast and easy operation with hands-on controls for essential delay parameters \- 128 user setups available for instant recall, with the ability to assign consecutive memories for scrolling access \- Real-time panel setting via footswitch or dedicated panel button \- Phrase looper with up to 60 seconds of recording time \- Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more \- Support for expanded control via external footswitches, an expression pedal, or MIDI \- Full MIDI I/O provided with mini TRS jacks \- Micro USB jack for firmware updates \- Analog dry through and buffered bypass \- Runs on PSA-series AC adaptor or three AA-size batteries The DD-200 offers 12 different delay modes, including Standard, Analog, Tape, Drum, Shimmer, Tera Echo, Pad Echo, Pattern, Lo-Fi, Dual, Reverse, and Ducking, allowing for a wide variety of delay effects. The pedal's no-nonsense interface and dedicated controls make it easy to craft inspiring sounds in real-time, while the 127 user memories and real-time panel setting provide flexibility for storing and recalling favorite setups. Additionally, the DD-200 features deep real-time control, a ready-to-go looper, and the ability to recall consecutive memories and control a wide range of functions via MIDI. For optimal performance, the DD-200 supports firmware updates via a micro USB jack. Overall, the BOSS DD-200 Digital Delay offers a comprehensive set of features and high-quality sound in a compact and user-friendly design.
The BOSS RC-505 Loop Station is a tabletop looper designed for beatboxers, singers, and club performers. It features five simultaneous stereo phrase tracks with dedicated controls and independent volume faders. The unit offers a wide range of Input FX and Track FX for processing loops, including DJ and sampler-style effects. It also includes 99 phrase memories, 85 onboard rhythm patterns, and external control via MIDI and optional footswitches or expression pedal. The RC-505 has an XLR mic input with phantom power, mono/stereo instrument inputs, and a stereo aux input. It also supports USB for phrase import/export and DAW integration with computers. The Version 2.0 update brings new features such as extended parameters for effects, increased control options, and enhanced phrase memory functions. The RC-505 is equipped with a large selection of built-in effects, including global compressor and reverb effects, and allows for customized looping control with up to 16 different functions. The unit also functions as a USB audio/MIDI interface, making it easy to integrate with music software for stage performing with a laptop, audio recording, MIDI sync, and more. The RC-505 is packed with inspiring tools for on-the-spot music creation, featuring class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing. It also includes customizable FX and Track buttons for each phrase track, massive onboard effects selection, and new ultra-durable faders with longer throw for more precise adjustment.
The BOSS DD-5 Digital Delay is a compact stereo delay pedal with delay capabilities ranging from 1ms to 2000ms. It offers 11 modes that provide access to various delay settings. The pedal features tap tempo capabilities in real time with an optional FS-FU footswitch and a Hold mode for sampling passages. Additionally, it includes a Reverse mode for creating unique sounds. The pedal can be powered by an AC adaptor or a 9V battery. The DD-5 is equipped with a 16-bit linear A/D and D/A conversion, and a sampling frequency of 32 kHz. The product is now discontinued, and the latest version is the DD-8 Digital Delay pedal.
The BOSS RC-1 Loop Station is a straightforward looper that is easy to operate, featuring a newly designed loop indicator displaying the current loop mode (Rec/Overdub/Play). It runs on a single 9-volt alkaline battery (approximately 4.5 hours of battery life) and can also be used with an optional AC adaptor (PSA series, sold separately). The RC-1 offers 12 minutes of stereo recording time and includes stereo inputs and outputs, allowing for recording and playback in stereo. Additionally, it features flexible external footswitch options and retains recorded phrases in memory even after the unit is turned off. The dimensions of the RC-1 are approximately H: 5.7 cm, W: 6.4 cm, D: 11 cm, with a power consumption of 9V DC center negative (power supply sold separately) at 95 mA. The RC-1 is covered by the BOSS five-year warranty.
The BOSS RC-10R Rhythm Loop Station features a stereo looper engine with six hours of recording time and class-leading 32-bit AD/DA and 32-bit floating- point processing, providing high-quality audio performance. It offers 99 onboard memories for storing loops and 50 user rhythms, with the ability to import WAV loops and user rhythms in SMF format using Mac/Windows software. The device includes 16 versatile drum kits with high-quality sounds from the BOSS and Roland rhythm libraries, and over 280 preset rhythm styles that cover nearly any music genre. The RC-10R also supports expanded control via external footswitches, an expression pedal, or MIDI, and provides full MIDI I/O with space-saving mini TRS jacks. Additionally, it offers selectable output filters to optimize guitar and rhythm sounds for different amplification setups. The unit's dimensions are approximately 101 x 138 x 63 mm, and it weighs 620 grams.
The BOSS RC-500 Loop Station is an advanced two-track looper with onboard mixing and deep control options. It features class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing. The stereo looper engine provides 13 hours of recording time, and the LCD with multi-color backlight allows for viewing loop status and editing parameters. The RC-500 offers mono/stereo inputs for easy pedalboard integration, along with an independent XLR mic input with phantom power. It also includes a reverse function and Loop FX (repeat, scatter, shift, and vinyl flick) for dynamic and engaging loop performances. Additionally, it has 16 different drum kits and 57 preset rhythms with A/B variations, as well as support for expanded control via external footswitches, an expression pedal, or MIDI. The RC-500 has onboard storage for 99 phrase memories, and it allows for backing up and loading WAV loops via USB. It can run on four AA batteries or an optional AC adaptor. The RC-500 is designed to capture, practice, and perform, offering a central playback hub for lesson material, jam tracks, or backing music for live performances.
The BOSS RC-30 Loop Station is a Twin Pedal multitrack looper with two synchronized stereo tracks and built-in loop effects. It features massive internal memory with up to three hours of stereo recording time and 99 onboard memory phrases for storing loops. The pedal has multiple inputs, including 1/4" A and B input jacks, a stereo 1/8" mini AUX input jack, and an XLR input jack with phantom power. It also includes a USB 2.0 port for connecting to a PC and importing/exporting WAV audio. The RC-30 Loop Station allows users to create and stack multi-layered loops with twin stereo tracks, each independently controllable with dedicated volume faders and track-select buttons. It also offers onboard effects such as Bend Down, Step Phaser, Sweep Filter, Tempo Delay, and Lo-Fi. Additionally, vocalists can plug a microphone directly into the XLR microphone input to create vocal sound-effects patterns or record other external stereo audio sources via the AUX IN. Other features include a rhythm guide with real drums, USB connectivity for backing up phrases to a computer, and the ability to load WAV files from a computer directly into the RC-30. The pedal can be powered by batteries or an optional AC power supply. Technical specifications include: \- Nominal Input Level: MIC IN: -40 dBu (variable), INST IN: -20 dBu, AUX IN: -10 dBu \- Input Impedance: MIC IN: 4 k ohms, INST IN: 1 M ohm, AUX IN: 22 k ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Maximum Recording Time: Approximately 3 hours \- Number of Tracks: 2 \- Data Format: WAV (44.1 kHz, 16-bit linear, stereo) \- Power Supply: DC 9 V: Alkaline (AA, LR6) or Carbon-zinc battery (AA, R6) x 6, AC Adaptor (sold separately) \- Size and Weight: Width 173 mm, Depth 158 mm, Height 57 mm, Weight 1.2 kg (2 lbs. 11 oz.)
The BOSS RC-300 Loop Station is a powerful and versatile looper with the following technical specifications and features: \- Total Loop Time: 10,800 Seconds (3 Hours) \- Simultaneous Loop Tracks: 3 \- Loop Memory Slot: 99 Presets \- Audio Quality: 16-bit A/D/A - 44.1 kHz Sample Rate \- Inputs: \- 2 x 1/4" (Stereo) \- 1 x XLR (Mic) with Phantom Power \- 1 x 1/8" (Aux) \- MIDI \- Outputs: \- 2 x 1/4" (Main) \- 2 x 1/4" (Sub) \- 1 x 1/4" (Headphones) \- USB: USB 2.0 \- Power: 9V DC Adapter \- Built-in Effects \- Dimensions: 21.125" x 9.125” x 3” \- Weight: 8.7 lbs. The RC-300 features three synchronized stereo tracks with dedicated volume knobs and transport-control footswitches for each track. It also includes pro effects, a master Expression pedal, and a deluxe, ultra-wide control panel for live-performance manipulation. The looper offers expanded pedalboard control, onboard effects, rhythm guide, preloaded audio, USB connectivity, and an AUX input for recording external stereo audio sources. The unit's audio quality is 16-bit A/D/A at a 44.1 kHz sample rate, providing CD-quality audio. It also offers memory for up to 99 presets and has MIDI connectivity for syncing external MIDI devices. The RC-300 is designed for live looping and offers a versatile and powerful tool for musicians looking to create multi-layered loops in real time.
The BOSS RC-3 Loop Station is a compact and powerful stereo stompbox looper with a massive internal memory that provides up to three hours of stereo recording time. It features 99 onboard memories for storing loops and a "real drums" rhythm guide. The RC-3 also offers USB 2.0 compatibility, allowing users to connect to a PC and import/export WAV audio. Key Specifications: \- Nominal Input Level: INPUT: -20 dBu, AUX IN: -10 dBu \- Input Impedance: INPUT: 1 M ohm, AUX IN: 22 k ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Maximum Recording Time: Approximately 3 hours \- Maximum Phrase Memory: 99 phrases \- Data Format: 44.1 kHz, 16-bit linear, stereo \- Rhythm Type: Hi-Hat, Kick \- USB Interface: Hi-Speed USB mass storage device class \- Power Supply: DC 9 V: Alkaline battery (9 V, 6LR61) or AC Adaptor (PSA series, sold separately) \- Current Draw: 70 mA (DC 9 V) \- Size and Weight: 73 mm (W) x 129 mm (D) x 59 mm (H), 450 g (1 lbs.) The RC-3 also includes various controls, indicators, connectors, and accessories, making it a versatile and feature-rich loop station for musicians and performers.
The BOSS GT-100 COSM Amp Effects Processor offers the following features and specifications: \- Advanced COSM amps that model vintage classics and deliver highly expressive tones \- Dual LCDs and panel knobs for simple and intuitive operation, with direct access to every parameter \- EZ Tone feature with graphical Tone Grid for constructing new patches, plus Amp Customize and OD/DS Customize functions for easily creating original sounds \- Unique Accel pedal provides simultaneous control of multiple parameters \- Powerful A/B Channel Divider for creating dual amp and effects chains that can be blended together or toggled by footswitch, frequency, or picking strength -
The BOSS GT-6B Bass Effects Processor is a professional floor-based unit that offers a range of features and high-quality sound. Here are the technical specifications and key features: \- Professional bass multi-effects processor with COSM technology \- True analog bypass and 24-bit converters for uncompromised sound quality \- COSM Bass Amp Modeling recreates the tone of classic bass amps and speaker cabinets \- New COSM Compression effect modeled after 4 well-known compressors \- Ultra-intuitive interface with analog-style knobs \- Built-in expression and control pedals \- Versatile effects including chorus, reverb, delay, flanger, COSM Overdrive/Distortion Modeling, and Wah Modeling \- New performance effects include Auto Slap feature and sound-on-sound looping \- Balanced XLR output and coaxial digital output for recording applications The GT-6B is designed to provide bass players with a wide range of effects and modeling capabilities, allowing for easy integration into various musical setups.
