Manufacturers
Guitar Pedals from Walrus Audio
Welcome to your ultimate guide to Walrus Audio's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Walrus Audio. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
Chorus and Vibrato
Julia
The Julia Analog Chorus/Vibrato V2 by Walrus Audio is a fully analog pedal with a wide array of features and controls. It offers a unique blend knob to blend the dry signal with chorus or to blend between chorus and vibrato. The pedal has top-mounted jacks and soft switch bypassing, providing ease of use and durability. Key Features and Specifications: \- Fully analog chorus/vibrato pedal \- Controls include Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes \- Lag control allows for setting the center delay time that the LFO effect modulates from, offering smooth and tight modulation at lower settings to warbling detune at maximum \- D-C-V knob for blending between Dry, Chorus, and Vibrato, allowing for a wide range of chorus/vibrato combinations \- Updated for 2020 with top-mounted jacks and soft switch bypassing \- Updated art from Adam Forster \- Power requirements: 9VDC (30mA minimum) Use-Cases: \- The Julia pedal is suitable for guitarists and bassists looking to explore a wide range of classic and unique chorus/vibrato sounds. \- It can be used to create mild smooth chorus, seasick vibrato, and everything in between, making it versatile for various musical styles and genres. Functionality: \- The Julia Analog Chorus/Vibrato V2 offers a blend of traditional chorus and vibrato effects, along with unique features such as the Lag control and D-C-V knob, allowing for extensive customization of modulation effects. Overall, the Julia by Walrus Audio is a feature-rich pedal designed to provide a diverse range of tonal landscapes for musicians seeking high-quality analog chorus and vibrato effects.
Julia Floral Series
The Julia Floral Series by Walrus Audio is a fully analog chorus/vibrato pedal packed with a wide array of tonal landscapes. It is designed to produce mild smooth chorus, seasick vibrato, and everything in between. The pedal features controls such as Rate, Depth, Lag, and D-C-V, allowing users to dial in classic and unique chorus/vibrato sounds. Additionally, it offers selectable analog LFO wave shapes, giving users the flexibility to explore various modulation options. One of the special features of the Julia Floral Series is the Lag control, which allows users to set the center delay time that the LFO effect modulates from. This feature adds a new dimension to the traditional chorus/vibrato landscape, offering smooth and tight modulation at lower settings and warbling detune at maximum settings. The technical specifications of the Julia Floral Series are as follows: \- Rate, Depth, Lag, and D-C-V control \- Selectable analog LFO wave shapes \- Dimensions: 4.77” x 2.9” x 2.3” \- Power requirements: 9VDC (30mA minimum) The pedal is suitable for guitarists and musicians looking to add rich chorus and vibrato effects to their sound, with the flexibility to explore a wide range of modulation options.
Julianna
The Julianna by Walrus Audio is an all-analog, digital LFO, stereo chorus/vibrato pedal with expanded features. It is capable of producing mild smooth chorus, seasick vibrato, and everything in between. The pedal includes familiar controls such as Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes, along with new features: 1\. Tap Tempo Control: Set the rate of the LFO with the Rate knob or the tap tempo switch. 2\. Stereo In/Out Jacks: Allows for mono in/mono out, mono in/stereo out, or stereo in/stereo out configurations. 3\. Momentary Secondary LFO Speed: Ramp up or slow down to a second LFO rate. 4\. Drift Function: Gently speed up and slow down the LFO rate. 5\. Random LFO Shape: Adds a random wave shape option to modulate the pitch of the signal. 6\. Tap Division: Select quarter note, quarter note triplet, or eighth note multiplier to scale a tapped-in tempo. 7\. Expression Control: Control Depth, Rate, or both with an expression pedal. 8\. External Tap In. The pedal also features a Lag control, which sets the center delay time that the LFO modulates, adding a new dimension to the traditional chorus/vibrato landscape. The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna, offering unique blends of chorus and vibrato not commonly found on other chorus pedals. The Julianna is designed with an exact size of 4.77” x 2.9” x 2.3” and requires a 9VDC power supply with a minimum of 100mA. It also includes power supply requirements and options for additional accessories.
Compression/Sustain
Polychrome
Mira Compressor Pedal
The Mira Compressor Pedal by Walrus Audio is a true bypass optical compressor designed to offer studio-grade sound sculpting and sustain. It provides warm, analog optical compression with extensive controls typically found on studio units. The pedal features a Blend knob to mix compressed sound with clean tone, maintaining note clarity while offering increased sustain. It also offers in-depth control over Attack, Release, Ratio, and a Make-Up knob to maintain unity levels after signal compression. The Mira runs internally at ±15VDC for higher headroom and includes a push-button High Pass Filter in the side-chain to prevent bass frequencies 120Hz or below from engaging the compressor as much as higher frequencies. The die-cast enclosure's exact size is 4.77" x 2.6" x 2.28” including knobs, and it operates on 9VDC, center negative (200mA minimum) power. The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. The pedal is coated in a smoky grey enclosure with Cream, Orange, Red, and Dark Blue ink with art by Adam Forster. The Mira Compressor Pedal is designed to be an always-on pedal, providing rich, full clarity in notes and a responsive feel even at low settings. It is suitable for a wide range of musical genres and playing styles, making it a valuable tool for enhancing dynamics and refining overall guitar tone.
