Manufacturers
Guitar Pedals from Ibanez
Welcome to your ultimate guide to Ibanez's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Ibanez. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.
Bass Effects
BC5 Bass Chorus Soundtank
BP10 Bass Compressor
The Ibanez BP10 Bass Compressor, produced from 1986 to 1993, is designed to provide high-tech specifications and characteristics similar to the CP10, with a focus on low noise characteristics. The pedal features a shortened attack time range to better match the needs of low-frequency bass notes, aiming to provide clarity and eliminate unwanted garble in "slapping" and picking techniques, resulting in smooth and responsive bass tones. The sustain control increases sustain time when turned clockwise, with high settings flattening the output dynamically, while moderate settings can improve consistency from note to note and across various playing techniques within the same song. The pedal is suitable for enhancing pizzicato techniques and can be left on as a subtle improvement for all bass sounds when conservatively set.
Chorus and Vibrato
BC5 Bass Chorus Soundtank
BCL
BC9 Bi-Mode Chorus
SS10 Session-Man
The Ibanez SS10 Session-Man is a vintage guitar effects pedal that combines distortion and chorus effects in one convenient package. Produced from 1986 to 1993, this pedal offers a unique combination of features and functionality. Features: \- Distortion and chorus effects combined in one pedal \- Distortion section with a wide drive range \- Chorus section with basic control options \- Switchable between series and parallel connection for the two effects \- Parallel Mode creates a beautiful unison timbre, mixing distortion with a rich yet clear chorus effect Principle: \- The SS10 Session-Man has the ability to use distortion and chorus both in series and parallel. In Series Mode, distortion and chorus are connected one after the other, allowing the ambience of chorus to be added to the distorted sound. In Parallel Mode, the dry signal is fed to both distortion and chorus, and the two effects are summed at the output, creating a spacious feeling. Use: \- The pedal offers a wide range of sound variations, allowing users to experiment with different settings to achieve their desired sound. \- The manual provides guidance on setting the Mode switch, CHRS.-LEVEL, DISTORTION, DIST.-TONE, and DIST.-LEVEL knobs to achieve specific sound effects. \- The pedal also features SPEED and WIDTH controls for the chorus section, located under the battery compartment beneath the footswitch, allowing users to adjust chorus speed and intensity. Availability: \- The Ibanez SS10 Session-Man is considered rare and has high collectibility.
CSMINI Chorus Mini
The Ibanez CSMINI Chorus Mini pedal is a classic, warm, and ethereal chorus pedal designed to fit any pedalboard. It features Depth, Speed, and Level controls, allowing for versatile adjustment of the chorus effect. The pedal is equipped with true bypass switching, providing the shortest, most direct signal path and ensuring a clean tone. The 100% analog circuitry contributes to a natural, organic sound quality. The technical specifications of the Ibanez CSMINI Chorus Mini pedal are as follows: \- Controls: Depth, Speed, and Level \- True bypass switching \- Required Current: 22mA @ 9V \- Power Supply: External DC 9 volt AC adapter (Center-negative) \- Dimensions: 3.65 x 2.17 x 2 inches \- Weight: Approximately 282 grams \- Voltage: 9V The pedal is designed and made in Japan, and its compact size makes it suitable for any pedalboard setup. With its classic chorus sound and compact form factor, the Ibanez CSMINI Chorus Mini pedal offers a versatile and high- quality chorus effect for guitarists and musicians.
SS20 Session-Man II
CS-505
The Ibanez CS-505 Chorus pedal was manufactured in Japan by Maxon in 1981. It features a compact design with dimensions of 70mm (w) x 125mm (d) x 52mm (h) and weighs 570g. The pedal is equipped with a 'Speed' knob to control the rate at which the effect cycles and a 'Depth' knob to control the amount of effect applied to the original signal. It also includes an LED indicator light to show when the effect is in use and an Ibanez square footswitch to turn the effect on and off. The pedal has standard ¼” single mono input and dual stereo output jack sockets. It can be powered by an 18V DC power supply input or 2x 9V batteries. The pedal features a black 'Made in Japan' label on the base and a 'Maxon' battery compartment cover.
RC99 Rotary Chorus
Soundtank FL5 Flanger
Ibanez Soundtank FL5 Flanger is a stompbox design effect pedal with a robust build quality. It features three control knobs: Speed, Depth, and Regen. The Speed knob controls the speed/rate of the LFO wave that controls the flanger effect, while the Depth knob adjusts the depth/amplitude of the LFO wave. The Regen knob controls the resonance/feedback of the flanger, allowing users to fine-tune the intensity of the effect. The FL5 Flanger is known for its unique tonal characteristics, offering a sound that is different from traditional flangers. It is described as having more midrange presence and depth, providing a rich and warm flanging effect. This distinctive tonal quality sets it apart from other flanger pedals in the market. The pedal is powered by a 9VDC power supply (sold separately) and also has a battery option for added convenience. The Ibanez Soundtank FL5 Flanger is suitable for guitarists and musicians looking to add depth, richness, and warmth to their sound through flanging effects.
Prime Dual Chorus PC10
The Ibanez Prime Dual Chorus PC10 is a vintage guitar effects pedal that combines the features of a stereo chorus and a flanger in one compact unit. It was produced from 1986 to 1993 and is considered rare. Features: \- The PC10 has two completely separate modulation sections that can be accessed by either the top-mounted A/B switch or by plugging in an optional footswitch. \- In the "A" mode, depressing the unit's footswitch will give you effect "A" or dry. In the "B" mode, depressing the unit's footswitch will give you effect "B" or dry. In the A/B mode, depressing the unit's footswitch will give you effect A or effect B alternately. \- It features a stereo output jack that, when accessed by a 1/4" stereo plug, provides both normal and inverted effect outputs, enabling true stereo play. Use: \- The PC10 is a chorus with two modulators (or L.F.O.'s). One of the modulators can also create flanging effects by decreasing delay time and increasing intensity. \- Different speeds and widths on A and B give the best results. \- By using the footswitch "toggle" feature, two presets can be used for convenience in live performance. Two different chorus sounds or a chorus and flanger are available instantly. Specifications: \- Input Impedance: 500k Ohms \- Output Impedance: < 1k Ohm \- Maximum Input Level: +4 dBv \- Delay Time: A: 3.2ms-6.5ms, B: 1.3ms-6.4ms \- Speed Range: A: 0.6Hz-6Hz, B: 0.035Hz-9Hz \- Equivalent Input Noise: -100 dBv (IHF-A) \- Power Consumption: 28 mA \- Power Requirements: 9 V DC \- Dimensions: 125(D) x 70(W) x 54(H) mm \- Weight: 410g
CS9 Stereo Chorus
The Ibanez CS9 Stereo Chorus pedal is a vintage analog effect pedal that offers a rich and lush chorus effect. Manufactured in Japan by the Maxon corporation, the CS9 is part of the historically significant Ibanez 9 Series pedals, which have inspired many high-end boutique units and have been used on iconic recordings. The pedal features stereo outputs, adding an interesting dimension of movement to the sound. The chorus effect is created using a small time delay that is varied to produce a slight pitch bend. When the delay signal is mixed with the dry input signal, it produces a rich, thick undulation as if multiple voices are played in unison. The CS9 Stereo Chorus is equipped with sweep speed and width controls, allowing the artist to elicit slow, wide-ranging sweeps or a more rapid vibrato. The pedal produces a relatively subtle effect, characterized as warm, lush, swirly, and shimmering, epitomizing key sounds of the 1980s. The technical specifications of the CS9 Stereo Chorus include: \- Input Impedance: 500K Ohms \- Output Impedance: Original: <1K Ohms, Reissue: 10K Ohms \- Maximum Input Level: +4 dBm \- Gain: 0 dB The pedal is powered by a standard center-pin-negative 9V barrel and is designed to provide warm yet clear chorusing with utmost simplicity.