The BOSS GT-1000 Guitar Effects Processor is a flagship amp/effects processor designed for guitar and bass, featuring industry-leading 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout. It incorporates the groundbreaking AIRD (Augmented Impulse Response Dynamics) technology, which realizes BOSS’s acclaimed Tube Logic concept in a digital guitar processor, delivering natural feel and optimized integration with all types of external devices. The GT-1000 includes a wide range of BOSS original amplifiers suitable for all guitar styles, from super-clean to ultra-heavy, and a number of amp types employ Multi-Dimensional Processing (MDP) technology for dynamic, nuanced tone that reaches beyond the capabilities of analog designs. It also offers a massive selection of onboard BOSS effects, including MDP effects and algorithms directly ported from the 500 series, and amps and effects can be routed in numerous series and parallel combinations. The GT-1000 provides intensive performance control with ten footswitches and an integrated expression pedal with user-configurable assignments and LED colors. It also features USB audio/MIDI interface for computer-based recording and editing, and built-in Bluetooth for wireless editing via the BOSS Tone Studio app for iOS and Android mobile devices. The GT-1000 is designed for unparalleled sound quality and optimized performance for every playing application, making it a game changer that brings new levels of creative expression to players everywhere.
The BOSS GT-5 Guitar Effects Processor is a powerful floor-based multiple effects unit designed to offer a wide variety of traditional and cutting-edge guitar effects. Here are the technical specifications and features of the GT-5: \- AD Conversion: 22-bit AF Method 128 times Oversampling \- DA Conversion: 18-bit 16 times Oversampling \- Dimensions: 520(W) x 221(D) x 113.5(H)mm; 20-1/2CM x 8-3/4(D) x 4-1/2(H) in. \- Options: Foot Switch: FS5U, FS5L; Expression Pedal: EV5 (Roland) Key Features: \- Floor-based guitar effects processor/preamp with a large variety of traditional and cutting-edge guitar effects, including chorus, tap tempo delay, reverb, harmonist, "humanizer," and acoustic guitar simulator (28 effects total) \- Up to 13 simultaneous effects with programmable effects order \- 150 presets, 100 User Patches, fully MIDI compatible \- COSM-based preamp allows for selection from a variety of computer-generated amplifier "models," speaker configurations, and mic placements \- Harmonic Restructure Modeling (HRM) provides a wealth of new synth-like sounds with guitar-based dynamics (monophonic) \- Innovative functions such as "sound on sound" recording, auto fade in/out, and "Quick Settings" for instant effects tailoring \- LCD and rotary dial for quick editing, built-in expression pedal, and tuner \- Rugged metal casing, built to withstand the rigors of touring
The BOSS GT-001 Guitar Effects Processor is a stylish desktop unit that incorporates premium amps and effects, including BOSS' latest COSM amp models and powerful MDP effects. It offers flexible routing of amps and effects through two effect chains and an advanced multi-channel USB audio/MIDI interface for flexible recording and efficient re-amping. The GT-001 is compatible with GT-100 Version 2.0 sound patches and features panel knobs for adjusting sounds and dedicated buttons for calling up favorite tones. It also includes an XLR mic input with phantom power, specially designed effects patches for vocals and acoustic guitars, and a 1/8-inch input for connecting a stereo device such as a smartphone or music player. Additionally, it offers monophonic guitar-to-MIDI conversion from a normal 1/4-inch guitar input and a jack for connecting an expression pedal or up to two footswitches for real- time effects control and patch changes. The GT-001 can be powered by USB bus or the included AC adapter. It also comes with the BOSS TONE STUDIO editor/librarian for Mac/Windows and custom patches available at bosstonecentral.com. The GT-001 is a powerful tool for DAW music production, offering high-quality audio interface capabilities for Mac or Windows computers. It also includes patches designed for vocals and acoustic guitars, and a monophonic guitar-to-MIDI function that allows users to play soft synths and other MIDI instruments in their computer from a normal guitar input, with no special pickup required. The BOSS TONE STUDIO software provides an intuitive graphical interface for creating and editing GT-001 effects patches from a computer via USB, and it allows users to preview and download free patches created by top guitar pros directly into the GT-001.
The BOSS AD-3 Acoustic Instrument Processor is a compact acoustic instrument processing pedal developed exclusively for gigging acoustic-electric guitarists. Its features and technical specifications include: \- Footswitchable Bi-Stereo chorus offers split-frequency processing (Low and High) for a natural, smooth chorus effect. \- Studio-quality Reverb provides clear, deep reverberation specially tuned for acoustic guitar. \- Newly developed "Bottom" and "Top" controls offer variable tonal shaping to eliminate "dry" sound from piezo pickups and add rich, resonant lows and brilliant highs. \- Special Guitar Amp output provides proper impedance and tonal balance for a great-sounding connection to a guitar amp. \- Stereo balanced outputs allow for direct connection to a PA. \- Dual Anti-Feedback function can be manually set to eliminate feedback or can be set to "Auto" mode via footpedal. \- Battery or AC-powered for maximum flexibility. The AD-3 also offers an adjustable Input control for impedance-matching to a variety of acoustic-electric pickup types, and its Output section provides a choice between stereo balanced outputs for direct connection to a PA system or a dedicated Guitar Amp output for plugging into a guitar amplifier.
The BOSS AD-5 Acoustic Instrument Processor offers the following features and technical specifications: \- Specially voiced acoustic instrument preamp with 4-band EQ \- High-quality Roland reverb, chorus, and anti-feedback effects \- Innovative "Acoustic" effect uses separate "Body" and "Ambience" controls to transform the sound of a piezo pickup into the rich, "airy" sound of a miked acoustic guitar \- Separate piezo and magnetic pickup inputs \- 1/4" effects insert jack \- Stereo 1/4" unbalanced and balanced XLR outputs \- Preamp and effects can be bypassed for use as a dedicated DI box
The BOSS MD-200 Modulation pedal offers the following technical specifications and features: \- Sampling Frequency: 96 kHz \- AD/DA Conversion: 32 bits \- Processing: 32-bit floating point \- Modes: 12 modes including Chorus, CE-1 Chorus, Flanger, Phaser, Vintage Phaser, Classic Vibe, Vibrato, Tremolo, Rotary, Auto Wah, Slicer, and Overtone \- Insert Loop function for adding external pedals before or after modulation effects \- 128 user setups available for storing and recalling sounds \- Dedicated rate, depth, and level controls, plus three parameter knobs that change function with the selected mode \- Global setting optimizes flanger, phaser, and auto wah effects for guitar or bass \- Customizable multi-function footswitches for tap tempo, memory selection, and more \- Full MIDI I/O provided with mini TRS jacks \- Micro USB jack for firmware updates \- Runs on PSA-series AC adaptor or three AA-size batteries The MD-200 Modulation pedal delivers a wide range of modulation effects in a compact and user-friendly design, with advanced sound quality and versatile control options.
The BOSS GT-1 Guitar Effects Processor is a compact and portable unit that delivers pro-level tones for guitarists on the go. It is driven by the powerful BOSS GT-series engine, providing access to a wide selection of world- class amps and effects for various music styles. The GT-1 features a modern design with no hard edges, making it easy to transport in a guitar bag. It offers easy patch selection and sound creation, with functions like Easy Select and Easy Edit for quickly choosing and tweaking patches. The unit is powered by four AA batteries, providing up to seven hours of playing time for busking and mobile gigs. Additionally, it features an onboard control switch, expression pedal, footswitch/expression pedal jack, and USB connectivity. The GT-1 also allows users to download ready-to-play pro patches for free at BOSS Tone Central and share Livesets at BOSS Tone Exchange. The unit's three footswitches provide patch selection, tuner access, looper control, and more in a minimal footprint, with the dedicated CTL1 switch freely assignable to functions like tap tempo, effects on/off, and numerous others. The expression pedal and toe switch are assignable to volume, wah, and various effects parameters, and there is a jack for connecting up to two external footswitches or an expression pedal. The GT-1 also provides access to BOSS Tone Central and BOSS Tone Studio via its USB jack, allowing users to record tones with their favorite DAW.
The BOSS MO-2 Multi Overtone pedal is a next-generation compact pedal with innovative Multi-Dimensional Processing technology. It is designed to create a wide range of extraordinary new sounds by using the harmonic characteristics of your guitar. The pedal offers the following features and technical specifications: \- Powered by Multi-Dimensional Processing technology (MDP) \- Impressive, harmonically rich sounds that complement and enhance your straight guitar sound \- Works well with both clean and distorted guitar tones, and also bass guitar \- Ultra-responsive to volume changes and playing dynamics \- Three different sound modes with a wide range of tonal adjustment using simple controls \- Mono or stereo output \- BOSS five-year warranty The MO-2 produces incredibly distinctive and expressive tones only possible with the magic of MDP. It builds completely new voices that enhance and thicken your normal sound, offering diverse tone-shaping options. The DETUNE knob unlocks a wide range of impressive modulation effects, from shimmery multi-string resonance to flute-like transparency to powerful textures reminiscent of organs and synths. The pedal is designed to be an expressive new voice for guitarists, adding all-new dynamic resonance characteristics to your guitar. It is a versatile tool for creating unique sonic textures and enhancing your musical expression.
The BOSS GEB-7 Bass Equalizer is a 7-band graphic equalizer designed specifically for bass guitars and upright bass instruments. Its features and technical specifications include: \- 7 bands offering a 15 dB boost/cut over a frequency range of 50 Hz to 10 kHz, with the 10 kHz band being a high-frequency shelf \- Can be used as a "boost" or "cut" pedal using the level control knob \- Full range response, even for five- and six-string basses \- Inputs: 1 x unbalanced 1/4" instrument TS \- Nominal Input Level: -20 dBu \- Input Impedance: 1 MOhm \- Outputs: 1 x unbalanced 1/4" instrument TS \- Nominal Output Level: -20 dBu \- Output Impedance: 1 kOhm \- Residual Noise: -100 dBu \- Current Draw: 16 mA @ 9 VDC \- Dimensions: 2.9 x 5.1 x 2.4" / 73 x 129 x 59 mm \- Weight: 1 lb The pedal also features a level control knob, pedal switch, and indicator for battery check. It can be powered by a 9V DC dry battery or an AC adaptor (BOSS PSA-120 or PSA-120T, optional).
The BOSS MS-3 Multi Effects Switcher is a powerful and versatile pedalboard solution that combines a world-class multi-effects engine and multi-pedal switcher in one compact unit. Here are the technical specifications and features: \- Capable of running six internal pedal effects simultaneously \- Seamlessly integrates three external pedals \- Deep rig control capabilities for switching amp channels, adjusting effects in real time, and working with MIDI devices \- 112 built-in effects types for guitar and bass, including delays, reverbs, mod/pitch effects, overdrives, and distortions \- Intuitive user interface with a backlit LCD, editing knobs, and panel LEDs for on/off status of loops and effects \- Control assign, wave pedal, and other functions for deep real-time expression \- Equipped with numerous jacks for amp channel switching, effects control, and more \- MIDI output for working with MIDI-enabled effects \- Built-in tuner, noise suppressor, and global EQ \- USB for patch creation and backup via free MS-3 Editor/Librarian software \- Highly flexible design suitable for simple to complex effects systems \- Three audio loops for connecting external effects devices \- 200 patch locations for storing effects and control setups \- Heavy-duty footswitches for easy command of the entire system \- Support for external footswitches and expression pedals \- Control out jacks for switching amp channels and controlling effects \- Two audio outputs can be set for full stereo or selectable mono operation per patch \- USB support for accessing the free MS-3 Editor/Librarian software on a Mac or Windows computer The MS-3 is designed to provide a compact, professional pedalboard solution with unlimited sound creation capabilities and extensive control options.
