Siren Pitch Vibrato

The Siren Pitch Vibrato by Subdecay is a true pitch vibrato effect pedal designed to provide mesmerizing modulation. It features touch-sensitive speed control, allowing for dynamic interaction with the player's performance. The pedal is designed to preserve dynamics and tone, with a frequency response tuned for a touch of shimmer and impressive headroom even at 9-volt operation. Key Specifications: \- Powered by an external regulated 9VDC adaptor with a negative center 2.1mm barrel style plug (power supply not included) \- Current draw is less than 100mA \- Dimensions: 4.4″ (length) x 2.3″ (width) x 1.0″ (height) \- Input impedance: 500k \- Output impedance: Less than 1K \- Handmade in Oregon \- Die-cast metal enclosures for durability \- 3PDT switches for true bypass switching \- Red LED indicator \- Three-year limited warranty The Siren Pitch Vibrato is designed to let the player's performance shine through and control the effect. The enchant control senses the player's touch, allowing for the vibrato speed to be slowed down or sped up based on the playing intensity. The vibration knob controls the vibrato speed, while the intensity knob sets the depth of the effect. Overall, the Siren Pitch Vibrato is a versatile pedal suitable for a wide range of musical styles, offering a unique and expressive pitch vibrato effect with precise control and high-quality construction.

Echobox Modulated Delay

The Echobox Modulated Delay by Subdecay is a versatile pedal designed to capture sounds that straddle the line between analog and tape echoes. It offers 40 – 666 milliseconds of delay time, with modulation control over speed and depth. The pedal features a natural decay mode that allows the echo effect to naturally trail off after being bypassed, and it can be powered by a 9-volt battery or a regulated 9VDC to 12VDC adaptor with a negative center 2.1mm barrel style plug. The maximum delay time is around 800ms, with infinite repeats possible, and the scaling of the repeat knob can be altered via an internal trimpot. The Echobox is hand-made in Newberg, Oregon, and comes with a three-year limited warranty. The pedal's dimensions are 4.7″ x 3.7″ x 1.2″, and it features a die-cast metal enclosure for durability, 3PDT switches for true bypass switching, and a blue LED indicator. The input impedance is 1M, and the output impedance is less than 1K. The current draw is less than 100mA.

Starlight V2

Anamnesis Echo

The Anamnesis Echo by Subdecay is a modulated echo effect pedal with approximately 600ms of maximum delay time. It features adjustable speed, depth, and regeneration controls, allowing for the creation of lush walls of modulated swirling delay. The pedal is designed with a companderless design to keep artifacts out and let the player's performance shine through. The Anamnesis Echo is powered by a regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug. The pedal's circuitry runs at 18V, providing cleaner decays and more headroom before clipping compared to delays running at 9V. The Anamnesis Echo is housed in a single MXR-style enclosure and includes controls for level (blend), regen, time, LFO depth, and speed. Additionally, it features an internal switch that allows the delay decay to continue repeating once the bypass has been engaged. The pedal's LFO can modulate the delay trails, creating a unique modulated-delay sound with a wide range of speed and intensity. The Anamnesis Echo is suitable for creating a variety of effects, including modulated walls of sound, arpeggiated single-note phrases, and video game-like clangs. The pedal has been tested with a Fender US Lone Star Stratocaster and a vintage 1965 Fender Twin Reverb amplifier, demonstrating its versatility and ability to produce a range of tones, from hazy, woozy shoegaze tones to wild percussive-like sounds. Overall, the Subdecay Anamnesis Echo offers a unique combination of cool delay and warble, making it a versatile and expressive tool for guitarists.

Starlight DLX

The Starlight DLX by Subdecay is a deluxe flanger pedal designed to offer a wide range of modulated effects for guitarists. Here are the technical specifications and features: \- Dimensions: 5.6″ (Length) x 4.6″ (Width) x 1.5” (Height) \- Input Impedance: 1M \- Output Impedance: Less than 1K \- Handmade in Oregon \- Die-cast metal enclosures for durability \- 3PDT switches for true bypass switching \- Two-color Red/Green LED indicator \- Current Draw: Less than 150mA \- Power: Powered by a regulated 9VDC adaptor with a negative center 2.1mm barrel style plug (cannot be powered by a battery) \- Control Matrix: Utilizes the Prometheus DLX control matrix for virtually infinite possibilities \- MN3007 Chip: Utilizes the MN3007 chip running at 15 volts for maximum sweep and headroom \- Regen Control: Tuned to oscillate when set at maximum \- Gate and Volume Control: Added to keep more extreme sounds manageable \- Warranty: Three-year limited warranty The Starlight DLX offers seven LFO shapes and eleven different modes, providing guitarists with a highly adjustable flanger pedal. It also features trigger mode, ramp waveform, random sample hold function, and manual mode for simplicity and exploration.