Soundtank Phaser PH5
CF7 Chorus Flanger Pedal
The Ibanez CF7 Chorus Flanger Pedal is a versatile effects pedal designed to create a wide range of modulation effects. It features controls for Speed, Depth, Delay Time, and Regeneration, allowing users to finely adjust the parameters to achieve their desired sound. The pedal also includes a "Krazy" switch, which enables users to switch between "NORMAL" mode for classic chorus and flanger effects, and "WACK'D" mode for contemporary modulation effects commonly used in heavy rock, techno, and industrial rock. Technical Specifications: \- Power Supply: 9V battery (S-006P) or AC109, AC309, AC509 \- Current Consumption: 98mA maximum \- Dimensions: 125(D) x 75(W) x 53(H) mm \- Weight: 470g (with battery) The CF7 pedal has a mono input and a stereo output, making it suitable for widening keyboard pads or basses, or providing a deep stereo chorus on a guitar or other signal. It is capable of producing vintage chorus, flange, and modern modulation effects, from shimmering soundscapes to jet plane whooshes.
Delay
SoundTank EM5 Echo Machine
SS20 Session-Man II
ES2 Echo Shifter
AD9 Analog Delay
The Ibanez AD9 Analog Delay pedal, part of the '9' series, was manufactured by Ibanez and Maxon between 1982 and 1984. It was reissued in 2005. The pedal uses the MN3205 'bucket brigade integrated circuit and its companion MN3102 clock drive chip. The delay time range is 10ms to 300ms, and it features controls for Delay Time, Delay Level, and Repeat. The input impedance is 500K ohms, output impedance is less than 1K ohms, and the maximum input level is +6 dBm. The gain is 0 dB (unity). The AD9 Analog Delay uses a compander with pre- and de-emphasis for clean delay, and it allows the artist to adjust the mix between dry and delayed signals. The pedal also permits the number of repeats to be controlled without runaway. Additionally, it has two outputs for separately routing the dry and delayed signals. The pedal is known for its warm, organic, and dynamic echo repeats, and it is considered a professional choice for delay effects.
ADL Analog Delay Pedal
The ADL Analog Delay Pedal by Ibanez is a versatile effect pedal designed to deliver warm and friendly sound from an analog circuit, reviving the feeling of analog delay from the '80s. The pedal features variable resolution by time and repeat, akin to traditional analog delay and tape echo machines. The specific technical specifications are as follows: \- Power supply: DC9V \- Consumption: 23mA (active), 20mA (bypass) \- Dimensions: 75.5mm (width) x 115.5mm (height) x 47.5mm (depth) \- Weight: 290g (including battery) \- Maximum delay time: 440ms \- Controls: REPEAT / MIX / TIME \- Mono \- Heavy zinc die-cast housing The pedal allows for adjustable delay time, mix, and number of repetitions, making it well-equipped for a wide range of use-cases. It is suitable for guitarists and musicians seeking to incorporate warm, analog sounds reminiscent of the early '80s into their music.
DM2000
The Ibanez DM2000 is a rack-mounted digital delay unit designed for professional audio applications. It features a compact form factor, measuring just 44mm (1U) high, with a hardwearing grey and bronze metallic finish on the outer metal casework. Key Features: \- 12-bit microprocessor allowing a 10Hz to 16kHz bandwidth with delay characteristics inconceivable with the 8-bit processor previously used \- LED configuration displaying delay time from 0 to 1023ms \- Headroom indicator displaying the input level of the delay signal from -20dB to +6dB \- Dual action switches for adjusting delay time \- Internal modulation, reverse feedback phase, hold mode for infinite repeat, and bypass controls with LED inserts \- Bandwidth and duty cycle of the internal modulator can be altered \- Continuously variable feedback control \- Pseudo stereo output available \- External feedback loop for additional creative possibilities \- Input switchable between -20dBm for line and +4dBm for instruments \- Sturdy steel framework for internal components \- 45 separate ICs in the main delay circuit board, including an AM 2504 for ADC/DAC work and a D8048 12-bit microprocessor \- Modulation derived from an internal LFO in the 8048 for accurate sweeping of the delay time during flanging, chorusing, and doubling \- Pre-emphasis, low pass filtering, and compression to prevent aliasing and quantization noise at ADC \- Expanding, second LPF, and de-emphasis after conversion back to analog form \- Six sample settings for various effects, including flanging, chorus, doubling, hard reverb, slap back, and long echo \- Foot-switch control for modulation, hold, and bypass \- External loop for additional creative possibilities The DM2000 offers a diverse range of effects and provides flexibility for both live performance and studio use. It is priced at £395 (inc VAT) and offers excellent value for professional audio applications.
SH7 7th Heaven
The Ibanez SH7 7th Heaven is a distortion pedal specifically designed for Ibanez's 7-string guitar models, although it can also be used with 6-string guitars. It is built to accentuate the low-end girth of the low B string while maintaining maximum articulation. The pedal features drive, low frequency, high frequency, and level tone lok knobs, as well as a void switch and a mode switch. The void switch provides noise reduction and rhythm enhancement, working in conjunction with the palm muting technique to create a more rhythmical sound. The mode switch allows users to select between two types of distortion: a rich, fat, fuzzy sound in the middle and lower ranges, or a metallic distortion that emphasizes high and low pitches. Technical Specifications: \- Power Supply: 9V battery (S-006P) or AC109, AC309, AC509 \- Current Consumption: 14mA maximum \- Dimensions: 125(D) x 75(W) x 53(H)mm \- Weight: 460g (with battery) The pedal is designed in collaboration with some of today's hottest 7-string players and is intended to create pure sonic havoc with the only distortion box exclusively designed for Ibanez's 7-string guitars. It is suitable for musicians looking to achieve a specific distortion sound tailored to 7-string guitars.