The BOSS GT-1B Bass Effects Processor is designed to provide bass players with a wide range of pro tone-shaping power in a compact and robust package. It is backed by BOSS's premium sound engine, offering access to a vast selection of bass-optimized amps and effects for both stage and studio playing. The GT-1B features a streamlined interface for fast sound dialing, an onboard control switch, and an expression pedal for real-time effect adjustments. It is compact, rugged, and battery-powered, making it an ideal mobile tone companion for every bassist. Key Features and Specifications: \- Premium
The BOSS GT-10B Bass Effects Processor is a top-of-the-line bass station optimized for the low-frequency domain. It features the massive power of BOSS’ latest DSP engine and COSM sound-modeling know-how, providing the most creative and essential features for bass. The GT-10B is equipped with essential effects such as OD/DS, Comp/Limiter, and offers top-quality sounds without sacrificing richness and bottom of the bass tone. Key Features and Specifications: \- Optimized for bass with essential effects such as OD/DS, Comp/Limiter \- EZ Tone enables intuitive tone creation using an interactive user interface based on graphic icons \- Parallel Chain offers two separate effects paths that can be blended, switched by playing dynamics, or with the onboard pedals \- Phrase Loop allows instant sound-on-sound loop creation \- USB capability offers audio- and MIDI-streaming in real time \- XLR outputs as well as 1/4-inch jacks \- High-contrast LCD and LED for easy operation on dark stages or in glaring sunlight \- Built-in expression pedal and six dedicated footswitches \- Powered by BOSS’ latest custom-made sound processor, providing dozens of stunning effects algorithms and COSM amp models specifically tailored for bass players The GT-10B also features the EZ Tone wizard for quick and intuitive sound design, as well as the Parallel Chain feature for blending complex effects with powerful, pure tones. Additionally, it comes equipped with Phrase Loop for sound-on-sound loop creation and USB connectivity for streaming audio and MIDI data to computers and digital recorders. The GT-10B is designed with a strong, stylish build and offers intuitive operation, making it an advanced yet user-friendly bass effects processor.
The BOSS ME-20B Bass Multiple Effects is a powerful multi-effects unit optimized for live performance. It features a tough metal construction designed for life on the road, with three footswitches, five control knobs, and an expression pedal for full control over your sound. The ME-20B includes a built-in chromatic auto-tuner for quick and easy bass tuning. It offers both Memory mode, allowing storage and recall of up to 30 user patches, and Manual mode for turning on and off currently selected effects with the pedals. The unit also includes a Bass Enhance function for an instant presence boost and an EZ Edit feature for quick sound creation. The ME-20B runs on battery power (six AA dry cells) for portability and can also be used with an optional AC adaptor for extended performances. Additionally, it includes an AUX IN jack for connecting a CD or MP3 player to jam along with favorite music. The ME-20B is designed for bassists who want an easy-to-use interface with BOSS tone and quality, offering a wide variety of effects including compressor, overdrive, distortion, T-Wah, phaser, flanger, chorus, delay, reverb, defretter, synth, and more.
The BOSS CH-1 Super Chorus pedal features a nominal input level of -20 dBu, an input impedance of 1 M ohm, a nominal output level of -20 dBu, and an output impedance of 1 k ohm. It is recommended to use a load impedance of 10 k ohms or greater. The pedal offers a clean classic chorus sound with crystal-clear highs and a unique stereo effect that can be varied between left and right speakers. It includes mono input and stereo outputs for connection to dual amps. The pedal also comes with an effect level, EQ, rate, and depth knobs for precise sound shaping. The dimensions of the pedal are approximately 6" L x 3.8" W x 2.8" H, and it weighs around 1.05 pounds.
The BOSS ME-20 Guitar Multiple Effects is a performance-based guitar processor designed for easy interface and high-quality sound. It features a super-tough metal chassis with 3 footswitches, 5 real-time control knobs, and an expression pedal. The ME-20 provides world-class overdrive, distortion, delay, chorus, phaser, flanger, tremolo, rotary, and EQ effects, all instantly customizable. Key Features: 1\. Simple Operation: Works like compact-pedal effects, with no menus to navigate, providing fast, easy, and powerful sound customization. 2\. OD/DS Solo Function: Allows for punchy and high-impact lead tone with the press of a button, and the ability to switch the effect on/off via pedal or an external switch (BOSS FS-5U). 3\. EZ Edit for Quick Sound Creation: Enables intuitive and quick sound creation by adjusting a combination of effect parameters with a single knob and saving creations for instant recall. 4\. Memory Function: Up to 30 user-created sounds can be stored in the ME-20’s User memory, allowing for instant selection of stored sounds in Memory mode. 5\. AUX IN Jack: Allows for plugging in a CD or MP3 player to jam along with favorite music or play along with guitar heroes to build and strengthen skills. 6.
The BOSS GE-7 Graphic Equalizer is a compact pedal with seven frequency bands ranging from 100 to 6400 Hz, each controlled by mini-faders that can boost or cut the corresponding frequency by up to 15 dB. This allows for precise control over sound, making it suitable for dialing in brighter, cutting tones for leads, creating alternate sounds, or controlling feedback. The pedal is designed for guitar sounds and offers a boost/cut of +/- 15 dB per band. It can be powered by a 9V battery or a 9V DC power supply. The pedal's dimensions are approximately 2.4" x 6" x 3.7" (H x W x D), and it weighs around 450g (1 lb).
The BOSS ME-50B Bass Multiple Effects Processor is a floor-based bass multi- effects unit designed for easy analog control. It features six sections of effects, including Compressor/Limiter, Master, Filter/Tone, Drive/Synth, Delay/Modulation, and Expression Pedal. The key features and specifications include: 1\. Killer COSM Compressor/Limiter and Drive effects, along with T-Wah, Slow Gear, and Defretter effects. 2\. Innovative Sound Hold function for sustaining a low note while playing on top. 3\. Sound On Sound recording with a new Kick Drum effect for keeping time. 4\. Easy Tone effects with preset EQ templates for quick tone editing. 6\. Three footswitches and an onboard expression pedal routed to six options like Octave, Wah, etc. 7\. Solid metal case built to withstand abuse. The ME-50B also includes independent COSM Compressor/Limiter and EQ sections, providing tight, punchy tone and precise tonal shaping. It offers a variety of unique tone-shaping effects for bass, such as Octave Up, Slow Gear, T-Wah, and Defretter, as well as overdriven sounds and synth bass sounds with superb tracking and natural feel. Additionally, the unit allows for Sound On Sound recording and features a new Kick Drum function for creating loops over the beat.
The BOSS PS-6 Harmonist is a pedal with four intelligent pitch-shift effects and three-voice harmony in one unit. It offers four effect modes: Harmony, Pitch Shifter, Detune, and Super Bend for authentic pedal-bending effects and wild three- and four-octave pitch sweeps. The pedal allows the creation of two- or three-voice harmonies with selectable key and voicing, high-quality pitch shifting, and three-voice detune capability. It can generate two or three voices in each mode, adding rich depth to the guitar sound. The Super Bend effect bends pitch across a 7-octave span, from –3 to +4 octaves. The PS-6 can be controlled via an optional expression pedal, and it comes with a BOSS five-year warranty. Technical Specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Current Draw: 45 mA (DC 9 V) \- Expected battery life under continuous use: Carbon: 2 hours, Alkaline: 8 hours The PS-6 Harmonist is designed to provide superior sound quality, ease of use, and powerful pitch effects, all in a road-tough construction that's built to withstand demanding use.
The GT-3 Guitar Effects Processor by BOSS is a floor-based guitar effects processor/preamp with 32 effects, including vintage and modern guitar amp emulations, speaker cabinet and mic simulation. It features the COSM preamp, new Auto Riff for triggering musical riffs from a single note, and a Pickup Simulator for producing fat humbucking sounds from a single-coil guitar or vice versa. The processor also includes 12 analog distortion and overdrive effects, Slicer and Feedbacker effects, and acoustic-electric guitar effects such as Anti-Feedback, Bi-Stereo Chorus, and Acoustic-Electric preamp setting. The GT-3 is built with a sturdy, all-metal chassis designed to withstand rigorous use and is equipped with high-quality 24-bit A/D and 20-bit D/A converters for great sound. In terms of dimensions and weight, it measures 19 3/16" (487mm) in width, 8 3/4" (222mm) in depth, and 3 7/8" (97mm) in height, weighing 8 lb 14 oz (4.0kg).
The BOSS TR-2 Tremolo pedal provides guitarists with high-quality vintage tremolo effects in a compact, easy-to-use design. It features dedicated "Wave," "Rate," and "Depth" knobs for precise effect tailoring. The "Rate" control allows for higher speed adjustment than the classic PN-2, while the "Wave" control alters the LFO waveform from triangle to square. The "Depth" control determines the strength of the effect. Technical Specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms \- Power Supply: 9V DC power supply or 9V battery \- Residual Noise Level: -90 dBu (IHF-A Weighted, Typ.) Additional Information: \- Voltage: 9 Volts \- Item Weight: 1.01 pounds \- Product Dimensions: 4 x 3 x 6 inches \- Famous Users: Eric Clapton, Billie The pedal also comes with a limited 5-year manufacturer warranty.
The BOSS GT-6 Guitar Effects Processor is a flagship floor-based guitar effects processor with advanced COSM preamp. It features 24-bit converters and coaxial digital output for recording applications. The GT-6 offers 30 COSM amp models, new Distortion/Overdrive Pedal Modeling (15 types), and Wah Modeling (5 types), along with 340 effects programs, making it the most powerful floor- based multiple effects processor in BOSS history. The GT-6 also includes a Customize function for creating new amp types, distortion, and wah pedals, as well as easy, analog-style control with 15 knobs for editing commonly used parameters. It introduces new "Uni-V" and "De- Fretter" effects, along with improved Feedback Modeling. The EZ Tone feature allows for creating custom patches based on 30 templates, and it has built-in Expression and Control pedals for real-time control of effects. The GT-6 is built with 24-bit A-D and D-A converters for exceptional sound quality and offers flexible outputs, including a coaxial digital output for recording. It also provides eight output options, including the classic Roland JC-120, as well as various combos, amp stacks, and effect loops.