Starlight V2

Noise Box

The Noise Box by Subdecay is an envelope following harmonic frequency generator designed for creating chaotic octave-generated artifacts and random frequencies. The pedal is inspired by additive synthesizers and is hand-made in Oregon. The technical specifications include an input impedance of 100K, output impedance of 100K, and a current draw of less than 10mA. The pedal can be powered by a 9-volt battery or a regulated 9VDC adapter with a negative center, and it features a 2.1mm barrel style plug. The Noise Box is housed in a durable die-cast metal enclosure and utilizes 3PDT switches for true bypass switching. It also includes a built-in internal noise gate that turns off the frequency generator when not in use. The pedal measures 4.4" in length, 2.3" in width, and 1.0" in height. Additionally, it comes with a three-year limited warranty and a blue LED indicator. The Voice control allows for alternating between two different voicings of the frequency generator, with varied levels of high-frequency roll-off.

Octasynth

The Octasynth by Subdecay is an analog synthesizer designed for guitar effects. It features an octave generator that converts the guitar signal into three square waves, which then pass through a resonant low pass filter. This combination of raw waveforms and resonant filters creates classic analog synth tones. The pedal tracks both the note being played and the dynamics to control the filter, allowing for expressive and dynamic sound manipulation. The controls are tailored for quick sound creation, with a blend control for three octave voices, depth control for filter range, resonance control for filter intensity, and a level control for total output volume. The Octasynth is powered by a 9-volt battery or a regulated 9VDC to 12VDC adapter with a negative center. It has an input impedance of 500K and a current draw of less than 10mA. The pedal is hand-made in Oregon, featuring die-cast metal enclosures for durability, 3PDT switches for true bypass switching, and a red LED indicator. It comes with a three-year limited warranty. The pedal is suitable for use with bass guitar, although it is designed with guitar in mind. It is monophonic and may produce a full two octaves down, which could be excessive for the lower registers of bass guitar. The Octasynth is compact, with dimensions of 4.4" x 2.3" x 1.0".

Vitruvian Mod

The Vitruvian Mod by Subdecay is a ring modulator pedal designed with pitch detection capabilities and advanced functionality. It offers the following technical specifications and features: \- Ring Modulation with Pitch Detection: The Vitruvian Mod is equipped with pitch detection, allowing users to tune it to add harmonic tones. It offers the ability to offset the carrier from the input based on harmonic ratios, creating interesting harmonic structures. \- Fixed Carrier Modulation: The pedal features seven fixed steps for the carrier knob when the entropy switch is set to order, tuned to E A D G B E A, making it ideal for guitar use. Additionally, it provides an eight-octave range when the entropy switch is set to chaos. \- Control Matrix: The Vitruvian Mod includes various controls such as the entropy switch for ease of use, tracking switch for different tracking modes, carrier knob for controlling the internal carrier, fine-tune knob for adjusting the carrier, mix knob for adjusting the amount of ring modulation, and volume control for overall output. \- Use Cases: It is recommended to use the Vitruvian Mod early in the signal chain, followed by overdrives and fuzz pedals to bring out the effect's harmonic structure. Adding a wah pedal or filter after the Vitruvian Mod can create synthesizer-like effects, and using a compressor in front of the pedal will add sustain. \- Technical Specifications: The pedal is powered by a regulated 9VDC to 18VDC adaptor with a negative center 2.1mm barrel style plug. It has a current draw of less than 100mA and features a die-cast metal enclosure for durability. The input impedance is 500K, and the output impedance is approximately 5K. The Vitruvian Mod is hand-made in Oregon and comes with a three-year limited warranty. The Vitruvian Mod is designed to offer a versatile and intuitive ring modulation experience, making it suitable for a wide range of musical applications and creative sound manipulation.