PDM1 Modulation Delay
Tone-Lok DE7 Stereo Delay/Echo
The Ibanez Tone-Lok DE7 Stereo Delay/Echo pedal offers a range of features and technical specifications suitable for various use-cases. The pedal provides a delay time range from 30 milliseconds to 2.6 seconds, allowing for precise control over the delay effect. It features Time, Repeat, and Level knobs for adjusting the delay parameters, as well as stereo outputs for creating a more spacious sound. The Delay Time Range switch enables users to select from three separate time ranges: \- 30-160ms: From 30 milliseconds to 160 milliseconds \- 120-650ms: From 120 milliseconds to 650 milliseconds \- 480-2600ms: From 480 milliseconds to 2.6 seconds Additionally, the Mode switch allows for switching between two quality modes: \- ECHO: Old-style lo-fi echo \- DELAY: Hi-fi digital delay The pedal can be powered by a 9V battery (S-006P) or AC109, AC309, AC509 power supplies, with a maximum current consumption of 78mA. It has dimensions of 125mm (D) x 75mm (W) x 53mm (H) and weighs 460g with the battery. The Ibanez DE7 Delay/Echo pedal is designed to provide users with the flexibility to achieve both high-tech digital sounds and warm vintage tape echo sounds, making it suitable for a wide range of playing situations.
ADMINI Analog Delay Mini
The Ibanez ADMINI Analog Delay Mini pedal features 100% analog circuitry, providing a warm and classic delay tone. The delay time ranges from 20ms to 600ms, offering versatility for various musical styles. It is designed with true bypass switching, ensuring the shortest and most direct signal path for a clean tone. The pedal includes controls for Repeat, Delay time, and Blend, allowing users to fine-tune their desired delay effect. The required current for the pedal is 23mA at 9V, and it is powered by an external DC 9-volt AC adapter with a center-negative polarity. The compact size of the ADMINI Analog Delay Mini makes it suitable for pedalboards with limited space, while still delivering high-quality analog delay functionality.
DDL20 Digital Delay III
The Ibanez DDL20 Digital Delay III is a straightforward digital delay pedal that offers essential features for modern guitar work. It provides a superior bandwidth of 16kHz and a wide range of delay times from 8ms to 1024ms, catering to various delay effects necessary for contemporary guitar playing, including doubling and long delay. The delay sound is described as high- quality, ambient, and clear. Specifications: \- Input Impedance: 500k Ohms \- Output Impedance: < 1k Ohm \- Maximum Input Level: +5 dBv \- Maximum Output Level: +5 dBv \- Equivalent Input Noise: -90 dBv (IHF-A) \- Power Consumption: 58.5 mA \- Power Requirements: 9 V DC \- Dimensions: 125(D) x 70(W) x 54(H) mm \- Weight: 440g \- Bandwidth: 16kHz (+0.5, -3dB) \- Total Harmonic Distortion: 0.5% (400Hz, -20dBv) The pedal allows manipulation of the signal by setting up a time period before the sound is "played back," and it is converted back into analog form. The effects based on delay are diverse, including doubling, slap echo, flanging, phasing, and chorus, each utilizing different delay times and levels of feedback (Repeat). The DDL20 features effect names printed above the corresponding delay times to serve as a guideline for selection. The DDL20 Digital Delay III is designed to provide a versatile and high- quality digital delay experience for guitarists, offering a range of delay effects and clear, ambient sound.
Distortion
TS808 Tube Screamer
The Ibanez TS808 Tube Screamer is a legendary overdrive pedal that has become a staple in the world of guitar effects. The reissue includes the same JRC4558D IC chip and analog circuitry as the original, featuring traditional overdrive, tone, and level controls. The pedal has an input impedance of 500 kOhms, an output impedance of 10 kOhms, and a maximum output level of 0 dBm. It requires a current of 8mA at 9V and can be powered by one 9-volt battery (006P) or an external AC adapter (DC 9V, center-negative), with a converter cable included. The dimensions of the pedal are 4.9 x 2.8 x 2 inches, and it has a power consumption of 7.5 mA. The TS808 Tube Screamer is known for its characteristic midrange presence and its ability to add sustain, edge, harmonic liveliness, and tighten up the bottom end of a guitar's sound.
SS10 Session-Man
The Ibanez SS10 Session-Man is a vintage guitar effects pedal that combines distortion and chorus effects in one convenient package. Produced from 1986 to 1993, this pedal offers a unique combination of features and functionality. Features: \- Distortion and chorus effects combined in one pedal \- Distortion section with a wide drive range \- Chorus section with basic control options \- Switchable between series and parallel connection for the two effects \- Parallel Mode creates a beautiful unison timbre, mixing distortion with a rich yet clear chorus effect Principle: \- The SS10 Session-Man has the ability to use distortion and chorus both in series and parallel. In Series Mode, distortion and chorus are connected one after the other, allowing the ambience of chorus to be added to the distorted sound. In Parallel Mode, the dry signal is fed to both distortion and chorus, and the two effects are summed at the output, creating a spacious feeling. Use: \- The pedal offers a wide range of sound variations, allowing users to experiment with different settings to achieve their desired sound. \- The manual provides guidance on setting the Mode switch, CHRS.-LEVEL, DISTORTION, DIST.-TONE, and DIST.-LEVEL knobs to achieve specific sound effects. \- The pedal also features SPEED and WIDTH controls for the chorus section, located under the battery compartment beneath the footswitch, allowing users to adjust chorus speed and intensity. Availability: \- The Ibanez SS10 Session-Man is considered rare and has high collectibility.
TK999HT Tube King
The Ibanez TK999HT Tube King is a high-voltage tube distortion pedal designed to provide modern and aggressive tube distortion for guitarists. It features a scooped mid-range, typically associated with contemporary heavy rock, and is voiced with a tight low-end, ensuring a heavy tube sound. Specifications: \- Input Impedance: 500 Ohms \- Output Impedance: Less than 10K Ohms \- Equivalent Input Noise: Less than -100 dB (input shorted, IHF-A weighted) \- Max Output Level: +10 dB (typical) \- Tone Control Range: \- Bass: 100 Hz, 0 to 28 dB (typical) \- Middle: 1 KHz, 0 to 25 dB (typical) \- Treble: 3 KHz, 0 to 22 dB (typical) \- Noise Reduction Ratio: 1:2 or more (approximate) \- Tube: Selected dual triode tube (typically Sovtek 12AX7WXT) \- Power Consumption: 175 mA at 10VDC / 165 mA at 9VDC \- Dimensions: 110 (W) x 160 (D) x 72 (H) mm \- Weight: 600 Grams Features: \- Drive Knob \- Level Knob \- Low, Mid, High EQ Knobs \- Hi-Lo Presence Selection \- Void - Exclusive Noise Reduction & Rhythm Enhancing Feature \- LED Power Indicator \- Foot Switch \- 12AX7 Tube The TK999HT is configured to deliver a modern and aggressive tube distortion, making it suitable for use in heavy rock and other contemporary musical styles.