Deep Six
The Deep Six by Walrus Audio is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. It offers a Level, Sustain, Attack, and Blend control, providing unmatched versatility at an affordable price. The pedal features a Tone knob for shaping the low end of the guitar signal, soft switch/relay bypassing for smoother and more reliable operation, and top- mounted in/out jacks. The internal voltage is doubled to 18 volts, maximizing headroom for the sound while maintaining a typical current draw of 8.9mA. The Deep Six also includes a polarity correction circuit, allowing for seamless integration into any setup. Specifications: \- Level, Sustain, Attack, and Blend controls \- Added Tone knob for bass cut \- Soft switch/relay bypassing \- Top-mounted in/out jacks \- Internal voltage doubled to 18 volts \- True bypass \- Polarity correction circuit \- Typical current draw: 8.9mA \- Dimensions: 4.77" x 2.9" x 2.3" \- Power requirement: 9V DC 8.9mA \- Use of an isolated power supply is recommended The Deep Six is designed to accommodate active pickups or humbuckers, with the blend feature allowing high-output instruments to dial out any present distortion. The pedal's updated art by Adam Forster pays homage to the original design. The Craftsman Series version features custom laser-engraved art and high-grade leather wrapping, making it a collectible piece for enthusiasts.
Deep Six Limited Edition
The Deep Six Limited Edition by Walrus Audio is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. It offers a Level, Sustain, Attack, and Blend control, providing unmatched versatility at an affordable price. The pedal can be powered from a 9V battery or DC Supply and comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts, maximizing headroom for the sound while maintaining a typical current draw of 8.9mA for extended battery life. The Deep Six also features a Blend and Attack control, allowing the pedal to be used with active pickups or humbuckers. The blend feature enables the use of high-output instruments while dialing out any distortion that may be present. The V3 version of the pedal includes updates such as the addition of a Tone knob for shaping the low end of the guitar signal, soft switch/relay bypassing for smoother and more reliable operation, and top-mounted in/out jacks. The pedal's updated art by Adam Forster pays homage to the original art that started it all. The Deep Six Limited Edition is available in two variants: a glossy dark black enclosure with gold flake, white ink, and gold aluminum knobs, and a glossy white enclosure with gold flake, gold ink, and gold knobs. Each pedal is wrapped in high-grade leather that has been hand-cut and hand-stitched by hand one at a time, making it a truly collectible piece for the ultimate Walrus fan.
Delay
SLARP Delay/Reverb
Bellwether
The Bellwether by Walrus Audio is a bucket brigade delay pedal with tap tempo, offering analog circuitry and up to 1000ms of lush delays. It can achieve warm saturated sounds found in delays like the Maxon AD999 and the coveted Boss DM-2. The repeats can be brightened up with the tone control for more pronounced rhythmic delays. The Analog Chorus Engine allows manipulation of the depth and rate of the chorus effect applied to trails, creating a deep soundscape of ambient modulation. The pedal features four tap division options to control the rhythm of repeats: quarter notes, eighth notes, dotted eighth notes, and triplets. Expression control options are offered to swing either the time or repeat controls back- and-forth. The Bellwether has seven rotary controls with black aluminum knobs for Tap Division, Time, Repeats, Tone (high-cut), Level of repeats, and the Analog Chorus Engine’s Rate and Depth. It has five ¼ inch input jacks on the top side of the enclosure: input, two outputs, an effects loop, and expression control. The expression jack receives a TRS input to manipulate time or repeats, selectable by a toggle on the front of the pedal. There are two heavy-duty footswitches: one for effect on/off and the other controlling the tap tempo. The Bellwether comes in a telephone red texture enclosure and has dimensions of 5 ⅝” x 4 ⅝” x 1 ½”. The power requirements are 9VDC (100mA minimum), and the use of an isolated power supply is recommended. Daisy chain power supplies are not recommended.
-ARP 87.00
The ARP-87 Multi-Function Delay by Walrus Audio is a compact, feature-rich delay pedal designed to offer a wide range of delay tones. It features four main algorithms: digital, analog, lo-fi, and slap back, providing versatility for various musical styles and applications. The digital algorithm delivers pristine, crystal clear repeats suitable for rhythmic riffs, while the analog setting adds warmth and dimension to chords and lines. The lo-fi algorithm offers adjustable frequency range on the repeats, creating warm, warped, and murky tones, and the slap setting is ideal for achieving a great slap back echo for guitar runs. The pedal includes a smart bypass switching feature and a momentary knob ramp, offering endless creative opportunities for musicians. The X knob adjusts a specific parameter in each algorithm, controlling modulation depth in digital, analog, and slap modes, and filter width in lo-fi mode. The ARP-87 also allows for trails or no trails mode, with the option to toggle between the two by holding down the bypass switch for 1 second while applying power to the pedal. Additionally, the pedal supports momentary functions, allowing users to temporarily activate the effect to add a moment of delay texture and to ramp the X parameter to maximum. The max delay time is 1000ms, and the pedal can be run in trails or no trails mode, giving users flexibility in tailoring their delay effects. The diecast enclosure measures 4.77" x 2.6" x 1.39", and the power requirements are 9VDC (100mA minimum). It is recommended to use an isolated power supply for optimal performance.
Slö
The Slö by Walrus Audio is a multi-texture reverb pedal designed to create lush, modulated, sleepy, and ambient soundscapes. It features three different algorithms: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad). The pedal allows for deep modulation with long, washy trails and offers the following functionalities: \- ALGORITHMS: \- DARK: Adds a lower octave to the reverb trail, creating deep and wide atmospheric sounds and nightmarish soundscapes. \- RISE: An auto-swell reverb for cinematic swells, with adjustable rise times. \- DREAM: Lush reverb with a latching pad function and vibrato control. \- WAVE SHAPES: \- SINE: Smooth and even pitch up and down modulation. \- WARP: Asymmetric pitch up modulation similar to a warped record. \- SINK: Asymmetric pitch down modulation for sinking detune similar to a Bigsby. \- MOMENTARY FUNCTIONS: \- Bypass: Temporarily activates the effect to add a moment of reverb texture. \- Sustain: Ramps up the reverb trail to maximum, creating long dreamy reverb trails. \- TRAILS MODE: \- The pedal can run in trails or no trails mode, allowing for natural decay or abrupt cutoff when turned off. The pedal's dimensions are 4.79” x 3.62” x 2.25” including knobs, and it requires a 9VDC power supply with a minimum of 100mA. The use of an isolated power supply is recommended for powering all Walrus Audio pedals. The Slö pedal is designed to invoke textures for bringing dreams from the subconscious to reality, and it offers a range of features suitable for creating diverse ambient and atmospheric sounds.