The BOSS GT-8 Guitar Effects Processor offers a range of features and technical specifications: \- Connectivity: \- AD Conversion: 24 bit + AF method \- DA Conversion: 24 bit \- Sampling Frequency: 44.1 kHz \- Program Memories: 340 (140 User + 200 Preset) \- Dual COSM Amps: \- Features top-quality COSM amp models with complete dual channel configuration \- Allows combining two amp models or switching between them during performance \- Offers expressive Dynamic mode where two channels can be controlled based on picking strength \- Solo Switch: \- Each of the 46 COSM amp models contains a specially programmed variation optimized for soloing \- Activates the lead tone with the click of the Solo switch \- Extreme Effects: \- 44 effects categories built into the GT-8 \- Up to 13 effect blocks can be used simultaneously to create complex textures and routings \- Includes compressors, reverbs, choruses, EQs, COSM-modeled wahs, and more \- 200 preset patches and 140 user patches for storing custom amp/effects creations \- Effects Chain: \- Powerful effects routing with the ability to configure 13 FX blocks in any desired order \- Incorporates external effects into the GT-8’s signal path with the Ext Loop send and return \- Connectivity: \- Stereo analog outs \- 24-bit coaxial output for ultra-clean digital transfer \- Amp Control jack for switching between two amp channels on an external amp \- External expression/control pedal input \- Effects send and returns \- MIDI in and out \- Headphone output
The BOSS CE-5 Chorus Ensemble is a compact chorus pedal that offers the following technical specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Residual Noise Level: -93 dBu (IHF-A, Typ.) Additional features and design elements include high- and low-cut filters for shaping the tonality of the chorus, Effect Level, Rate, Depth, and Filter knobs for complete control, mono input, and stereo outputs for connection to dual amps or for studio use. The pedal is designed to produce a range of chorusing effects, from subtle to extreme, and comes with a BOSS five-year warranty.
The BOSS ME-70 Guitar Multiple Effects is a discontinued multi-effects unit designed for ease of use and powerful performance. It features a knob-laden design for fast and friendly operation, with dedicated knobs for each parameter. The ME-70 is equipped with a new COSM Preamp section derived from BOSS’s GT-10 and Legend series, allowing users to dial up a wide range of tones, from classic to cutting-edge, with simplicity and speed. Key features and specifications include: \- Dedicated knobs for each parameter for fast, friendly operation \- New COSM Preamp section derived from GT-10 and Legend series \- EZ TONE for quick, easy editing \- Four footswitches and Expression pedal \- Phrase Looper in the Delay section, offering 38 seconds of recording time \- Battery or AC (optional PSA-120s) operation The ME-70 offers the ease of a stompbox with its simple knob-based controls for each effect section, making tone creation easier than ever. Additionally, the built-in Expression Pedal allows users to breathe life into their performances with six pre-programmed pedal-control destinations.
The BOSS VE-8 Acoustic Singer is a compact, all-in-one preamp and effects solution designed for singers who play acoustic guitar. It offers studio- quality voice and guitar processing, real-time harmonies, and looping capabilities in a compact package. Here are some key features and technical specifications: \- Input Impedance: MIC IN: 4 k ohms, GUITAR IN: 20 M ohms, AUX IN: 18 k ohms \- Nominal Input Level: MIC IN: -40 dBu (MIC SENS = Center), GUITAR IN: -10 dBu, AUX IN: -20 dBu \- Power Source: 9V DC power supply or 6 x AA batteries \- Dimensions: Height: 2.56", Width: 8.56", Depth: 6.37" \- Weight: 2 lbs 14 oz \- Vocal processing includes four types of ambience effects, Enhance feature, chromatic pitch correction, and more \- Real-time vocal harmonies based on guitar input or manual key settings \- Vocal doubling effect, hard-tuned electronic voices, distortion, and radio voice effect \- Dedicated guitar channel with Acoustic Resonance, reverb, chorus, tuner, and various effects \- Looper function with 80 seconds of recording time for guitar and vocals independently \- Memory mode for storing and recalling 50 favorite settings \- Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording The VE-8 Acoustic Singer is designed to provide professional sound processing and creative features for singers and acoustic guitar players, offering a comprehensive solution for live performances and studio recording.
The BOSS ME-50 Guitar Multiple Effects is a floor-based multi-effects processor designed with the ruggedness and simplicity of a stompbox. It focuses on killer multi-effects, such as COSM overdrive and distortion, rather than amp modeling. The ME-50 features 30 preset patches including delay, modulation, reverb, compressor, and more. The pedal also includes three footswitches for switching effects on and off with a single stomp, and an onboard expression pedal pre-routed to 6 modulation options or volume. The ME-50 is housed in a rugged metal case with a clear panel layout, making it easy to use on stage. The unit is discontinued, and for the latest multi- effects pedals, users are encouraged to visit the BOSS website.
The BOSS ME-25 Guitar Multiple Effects is a powerful and user-friendly effects processor designed for guitarists. It features a sleek black and white design with three footswitches, an expression pedal, four knobs, nine backlit buttons, and an enlarged LED panel for easy access and control. Key features and technical specifications include: \- Powerful COSM amp models covering a wide stylistic range from classic to contemporary \- SOUND LIBRARY with dozens of ready-to-use presets, easily customizable with dedicated front-panel knobs \- ULTRA METAL offering hi-gain distortion for various metal music styles \- SUPER STACK for adding immensely heavy low-end and punch to the sound \- Phrase Loop function with 38 seconds of recording time \- Functions as a USB audio interface, allowing direct connection to a PC for recording \- Built-in AUX input for jamming along with external music devices (MP3/CD players, etc. ) \- Runs on six AA batteries or AC adaptor \- Free downloadable Librarian software for editing and saving sounds onscreen \- Cakewalk SONAR LE software available for free \- BOSS TONE STUDIO librarian for Mac/Windows and custom patches available at bosstonecentral.com \- Download and share Livesets at BOSS Tone Exchange The ME-25 provides instant access to a wide range of effects and amp models, making it a versatile and convenient tool for guitarists seeking great sound and ease of use.
The BOSS MD-500 Modulation pedal features 32-bit/96 kHz AD/DA conversion, exceeding industry standards for pedal-based effects. Its internal processing is 32-bit floating point and runs at a 96 kHz sampling rate, ensuring pristine sound quality. The pedal includes 12 modes with 28 different modulation effect algorithms, covering chorus, vibrato, flanger, phaser, tremolo, rotary, classic vibe, ring mod, auto wah, touch wah, slicer, and overtone effects. Additionally, the MD-500 offers newly developed Prime algorithms for standard effects like chorus, flanger, and phaser, providing enhanced expression and transparency. The pedal is equipped with a large LCD for easy viewing and adjustment of deep editing parameters and advanced control features. It also supports A/B Simul mode for running two patches at once, an insert loop function for placing mod effects before, after, or around drive pedals, and intensive real-time control options. The MD-500 can be powered by four AA-size batteries or a PSA-series AC adapter. It also offers MIDI I/O for interfacing with MIDI control devices and USB-MIDI for connecting to the MD-500 Editor/Librarian or a DAW.
The BOSS GT-10 Guitar Effects Processor is a flagship floorboard multi-effects unit driven by BOSS' custom-made DSP and proprietary sound-modeling COSM engine. It offers natural and musical response, improved sound quality, and an innovative user interface, including EZ Tone, for intuitive sound creation. The technical specifications and features include: \- Powered by BOSS custom-made new-generation processor and proprietary COSM sound-modeling method \- EZ Tone wizard for easy-to-use, intuitive sound creation based on graphical icons \- Parallel effects chain with two separate effects paths, including COSM amp models \- Onboard Phrase Loop function for creating sound-on-sound loops \- Large LCD and bright LED for high visibility in various lighting conditions \- USB capability for streaming audio and MIDI data in real time \- Strong, stylish design with six dedicated footswitches and built-in expression pedal The GT-10 also features 200 factory patches and 200 user patches, MIDI IN/OUT, SPDIF Out, Headphone Out, USB, Left (Mono)/Right 1/4" out, Send/Receive Loop 1/4" in and out, and external amp channel switch. It weighs approximately 4.9 kg (10 lbs. 13 oz.) and has dimensions of 542 mm (21 3/8 in.) x 272 mm (10 3/4 in.) x 77 mm (3 1/16 in. ). The unit's flexibility, creative possibilities, and quality construction make it suitable for both stage and studio use, offering a wide range of connectivity options and a user-friendly interface for sound creation and manipulation.
The BOSS AD-8 Acoustic Guitar Processor features Roland's COSM modeling technology, transforming the Piezo pickup sound into the full-bodied tone of premium acoustic guitars. It offers six acoustic guitar models to choose from, including Martin D-28, Martin 000-28, Gibson J-45, Gibson B-25, Guild D-40, and a Jose Ramirez classical guitar. The AD-8 includes controls for Body and String Enhance, onboard reverb with adjustable settings, memory for four presets, an onboard tuner with mute function, and an anti-feedback feature. Additionally, it has an EQ section with Bass, Treble, Presence, and a sweepable midrange, as well as balanced XLR and unbalanced TRS output jacks for mono and stereo operation. The AD-8 can be powered using a Boss PSA style power supply or six AA batteries. The device is designed for easy usability and offers high-quality reverb tailored for acoustic guitar, making it suitable for live performances and studio use.
The BOSS OC-20G Poly Octave is the world's first polyphonic octave pedal designed for use with GK-equipped guitars. It features assignable octave processing, allowing octaves to be produced for various combinations of strings while leaving the other strings unprocessed, enabling simulated guitar/bass combos. The pedal also includes onboard electric and acoustic guitar simulations, along with a distortion effect. The rugged, dual-pedal design incorporates simple, knob-based controls, and it accommodates playing chords while using octaves. Additionally, the OC-20G requires the optional GK-2AH pickup or equivalent for use. The pedal provides six guitar simulations, including three acoustic and three electric guitar simulations, and onboard distortion can be activated to produce a thick "new-school" metal sound with bass an octave below.
The BOSS MO-2 Multi Overtone pedal is a next-generation compact pedal with innovative Multi-Dimensional Processing technology. It is designed to create a wide range of extraordinary new sounds by using the harmonic characteristics of your guitar. The pedal offers the following features and technical specifications: \- Powered by Multi-Dimensional Processing technology (MDP) \- Impressive, harmonically rich sounds that complement and enhance your straight guitar sound \- Works well with both clean and distorted guitar tones, and also bass guitar \- Ultra-responsive to volume changes and playing dynamics \- Three different sound modes with a wide range of tonal adjustment using simple controls \- Mono or stereo output \- BOSS five-year warranty The MO-2 produces incredibly distinctive and expressive tones only possible with the magic of MDP. It builds completely new voices that enhance and thicken your normal sound, offering diverse tone-shaping options. The DETUNE knob unlocks a wide range of impressive modulation effects, from shimmery multi-string resonance to flute-like transparency to powerful textures reminiscent of organs and synths. The pedal is designed to be an expressive new voice for guitarists, adding all-new dynamic resonance characteristics to your guitar. It is a versatile tool for creating unique sonic textures and enhancing your musical expression.
The BOSS OC-2 Octave pedal is a compact unit designed to produce tones one or two octaves below the original note, or both simultaneously. It features separate controls for OCT 1 and OCT 2, as well as a Direct Level control for precise tonal shaping. The pedal is suitable for use with both guitar and bass, and it comes with a BOSS 5-year warranty. The OC-2 Octave pedal has been discontinued and has been succeeded by the OC-5 Octave pedal.
The BOSS OC-3 Super Octave is a versatile pedal with the following technical specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohms \- Recommended Load Impedance: 10 k ohms or greater Features and functionality include: \- World’s first compact pedal with true Polyphonic Octave effects \- New Drive mode adds distortion to octave notes for a fatter, more aggressive tone \- Includes the original OC-2 mode, capable of producing notes one and two octaves down \- Poly Octave effect adjustable to play within a specific note range \- Bass input for adapting octave sound to bass guitars \- BOSS five-year limited warranty The pedal offers three modes: Polyphonic Octave mode, Drive mode with distortion, and the original OC-2 mode. It also has separate inputs for both guitar and bass, making it suitable for a wide range of musical applications.