LM7 L.A. Metal
TS9DX Turbo Tube Screamer
The Ibanez TS9DX Turbo Tube Screamer is an overdrive pedal that features the same circuitry as the TS9 Tube Screamer, with the addition of three new settings for increased low-end crunch: +, Hot, and Turbo. These three additional settings, paired with the original TS9 mode, provide players with a flexible array of sounds, making the TS9DX one of the most versatile Tube Screamers in the lineup. Key Features: \- Drive, Tone, and Level controls \- Modes: Turbo, Hot, and TS9 \- Classic Tube Screamer circuit with added modes \- +, Hot, and Turbo modes add grit, crunch, and low end \- Power Supply: One 9-volt battery (006P) or external AC adapter (Use only DC 9V, center-negative) \- Required Current: 8mA @ 9V Specifications: \- Input/Outputs: 1/4" (6.3 mm) jacks \- Input Impedance: 500 kOhms \- Output Impedance: 10 kOhms \- Maximum Output Level: 0 dBm \- Maximum Gain: +30 dB \- Dimensions: 4.8 x 2.9 inches \- Weight: 1.3 lbs The TS9DX Turbo Tube Screamer is designed to provide guitarists with a wide range of overdriven tones, from classic Tube Screamer sounds to enhanced low- end crunch and grit. Its versatile features and classic circuitry make it suitable for various musical styles and playing preferences.
SH7 7th Heaven
The Ibanez SH7 7th Heaven is a distortion pedal specifically designed for Ibanez's 7-string guitar models, although it can also be used with 6-string guitars. It is built to accentuate the low-end girth of the low B string while maintaining maximum articulation. The pedal features drive, low frequency, high frequency, and level tone lok knobs, as well as a void switch and a mode switch. The void switch provides noise reduction and rhythm enhancement, working in conjunction with the palm muting technique to create a more rhythmical sound. The mode switch allows users to select between two types of distortion: a rich, fat, fuzzy sound in the middle and lower ranges, or a metallic distortion that emphasizes high and low pitches. Technical Specifications: \- Power Supply: 9V battery (S-006P) or AC109, AC309, AC509 \- Current Consumption: 14mA maximum \- Dimensions: 125(D) x 75(W) x 53(H)mm \- Weight: 460g (with battery) The pedal is designed in collaboration with some of today's hottest 7-string players and is intended to create pure sonic havoc with the only distortion box exclusively designed for Ibanez's 7-string guitars. It is suitable for musicians looking to achieve a specific distortion sound tailored to 7-string guitars.
SoundTank CD5 CyberDrive
FC10 Fat Cat Distortion
The Ibanez FC10 Fat Cat Distortion, produced from 1987 to 1990, is known for its wide range of distortion sounds, fat sound, and ample sustain. Similar to the TS10 and DS10, the FC10 provides extreme level boosts to incoming signals, creating an overdrive distortion effect. It offers enough gain to overdrive even weak signals, such as single-coil type guitars and low sustain/fest decay tones, bringing them up to a high sustain level. The pedal is designed to maintain its fatness even at high gain settings, making it equally effective for lead or rhythm guitar. To achieve the "growling" distortion sound, users can turn the distortion control up high while keeping the level control low enough to limit additional overdrive at the input of the amp. The tone control can be used to add harmonics for brightness and controlled feedback, with high tone settings increasing attack articulation, especially helpful on guitars with humbucking pickups. The FC10 Fat Cat Distortion features a JRC5534 single opamp chip, providing the necessary compensation and balance features. It is noted that the chip is not directly interchangeable with the LM308 used in the original ProCo Rat, preventing a 1:1 conversion by simply swapping the opamp to ProCo specifications.
SD9M Sonic Distortion Mod
The Ibanez SD9M Sonic Distortion Mod is a heavy Tube Screamer-style guitar distortion pedal with specific features and specifications. It includes controls for Level, Gain, and Tone, along with a Distortion Switch and a Mid Boost Switch. The input impedance is 500K ohms, and the output impedance is 10K ohms. The pedal is designed to provide exaggerated distortion, making it suitable for users seeking high-gain glory or a metal-head sound. The SD9M Sonic Distortion Mod is equipped with a gain boost switch, a feature that many distortion pedals lack. Additionally, it includes a mid boost switch designed to sharpen the tone's edge, providing a monster drive with plenty of teeth. This pedal is a modified version of the classic SD9 Sonic Distortion pedal from the early 1980s, offering users an enhanced and versatile distortion experience.
EQ
GE 9 Graphic Equalizer
The Ibanez GE 9 Graphic Equalizer is a vintage analog pedal known for its exceptional equalization capabilities. This pedal was manufactured in Japan and is highly sought after by musicians and collectors. The technical specifications for the GE 9 Graphic Equalizer are as follows: \- Input Impedance: 500K ohms \- Output Impedance: <1K ohms \- Maximum Input Level: +10 dBm \- Maximum Output Level: +5 dBm \- Filter Bandwidth: 1 octave \- Filter Control Range: +/- 15 dB center detented \- Level Control Range: +/- 15 dB center detented \- Equivalent Input Noise: -100 dBm (IHF-A) The GE 9 Graphic Equalizer utilizes six octave-wide minimum-phase-shift filters, allowing for 15dB of boost or cut. The Level slider enables adjustment of the signal level without affecting the filter settings, making it a versatile addition to any musician's setup.
GE-601 Graphic Equalizer
The Ibanez GE-601 Graphic Equalizer is a vintage pedal that was part of the 808 series and shares the same casing as the original Tube Screamer. It was manufactured in 1981 by Maxon in Japan. The pedal features six individual slider controls used to boost or cut specific frequencies at 100Hz, 200Hz, 400Hz, 800Hz, 1.6KHz, and 3.2KHz by ±12dB. The GE-601 also includes a master 'Level' control and a footswitch to turn the EQ on and off, along with a status indicator LED and a DC input jack. The pedal is designed to fit enclosures of the 1590BB size. The GE-601 Graphic Equalizer is suitable for a variety of use-cases, including balancing wayward pickups, smoothing an amp's personality, countering a venue's acoustics, limiting feedback, and shaping sound from subtle to more extreme. It can be used as a pure clean boost or cut pedal with all sliders set to 'flat', and its tone-shaping effect can be used creatively to produce a wide range of sounds. The pedal offers flexibility and versatility in shaping and enhancing guitar tones. For current availability and pricing, it is recommended to check with vintage gear retailers or online marketplaces specializing in musical equipment.
Flangers
FL301-DX Flanger
The Ibanez FL301-DX Flanger, manufactured by Maxon in 1981, is a vintage effects pedal designed for electric guitar use. It features a sturdy construction similar to the TS-808 model, with a small rectangular on/off 'silent Q switch'. The pedal offers a bright wasp-hued design and is known for its spacious modulation effect, ranging from mild and subtle to wild and whacky. The pedal provides jangly, shimmering chorus tones, a soaring 'jet aircraft' swoosh, and atonal ring modulator-like edginess. The FL301-DX Flanger includes the following features: \- Made in Japan by Maxon in 1981 \- 'Speed' knob controls the rate at which the effect cycles \- 'Regen' knob controls the intensity of the effect \- 'Width' knob controls the depth of the effect \- LED indicator light to show when the effect is in use \- Ibanez footswitch turns the effect on and off \- Standard ¼” input and output mono jack sockets \- Powered by external DC power supply or by 9V battery \- Black 'Made in Japan' label on the base of the pedal \- 'Maxon' battery compartment cover The FL301-DX Flanger is highly collectible and sought after for its vintage analog warmth and charm. It is a durable pedal with a beguiling warmth and charm, offering a welcome antidote to the clinical harshness of modern digital effects.