Mako Series D1
The Walrus Audio Mako Series D1 is a high-fidelity stereo delay pedal designed for professional musicians and studio use. Here are the technical specifications and features: \- Programs: The D1 features five studio-grade, high-fidelity, custom-tuned programs: Digital, Mod, Vintage, Dual, and Reverse. Each program can be fully customized with the Tweak knob, allowing for modulation, tone, age, and tap/clock subdivisions adjustments. \- Stereo In and Out: The pedal boasts stereo input and output capabilities, providing a wide and immersive sound experience. \- MIDI Control: The D1 is equipped with MIDI control, allowing for seamless integration into MIDI setups for precise control and synchronization. \- Onboard Presets: It is capable of saving up to nine onboard presets, and up to 128 presets are accessible via MIDI, providing extensive flexibility for different musical scenarios. \- Attack Knob: The Attack knob softens the attack of the echoes, enabling the creation of dreamy and ethereal soundscapes with higher repeat and attack settings. \- Bypass and Tempo Modes: The D1 offers three different bypass modes: True Bypass, DSP+True Bypass (trails), and DSP Bypass. It also provides global and preset tempo modes for versatile performance options. \- Momentary Functions: The pedal features a momentary function where users can press and hold the tap switch to ramp up the repeats of the delay, releasing to set the feedback back to the knob location. \- Dimensions: The pedal has dimensions of 4.9” x 2.52” x 2.64”, making it compact and pedalboard-friendly. \- Power Requirements: The D1 operates on 9VDC power with a minimum requirement of 300mA. \- Additional Features: The D1 has been updated with added stereo width control, revised programs for enhanced effects, and USB functionality for firmware updates. The Mako Series D1 by Walrus Audio is a versatile and powerful delay pedal designed to meet the demands of professional musicians and studio environments, offering a wide range of customizable delay effects and precise control options.
Distortion
Melee: Wall of Noise
The Walrus Audio Melee: Wall of Noise is a distortion + reverb combo pedal that integrates a joystick to blend reverb and distortion into a powerful sound. The pedal allows users to run the distortion into the reverb or the reverb into distortion, offering flexibility in the signal chain. The Melee features three different reverb programs: Ambient Reverb (Pink LED), Octave Down Reverb (Yellow LED), and Reverse Reverb with Feedback (Blue LED), each providing unique sonic characteristics. The joystick controls the amount of distortion by moving it up and down, while moving it left and right adjusts the reverb mix. Additionally, the pedal includes tone and decay toggles with low, medium, and high settings, and modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The Melee is equipped with three bypass modes: DSP, DSP+True, and True Bypass. It requires a power supply of 9VDC, center negative, with a minimum of 200mA. The die-cast enclosure's exact size is 3.62” x 4.79” x 3.14” (including joystick height). The pedal offers momentary features, allowing users to press and hold the sustain switch to ramp up the reverb trails and release to ramp them back down to the current decay setting. The sustain switch can also latch in all three programs, capturing and sustaining the current reverb decay for long pad-like sounds in the wet mix. The Walrus Audio Melee: Wall of Noise pedal has received positive feedback for its unique joystick controls, versatile reverb programs, and the combination of distortion and reverb, making it suitable for various musical applications.
Iron Horse V3
The Iron Horse V3 by Walrus Audio is a high-gain distortion pedal designed to deliver a classic distortion circuit that is thick, punchy, riffy, and rowdy. The pedal is equipped with a Si/LED (Silicon/LED) knob and a wide range of distortion knob, allowing for precise tuning from clear overdriven sounds to full-on distorted onslaught. The V3 update of the Iron Horse pedal features several enhancements, including top-mounted jacks, soft relay true bypass on/off, and a fixed volume drop-off when the distortion knob is at minimum. Key Features: \- Classic distortion circuit \- V3 update of the original Iron Horse pedal \- Very responsive to the dynamics of playing and guitar \- Si/LED knob to blend between Silicon (high compression) and LED (less compression) clipping diodes \- Combination of blend and distortion knob opens up various ways to alter the tone \- Controls: level, tone, distortion, Si/LED blend \- Top-mounted jacks \- Soft relay true bypass \- 9-volt DC, Center Negative, 10mA \- Power Supply not included \- Made in the USA The Iron Horse V3 is designed to be highly responsive to the dynamics of playing, unlike most distortions which may swallow up all dynamics. The Si/LED knob allows for blending between symmetrical silicon and diode clipping for a new variety of tones. When set to the left, the distorted signal uses Silicon clipping diodes, adding a high amount of compression, while rotating the knob to the right brings in LED clipping and a smaller amount of compression. Placing the knob at noon will blend between the two using different ratios of the Silicon and LED clipping diodes for more complex clipping sounds. The pedal also features a true bypass, top-mounted jacks, and a blend style potentiometer that replaces the previous toggle switch, offering a wealth of ways to alter the tone. The Iron Horse V3 is suitable for guitarists seeking a versatile high-gain distortion pedal with precise tonal control and dynamic responsiveness.
Deep Six Limited Edition
The Deep Six Limited Edition by Walrus Audio is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. It offers a Level, Sustain, Attack, and Blend control, providing unmatched versatility at an affordable price. The pedal can be powered from a 9V battery or DC Supply and comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts, maximizing headroom for the sound while maintaining a typical current draw of 8.9mA for extended battery life. The Deep Six also features a Blend and Attack control, allowing the pedal to be used with active pickups or humbuckers. The blend feature enables the use of high-output instruments while dialing out any distortion that may be present. The V3 version of the pedal includes updates such as the addition of a Tone knob for shaping the low end of the guitar signal, soft switch/relay bypassing for smoother and more reliable operation, and top-mounted in/out jacks. The pedal's updated art by Adam Forster pays homage to the original art that started it all. The Deep Six Limited Edition is available in two variants: a glossy dark black enclosure with gold flake, white ink, and gold aluminum knobs, and a glossy white enclosure with gold flake, gold ink, and gold knobs. Each pedal is wrapped in high-grade leather that has been hand-cut and hand-stitched by hand one at a time, making it a truly collectible piece for the ultimate Walrus fan.