The BOSS PS-5 Super Shifter is a compact pedal with high-quality pitch shifting, Harmonist, and tremolo arm effects. It features intelligent, key- specific pitch shifting of single notes using simple Pitch and Key knobs with scale display. The Key Shift function outputs continuous shifted tone for playing in different keys, while the Detune effect provides slight shifting for "fattening" a guitar sound. Additionally, the Tremolo Arm effect bends single notes up or down to a pre-selected value when the pedal is activated, and an optional expression pedal can be connected for real-time control. The Flutter effect simulates fast or slow "slap" or "slam" of a tremolo bar when the pedal is depressed. The pedal is equipped with a high-performance 24-bit DSP (digital sound processor) chip and is covered by the BOSS 5-year warranty.
The BOSS PS-6 Harmonist is a pedal with four intelligent pitch-shift effects and three-voice harmony in one unit. It offers four effect modes: Harmony, Pitch Shifter, Detune, and Super Bend for authentic pedal-bending effects and wild three- and four-octave pitch sweeps. The pedal allows the creation of two- or three-voice harmonies with selectable key and voicing, high-quality pitch shifting, and three-voice detune capability. It can generate two or three voices in each mode, adding rich depth to the guitar sound. The Super Bend effect bends pitch across a 7-octave span, from –3 to +4 octaves. The PS-6 can be controlled via an optional expression pedal, and it comes with a BOSS five-year warranty. Technical Specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Current Draw: 45 mA (DC 9 V) \- Expected battery life under continuous use: Carbon: 2 hours, Alkaline: 8 hours The PS-6 Harmonist is designed to provide superior sound quality, ease of use, and powerful pitch effects, all in a road-tough construction that's built to withstand demanding use.
The BOSS HR-2 Harmonist is a pedal that offers two-voice, intelligent pitch shifting. It allows the addition of one or two voices of harmony to your playing in any major or minor key. The interval and volume of each harmony can be independently adjusted, and the intervals of each voice can be adjusted to plus or minus one octave from the root signal. The pedal features a robust metal casing, satisfyingly balanced pedal pressure, plastic dials, and side- mounted inputs. It comes in a beautiful blue color that stands out on any pedal board. The HR-2 is designed to create octave and detune effects, and it allows the user to select the key and play away, making it suitable for solo performers or guitarists in a band setup. The A/D Conversion is 16 bit linear, 128 times oversampling. The HR-2 is powered by an AC adaptor (BOSS PSA-120 or PSA-120T) and features multiple jacks.
The BOSS ML-2 Metal Core is an extreme metal distortion pedal designed to deliver massive distortion and gain with heavy lows, suitable for playing genres such as Nu Metal, Grind Core, Industrial, and Hard Core. The pedal features ultra-heavy distortion with a sharp-edged attack for crushing metal riffs. It includes LOW and HIGH controls for heavy, low-frequency sound akin to a 7-string guitar or dropped tuning, as well as screaming, metallic tones. The pedal is constructed with road-tough BOSS metal and is backed by a five- year warranty.
The BOSS OC-5 Octave pedal features the following specifications and capabilities: \- Standard Features: The industry-standard octave pedal, updated with enhanced features \- Tracking Technology: Newly developed tracking technology provides more accurate response and natural feel with no latency \- Vintage Mode: Faithfully reproduces the mono sound of the original OC-2 from 1982 \- Poly Mode: Allows for chord playing, with the Range knob setting the note range where the effect is applied \- Octave-Up Effect: Available on its own or blended with octave-down effects \- Mode Switch: Optimizes the tracking engine for guitar or bass \- Direct Out: Allows for wet/dry setups \- Warranty: BOSS offers a five-year warranty for the OC-5 Additional features include: \- High-Octane Octave Performance: Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability with no latency \- Classic Tones with Vintage Mode: The Vintage mode brings the iconic mono sound of the OC-2 with improved response \- Enhanced Poly Mode: Allows for playing full chords with octave effects, with the variable Range knob restricting the effect to the lower notes on the instrument \- Extended Range with Octave Up: The new octave-up effect is available in both Vintage and Poly modes, providing faux 12-string sounds and unique solo tones \- Guitar/Bass Switch and Direct Out: The pedal allows for instant optimization of the tracking engine for either guitar or bass, and the Direct Out jack makes it easy to route dry and effect sounds to different destinations Technical Specifications: \- Effect Type: Pitch Shift/Harmony \- Included From Manufacturer: 9V battery \- Effects: Octave up, Octave down \- Audio Inputs: 1/4" main input \- Audio Outputs: 1/4" main output, 1/4" direct out \- Power Adaptor: Boss PSA series (sold separately) \- Product Weight: 1 lb \- Dimensions: Width 2.875", Depth 5.125", Height 2.375" \- Warranty: Roland/Boss Consumer Limited Warranty
The BOSS OD-1X OverDrive is a special edition overdrive pedal that offers a next-generation sound, feel, and response. It combines over 35 years of innovation in pedal design with advanced technologies, providing a completely new tonal experience. The pedal features powerful real-time processing that delivers rich, wide-range sounds with natural compression. It offers bold, high-definition tone that is smooth and refined, while preserving the unique tonal characteristics of different guitars and pickup types. The OD-1X is designed to have very low noise, even with high-gain settings. It includes Drive, High, and Low knobs that offer a wide range of sound shaping not typically found in stompbox pedals. The pedal also features BOSS' innovative Multi-Dimensional Processing (MDP), realized with proprietary technology and custom DSP. Additionally, it comes with a BOSS five-year warranty. The OD-1X is known for delivering overdrive unlike any other pedal, with an all-new dimension of sound quality, clarity, and tonal range. It is designed to be ultra-responsive, providing an unmatched level of performance for guitarists with an ear for tone.
The BD-2 Blues Driver by BOSS delivers a creamy yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to warm overdrive and emotive distortion typically found in 30-year-old tube amps. Its features include classic "blues" guitar tones with tube amp simulation, warm distortion and overdrive, and responsiveness to nuance and volume changes. The pedal can be powered by an AC adaptor or a 9V battery and comes with a BOSS five-year warranty.
The BOSS FBM-1 Fender '59 Bassman pedal recreates the legendary tone of the 1959 Fender Bassman amp. It features the same controls as the original Bassman, including Presence, Treble, Mid, and Bass EQ controls. The pedal also includes an additional BRIGHT IN function for a brighter sound, similar to the original Bassman. The FBM-1 is designed for road-tough BOSS metal construction and functions perfectly as a pre-gain pedal for adding or retaining Fender tone color.
The BOSS HM-2 Heavy Metal is a guitar distortion pedal manufactured by BOSS. It was originally produced from 1983 to 1991 and has been reissued as part of the Waza Craft pedal series. The pedal is designed to emulate the mid-range response of Marshall stacks and is associated with the Swedish death metal sound known as "Chainsaw tone." Technical specifications: \- Effects type: Distortion pedal \- Controls: Distortion (Dist), highs (H), lows (L), output volume (level), standard and custom mode (Waza Craft) \- Input/output: Mono inputs and outputs The pedal is known for its "chainsaw tone" when all knobs are set to the maximum. It has gained a cult following in the heavy metal scene and has been used by notable guitarists in various extreme metal styles.
The BOSS OD-3 OverDrive pedal features a dual-stage overdrive circuit that offers a level of sustain and compression unmatched by any overdrive pedal. It provides increased dynamics, yielding a "bigger" sound compared to previous BOSS overdrive pedals. The pedal delivers dynamic, non-muffled tones reminiscent of classic overdriven "stack" amps. It is equipped with straightforward Drive, Tone, and Level controls, allowing for easy adjustments. The pedal also comes with a BOSS five-year warranty. Technical specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater Dimensions: \- Width: 70 mm \- Depth: 125 mm \- Height: 55 mm These details provide an overview of the features and technical specifications of the BOSS OD-3 OverDrive pedal.
The BOSS SD-1 Super Overdrive is a compact overdrive pedal designed to deliver warm and smooth overdriven sounds. It features an asymmetric overdrive circuitry that produces a classic, natural tube-amp-style sound. The pedal includes controls for Level, Tone, and Drive, allowing users to adjust the overdrive effect to their preference. The input impedance is 1 M ohm, while the output impedance is 1 k ohm. The pedal operates on a 9V power source, with a current draw of approximately 4 mA. Its dimensions are approximately 2.9 x 5.13 x 2.4 inches, and it weighs around 13 ounces. The SD-1 is known for its genre-defining BOSS overdrive sound, mild-to-moderate drive tones with focused midrange and tight low end, and its ability to stack well with boost, overdrive, and distortion pedals.
The BOSS ODB-3 Bass OverDrive is designed specifically for bass applications and delivers chest-resonating distortion suitable for hard rock, thrash, and punk bassists. Its features and specifications include: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms \- Onboard two-band equalizer \- Balance knob for controlling dry/overdriven sound \- AC adaptor or 9V battery operation \- BOSS five-year warranty The pedal is compact and offers a wide variety of heavy overdriven bass tones, making it a versatile tool for bass players seeking to enhance their sound.
The BOSS OD-2R Turbo OverDrive pedal features two stages of gain overdrive, with controls for Level, Tone, Drive, and a 2-way Mode switch. It has input and output connectors, as well as an AC adaptor input. The input impedance is 1Mohm, and the output load impedance is 10kohm or more. The equivalent input noise is -118dBm or less (IHF-A, Tone center, Input Short). The recommended AC adaptor is from the ACA Series, and the current draw is 10mA at 9V. The dimensions of the pedal are 70mm wide and 125mm high, with a weight of 410g (14 oz).
The BOSS OS-2 OverDrive/Distortion pedal is a flexible distortion pedal capable of producing blended overdrive/distortion sounds. It provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing. The pedal includes Level, Tone, Drive, and Color controls for precise tonal shaping. It is a sturdy metal pedal with a weight of 0.4 kg and dimensions of 5.9 cm (height), 7.3 cm (width), and 12.9 cm (depth). The body houses knobs, two side jacks, and a 9V battery. The OS-2 has a footswitch to turn the pedal on and off, and a 9V battery powers the circuit. It has four control knobs to control the type and range of amplification desired. The level knob provides high levels of distortion and overdrive, the tone knob controls the degree of brightness of the tone effect, the drive knob provides a thick metal crush to the sound when increased, and the color knob helps switch between distortion and overdrive. The pedal allows users to combine both distortion and overdrive to create a unique sound while maintaining the subtle nuances of a single-coil pickup. The OS-2 is suitable for beginners, intermediate players, and professionals, producing high-level metallic effects and is commonly used for hard rock.