FL9 Flanger
The Ibanez FL9 Flanger is an analog effects pedal designed to deliver classic chorus and flanging effects. The pedal features a robust construction with four control knobs and a full-width footswitch. It operates on a 9V battery or wall wart, making it suitable for various performance settings. The pedal offers a delay time range of 1.0 to 12.8 milliseconds, allowing for a wide array of spatial effects. The speed range of the flanger effect spans from 0.03Hz to 12Hz, providing flexibility in creating different tonal textures. The FL9 Flanger is equipped with input and output impedance of 500K ohms and 10K ohms or less, respectively. The maximum input level is rated at +4 dBm, with a gain of 0 dB (unity). The pedal also incorporates regeneration controls, enabling users to dial in everything from shimmering chorus and vibrato to hollow, metallic overtones and thick, jet-like flanging sweeps. The FL9 Flanger utilizes a Panasonic MN3207 Bucket Brigade IC in its analog signal path to produce rich, thick flanging and time-delay effects. The pedal features companding noise reduction circuitry and true bypass switching for silent operation and minimal signal degradation when bypassed. The FL9 Flanger measures 74mm (W) x 124mm (D) x 54mm (H) and weighs 580g, including the battery. It is designed to provide a noise-free flange with adjustable sweep speed and width, making it a versatile tool for guitarists and musicians seeking classic flanging effects.
AF2 Airplane Flanger - Paul Gilbert Signature
The Ibanez AF2 Airplane Flanger - Paul Gilbert Signature is a versatile guitar effects pedal designed to deliver a wide range of modulation effects. It features two distinct sections: the "TAXI" mode, which provides a traditional chorus flange effect, and the "TAKEOFF" mode, which delivers an intense and unique flange effect known as the "Crazy Flange" sound associated with virtuoso guitarist Paul Gilbert. Key Features: \- Controls: TAXI Mode (Flange/Chorus Type Modulation Effect), MANUAL (Delay Time), SPEED (Modulation Speed), RANGE (Depth of Modulation), ENHANCE (Feedback), TAKEOFF Mode (Jet Sound with shifting pitch up and down) switch, EFFECT ON/OFF Switch, TAXI/TAKEOFF Switch \- Rugged die-cast chassis with a retro look \- Input/Output: Mono \- Dimensions: 180(W) x 65(H) x 134(D) mm \- Weight: 860g \- Power Source: DC 9V AC Adapter The pedal offers musicians the flexibility to create both classic and innovative flange effects, making it suitable for a wide range of musical styles and applications. With its unique design and versatile functionality, the AF2 Airplane Flanger is a valuable addition to any guitarist's effects pedal collection.
Soundtank FL5 Flanger
Ibanez Soundtank FL5 Flanger is a stompbox design effect pedal with a robust build quality. It features three control knobs: Speed, Depth, and Regen. The Speed knob controls the speed/rate of the LFO wave that controls the flanger effect, while the Depth knob adjusts the depth/amplitude of the LFO wave. The Regen knob controls the resonance/feedback of the flanger, allowing users to fine-tune the intensity of the effect. The FL5 Flanger is known for its unique tonal characteristics, offering a sound that is different from traditional flangers. It is described as having more midrange presence and depth, providing a rich and warm flanging effect. This distinctive tonal quality sets it apart from other flanger pedals in the market. The pedal is powered by a 9VDC power supply (sold separately) and also has a battery option for added convenience. The Ibanez Soundtank FL5 Flanger is suitable for guitarists and musicians looking to add depth, richness, and warmth to their sound through flanging effects.
Prime Dual Chorus PC10
The Ibanez Prime Dual Chorus PC10 is a vintage guitar effects pedal that combines the features of a stereo chorus and a flanger in one compact unit. It was produced from 1986 to 1993 and is considered rare. Features: \- The PC10 has two completely separate modulation sections that can be accessed by either the top-mounted A/B switch or by plugging in an optional footswitch. \- In the "A" mode, depressing the unit's footswitch will give you effect "A" or dry. In the "B" mode, depressing the unit's footswitch will give you effect "B" or dry. In the A/B mode, depressing the unit's footswitch will give you effect A or effect B alternately. \- It features a stereo output jack that, when accessed by a 1/4" stereo plug, provides both normal and inverted effect outputs, enabling true stereo play. Use: \- The PC10 is a chorus with two modulators (or L.F.O.'s). One of the modulators can also create flanging effects by decreasing delay time and increasing intensity. \- Different speeds and widths on A and B give the best results. \- By using the footswitch "toggle" feature, two presets can be used for convenience in live performance. Two different chorus sounds or a chorus and flanger are available instantly. Specifications: \- Input Impedance: 500k Ohms \- Output Impedance: < 1k Ohm \- Maximum Input Level: +4 dBv \- Delay Time: A: 3.2ms-6.5ms, B: 1.3ms-6.4ms \- Speed Range: A: 0.6Hz-6Hz, B: 0.035Hz-9Hz \- Equivalent Input Noise: -100 dBv (IHF-A) \- Power Consumption: 28 mA \- Power Requirements: 9 V DC \- Dimensions: 125(D) x 70(W) x 54(H) mm \- Weight: 410g
CF7 Chorus Flanger Pedal
The Ibanez CF7 Chorus Flanger Pedal is a versatile effects pedal designed to create a wide range of modulation effects. It features controls for Speed, Depth, Delay Time, and Regeneration, allowing users to finely adjust the parameters to achieve their desired sound. The pedal also includes a "Krazy" switch, which enables users to switch between "NORMAL" mode for classic chorus and flanger effects, and "WACK'D" mode for contemporary modulation effects commonly used in heavy rock, techno, and industrial rock. Technical Specifications: \- Power Supply: 9V battery (S-006P) or AC109, AC309, AC509 \- Current Consumption: 98mA maximum \- Dimensions: 125(D) x 75(W) x 53(H) mm \- Weight: 470g (with battery) The CF7 pedal has a mono input and a stereo output, making it suitable for widening keyboard pads or basses, or providing a deep stereo chorus on a guitar or other signal. It is capable of producing vintage chorus, flange, and modern modulation effects, from shimmering soundscapes to jet plane whooshes.