Fuzz
Kangra
The Kangra Filter Fuzz by Walrus Audio is a true bypass, two-in-one pedal that offers a thick and spatty octave fuzz and a psychedelic filter suitable for sweeps, frequency boost, or envelope filter sounds. The pedal's dimensions are 4.77" x 2.6" x 1.39" and it weighs 0.68 lbs. It requires a power supply of 9VDC, Center Negative, with a minimum of 100mA. The pedal features a versatile filter with Resonance, Sensitivity, Frequency, and Envelope Filter controls, and it can run independently or with the fuzz feeding into it. The M/V Switch provides two different styles of fuzz: a more forgiving fuzz with longer and tighter sustain in the modern position (M), and a starved fuzz with spatty breakup and grittier, shorter sustain in the vintage position (V). The filter can be used on its own to add a unique shape to the sound, or with the Envelope Filter switch engaged to produce funky sixties-style tones. The Kangra Filter Fuzz is designed to provide a vintage vibe with pronounced modern features, catering to players seeking aggressive fuzz lead lines and unique filtered tones.
Janus
The Janus by Walrus Audio is a true bypass, dual joystick-controlled Tremolo/Fuzz pedal designed to create a landscape of distorted textures. It allows for the isolation and independent use of both the Tremolo and Fuzz effects, as well as their combined use in series to produce thick textures with significant movement. Each joystick has a separate X and Y axis with designated controls. The Tremolo joystick controls the rate and depth, while the Fuzz joystick controls the amount of fuzz and the tone. The pedal features individual Volume controls for both effects and a Blend control for the Fuzz, enabling the user to mix the unaffected signal with the affected fuzz signal. The joystick controls make the Janus suitable for guitars, vocals, keys, or tracks. Technical Specifications: \- True bypass \- Dual joystick-controlled Tremolo/Fuzz pedal \- Separate X and Y axis controls for each joystick \- Individual Volume controls for both effects \- Blend control for the Fuzz \- Dimensions: 7.38 x 4.70 x 2.75 inches \- Power requirements: 9V DC, 8 mA \- Isolated power supply recommended for all Walrus Audio Pedals
Eons 5-state Fuzz Pedal
The Walrus Audio Eons 5-state Fuzz Pedal is a versatile pedal designed to deliver a wide range of fuzz tones. It features a five-position rotary knob that offers different clipping configurations, providing various "flavors" of fuzz. The clipping configurations include: I. Silicon clipping: traditional fuzz that's well-rounded with a huge sound; compressed and smooth. II. Silicon clipping with an added bass boost: boosts the low end at the beginning of the circuit; compressed and crunchy. III. Germanium clipping: with a feel of "what if a distortion and fuzz had a kid? "; crunchy and dynamic. IV. LED clipping diodes: with a slight high-end cut; dynamically dark. V. Hard clipping silicon transistors combined with LED and Silicon soft clipping diodes: the rowdiest of the modes with tons of gain; compressed, loud, and angry. The pedal also features a Voltage (lightning bolt) knob that allows users to crank up to 18 volts into the pedal's circuit for massive, open fuzz sounds, or choose to starve it down to 3 volts for spatty, gated fuzz. This provides users with nearly endless styles of fuzz tones, from vintage-inspired sounds to chaotic three-chord punk rock. The Eons 5-state Fuzz Pedal has the following technical specifications: \- Power: 9V DC, center negative, 100mA min \- Dimensions: 2.62 x 4.77 x 2.25 inches including knobs \- The use of an isolated power supply is recommended for powering all Walrus Audio pedals \- Daisy chain power supplies are not recommended \- Power supply not included This pedal is suitable for guitarists and musicians seeking quality and versatility in their fuzz tones, offering a wide range of sonic possibilities for creative expression.
Octave/Pitch Shifters
Luminary Quad Octave Generator
The Walrus Audio Luminary V2 Quad Octave Generator is a powerful polyphonic quad octave generator designed for creating inspiring symphonic sounds. Operating on the Analog Devices Sharc platform, the Luminary allows users to dial in any combination of four separate octaves, including -2, -1, +1, and +2, to craft complex sounds and textures with crystal-clear and immediate octave tracking. Key Features: \- Four octave options available: -2, -1, +1, +2 \- Three onboard presets for saving go-to sounds, as well as live mode for up to four custom sounds available at any moment \- Modulation control for creating epic steel sounds, filter control for experimental options, and flutter control for a swirling chorus \- Expression pedal input for expanding creativity Specifications: \- Dimensions: 4.67” x 3.68” x 1.39” \- Rugged aluminum case \- Power requirements: 9VDC (300mA minimum) The pedal features controls for the level of each octave, dry/wet mix, attack, low-pass filter, and flutter. The expression pedal input allows users to manipulate various options, including -1 and +1 octave volume, +1 octave volume, attack, flutter, and dry/wet mix, to customize the effectiveness of the Luminary. The Walrus Audio Luminary V2 Quad Octave Generator offers a wide range of sonic possibilities and is suitable for musicians looking to explore innovative and experimental sounds.