The BOSS OD-200 Hybrid Drive is a pedal that combines overdrive and distortion effects with advanced sound, feel, and flexibility. It features a hybrid analog/digital circuitry that delivers a wide range of drive tones via 12 primary modes and 15 boost types, with series/parallel gain paths and more. The pedal also includes an advanced gate for noise elimination and tightening high-gain drive tones. Key Features and Specifications: \- 12 primary drive modes plus 15 boost types with independent pre/post gain controls \- Selectable series or parallel boost structures for unlimited gain shaping \- Advanced gate section for eliminating noise and tightening high-gain tones \- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate \- Access 128 user setups from the panel or MIDI program change \- Recall consecutive memories plus real-time panel setting via footswitch or dedicated panel button \- Panel Lock function disables controls to prevent unwanted changes \- Customizable multi-function footswitches for bypass, boost, memory selection, and more \- Support for expanded control via external footswitches, an expression pedal, or MIDI \- Full MIDI I/O provided with mini TRS jacks \- Micro USB jack for firmware updates \- Runs on PSA-series AC adaptor or three AA-size batteries The OD-200's hybrid design seamlessly brings analog and digital clipping circuits together, offering a variety of premium overdrive, fuzz, and distortion sounds. It also includes powerful gain shaping capabilities, integrated gate circuit, and deep real-time control options. The pedal's drive modes cover a wide range of sounds, from natural tube-style overdrive to bold fuzz tones, and it also features three high-performance "X" drive modes powered by BOSS’s cutting-edge MDP technology for enhanced definition, clarity, and dynamic response. Overall, the BOSS OD-200 Hybrid Drive is designed to provide a comprehensive range of overdrive and distortion effects with advanced features and high- quality sound.
The BOSS SY-1000 Guitar Synthesizer is a powerful creation machine that transforms your guitar or bass rig with limitless sound design options. It features a next-generation synth engine with custom DSP and 48 kHz/32-bit processing throughout. The SY-1000 offers unprecedented sound and expression with three simultaneous instrument types and advanced real-time signal processing. Each instrument provides pitch, level, and panning of each string for instant alternate tunings and wide, layered voicings. The SY-1000 includes a new Dynamic Synth that perfectly follows the guitar’s natural envelope for uncompromised tone shaping. It also features a new sound engine and GK 13-pin interface that deliver clear, dynamic sound and precision tracking with zero latency. The Dynamic Synth includes two 16-part step sequencers for evolving control of pitch, filter, and amplitude. Additionally, the SY-1000 offers newly refreshed versions of historic BOSS/Roland guitar synth and modeling technologies, including OSC Synth, GR-300, E.Guitar, E.Bass, Acoustic, VIO Guitar, and Poly FX. It also features normal ¼-inch guitar/bass input for blending and Dynamic Synth processing, premium effects and amps derived from the flagship GT-1000, large LCD and intuitive editing interface, eight freely assignable footswitches, external control support, effects loop, and configurable Main/Sub outputs. The SY-1000 also includes USB Audio/MIDI and MIDI I/O, dedicated Guitar and Bass modes, and the ability to customize sounds with the BOSS Tone Studio editor and download pro patches at BOSS Tone Central. It requires a Roland GK- compatible pickup and 13-pin cable for full access to all synth and modeling features. For recording tracks and playing MIDI instruments via USB, the SY-1000's USB audio/MIDI interface opens up a world of creative options with your favorite DAW. With the GK input, you’re able to record each of your instrument’s strings to separate audio tracks, either processed live or captured dry for later “re-synth” processing through the SY-1000. And with the Guitar-to- MIDI/Bass-to-MIDI function, you can use your axe to play soft synths, record MIDI sequences, input notation data, and more. The SY-1000 represents a new era of guitar synth innovation, offering deep sound design tools, ultra-expressive dynamic synth capabilities, two step sequencers, OSC Synth and GR-300 instruments, advanced guitar/bass modeling, and flagship-class effects and interface.
The BOSS GT-5 Guitar Effects Processor is a powerful floor-based multiple effects unit designed to offer a wide variety of traditional and cutting-edge guitar effects. Here are the technical specifications and features of the GT-5: \- AD Conversion: 22-bit AF Method 128 times Oversampling \- DA Conversion: 18-bit 16 times Oversampling \- Dimensions: 520(W) x 221(D) x 113.5(H)mm; 20-1/2CM x 8-3/4(D) x 4-1/2(H) in. \- Options: Foot Switch: FS5U, FS5L; Expression Pedal: EV5 (Roland) Key Features: \- Floor-based guitar effects processor/preamp with a large variety of traditional and cutting-edge guitar effects, including chorus, tap tempo delay, reverb, harmonist, "humanizer," and acoustic guitar simulator (28 effects total) \- Up to 13 simultaneous effects with programmable effects order \- 150 presets, 100 User Patches, fully MIDI compatible \- COSM-based preamp allows for selection from a variety of computer-generated amplifier "models," speaker configurations, and mic placements \- Harmonic Restructure Modeling (HRM) provides a wealth of new synth-like sounds with guitar-based dynamics (monophonic) \- Innovative functions such as "sound on sound" recording, auto fade in/out, and "Quick Settings" for instant effects tailoring \- LCD and rotary dial for quick editing, built-in expression pedal, and tuner \- Rugged metal casing, built to withstand the rigors of touring
The BOSS GT-001 Guitar Effects Processor is a stylish desktop unit that incorporates premium amps and effects, including BOSS' latest COSM amp models and powerful MDP effects. It offers flexible routing of amps and effects through two effect chains and an advanced multi-channel USB audio/MIDI interface for flexible recording and efficient re-amping. The GT-001 is compatible with GT-100 Version 2.0 sound patches and features panel knobs for adjusting sounds and dedicated buttons for calling up favorite tones. It also includes an XLR mic input with phantom power, specially designed effects patches for vocals and acoustic guitars, and a 1/8-inch input for connecting a stereo device such as a smartphone or music player. Additionally, it offers monophonic guitar-to-MIDI conversion from a normal 1/4-inch guitar input and a jack for connecting an expression pedal or up to two footswitches for real- time effects control and patch changes. The GT-001 can be powered by USB bus or the included AC adapter. It also comes with the BOSS TONE STUDIO editor/librarian for Mac/Windows and custom patches available at bosstonecentral.com. The GT-001 is a powerful tool for DAW music production, offering high-quality audio interface capabilities for Mac or Windows computers. It also includes patches designed for vocals and acoustic guitars, and a monophonic guitar-to-MIDI function that allows users to play soft synths and other MIDI instruments in their computer from a normal guitar input, with no special pickup required. The BOSS TONE STUDIO software provides an intuitive graphical interface for creating and editing GT-001 effects patches from a computer via USB, and it allows users to preview and download free patches created by top guitar pros directly into the GT-001.
The BOSS SG-1 Slow Gear is a rare and unique compact effect pedal that was produced in Japan by Roland Corporation between May 1979 and February 1982. It is designed to replicate the sound of a guitarist rolling their volume knob to create a tremolo-like effect with a dynamic of its own. The pedal features two controls: 'Sens' for sensitivity and threshold adjustment, and 'Attack' for controlling the speed at which the volume increases. The SG-1 shares the same circuit as the BOSS NF-1 Noise Gate, which is used to eliminate unwanted low- level background noise. It can be used with a compressor or overdrive in front of the pedal for more consistent operation, and a delay after the SG-1 can create unusual bowed, organ-like, or backwards-style sounds. The SG-1 Slow Gear is highly sought after and collectible due to its relative scarcity and uniqueness, making it a valuable vintage market item. Good quality SG-1 Slow Gear pedals are difficult to track down and can attract high prices. The pedal is known for its finicky reputation and requires experimentation and technical practice to create unique sounds. It has been favored by alternative and indie rock guitarists over the years.
The BOSS MD-200 Modulation pedal offers the following technical specifications and features: \- Sampling Frequency: 96 kHz \- AD/DA Conversion: 32 bits \- Processing: 32-bit floating point \- Modes: 12 modes including Chorus, CE-1 Chorus, Flanger, Phaser, Vintage Phaser, Classic Vibe, Vibrato, Tremolo, Rotary, Auto Wah, Slicer, and Overtone \- Insert Loop function for adding external pedals before or after modulation effects \- 128 user setups available for storing and recalling sounds \- Dedicated rate, depth, and level controls, plus three parameter knobs that change function with the selected mode \- Global setting optimizes flanger, phaser, and auto wah effects for guitar or bass \- Customizable multi-function footswitches for tap tempo, memory selection, and more \- Full MIDI I/O provided with mini TRS jacks \- Micro USB jack for firmware updates \- Runs on PSA-series AC adaptor or three AA-size batteries The MD-200 Modulation pedal delivers a wide range of modulation effects in a compact and user-friendly design, with advanced sound quality and versatile control options.
The BOSS TB-2W Tone Bender is an authentic sonic recreation of the iconic Tone Bender MK II fuzz pedal from the 1960s. It features select germanium transistors that have been carefully tested for superior performance. The pedal includes a three-way voltage selector for shaping the overall tone and response, as well as selectable true bypass or buffered bypass operation. The TB-2W also boasts a refined circuit design for ultra-consistent performance from pedal to pedal. The pedal is a limited production run, with approximately 3000 units available due to component availability. It is designed with chicken-head knobs, hammertone finish, and typeface reminiscent of the original Tone Bender MK II. Additionally, the TB-2W offers adjustable voltage settings, allowing users to replicate the shifts in gain, response, and sound character of the original pedal. It also features two output modes, Thru mode for true bypass operation and Buffer mode for optimized signal for downstream connections. The TB-2W Tone Bender is a collaboration between BOSS and Sola Sound, aiming to capture the soul of the Tone Bender and deliver an authentic vintage fuzz experience with modern innovations.
The BOSS GE-7 Graphic Equalizer is a compact pedal with seven frequency bands ranging from 100 to 6400 Hz, each controlled by mini-faders that can boost or cut the corresponding frequency by up to 15 dB. This allows for precise control over sound, making it suitable for dialing in brighter, cutting tones for leads, creating alternate sounds, or controlling feedback. The pedal is designed for guitar sounds and offers a boost/cut of +/- 15 dB per band. It can be powered by a 9V battery or a 9V DC power supply. The pedal's dimensions are approximately 2.4" x 6" x 3.7" (H x W x D), and it weighs around 450g (1 lb).
The BOSS CE-2B Bass Chorus pedal features the following technical specifications and design details: \- Power: 9VDC 006P(x1), AC Adaptor(ACA-120, 220 or 240) \- Current Draw: 10mA (9VDC) \- Controls: Rate, Depth, Effect Level \- Switch: Effect On/Off \- Indicator: Effect On/Off (=Battery Check) \- Jacks: Input, Output, AC Adaptor \- Residual Noise: Less than -100dBm (IHF-A) \- Maximum Input Level: 0dBm (100Hz) \- Input Impedance: 470k ohm \- Output Load Impedance: More than 10k ohm \- Dimensions: 70(W) x 55(H) x 125(D) mm / 2 1/4(W) x 2 1/4 (H) x 5(D) inches \- Weight: 400g / 14oz The pedal also includes three control knobs for Rate, Depth, and Effect Level, providing flexibility in adjusting the chorus effect. Additionally, it utilizes various ICs, transistors, and diodes, such as NJM4558DD, TL022CP, MN3007, MN3101, 2SC2240GR, 2SC945P, 2SK30A-Y, and others.
The BOSS PH-2 Super Phaser features a phase shift circuit that provides twelve stages of adjustment for smooth, professional-sounding phasing. It offers two modes with different tonal characteristics, one for a standard effect and the other for a deep, rich phased effect ideal for a funky guitar sound. The controls include Rate, Depth, Res, and a 2-way Mode switch. The pedal has connectors for Input, Output, and AC Adaptor, with a current draw of 20mA (DC 9V). It weighs 410g (.90 lbs) and has an input impedance of 1Mohm (FET Input). The recommended load impedance is 10kOhm or greater, and the LFO speed ranges from 100 ms to 14 s. The PH-2 was sold from September 1984 to March 2001.