Overdrive and Boost
JD9 Jet Driver
The Ibanez JD9 Jet Driver is a distortion pedal designed to produce a unique sound reminiscent of a high-grade, handcrafted effects pedal. It offers a wide range of tones, from smooth overdrive to amp-like distortion, making it ideal for pushing tube amps. The pedal features true bypass switching, organic sound, and massive amounts of output volume. Specifications: \- Input Impedance: 500K ohms \- Output Impedance: 10K ohms \- Maximum Output Level: 0 dBm \- Maximum Gain: +30 dB Equivalent \- Input Noise: 100 dBm (IHF-A) \- Power Supply: 9 Volt Battery or external AC adaptor (9V) \- Size: 4.9(D) x 3(W) x 2(H) inches \- Weight: 1.3 lbs The JD9 Jet Driver is equipped with controls for Level, Drive, Tone, and Mid, with the Mid control (750Hz) capable of producing a vast range of sounds from American hard rock to British heavy metal. It also features a high-intensity LED, true bypass switching, and is designed to minimize changes in sound when the pedal is off.
NTS Tube Screamer
The Ibanez NTS Tube Screamer is a compact guitar effects pedal that incorporates Nutube technology directly into its circuitry, representing a collaboration between Ibanez's Tube Screamer and KORG's Nutube. The pedal features controls for Drive, Tone, Level, and Mix, with dimensions of 71(W) x 124(D) x 53(H)(mm). It can be powered by a DC9-18V (Negative Center) power supply or one 006P 9V battery, with a current draw of 50mA@9V and 60mA@18V. The Nutube technology, developed by KORG Inc. and Noritake Itron Corp., offers exceptional dynamics, improved sensitivity, and natural tube compression. It has an extremely low power consumption, about 2% of a 12AX7, and a lifespan exceeding 30,000 hours. The NTS Tube Screamer's overdriven sound is created by Nutube, mixed with the clean signal, and passed through a discrete circuit, providing natural compression and significant headroom. A notable feature of the NTS Tube Screamer is the MIX knob, which controls the balance of the clean and overdriven signals. Additionally, the pedal allows up to an 18V power supply, offering increased headroom with higher volume. It is equipped with relay true bypass switching and is 100% analog. The pedal is made in Japan and weighs approximately 0.58 kg. The technical specifications of the Ibanez NTS Tube Screamer are as follows: \- Manufacturer: Ibanez \- Made In: Japan \- FX Type: Overdrive \- Jacks mounted on: Sides \- Bypass: True Bypass \- Battery: Yes \- Voltage: 9-18V \- Polarity: Center Negative \- Circuit: Analog \- Tube equipped: Yes \- Based on famous model: TS-808 \- Special Features: Nutube \- Dimensions: 7cm (W) x 5.2cm (H) x 12.5cm (D) \- GTIN 14: 04549763061768
TS808 Tube Screamer
The Ibanez TS808 Tube Screamer is a legendary overdrive pedal that has become a staple in the world of guitar effects. The reissue includes the same JRC4558D IC chip and analog circuitry as the original, featuring traditional overdrive, tone, and level controls. The pedal has an input impedance of 500 kOhms, an output impedance of 10 kOhms, and a maximum output level of 0 dBm. It requires a current of 8mA at 9V and can be powered by one 9-volt battery (006P) or an external AC adapter (DC 9V, center-negative), with a converter cable included. The dimensions of the pedal are 4.9 x 2.8 x 2 inches, and it has a power consumption of 7.5 mA. The TS808 Tube Screamer is known for its characteristic midrange presence and its ability to add sustain, edge, harmonic liveliness, and tighten up the bottom end of a guitar's sound.
SoundTank MF5 Modern Fusion
TS MINI Tube Screamer Mini
The Ibanez TS MINI Tube Screamer Mini is a compact overdrive pedal designed to deliver the legendary tones of the Tube Screamer in a smaller form factor. The pedal features overdrive, tone, and level controls, allowing for precise tonal shaping and level adjustments. It is equipped with true bypass switching, providing the shortest, most direct signal path and ensuring a clean tone. Technical Specifications: \- Model: TS MINI \- Controls: Overdrive, Tone, and Level \- 100% Analog Circuitry \- True Bypass Switching \- Power Supply: External DC 9 volt AC adapter (Center-negative) \- Dimensions: 50.9mm (W) x 92.6mm (D) x 55.1mm (H) \- Weight: Approximately 0.292 kg (varies by source) The pedal is made in Japan and is known for its small footprint, making it ideal for conserving space on pedalboards. It is designed for use with electric guitars and bass guitars, offering a versatile overdrive effect for various musical styles. Additionally, it is important to use an external DC 9 volt AC adapter with a center-negative polarity to power the pedal.
TK999HT Tube King
The Ibanez TK999HT Tube King is a high-voltage tube distortion pedal designed to provide modern and aggressive tube distortion for guitarists. It features a scooped mid-range, typically associated with contemporary heavy rock, and is voiced with a tight low-end, ensuring a heavy tube sound. Specifications: \- Input Impedance: 500 Ohms \- Output Impedance: Less than 10K Ohms \- Equivalent Input Noise: Less than -100 dB (input shorted, IHF-A weighted) \- Max Output Level: +10 dB (typical) \- Tone Control Range: \- Bass: 100 Hz, 0 to 28 dB (typical) \- Middle: 1 KHz, 0 to 25 dB (typical) \- Treble: 3 KHz, 0 to 22 dB (typical) \- Noise Reduction Ratio: 1:2 or more (approximate) \- Tube: Selected dual triode tube (typically Sovtek 12AX7WXT) \- Power Consumption: 175 mA at 10VDC / 165 mA at 9VDC \- Dimensions: 110 (W) x 160 (D) x 72 (H) mm \- Weight: 600 Grams Features: \- Drive Knob \- Level Knob \- Low, Mid, High EQ Knobs \- Hi-Lo Presence Selection \- Void - Exclusive Noise Reduction & Rhythm Enhancing Feature \- LED Power Indicator \- Foot Switch \- 12AX7 Tube The TK999HT is configured to deliver a modern and aggressive tube distortion, making it suitable for use in heavy rock and other contemporary musical styles.
OD850 Overdrive
The Ibanez OD850 Overdrive is a limited edition reissue of the classic pedal originally released in the mid-1970s. Despite its name, it is not an overdrive pedal but rather a faithful recreation of the vintage fuzz tones popular in the early '70s. The 2016 Japanese-manufactured OD850 reissue accurately emulates the original vintage fuzz with a very musical, earthy character. Key Features: \- Made in Japan \- 100% Analog Circuitry \- True Bypass Switching \- Controls: Sustain, Balance, and Tone \- Faithful recreation of the original narrow box design \- Size: 3" (W) x 5" (L) x 2" (H) The pedal features a simple three-knob design that provides complete control to create a full range of vintage fuzz voices. The Sustain knob controls gain, ranging from mild to pure saturation, while the Balance knob controls the level output. The Tone knob sweeps through a full range of EQ, allowing for a fat, round muff to sweet, focused highs. Overall, the OD850 has an extremely musical, earthy character without the exaggerated mid-range scoop often found in similar effects of the era. The OD850 Overdrive is 100% analog and comes in an authentic replica of its original packaging. It includes a 3.5mm (1/8") adapter for compatibility with modern power supplies and features true-bypass switching.