Descent
The Descent by Walrus Audio is a versatile reverb pedal designed to create ambient textures of sound. It offers three modes: hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode features a classic reverb sound that can range from a small-room-echo to a haunting long hall-echo. The Reverse mode smoothly flips the signal to playback unique responses and can be manipulated with pre-delay time controls. The Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in the signal and creates a symphony of sound. The pedal provides eight controls to precisely hone in on the perfect reverb, and it also supports the use of an auxiliary momentary switch in the fav input to switch the pedal on/off and/or save presets. Additionally, the expression pedal control works with most on-the-shelf expression pedals, allowing the user to set the high and low parameters of each control and fade in and out those controls by moving the foot up or down on the expression pedal. The dimensions of the Descent pedal are 5 5/8″ x 4 5/8″ x 1 9/16″, and it is recommended to use an isolated power supply for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. The Descent pedal is priced at $299.99 and is designed to cater to musicians seeking to create lush and expansive reverb effects for a wide range of musical styles and applications.
Overdrive and Boost
Emissary Parallel Boost Pedal
The Emissary Parallel Boost Pedal by Walrus Audio is a 2-in-1 boost pedal designed to enhance leads, slides, and fingerpicking. It features two independent boost circuits running in parallel, allowing users to use each circuit individually or mix them by adjusting the volume knobs. The top knob controls the volume for the "bright" boost circuit, which is a clean, high headroom JFET boost with a slight emphasis on higher frequencies. The bottom knob controls the volume for the "mid" boost circuit, featuring a targeted boost at either 1kHz or 800Hz selected by the toggle switch. The pedal also includes a momentary bypass switch, allowing users to temporarily activate the effect by pressing and holding the switch when it is in the off position. The pedal is housed in a die-cast enclosure measuring 4.77” x 2.6” x 1.39” and requires a 9V DC power supply (sold separately) with a minimum of 100mA. It is recommended to use an isolated power supply for optimal performance. The Emissary Parallel Boost Pedal is designed to push tube amps into natural breakup, make leads stand out, and provide a "sinus clearing experience" for the tone. It is suitable for guitarists looking to add clarity, punch, and liveliness to their playing, and it offers a versatile range of boost options for different playing styles and musical genres.
385 Overdrive
The Walrus Audio 385 Overdrive is a pedal inspired by the rich tones of the Bell and Howell Filmosound 385 projector. It offers dynamic, responsive, tube- like drive and is designed to provide an amazing compressed overdrive when cranked. The pedal features separate bass and treble tone controls, allowing for a wide array of tones to be achieved. The 385 Overdrive is internally running at 18v, providing a dynamic feel similar to that of an amp in a stomp box, making it extremely sensitive to playing dynamics. Technical Specifications: \- Manufacturer: Walrus Audio \- Made In: USA \- FX Type: Overdrive \- Jacks mounted on: Sides \- Bypass: True Bypass \- Battery: No \- Voltage: 9V \- Polarity: Center Negative \- Circuit: Analog \- Tube equipped: No \- Weight: 0.27 kg \- Based on famous model: 385 Bell & Howell Projector \- Dimensions: 6.6 cm (width) x 5.8 cm (height) x 12.1 cm (depth) \- GTIN 14: 00852732006474 The 385 Overdrive pedal is designed to provide a versatile and responsive overdrive experience, making it a valuable addition to any guitarist's setup.
Warhorn
The Walrus Audio Warhorn is a mid-range, transparent overdrive pedal designed for punchy rhythm and searing Texas Blues leads. It features a toggle switch that provides two flavors of clipping: the up position offers a more compressed, symmetrically clipped tone, while the down position provides an asymmetric, more open and organic sound. The pedal includes Level, Drive, Bass, and Treble controls, offering a wide range of tweaking and shaping options for the original tone. Specifications: \- Size: 4.77" x 2.9" x 2.3" \- Power: 9V DC 10mA \- Enclosure: "Prismatic gold" with white, cream, and black ink \- Artwork: Features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle Power Supply: \- An isolated power supply is recommended for powering all Walrus Audio pedals \- Daisy chain power supplies are not recommended \- Power supply is not included The pedal does not use batteries and requires a 9-volt DC, 10mA, center negative power supply (sold separately).
Emissary Parallel Boost
The Walrus Audio Emissary Parallel Boost is a 2-in-1 boost pedal designed to enhance guitar leads, slides, fingerpicking, and push tube amps into natural breakup. It features two independent boost circuits running in parallel, allowing users to use each circuit individually or mix them to achieve the desired level. The top knob controls the volume for the "bright" boost circuit, which is a clean, high headroom JFET boost with a slight emphasis on higher frequencies to liven up the tone. The bottom knob controls the volume for the "mid" boost circuit, featuring a targeted boost at either 1kHz or 800Hz selected by the toggle switch. The pedal also includes a momentary bypass switch, allowing users to temporarily activate the effect by pressing and holding the switch in the off position. The enclosure comes in a "Silk Satin Black" finish with light blue and white ink, featuring artwork by illustrator Adam Forster depicting an x-ray of a patient's skull viewing the Emissary and other vital veins running through the head. The die-cast enclosure's exact size is 4.77” x 2.6” x 1.39”. The power requirements are 9VDC (100mA minimum), and the use of an isolated power supply is recommended for powering all Walrus Audio pedals. Daisy chain power supplies are not recommended.
EB-10
The EB-10 by Walrus Audio is a versatile preamp, EQ, and boost pedal designed to meticulously craft guitar sounds, offering studio-grade electric guitar tones in a live setting. The pedal's dimensions are 3.68” x 4.67” x 1.547”, and it requires a power supply of 9VDC, center negative, with a minimum of 100mA. Key features and functionality include: \- Three available presets for crafting guitar sounds \- Each rotary knob offers up to 12dB of boost or cut of low, mid, and high frequencies \- Boost switch engages a 10dB MOSFET boost for added punch \- Two operating modes: "Live" mode responds to the current position of all knobs and switches, while "Preset" mode offers preset slots to store three unique sounds \- Ability to compensate when switching between low and high output instruments \- Nine different EQ positions on each knob to bring out new tonal characteristics \- Use of combinations of increasing boosted EQ settings and the Boost switch for three different gain stages \- Detailed manual for saving presets The EB-10 is suitable for guitarists looking to fine-tune their tone, compensate for instrument variations, and achieve a range of studio-grade electric guitar tones in a live performance setting.