The BOSS RV-5 Digital Reverb offers the following technical specifications and features: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohms \- Recommended Load Impedance: 10 k ohms or greater \- Compact pedal with stereo input/output for use with other stereo effects \- Six high-quality reverb modes on par with rackmount processors \- New Spring reverb emulation offers realistic spring reverb sounds \- New Gate reverb derived from high-end Roland studio gear \- Modulate mode detunes the reverb sound for added spaciousness \- BOSS five-Year Warranty The pedal dimensions are approximately 2.88 x 5.13 x 2.38 inches (73 x 129 x 59mm), and it weighs 440g / 1lb.
The BOSS PH-1 Phaser is a 4-stage phaser pedal that covers a range of 16 sec. to 100 msec. It was released alongside the OD-1 and SP-1 as the first three Boss compact pedals. The phaser aims to emulate the swirling sounds of rotating speaker systems, such as the Hammond Leslie cabinets popular among organ players in the 70s. The PH-1 features controls for Rate and Depth, with Input, Output, and AC Adaptor connectors. It has a current draw of 7 mA (DC 9V) and weighs 400g. The input impedance is 220kOhm, and the output impedance is over 600Ohm. The signal-to-noise ratio is over 80dB. The PH-1 was sold from November 1977 to November 1981.
The BOSS PH-3 Phase Shifter pedal offers a range of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. It features classic multi-stage phasers with selectable stages, allowing for versatile sound manipulation. The pedal provides real-time control of Rate via an optional expression pedal and tap tempo sync of phasing effects. Additionally, the PH-3 comes with a BOSS five-year warranty. The new "Rise" and "Fall" effects enable the production of entirely upward or downward moving sounds, along with 4-, 8-, 10-, and 12-stage phasers, and a Step effect. Syncing the phasing effects can be achieved by tapping the pedal to the desired tempo, or for maximum control, an optional expression pedal can be connected to control both rate and filter in real time.
The BOSS PH-1R Phaser is a four-stage analog phaser pedal that was manufactured by the Japanese Roland Corporation from October 1980 to May 1985. It is an updated version of the original PH-1, featuring an additional "Resonance" control to increase tonal variations and provide a wider range of available sounds. The pedal is designed to create a wide array of different tones and offers a lush phase effect. Key Features: \- Controls: Rate, Resonance, Depth \- Connectors: Input, Output, AC Adaptor \- Current Draw: 11 mA (DC 9V) \- Weight: 400 g (.88 lbs) \- Input Impedance: 470kOhm \- Signal/Noise Ratio: Over 90dB (IHF-A) \- Recommended Load Impedance: Over 10kOhm \- LFO Speed: 100 ms ~ 16 s \- Recommended AC Adaptor: ACA Series The "Rate" knob controls the speed of the oscillation, the "Depth" knob controls the amount of effect applied, and the "Resonance" knob controls the amount of signal fed back into the effect. The pedal also features a BOSS treadle footswitch to turn the effect on and off, as well as a red LED "Check" light to indicate when the effect is in use. The PH-1R Phaser is known for its sturdy construction and streamlined controls, making it a versatile and sought-after phaser pedal for creating unique and expressive guitar tones.
The BOSS PH-2 Super Phaser features a phase shift circuit that provides twelve stages of adjustment for smooth, professional-sounding phasing. It offers two modes with different tonal characteristics, one for a standard effect and the other for a deep, rich phased effect ideal for a funky guitar sound. The controls include Rate, Depth, Res, and a 2-way Mode switch. The pedal has connectors for Input, Output, and AC Adaptor, with a current draw of 20mA (DC 9V). It weighs 410g (.90 lbs) and has an input impedance of 1Mohm (FET Input). The recommended load impedance is 10kOhm or greater, and the LFO speed ranges from 100 ms to 14 s. The PH-2 was sold from September 1984 to March 2001.
The BOSS PH-1 Phaser is a 4-stage phaser pedal that covers a range of 16 sec. to 100 msec. It was released alongside the OD-1 and SP-1 as the first three Boss compact pedals. The phaser aims to emulate the swirling sounds of rotating speaker systems, such as the Hammond Leslie cabinets popular among organ players in the 70s. The PH-1 features controls for Rate and Depth, with Input, Output, and AC Adaptor connectors. It has a current draw of 7 mA (DC 9V) and weighs 400g. The input impedance is 220kOhm, and the output impedance is over 600Ohm. The signal-to-noise ratio is over 80dB. The PH-1 was sold from November 1977 to November 1981.
The BOSS RV-500 Reverb pedal is a powerful and versatile reverb processor that offers a wide range of features and functionalities. Here are the technical specifications and key features: \- 32-bit/96 kHz AD/DA converters for studio-level sound quality \- 32-bit floating point processing for pristine sonic quality \- 12 modes with 21 reverb types, including room, hall, plate, spring, shimmer, fast decay, early reflections, non-linear, SFX, dual, SRV, and Space Echo emulations \- Dual mode for running two independent reverbs simultaneously \- Independent digital delay with modulation and EQ for each reverb patch \- A/B Simul mode for series or parallel connection of two reverb patches \- MIDI I/O for integration into complex systems \- USB port for connection to the free RV-500 Editor/Librarian software and firmware updates \- Graphic LCD for easy patch name and parameter readout \- 297 onboard patch memories and hands-on controls \- Selectable buffered-bypass or true-bypass operation \- Runs on four AA-size batteries or PSA-series AC adapter \- Intuitive real-time control with freely assignable switches \- Large LCD for clear display of patch information and deep editing parameters \- USB connectivity for remote editing and patch backup using the RV-500 Editor/Librarian \- True or buffered bypass operation \- MIDI I/O for extensive control options \- 12 main reverb modes with 21 reverb types and deep editing parameters \- Selectable carryover function for reverb tails \- External footswitch/expression jack for additional control The RV-500 is designed for floor use and housed in a tough steel case, making it suitable for both stage and studio applications. It offers a comprehensive range of reverb types and advanced control features, making it a top choice for musicians and sound engineers seeking high-quality reverb processing capabilities.
The BOSS FRV-1 63 Fender Reverb is a pedal that recreates the legendary sound of the 1963 Fender Reverb using COSM technology. It offers easy operation with three classic controls for Dwell, Tone, and Mix, allowing users to create sounds ranging from buttery warmth to sparkling twang. The pedal has a cool retro appearance and features road-tough BOSS metal construction. Additionally, it comes with a BOSS five-year warranty. The Fender Corporation has licensed the use of "Fender Reverb" to the BOSS FRV-1, making it the official recreation of the classic '63 Fender Reverb sound.
The BOSS RV-6 Digital Reverb pedal offers eight highly musical reverb effects in one compact unit. It features reverb modes such as Room, Hall, Plate, Spring, Modulate, Shimmer, Dynamic, and Reverb+Delay. The pedal is equipped with the latest BOSS DSP and updated algorithms, providing a diverse range of ready-to-play reverb effects. It supports mono or stereo operation and includes an input for controlling reverb level with an optional expression pedal. The RV-6 also ensures that the straight guitar tone remains pure analog as the effect is blended in. Additionally, it offers convenient auto-switching jacks for integration with any pedal chain. The pedal's dimensions are approximately H: 5.7 cm, W: 6.4 cm, D: 11 cm, and it requires a 9V DC center negative power supply with a power consumption of 65 mA.
The BOSS RE-20 Space Echo is a pedal that offers an amazing simulation of the famous Roland RE-201, with the spacious, analog tone of the original Space Echo. It faithfully models the RE-201’s tape flutter and magnetic head sound saturation. The pedal features a tap input that allows delay time to be set by foot, and it offers a longer delay time than the original RE-201. Additionally, users can control parameters such as REPEAT RATE, INTENSITY, and more via an Expression pedal. The MODE SELECTOR knob has 12 placements, just like the original Space Echo. The nominal input level is -20 dBu (INPUT VOLUME knob: center), with a maximum of +4 dBu, and the input impedance is 1 M ohms. The nominal output level is -20 dBu.
The BOSS TE-2 Tera Echo is a next-generation compact pedal with innovative Multi-Dimensional Processing technology. It offers rich, spacious echo and ambience effects, dramatically enhancing the direct tone without overwhelming it. The pedal features a freeze function that holds the ambient sound for lead backing and sound effects. It is ultra-responsive to volume changes and playing dynamics, and offers a wide range of sound adjustment with simple controls. The TE-2 Tera Echo has mono/stereo input and output, and comes with a BOSS five-year warranty. Technical Specifications: \- Manufacturer: BOSS \- Made In: Taiwan \- Type: Pedal \- FX: Delay, Ambient \- Controls: Pedal switch \- Input Impedance: 1 M ohm \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms or greater \- Dimensions (WxHxD): 73 x 59 x 129mm / 2-7/8 x 2-3/8 x 5-1/8 inches \- Weight: 450 g / 1 lb (including battery) \- Power Supply: Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22), AC adaptor (sold separately) The TE-2 Tera Echo pedal represents a milestone as the 100th model in the long history of the BOSS compact series, showcasing the brand's dedication to bringing inspiring, leading-edge technologies to musicians worldwide.
The BOSS RV-5 Digital Reverb offers the following technical specifications and features: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohms \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohms \- Recommended Load Impedance: 10 k ohms or greater \- Compact pedal with stereo input/output for use with other stereo effects \- Six high-quality reverb modes on par with rackmount processors \- New Spring reverb emulation offers realistic spring reverb sounds \- New Gate reverb derived from high-end Roland studio gear \- Modulate mode detunes the reverb sound for added spaciousness \- BOSS five-Year Warranty The pedal dimensions are approximately 2.88 x 5.13 x 2.38 inches (73 x 129 x 59mm), and it weighs 440g / 1lb.
The BOSS RV-2 Digital Reverb pedal was introduced in 1987 as the world's first digital reverb compact pedal. It features vintage circuitry and a high sound quality digital reverb effect that is incorporated with a high-quality DSP (Digital Signal Processor) chip. The pedal offers six different reverb modes, including Room, Hall (x2), Plate, Gate, and Delay. It has a pre-EQ circuit for precise tone-shaping and is designed with a modern styling featuring four color-capped control knobs. The RV-2 has a high current draw of 130mA and runs off a 9V power supply unit with no option to run on a battery. The pedal is known for its versatility, providing a range of sounds from subtle special effects to broader, dreamier soundscapes. It is robust, pedalboard-friendly, and has become a classic in the world of effect pedals.
The BOSS SG-1 Slow Gear is a rare and unique compact effect pedal that was produced in Japan by Roland Corporation between May 1979 and February 1982. It is designed to replicate the sound of a guitarist rolling their volume knob to create a tremolo-like effect with a dynamic of its own. The pedal features two controls: 'Sens' for sensitivity and threshold adjustment, and 'Attack' for controlling the speed at which the volume increases. The SG-1 shares the same circuit as the BOSS NF-1 Noise Gate, which is used to eliminate unwanted low- level background noise. It can be used with a compressor or overdrive in front of the pedal for more consistent operation, and a delay after the SG-1 can create unusual bowed, organ-like, or backwards-style sounds. The SG-1 Slow Gear is highly sought after and collectible due to its relative scarcity and uniqueness, making it a valuable vintage market item. Good quality SG-1 Slow Gear pedals are difficult to track down and can attract high prices. The pedal is known for its finicky reputation and requires experimentation and technical practice to create unique sounds. It has been favored by alternative and indie rock guitarists over the years.