NU TUBESCREAMER
The Ibanez NU TUBESCREAMER is a compact overdrive pedal that incorporates KORG's Nutube technology into its circuitry, resulting in exceptional dynamics, improved sensitivity, and natural tube compression. The pedal features controls for Drive, Tone, Level, and Mix, with the Mix knob allowing the user to balance the clean and overdriven signals. At the center position, it provides a mix equivalent to that of traditional Tubescreamers, while turning it counterclockwise injects more of the clean signal and turning it clockwise decreases the clean tone, producing a fuller overdriven signal. The NU TUBESCREAMER can be powered by a DC9-18V (Negative Center) power supply or one 006P 9V battery, and it has a current draw of 50mA@9V, 60mA@18V. It also features relay true bypass switching for seamless activation and deactivation. The Nutube technology utilized in the pedal is a revolutionary vacuum tube developed by KORG Inc. and Noritake Itron Corp. It has an extremely low power consumption, about 2% of a 12AX7, and a lifespan exceeding 30,000 hours. The overdriven sound is created by Nutube, similar to an all-tube pre-amp, and is mixed with the clean signal and passed through a discrete circuit, resulting in natural compression and huge headroom. The NU TUBESCREAMER allows up to an 18V power supply, providing more headroom with increased volume. It uses 50mA of current, making it compatible with most normal power supplies. The pedal's compact size of 71mm (W) x 124mm (D) x 53mm (H) and its development collaboration with KORG Nutube make it a versatile and unique addition to the Tubescreamer lineup. Made in Japan, the NU TUBESCREAMER is a cutting-edge overdrive pedal that offers a blend of classic Tubescreamer sound with modern Nutube technology.
TS9DX Turbo Tube Screamer
The Ibanez TS9DX Turbo Tube Screamer is an overdrive pedal that features the same circuitry as the TS9 Tube Screamer, with the addition of three new settings for increased low-end crunch: +, Hot, and Turbo. These three additional settings, paired with the original TS9 mode, provide players with a flexible array of sounds, making the TS9DX one of the most versatile Tube Screamers in the lineup. Key Features: \- Drive, Tone, and Level controls \- Modes: Turbo, Hot, and TS9 \- Classic Tube Screamer circuit with added modes \- +, Hot, and Turbo modes add grit, crunch, and low end \- Power Supply: One 9-volt battery (006P) or external AC adapter (Use only DC 9V, center-negative) \- Required Current: 8mA @ 9V Specifications: \- Input/Outputs: 1/4" (6.3 mm) jacks \- Input Impedance: 500 kOhms \- Output Impedance: 10 kOhms \- Maximum Output Level: 0 dBm \- Maximum Gain: +30 dB \- Dimensions: 4.8 x 2.9 inches \- Weight: 1.3 lbs The TS9DX Turbo Tube Screamer is designed to provide guitarists with a wide range of overdriven tones, from classic Tube Screamer sounds to enhanced low- end crunch and grit. Its versatile features and classic circuitry make it suitable for various musical styles and playing preferences.
TS10 Tube Screamer Classic
The Ibanez TS10 Tube Screamer Classic is an iconic overdrive pedal known for its distinct sound and versatile functionality. Here are the technical specifications and details for the TS10: \- Input Impedance: 500k Ohms \- Output Impedance: < 1k Ohm \- Maximum Output Level: 0 dBv \- Maximum Gain: +40 dB \- Equivalent Input Noise: -110 dBv (IHF-A) \- Power Consumption: 7 mA \- Power Requirements: 9 V DC \- Dimensions: 125(D) x 70(W) x 54(H) mm \- Weight: 400g Features: \- The TS10 provides the sound of an overdriven tube amp. \- It features a Drive control to vary the intensity of the distortion, a Tone control for equalization, and a Level control that varies the overall gain when the distortion is engaged. Principle: \- The TS10 boosts the input signal to extremes and then clips the waveform with semiconductors that have the characteristics to distort naturally, like a tube amp. Sustain is also added to the sound. Use: \- The TS10 is highly responsive to dynamics, allowing for a wide range of overdriven tones. It can be used in conjunction with other pedals, especially a good boost, to drive the amp beautifully just beyond break-up while maintaining clarity. Overall, the TS10 Tube Screamer Classic is a versatile and responsive overdrive pedal that has been favored by many guitarists for its ability to deliver classic overdriven tones.
Tube Screamer Mini
The Ibanez Tube Screamer Mini is a compact overdrive pedal designed to deliver the legendary tones of the Tube Screamer in a smaller form factor. It features Overdrive, Tone, and Level controls, allowing for precise tonal shaping and gain adjustments. The pedal is equipped with true bypass switching, providing a direct signal path and ensuring a clean tone. Technical specifications include: \- Input/Output: 1/4" (6.3 mm) jacks \- Input Impedance: 500 kOhms \- Output Impedance: 10 kOhms \- Power Supply: External DC 9 volt AC adapter (Center-negative) \- Power Consumption: 18mA @ 9V \- Housing Size: Mini \- Dimensions: 51 x 55 x 93 mm \- Weight: Approximately 0.28 - 0.29 kg (varies based on sources) The pedal is powered by an external 9V DC adapter and does not support battery operation. It is designed for mono input and output and is housed in a pedalboard-friendly miniature size, making it suitable for conserving space on pedalboards. The Ibanez Tube Screamer Mini is known for its classic TS808-style appearance and is manufactured in Japan. It is widely regarded for its ability to produce round, rich, tube-powered overdrive sound, making it a popular choice among guitarists seeking versatile overdrive effects.
AW7 Autowah
Tube Screamer TS808
The Ibanez TS808 Tube Screamer is a legendary overdrive pedal known for its characteristic midrange presence and interaction with tube amp preamps. The reissue includes the same JRC4558D IC chip and analog circuitry as the original, featuring traditional overdrive, tone, and level controls. The pedal has an input impedance of 500 kOhms, output impedance of 10 kOhms, and a maximum output level of 0 dBm. It operates on a 9-volt battery (006P) or an external AC adapter (DC 9V, center-negative), with a required current of 8mA at 9V. The pedal's dimensions are 70 x 52 x 125 mm, and it has a power consumption of 7.5 mA. The TS808 Tube Screamer is designed to add sustain, edge, harmonic liveliness, and tighten up the bottom end while preserving the characteristics of the guitar and amp.