385
The 385 by Walrus Audio is a dynamic overdrive pedal inspired by the Bell and Howell Filmosound 385 projector. The pedal is designed to replicate the rich tones of the vintage projector's tube-powered audio sections when used as a guitar amp. It features a simple yet effective control layout and a dual 6V6 output section, resulting in a highly responsive and compressed overdrive when cranked. The 385 pedal is equipped with a tone control that allows for a wide array of tones to be achieved by boosting and cutting bass and treble separately. This design enables users to be creative with mid-frequency scoops and bumps. Internally, the pedal runs at 18v, providing a dynamic feel similar to that of the original amp, making it extremely sensitive to playing dynamics. The 385 by Walrus Audio is known for its amp-like characteristics, offering a tube-like, responsive, and dynamic overdrive experience. It is suitable for guitarists seeking pure tone and a wide range of tonal possibilities.
Voyager
The Voyager by Walrus Audio is a gain/preamp overdrive pedal designed to provide a full spectrum of tone from any setting on its simple set of controls. It offers a uniquely superb amount of clarity to any style of playing, from its lowest to highest settings. The pedal is equipped with True Bypass switching and is designed to brighten the signal and add clarity to each note played at lower gain settings. When the gain is turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through on solos. Technical Specifications: \- Size: 4.77" x 2.9" x 2.3" \- Power Source: 9V DC, 20mA, center negative power supply \- Power Usage: 20mA \- Bypass: True bypass \- Voltage: 9V \- Power Consumption: 20mA \- The use of an isolated power supply is recommended \- Daisy chain power supplies are not recommended The Voyager pedal does not use batteries and requires a 9-volt DC, 20mA, center negative power supply for operation. It is recommended to use an isolated power supply, and daisy chain power supplies are not recommended for powering all Walrus Audio pedals. The Voyager by Walrus Audio is known for its versatility and ability to enhance both clean and overdriven tones, making it suitable for a wide range of musical styles and applications.
Deep Six Limited Edition
The Deep Six Limited Edition by Walrus Audio is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. It offers a Level, Sustain, Attack, and Blend control, providing unmatched versatility at an affordable price. The pedal can be powered from a 9V battery or DC Supply and comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts, maximizing headroom for the sound while maintaining a typical current draw of 8.9mA for extended battery life. The Deep Six also features a Blend and Attack control, allowing the pedal to be used with active pickups or humbuckers. The blend feature enables the use of high-output instruments while dialing out any distortion that may be present. The V3 version of the pedal includes updates such as the addition of a Tone knob for shaping the low end of the guitar signal, soft switch/relay bypassing for smoother and more reliable operation, and top-mounted in/out jacks. The pedal's updated art by Adam Forster pays homage to the original art that started it all. The Deep Six Limited Edition is available in two variants: a glossy dark black enclosure with gold flake, white ink, and gold aluminum knobs, and a glossy white enclosure with gold flake, gold ink, and gold knobs. Each pedal is wrapped in high-grade leather that has been hand-cut and hand-stitched by hand one at a time, making it a truly collectible piece for the ultimate Walrus fan.
Reverb
SLARP Delay/Reverb
Fundamental Series Reverb Pedal
The Walrus Audio Fundamental Series Reverb pedal is a compact and versatile effects pedal designed to provide core ambient effects with simplified controls suitable for both beginners and professionals. The pedal features three distinct reverb algorithms: Hall, Spring, and Plate, allowing users to achieve a variety of reverberation effects. Technical Specifications: \- Pedal Type: Reverb \- Analog/Digital: Digital \- Inputs: 1 x 1/4" \- Outputs: 1 x 1/4" \- Power Source: 9V DC power supply (sold separately) \- Dimensions: 4.33" x 2.16" x 1.61" \- Power Requirements: 9VDC (100mA minimum) Key Features: \- Decay Control: Adjust the amount of reverb decay time \- Tone Control: Modify the overall brightness of the reverb \- Mix Control: Blend the effect with the original clean signal \- Three-way Slide Switch: Select between Hall, Spring, and Plate reverb algorithms \- Trails Modes: Offers the option to engage or disengage trails mode for natural decay after turning off the pedal The Fundamental Series Reverb pedal is designed and assembled at Walrus Audio headquarters in OKC, OK. It is known for its ease of use, compact size, and tonal integrity, making it suitable for a wide range of musical applications from regular guitar playing to ambient sound-design work.
Lore Reverse Soundscape Generator
The Lore Reverse Soundscape Generator by Walrus Audio is an ambient creation machine designed around reverse delay and reverbs. It features two DSP chips running in series, each with its own analog feedback path, offering a rich array of themes including reversing, time-stretching, pitch-shifting, and vast ambiance. Key Features: \- Analog Feedback Paths: The pedal incorporates two analog feedback paths, allowing each program to offer a unique mix of affected and unaffected feedback, providing a wide array of sounds and behaviors to experiment with. \- Programs: The Lore Reverse Soundscape Generator includes five different programs, each utilizing different combinations of delay and reverb that feed into each other for time-warping ambient creations. These programs range from combining reverse delay with reverse reverb to creating intricate harmonic patterns in the feedback network using pitch delays. \- Momentary Features: The pedal includes a Dive/Rise feature, where holding down the tap tempo switch momentarily shifts the clock rate of the pedal down or up and holds it at that rate for as long as the switch is pressed. It also includes modulation control for the wet signal. Specifications: \- Enclosure Size: 3.62” x 4.79” x 2.25” including knobs \- Bypass Switching: Buffered \- Power Requirements: 9VDC, center negative (300mA minimum) The Lore Reverse Soundscape Generator offers a versatile and innovative approach to creating ambient soundscapes, making it suitable for musicians and sound designers looking to explore unique sonic territories.