The BOSS TR-2 Tremolo pedal provides guitarists with high-quality vintage tremolo effects in a compact, easy-to-use design. It features dedicated "Wave," "Rate," and "Depth" knobs for precise effect tailoring. The "Rate" control allows for higher speed adjustment than the classic PN-2, while the "Wave" control alters the LFO waveform from triangle to square. The "Depth" control determines the strength of the effect. Technical Specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Recommended Load Impedance: 10 k ohms \- Power Supply: 9V DC power supply or 9V battery \- Residual Noise Level: -90 dBu (IHF-A Weighted, Typ.) Additional Information: \- Voltage: 9 Volts \- Item Weight: 1.01 pounds \- Product Dimensions: 4 x 3 x 6 inches \- Famous Users: Eric Clapton, Billie The pedal also comes with a limited 5-year manufacturer warranty.
The BOSS DD-8 Digital Delay pedal offers a diverse range of features and specifications: \- Eleven versatile modes including basic digital delay, vintage echoes, shimmer, mod, looper, and more \- Looper mode with up to 40 seconds of recording time, overdub capability, and support for external footswitches \- Three newly developed delay types: Warm, +RV (delay+reverb), and GLT (rhythmic delay) \- Up to 10 seconds of delay time available with tap tempo input \- True stereo I/O and three selectable output modes (independent, panning, and wide stereo) \- Smart I/O jacks support a variety of connection setups (mono, stereo, wet/dry, wet only, and more) \- Support for external control with two footswitches or an expression pedal \- Unique Twist function available in each delay mode via an external footswitch \- Built-in looper with control functions accessible via the onboard switch or external footswitches \- Diverse selection of delay modes including Analog, Standard, Tape, Warm, Reverse, +RV, Shimmer, Mod, Warp, GLT, and Loop The DD-8 is designed to offer maximum versatility in a compact pedal, delivering a wide range of delay options, control capabilities, and connectivity features.
The BOSS VE-8 Acoustic Singer is a compact, all-in-one preamp and effects solution designed for singers who play acoustic guitar. It offers studio- quality voice and guitar processing, real-time harmonies, and looping capabilities in a compact package. Here are some key features and technical specifications: \- Input Impedance: MIC IN: 4 k ohms, GUITAR IN: 20 M ohms, AUX IN: 18 k ohms \- Nominal Input Level: MIC IN: -40 dBu (MIC SENS = Center), GUITAR IN: -10 dBu, AUX IN: -20 dBu \- Power Source: 9V DC power supply or 6 x AA batteries \- Dimensions: Height: 2.56", Width: 8.56", Depth: 6.37" \- Weight: 2 lbs 14 oz \- Vocal processing includes four types of ambience effects, Enhance feature, chromatic pitch correction, and more \- Real-time vocal harmonies based on guitar input or manual key settings \- Vocal doubling effect, hard-tuned electronic voices, distortion, and radio voice effect \- Dedicated guitar channel with Acoustic Resonance, reverb, chorus, tuner, and various effects \- Looper function with 80 seconds of recording time for guitar and vocals independently \- Memory mode for storing and recalling 50 favorite settings \- Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording The VE-8 Acoustic Singer is designed to provide professional sound processing and creative features for singers and acoustic guitar players, offering a comprehensive solution for live performances and studio recording.
The BOSS OD-200 Hybrid Drive is a pedal that combines overdrive and distortion effects with advanced sound, feel, and flexibility. It features a hybrid analog/digital circuitry that delivers a wide range of drive tones via 12 primary modes and 15 boost types, with series/parallel gain paths and more. The pedal also includes an advanced gate for noise elimination and tightening high-gain drive tones. Key Features and Specifications: \- 12 primary drive modes plus 15 boost types with independent pre/post gain controls \- Selectable series or parallel boost structures for unlimited gain shaping \- Advanced gate section for eliminating noise and tightening high-gain tones \- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate \- Access 128 user setups from the panel or MIDI program change \- Recall consecutive memories plus real-time panel setting via footswitch or dedicated panel button \- Panel Lock function disables controls to prevent unwanted changes \- Customizable multi-function footswitches for bypass, boost, memory selection, and more \- Support for expanded control via external footswitches, an expression pedal, or MIDI \- Full MIDI I/O provided with mini TRS jacks \- Micro USB jack for firmware updates \- Runs on PSA-series AC adaptor or three AA-size batteries The OD-200's hybrid design seamlessly brings analog and digital clipping circuits together, offering a variety of premium overdrive, fuzz, and distortion sounds. It also includes powerful gain shaping capabilities, integrated gate circuit, and deep real-time control options. The pedal's drive modes cover a wide range of sounds, from natural tube-style overdrive to bold fuzz tones, and it also features three high-performance "X" drive modes powered by BOSS’s cutting-edge MDP technology for enhanced definition, clarity, and dynamic response. Overall, the BOSS OD-200 Hybrid Drive is designed to provide a comprehensive range of overdrive and distortion effects with advanced features and high- quality sound.
The BOSS SY-1 Synthesizer is a versatile pedal that transforms any guitar or bass into a synthesizer without the need for programming. It offers 121 ultra- responsive sounds across 11 categories, including expressive leads, sweeping pads, layered organs, fat basses, rhythmic synth patterns, and more. The pedal is polyphonic, allowing for the playing of both single notes and chords. The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing a plug-and-play experience with latency-free performance. It features grab-and-go Tone/Rate and Depth knobs for adjusting synth voices, and it can be integrated into a pedal chain with the send/return loop and dedicated mix controls. Additionally, the pedal offers real-time control options, including sustaining the last-played synth sound, tap tempo and octave-shift effects with an external footswitch, and continuous Tone/Rate control with an expression pedal. The standard features of the SY-1 include expressive synth sounds, no programming needed, plug-and-play and latency-free performance, a universe of synth sounds inside, compatibility with any rig, and options for enhancing performances with real-time control.
The BOSS PW-10 V-Wah is a programmable modeling wah pedal that provides instant access to six classic and modern wah pedal sounds, as well as all-new "Double resonance," "Uni-V," and "Voice" sounds. It features noise-free operation with advanced infrared pedal detection and eight onboard overdrive/distortion effects to complement the wah sounds. The pedal also includes three digital memories for saving customized wah sounds for instant recall, a Wah Range knob for customizing the filtering range, and a new "Voice" mode that simulates "talking" vowel sounds. Additionally, the PW-10 V-Wah offers a "Double Resonance" mode that creates analog synth-type sounds and a "Uni-V" effect that produces vintage swirling rotary sounds. The pedal is designed with infrared sensors for smooth, noise-free operation and never needs to be cleaned. It also includes a variety of advanced features such as a "Bass" mode suitable for bass frequencies and a "Talking" Wah mode for producing a wide variety of "talking" wah sounds.
The BOSS AW-3 Dynamic Wah pedal offers a wide range of classic auto-wah and dynamic wah effects, including a new "Humanizer" effect that can simulate human vowel sounds. It is the first compact wah pedal to incorporate human voice-type sounds through the "Humanizer" Mode. The pedal provides both fixed and auto wah settings using the Manual control or pedal for tempo input. Additionally, it features a dedicated Bass input for processing bass guitars and allows for wah control via an optional expression pedal in EXP Pedal mode. The AW-3 also offers a Tempo Mode and resonant synth-like Sharp Mode. The pedal is backed by a BOSS five-year warranty. Technical Specifications: \- Nominal Input Level: -20 dBu \- Input Impedance: 1 M ohm \- Nominal Output Level: -20 dBu \- Output Impedance: 1 k ohm \- Power Supply: 9V DC power supply or 9V battery \- Dimensions (W x D x H): 73 mm x 129 mm x 59 mm \- Weight: 420 g
The BOSS FT-2 Dynamic Filter specifications are as follows: \- Power Source: 9V DC, Dry Cell Battery (x 1), AC Adaptor (BOSS ACA-120, 220 or 240: optional) \- Current Draw: 16mA (9V DC) \- Controls: SENS, CUTOFF, FREQUENCY, Q CONTROL \- Switches: Mode Selector, Effect On/Off \- Indicators: Effect On/Off (Battery Check) \- Jacks: INPUT, EXPRESSION IN, OUTPUT, AC Adaptor \- Residual Noise: -85dBm (IHF-A) \- Input Impedance: 1M Ohm \- Output Load Impedance: Over 10k Ohm \- Dimensions: 70(W) x 55(H) x 125(D) mm, 2 3/4(W) x 2 3/16 (H) x 4-15/16(D) inches \- Weight: 400g / 14oz The FT-2 Dynamic Filter is an Auto Wah pedal that offers EQ-like capabilities for creating tonal effects with a specific frequency. It can be controlled by the touch sensitivity of the guitar string or an external expression pedal to control it like a wah. The Cut Off Frequency knob sets the center frequency where the effect occurs and can alter the effect completely. The pedal features Up/Down modes as well as a manual mode where it works as an equalizer, making it possible to create a cocked wah sound when used without an expression pedal.
The BOSS AC-2 Acoustic Simulator is a compact effects pedal designed to change the sound of a standard electric guitar into that of an acoustic-electric guitar. It features four acoustic "modes" that give guitarists distinct acoustic sounds: "Standard," "Jumbo," "Enhanced," and "Piezo." The "Top" knob adjusts the effect's overall brilliance and harmonics, while the "Body" knob adjusts the resonance of the simulated acoustic guitar body. The pedal also includes individual outputs for effected and un-effected sound, allowing for the use of separate signal chains and amplifiers. Additionally, it comes with a BOSS 5-year warranty. Dimensions (W x D x H): 70 x 125 x 55mm (2-3/4 x 4-15/16 x 2-3/16 in. ) Weight (including battery): 440 g (1 lbs.)
The BOSS TW-1 T Wah pedal features a streamlined interface with controls for Sensitivity, Peak, and a 2-way Drive switch. It is designed with Input, Output, and AC Adaptor connectors, and has a current draw of 6 mA (DC 9V). The pedal is recommended for use with the ACA Series AC Adaptor. The TW-1 T Wah was sold from July 1978 to May 1987 and was manufactured in Japan. The pedal measures 73mm wide and 129mm high.
The BOSS AW-2 Auto Wah features a manual control for the frequency of the wah modulation, along with nuanced depth and sensitivity controls for an effect that responds to playing dynamics. It is a mix between an envelope filter and a filter modulated by an LFO. The pedal was sold from November 1991 to January 1999. Specifications: \- Input Impedance: 1 MΩ \- Output Impedance: 1 kΩ \- Recommended Load Impedance: 10 kΩ or greater \- Residual Noise: -80 dBu or less (IHF-A, Typ. ) \- Power Supply: DC 9 V: Dry Battery 9 V type (6AM6/9V), AC Adapter (PSA-120, 220 or 240 : option) \- Dimensions: 70 (W) x 125 (D) x 55 (H) mm / 2-3/4 (W) x 4-15/16 (D) x 2-3/16 (H) inches \- Weight: 420 g / 1.0 lbs (including Battery) The AW-2 Auto Wah delivers a wide variety of wah effects, including a dynamics-sensitive wah that changes with the signal strength and a modulation wah for automatic wah effects.