Octasynth

The Octasynth by Subdecay is an analog synthesizer designed for guitar effects. It features an octave generator that converts the guitar signal into three square waves, which then pass through a resonant low pass filter. This combination of raw waveforms and resonant filters creates classic analog synth tones. The pedal tracks both the note being played and the dynamics to control the filter, allowing for expressive and dynamic sound manipulation. The controls are tailored for quick sound creation, with a blend control for three octave voices, depth control for filter range, resonance control for filter intensity, and a level control for total output volume. The Octasynth is powered by a 9-volt battery or a regulated 9VDC to 12VDC adapter with a negative center. It has an input impedance of 500K and a current draw of less than 10mA. The pedal is hand-made in Oregon, featuring die-cast metal enclosures for durability, 3PDT switches for true bypass switching, and a red LED indicator. It comes with a three-year limited warranty. The pedal is suitable for use with bass guitar, although it is designed with guitar in mind. It is monophonic and may produce a full two octaves down, which could be excessive for the lower registers of bass guitar. The Octasynth is compact, with dimensions of 4.4" x 2.3" x 1.0".

Liquid Sunshine

The Liquid Sunshine by Subdecay is a Class A overdrive pedal designed for guitarists seeking tube amp-like tones. It was introduced in 2004 and has been a mainstay of Subdecay's stompbox lineup. The pedal bucks the current popular trends of overdrive pedals, offering a unique overdrive in the truest form. Key Features: \- The pedal features two drive knobs, with the top drive knob pushing the full range and the bottom drive knob pushing the midrange and treble. \- It is designed to add to your tone without overwhelming it, offering low gain settings for tube power amp-like compression and higher gain settings for sustaining rock overdrive. \- The all jFET design does not produce any "sharp edges" or hard clipping. \- Equally well suited as an overdrive for a clean amplifier or for pushing a cranked amp over the edge. \- The pedal loves being stacked and excels when pushed by other dirt boxes. \- It is also great for warming up your tone and is described by many users as "tweedy" or "voxy." Technical Specifications: \- Powered by a 9-volt battery or a regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug. \- Current draw is less than 10mA. \- Input impedance is 1M, and output impedance varies from 10k to 50K. \- The pedal is hand-made in Oregon and features die-cast metal enclosures for durability. \- It uses 3PDT switches for true bypass switching and includes a red LED indicator. \- The pedal comes with a three-year limited warranty. Dimensions: \- Length: 4.40" \- Width: 2.36" \- Height: 1.05" The Liquid Sunshine MKIII, an updated version of the pedal, offers similar characteristics with better control. It is slightly more transparent than earlier versions, especially at low gain settings, and features an emphasis control that replaces the second drive knob.

Liquid Sunshine MKIII

The Liquid Sunshine MKIII by Subdecay is a JFET-based overdrive pedal designed to provide graceful breakup and pick attack without masking the natural sound of your guitar and amplifier. It is well-suited for use with a clean amplifier or for pushing a cranked amp, making it versatile for different volume levels and performance settings. Key Features and Specifications: \- Powered by a 9-volt battery or a regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug \- Power supply is not included \- Current draw is less than 10mA \- Dimensions: Length 4.4″ x Width 2.3″ x Height 1.0″ \- Input impedance: 1M \- Output impedance: varies from 10k to 50K \- Handmade in Oregon \- Die-cast metal enclosures for durability \- 3PDT switches for true bypass switching \- Red LED indicator \- Three-year limited warranty The Liquid Sunshine MKIII features two drive knobs that control two separate gain stages, each with its own characteristics. The top drive knob pushes the overall frequency range, while the bottom drive knob accentuates the middle and high frequencies. These knobs are highly interactive, allowing the pedal to function as a clean boost, treble booster, or overdrive. Additionally, the pedal includes two internal switches for bass and treble boost, providing flexibility for different amp setups. The emphasis control replaces the second drive knob, allowing users to adjust the overall character without making the overdrive too bright. The pedal is designed to work well when stacked with other drive pedals, making it suitable for various musical styles and performance requirements.

Quasar DLX

The Quasar DLX by Subdecay is a comprehensive analog phaser with several notable features and functionalities. It is an analog 4-stage OTA-based phaser with digital control, offering eleven LFO shapes, including sine, triangle, random sample/hold, and even an argyle waveform. The Quasar DLX provides multiple ways to control the LFO speed, including tap tempo, manual control with the DUAL ACTION SPEED KNOB, and expression pedal modulation. The modulation speed ranges from a 45-second sweep up to nearly 300Hz, allowing for a wide range of phasing effects. Additionally, the color knob on the Quasar DLX intensifies the phasing, with the ability to sound similar to an early 80s Roland-style low-pass filter when turned fully to the right. It also includes a volume knob to manage the output volume, particularly useful when the color knob has a dramatic effect on the output. The pedal can be powered by a dedicated Class II regulated 9 to 18-volt DC power supply with a negative center 2.1mm barrel type plug. Overall, the Quasar DLX is designed to offer a versatile and customizable phasing experience, making it suitable for a wide range of musical styles and applications.