Fathom
The Fathom by Walrus Audio is a feature-rich reverb pedal with versatile functionality and specific technical specifications. The pedal is housed in a diecast enclosure measuring 4.77" x 2.6" x 1.39" and requires a power supply of 9VDC with a minimum of 100mA. It is recommended to use an isolated power supply for optimal performance. Key features and functionality of the Fathom include: \- Four different customized reverb algorithms: Hall, Plate, Lo-fi, and Sonar \- Toggle switch for low, medium, and high modulation options \- Dampen knob for fine-tuning the tone of the reverb's decay \- Momentary functions: Press and hold the Bypass Switch to temporarily activate the effect, and press and hold the Sustain Switch while the pedal is on to sustain the reverb decay for a dreamy ambient decrescendo \- Trails Mode: Ability to turn trails mode on or off by unplugging the pedal and pressing and holding down the Bypass Switch for two seconds while plugging the pedal back in The specific algorithms offer distinct reverb characteristics: \- Hall: Wide, open, and vast with decay that ends with high-frequency rolloff. The X knob adjusts pre-delay. \- Plate: Full-body reverb with a smooth decay. The X knob adjusts pre-delay. \- Lo-fi: Filtered reverb with decay ranging from warm to thin AM-sounding radio. The X knob adjusts filter width. \- Sonar: Reverb fed with both a high and low octave with the ability to blend the octaves with the X knob. The Fathom also features a momentary function and trails mode for added versatility in creating ambient and atmospheric sounds. The Luna Series edition offers a limited edition enclosure for a unique visual appeal.
Mako Series R1
The Walrus Audio Mako Series R1 High-Fidelity Stereo Reverb is an extremely powerful and versatile multi-function reverb pedal with six customized, studio-quality programs. The pedal's enclosure measures 4.9” x 2.52” x 2.64” with knobs, and it requires a 9VDC power supply with a minimum of 300mA. The R1 offers the following features and functionalities: Programs: 1\. Spring: Emulates an excited spring reverb commonly found in tube amps with the option to add warm overdrive to the reverb input. 2\. Hall: Provides the acoustics of large live sound spaces like concert halls to arenas, with control over the room size. 3\. Plate: Emulates a smooth analog plate reverb with even diffusion and the option to add warm grit to the front end of the program. 4\. BFR (Big, F____, Reverb): Offers a rich and lush decay in a vast cavern filled with choirs of angels, with control over the amount of diffusion applied to the delay network. 5\. RFRCT (Refract): Allows for glitch-like textures hovering over a largely diffused reverb, with control over glitch effects and tone. 6\. Air: Offers a larger diffused reverb with a subtle shimmer and crisp clarity to its decay, with control over the amount of wind and shimmer elements. Additional Controls and Features: \- Decay knob: Sets the length of the reverb decay. \- Swell knob: Engages a volume envelope applied to the wet and dry guitar signal, creating a gentle volume swell. \- Mix knob: Sets the ratio of dry to wet signal. \- Tweak knob and switch: Offers creative control over mod Rate, mod Depth, or Pre-delay for each reverb program. \- Tune knob and switch: Offers creative control over Lo, High, or X for further shaping of each reverb program. \- Stereo width control: Useful for dialing in the desired stereo image width, saved per preset. \- A|B|C Bank Switch: Offers three banks for storing presets, with a total of nine accessible without using MIDI. \- Bypass modes: True Bypass, DSP+True Bypass, and DSP Bypass. \- Momentary functions: Sustain and latch the current reverb sound, and continue to play over it through the same reverb algorithm. The R1 also includes MIDI control, up to 128 accessible presets via MIDI, and the ability to seamlessly switch presets with true preset spill over. It offers multiple input and output configurations, including mono in/mono out, mono in/dual mono out, and stereo in/stereo out.
Slöer Stereo Multi-Texture Reverb
The Slöer Stereo Multi-Texture Reverb by Walrus Audio is a versatile pedal designed to create immersive, lush, modulated, sleepy, and ambient soundscapes with enhanced width and depth. Here are the technical specifications and features: \- Dimensions: The die-cast enclosure measures approximately 4.79” x 3.62” x 2.25” including knobs. \- Power Requirements: It operates on 9VDC with a minimum current of 100mA. An isolated power supply is recommended for optimal performance. Key Features: 1\. Algorithms: The pedal offers five different reverb modes, including Dark (Lower Octave), Rise (Ambient Swell), Dream (Latching Pad), Rain (Delay Tap Diffusion), and Light (High Octave Shimmer). 2\. Modulation: It features five different wave shapes for modulation on the reverb trail, accessible by holding down the bypass while switching the algorithm dial. 3\. Momentary Functions: The bypass switch can be used to temporarily activate the effect, while the sustain switch ramps up the reverb trail to maximum, creating long dreamy reverb trails. 4\. Trails Mode: The pedal can run in trails or no trails mode, allowing for natural decay or abrupt cutoff when the effect is turned off. 5\. Presets: The pedal includes three onboard presets, accessible by simultaneously pressing and holding down on the bypass and sustain switches. The Slöer Stereo Multi-Texture Reverb is suitable for guitarists seeking to elevate their soundscapes to new heights, offering a wide range of creative possibilities for both guitar and bass applications. It is designed to provide lush, immersive, and ambient tones with unmatched depth and width.
Melee: Wall of Noise
The Walrus Audio Melee: Wall of Noise is a distortion + reverb combo pedal that integrates a joystick to blend reverb and distortion into a powerful sound. The pedal allows users to run the distortion into the reverb or the reverb into distortion, offering flexibility in the signal chain. The Melee features three different reverb programs: Ambient Reverb (Pink LED), Octave Down Reverb (Yellow LED), and Reverse Reverb with Feedback (Blue LED), each providing unique sonic characteristics. The joystick controls the amount of distortion by moving it up and down, while moving it left and right adjusts the reverb mix. Additionally, the pedal includes tone and decay toggles with low, medium, and high settings, and modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The Melee is equipped with three bypass modes: DSP, DSP+True, and True Bypass. It requires a power supply of 9VDC, center negative, with a minimum of 200mA. The die-cast enclosure's exact size is 3.62” x 4.79” x 3.14” (including joystick height). The pedal offers momentary features, allowing users to press and hold the sustain switch to ramp up the reverb trails and release to ramp them back down to the current decay setting. The sustain switch can also latch in all three programs, capturing and sustaining the current reverb decay for long pad-like sounds in the wet mix. The Walrus Audio Melee: Wall of Noise pedal has received positive feedback for its unique joystick controls, versatile reverb programs, and the combination of distortion and reverb, making it suitable for various musical applications.
Slö
The Slö by Walrus Audio is a multi-texture reverb pedal designed to create lush, modulated, sleepy, and ambient soundscapes. It features three different algorithms: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad). The pedal allows for deep modulation with long, washy trails and offers the following functionalities: \- ALGORITHMS: \- DARK: Adds a lower octave to the reverb trail, creating deep and wide atmospheric sounds and nightmarish soundscapes. \- RISE: An auto-swell reverb for cinematic swells, with adjustable rise times. \- DREAM: Lush reverb with a latching pad function and vibrato control. \- WAVE SHAPES: \- SINE: Smooth and even pitch up and down modulation. \- WARP: Asymmetric pitch up modulation similar to a warped record. \- SINK: Asymmetric pitch down modulation for sinking detune similar to a Bigsby. \- MOMENTARY FUNCTIONS: \- Bypass: Temporarily activates the effect to add a moment of reverb texture. \- Sustain: Ramps up the reverb trail to maximum, creating long dreamy reverb trails. \- TRAILS MODE: \- The pedal can run in trails or no trails mode, allowing for natural decay or abrupt cutoff when turned off. The pedal's dimensions are 4.79” x 3.62” x 2.25” including knobs, and it requires a 9VDC power supply with a minimum of 100mA. The use of an isolated power supply is recommended for powering all Walrus Audio pedals. The Slö pedal is designed to invoke textures for bringing dreams from the subconscious to reality, and it offers a range of features suitable for creating diverse ambient and atmospheric sounds.
Descent
The Descent by Walrus Audio is a versatile reverb pedal designed to create ambient textures of sound. It offers three modes: hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode features a classic reverb sound that can range from a small-room-echo to a haunting long hall-echo. The Reverse mode smoothly flips the signal to playback unique responses and can be manipulated with pre-delay time controls. The Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in the signal and creates a symphony of sound. The pedal provides eight controls to precisely hone in on the perfect reverb, and it also supports the use of an auxiliary momentary switch in the fav input to switch the pedal on/off and/or save presets. Additionally, the expression pedal control works with most on-the-shelf expression pedals, allowing the user to set the high and low parameters of each control and fade in and out those controls by moving the foot up or down on the expression pedal. The dimensions of the Descent pedal are 5 5/8″ x 4 5/8″ x 1 9/16″, and it is recommended to use an isolated power supply for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. The Descent pedal is priced at $299.99 and is designed to cater to musicians seeking to create lush and expansive reverb effects for a wide range of musical styles and applications.
Tremolo
Janus
The Janus by Walrus Audio is a true bypass, dual joystick-controlled Tremolo/Fuzz pedal designed to create a landscape of distorted textures. It allows for the isolation and independent use of both the Tremolo and Fuzz effects, as well as their combined use in series to produce thick textures with significant movement. Each joystick has a separate X and Y axis with designated controls. The Tremolo joystick controls the rate and depth, while the Fuzz joystick controls the amount of fuzz and the tone. The pedal features individual Volume controls for both effects and a Blend control for the Fuzz, enabling the user to mix the unaffected signal with the affected fuzz signal. The joystick controls make the Janus suitable for guitars, vocals, keys, or tracks. Technical Specifications: \- True bypass \- Dual joystick-controlled Tremolo/Fuzz pedal \- Separate X and Y axis controls for each joystick \- Individual Volume controls for both effects \- Blend control for the Fuzz \- Dimensions: 7.38 x 4.70 x 2.75 inches \- Power requirements: 9V DC, 8 mA \- Isolated power supply recommended for all Walrus Audio Pedals
Monument
The Monument Harmonic Tap Tremolo V2 by Walrus Audio is a versatile pedal designed to produce rich, luscious, warm pulsating modulation. It is capable of creating peaks and valleys as smooth or as jagged as those found in nature. The pedal's dimensions are 4.77 x 2.9 x 2.3 inches, and it requires a power supply of 9VDC, center negative, with a minimum of 100mA. The pedal features top-mounted jacks and an expanded capability of the side jack, which now supports external tempo or can function as expression control over Rate, Depth, Shape, or Tap Multiplier and is assignable on the fly. The Monument Harmonic Tap Tremolo V2 offers various wave shapes controlled via the Shape knob, including Sine, Square, Ramp, Lumps, and Monument Mode (random). It also includes a special feature where the bypass switch has a momentary function, allowing temporary activation of the effect to add a moment of texture. Additionally, when the pedal is on, pressing and holding the bypass switch ramps up the tremolo rate, and releasing the switch ramps the rate down to the previously set tempo. The Division knob can be set to quarter, triplet, eighth, and sixteenth, providing flexibility in creating unique waveforms. The pedal also offers a clean boost by setting the depth knob at 0 and the volume knob above unity. The Monument Harmonic Tap Tremolo V2 is designed to inspire vintage tones inspired by Fender Brownface amps in Harmonic mode, where a low-pass and high- pass version of the guitar signal is modulated opposite of each other, resulting in a warm, "chewy" tremolo effect. The pedal's smaller form factor and new features, such as assignable expression control and rate ramp up, make it a versatile tool for creating inspiring and unique tremolo effects.