Quantum Quasar

The Subdecay Quantum Quasar is a phaser pedal designed for guitar effects. It features six different wave shapes and offers a wide variety of options under the user's control. The pedal has both analog and digital features, providing pure analog tone with modern functionalities. The Quasar's next evolution includes many new features that are normally found only in fully digital effects, without compromising analog headroom or the organic swirl that digital units can't match. Modes & Controls: \- Rate: Controls modulation speed. \- Depth: Controls modulation depth. \- Color: Usually controls phaser resonance. In mode 5, it controls a portamento function. \- Mode: Set to any of the eleven modes, which are categorized as Cross modulation (X-MOD), Step Sequencing (STEP), Envelope (ENV), and Traditional. X-MOD: \- Cross modulation involves modulating the effect in two different ways at the same time. \- Modes 1 & 2: Triangle + Sine and Triangle + Square. \- Mode 3: X-Fade, a cross fade effect. \- Mode 4: Tremolo, synchronized phaser and tremolo. Step Sequencer: \- These modes create rhythmic phaser/filter patterns rather than traditional smooth phasing. Envelope modes: \- Modulation is manipulated by touch dynamics. Traditional: \- Includes modes such as Rotary/Vibrato, Slow Triangle LFO, and Fast Sine LFO. The pedal is powered by an external regulated 9VDC to 18VDC adapter and cannot be powered by a battery. The current draw is less than 25mA, and the input impedance is 1M. The output impedance is not specified. The Subdecay Quantum Quasar is handmade in the United States and is designed to provide guitarists with a versatile and high-quality phaser effect for their musical performances and recordings.

Baby Quasar

The Baby Quasar by Subdecay is an analog phase shifter pedal designed to provide a wide and intuitive phaser sweep. Here are the technical specifications and features: \- The pedal is VCA-based, offering more headroom than JFET designs and a more consistent sweep than opto-based phasers. It is noted for not being as cold and grating as some OTA-based phasers, especially with bright guitars and amps. \- The rate control can go from super fast to super slow, and the "voice" knob allows users to adjust the effect from subtle to chewy. \- The pedal is powered by an external regulated 9VDC to 12VDC adaptor with a negative center 2.1mm barrel style plug. It does not run off a battery and the power supply is not included. \- The current draw is less than 25mA, and the input impedance is 1M with an output impedance of less than 1K. \- The Baby Quasar is hand-made in Newberg, Oregon, and features die-cast metal enclosures for durability, 3PDT switches for true bypass switching, and a red LED indicator. \- It comes with a three-year limited warranty.

Super Spring Theory

The Super Spring Theory by Subdecay is a versatile pedal designed specifically for electric guitar, offering both spring and room reverb settings. The pedal captures the nuances of tube-driven spring reverb, providing authentic vintage wet surfy reverb sounds typically found in amplifiers and standalone spring reverb units. It features a tone control for dialing in the perfect timbre and an internal reverb send trimmer for adjusting input signals and achieving dramatic or subtle effects. The clean signal path is all analog, with JFET amplifiers carrying out the send and recovery of the reverb signal for tube-like dynamics. The Super Spring Theory is suitable for use in front of both clean and dirty amps, offering some of the most authentic-sounding spring-reverb tones available in pedal form. In addition to the spring reverb setting, the pedal also offers a room reverb setting, allowing for adjustments from subtle ambiance to cavernous reverbs with trails over three minutes long. The Super Spring Theory uses proprietary DSP reverb algorithms, providing unique features not found in other pedals. Technical specifications include: \- Powered by a regulated 9VDC to 18VDC adaptor with a negative center 2.1mm barrel style plug \- If using a “daisy chain” power supply, all other pedals MUST be negative ground \- Current draw is less than 100mA \- Dimensions: Length 4.4″ X Width 2.3″ X Height 1.0″ \- Input impedance: 1M \- Output impedance: 1K \- True Bypass \- Handmade in Oregon \- Die-cast metal enclosures for durability \- 3PDT switches for true bypass switching \- Red LED indicator \- Three-year limited warranty The Super Spring Theory offers separate level controls for the dry and reverb sounds, along with a wide range tone control for achieving subtle reverb or in-your-face splash effects. This pedal also allows users to hear reverb tails when bypassed, providing enhanced functionality and control.

Spring Theory

The Spring Theory by Subdecay is a reverb effect pedal designed specifically for guitar use. It simulates the sound and feel of a real tube-driven black face reverb, reacting dynamically to the attack of each note played. The pedal offers vintage wet surfy reverb sounds typically found in amplifiers and standalone spring reverb units. Key features and specifications of the Spring Theory include: \- Two reverb settings: Spring and Room. The Spring setting provides authentic spring reverb emulation, while the Room setting simulates various room sizes and characteristics. \- Controls: The pedal features reverb and depth knobs for adjusting the effect volume and length, a tone control for dialing in the perfect timbre, and a decay knob for dampening the springs or creating long resonating trails. \- Signal path: The clean signal path is all analog, with JFET amplifiers carrying out the send and recovery of the reverb signal for tube-like dynamics. \- Power requirements: The pedal is powered by a regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug. It does not have a battery option. The current draw is less than 100mA. \- Construction: The Spring Theory is hand-made in Oregon and housed in a durable die-cast metal enclosure. It features 3PDT switches for true bypass switching and a red LED indicator. \- Dimensions: The pedal measures 4.4″ in length, 2.3″ in width, and 1.0″ in height. Additionally, the Super Spring Theory, an enhanced version of the original Spring Theory, offers new features such as separate level controls for dry and reverb sounds, wide-range tone control, and the ability to hear reverb tails when bypassed.

Vitruvian Mod

The Vitruvian Mod by Subdecay is a ring modulator pedal designed with pitch detection capabilities and advanced functionality. It offers the following technical specifications and features: \- Ring Modulation with Pitch Detection: The Vitruvian Mod is equipped with pitch detection, allowing users to tune it to add harmonic tones. It offers the ability to offset the carrier from the input based on harmonic ratios, creating interesting harmonic structures. \- Fixed Carrier Modulation: The pedal features seven fixed steps for the carrier knob when the entropy switch is set to order, tuned to E A D G B E A, making it ideal for guitar use. Additionally, it provides an eight-octave range when the entropy switch is set to chaos. \- Control Matrix: The Vitruvian Mod includes various controls such as the entropy switch for ease of use, tracking switch for different tracking modes, carrier knob for controlling the internal carrier, fine-tune knob for adjusting the carrier, mix knob for adjusting the amount of ring modulation, and volume control for overall output. \- Use Cases: It is recommended to use the Vitruvian Mod early in the signal chain, followed by overdrives and fuzz pedals to bring out the effect's harmonic structure. Adding a wah pedal or filter after the Vitruvian Mod can create synthesizer-like effects, and using a compressor in front of the pedal will add sustain. \- Technical Specifications: The pedal is powered by a regulated 9VDC to 18VDC adaptor with a negative center 2.1mm barrel style plug. It has a current draw of less than 100mA and features a die-cast metal enclosure for durability. The input impedance is 500K, and the output impedance is approximately 5K. The Vitruvian Mod is hand-made in Oregon and comes with a three-year limited warranty. The Vitruvian Mod is designed to offer a versatile and intuitive ring modulation experience, making it suitable for a wide range of musical applications and creative sound manipulation.

Vagabond Tremolo

The Subdecay Vagabond Tremolo is a versatile pedal that offers vintage tremolo effects with added depth, speed, and control. It features two distinct tremolo styles: Harmonic and Bias Tremolo, which replicate the characteristics of classic Fender Blackface and Brownface amplifiers. Key Features and Specifications: \- Harmonic and Bias Tremolo: The Vagabond Tremolo is capable of producing both Harmonic and Bias tremolo effects, allowing users to switch between vintage tremolo styles. \- Controls: The pedal includes speed, intensity, volume, and an Env Drift slider, which enables the player to adjust the tremolo effect based on their playing dynamics. \- Power Requirements: The pedal can be powered by a 9-volt battery or a 9-18VDC power supply with center negative and 2.1mm plug (power supply not included). When using a "daisy-chain" power supply, all other pedals must be negatively grounded. \- Dimensions: The Vagabond Tremolo has a compact design, measuring approximately 4.4" in length, 2.3" in width, and 1.0" in height. \- Construction: It features a durable die-cast metal housing for long service life and utilizes a 3PDT switch for true bypass circuit. The Vagabond Tremolo offers a broad modulation range, allowing for faster and deeper tremolo effects than traditional tube-based circuits. Additionally, it incorporates an envelope speed control and a volume control to address perceived volume loss commonly associated with tremolo effects.

Vagabond

The Vagabond by Subdecay is a versatile tremolo pedal that offers vintage personality fused with added depth, more speed, and more control. It features both Harmonic and Bias Tremolo styles, allowing for subtle distortions and alterations in frequency response. The pedal can be powered by a dedicated Class II regulated 9 to 18 volt DC power supply with a negative center 2.1mm barrel type plug, providing flexibility in power options. Essential features of the Vagabond include an envelope speed control, a volume control to address inherent perceived volume loss with tremolos, and a broad modulation range that goes faster and deeper than a tube-based circuit ever could. The Vagabond is capable of achieving near square wave modulation with the maximum intensity setting and in bias mode, it cuts the volume down to zero for maximum throb. The pedal has been developed through experimentation and exploration of ideas over many years, offering a modern spin on the classic effects of harmonic or bias tremolo, with modern controls that provide a wide variety of sounds and options.

Prometheus DLX

The Prometheus DLX by Subdecay is a versatile analog filter with digital control, designed to offer a wide range of sonic possibilities. It features a filter sweep that extends above and below normal guitar frequencies, making it suitable for use with various instruments such as bass and synthesizers. The pedal allows users to select between lowpass, bandpass, and highpass filters, with virtually unlimited ways to manipulate them. Key Features: \- Analog envelope with forward and reverse capabilities \- Step filter with tap tempo based on 7 LFO shapes \- Trigger LFO for tapping to trigger one LFO cycle \- Manual LFO for manual control of LFO speed \- Warp LFO for tap tempo LFO speed with wave shape warp \- Pixilated Envelope for sample/hold envelope control \- Envelope Trigger for triggering LFO with envelope \- Envelope->LFO manual for envelope driving LFO speed with fixed sensitivity \- Envelope->LFO for envelope driving LFO speed with variable sensitivity Additional Features: \- Expression pedal input for non-envelope functions \- Improved step filter with added tap tempo and locked underlying LFO rate \- Internal switch to add a dry signal blend to the bandpass filter \- Operates at 18 volts for increased headroom \- Die-cast metal enclosures for durability \- 3PDT switches for true bypass switching \- Red/Green LED indicator \- Three-year limited warranty Technical Specifications: \- Powered by an external regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug \- Power supply not included \- Current draw is less than 100mA \- Dimensions: Length 4.7″ x Width 3.7″ x Height 1.2″ \- Input impedance: 1M \- Output impedance: Less than 1K \- Handmade in Oregon The Prometheus DLX is a versatile and durable pedal that offers a wide range of filter effects and is suitable for both guitarists and bass players.

Proteus

The Proteus by Subdecay is a versatile pedal designed to deliver envelope and sample/hold filter effects in a compact unit. It features an all-analog signal path with digital control for tap tempo and switching between envelope and random sample/hold filtering. The pedal is equipped with a switchable bandpass and lowpass filter, offering a new design closer to the Maestro Filter Sample Hold. The resonance control adds a new dimension to the effect, ranging from subtle to greasy gritty synth tones. Key Specifications: \- Powered by an external regulated 9VDC to 12VDC adapter with a negative center 2.1mm barrel style plug \- Current draw is less than 25mA \- Dimensions: Length 2.3″ x Width 4.4″ x Height 1.0″ \- Input impedance: 1M \- Output impedance: Less than 1K \- Handmade in Oregon \- Die-cast metal enclosures for durability \- 3PDT switches for true bypass switching \- Red LED indicator \- Three-year limited warranty The Proteus is designed for ease of use, with simple and easy-to-use controls, making it perfect for live performances. It offers a bypass switch for turning the effect on or off, a tap/mode switch for initiating the sample/hold filter, and a frequency control for filter resting point. Additionally, the depth control allows for filter modulation range adjustment in both envelope follower and sample hold mode, while the 1-2-4 step multiplier offers one, two, or four steps per beat in sample hold mode. The pedal's design philosophy focuses on user control, offering a straightforward filter that can be easily understood within seconds. With its combination of analog tone and modern features, the Proteus is suitable for a wide range of musical applications, from funk-inspired envelope filter effects to random sample hold filtering.