TS808HW Hand-Wired Tube Screamer
The Ibanez TS808HW Hand-Wired Tube Screamer is a limited production overdrive pedal designed with the professional musician in mind. Encased in a heavy-duty metal box, the TS808HW is hand-wired with select JRC4558D chips, the same as the revered and often imitated TS808, and uses high-end Japanese MOGAMI OFC cable (AWG21). It is equipped with True Bypass, providing the shortest, most direct signal path and ensuring no tonal loss when sending the pure guitar excitement to the amplifier. Specifications: \- Completely Hand-Wired \- Select 4558D IC Chip \- Japanese MOGAMI OEC Cable \- True Bypass \- Special Collectors metal box \- Input Impedance: 500K ohms \- Output Impedance: 10K ohms \- Maximum Output Level: 0 dBm \- Maximum Gain: +30 dB \- Equivalent Input Noise: -100 dBm (IHF-A) \- Power Supply: One 9 Volt Battery or external AC adaptor (AC-109) \- Size: 125 mm (D) x 70mm (W) x 52mm (H) \- Weight: 500g (1.2 lbs) Controls: \- Overdrive \- Tone \- Level The TS808HW is designed to provide warm overdrive, making it a versatile addition to pedal boards for players of all levels, from advanced to beginner. Its high-quality components and hand-wired construction contribute to its exceptional build quality and performance.
TS9 Tube Screamer
The Ibanez TS9 Tube Screamer is a reissue of the original pedal, maintaining the same housing, instantly identifiable green paint, and classic overdrive sound. The pedal features Drive, Tone, and Level controls, allowing for precise adjustment of the overdrive effect. The input impedance is 500K ohms, while the output impedance is 10K ohms. The maximum output level is 0 dBm, and the maximum gain is +30 dB. The pedal operates on a 9-volt battery (006P) or an external AC adapter (DC 9V, center-negative), with a required current of 8mA at 9V. The dimensions of the pedal are 124mm (D) x 74mm (W) x 53mm (H) or approximately 4.9 inches (D) x 3 inches (W) x 2 inches (H), and it weighs 570g or 1.3 lbs.
SoundTank CD5 CyberDrive
FC10 Fat Cat Distortion
The Ibanez FC10 Fat Cat Distortion, produced from 1987 to 1990, is known for its wide range of distortion sounds, fat sound, and ample sustain. Similar to the TS10 and DS10, the FC10 provides extreme level boosts to incoming signals, creating an overdrive distortion effect. It offers enough gain to overdrive even weak signals, such as single-coil type guitars and low sustain/fest decay tones, bringing them up to a high sustain level. The pedal is designed to maintain its fatness even at high gain settings, making it equally effective for lead or rhythm guitar. To achieve the "growling" distortion sound, users can turn the distortion control up high while keeping the level control low enough to limit additional overdrive at the input of the amp. The tone control can be used to add harmonics for brightness and controlled feedback, with high tone settings increasing attack articulation, especially helpful on guitars with humbucking pickups. The FC10 Fat Cat Distortion features a JRC5534 single opamp chip, providing the necessary compensation and balance features. It is noted that the chip is not directly interchangeable with the LM308 used in the original ProCo Rat, preventing a 1:1 conversion by simply swapping the opamp to ProCo specifications.
SD9M Sonic Distortion Mod
The Ibanez SD9M Sonic Distortion Mod is a heavy Tube Screamer-style guitar distortion pedal with specific features and specifications. It includes controls for Level, Gain, and Tone, along with a Distortion Switch and a Mid Boost Switch. The input impedance is 500K ohms, and the output impedance is 10K ohms. The pedal is designed to provide exaggerated distortion, making it suitable for users seeking high-gain glory or a metal-head sound. The SD9M Sonic Distortion Mod is equipped with a gain boost switch, a feature that many distortion pedals lack. Additionally, it includes a mid boost switch designed to sharpen the tone's edge, providing a monster drive with plenty of teeth. This pedal is a modified version of the classic SD9 Sonic Distortion pedal from the early 1980s, offering users an enhanced and versatile distortion experience.
Phasers
Tone-Lok PM7 Phase Modulator Pedal
The Ibanez Tone-Lok PM7 Phase Modulator Pedal is a versatile effects pedal designed to deliver a range of phase modulation effects. It features three types of waveforms and three phase modes, providing a wide variety of sounds from classic phase to modern DJ-style effects. The pedal is equipped with controls for speed, depth, manual, and feedback, allowing for precise adjustment of the modulation parameters. The PM7 Phase Modulator offers three phase stages: vintage, deep and dry, and deep and pronounced, catering to different musical styles and preferences. The controls include a speed knob to adjust the speed of the vibrations, a depth knob to control the depth of the vibrations, a manual knob to adjust the level of the phase-shifted tone, and a feedback knob to control the amount of feedback. Additionally, the pedal features Tone-Lok controls, which are designed to securely lock the tone settings inside the case, preventing accidental changes during performances. The PM7 Phase Modulator can be powered by a 9V battery or adapter, with a maximum current consumption of 27mA. It has dimensions of 125(D) x 75 (W) x 53 (H) and weighs 450g with a battery. Overall, the Ibanez Tone-Lok PM7 Phase Modulator Pedal is a versatile and user-friendly effects pedal suitable for guitarists and musicians seeking a wide range of phase modulation effects for their performances and recordings.
Tone-Lok Phaser PH-7
The Ibanez Tone-Lok Phaser PH-7 is a versatile phaser pedal designed to emulate the effect of a rotating speaker. It features a switchable phase circuit capable of producing either four or eight stages of smooth phasing, allowing users to achieve a range of tonal modes from subtle shimmer to intense 70's-style phasing. Specifications: \- Power Supply: 9V Battery or Adapter \- Current Consumption: 27mA maximum \- Dimensions: 125(D) x 75 (W) x 53 (H) mm \- Weight: 450g (with battery) Controls: \- Speed: Adjusts the speed of the vibrations \- Depth: Adjusts the depth of the vibrations \- Feedback: Adjusts the feedback volume \- Level: Adjusts the level of the phase-shifted tone \- Mode 1/2: Switches between two different types of effect modes Functionality: \- The pedal offers two phase modes, producing a vintage sound with a four- stage phase-shift circuit and a deeper effect with a six-stage phase-shift circuit. Use Cases: \- Suitable for achieving swirling speaker effects as well as classic and modern phasing for various musical styles, from subtle modulation to heavy rock and funk. The Ibanez Tone-Lok Phaser PH-7 is designed with hi-fidelity components and features the exclusive "set and forget" Push-Lok rotary pots for secure tone settings. It comes in a road-tough metal enclosure, making it suitable for live performances and studio use.
PT909 Phase Tone
The Ibanez PT909 Phase Tone is a vintage phaser pedal that was part of the '0' series line up, produced by Japanese partner company Maxon in the early 1980s. The pedal was available in both narrow box and standard box formats, with the latter featuring a square footswitch and a knurled nut on the power socket. The PT909 featured a 4-stage analog circuit, providing warm undulating modulation for subtle swooshy phasiness. The pedal includes controls for 'Width' and 'Feedback', offering flexibility in shaping the phaser effect. Vintage originals of the PT909 are still relatively common but increasingly collectible when in good condition. The PT909 Phase Tone is known for its durability and suitability for serious stage use. The pedal's sound is described as warm and subtle, offering a more polite phaser effect compared to some of its peers. The PT909 Phase Tone is a notable vintage phaser pedal that continues to attract interest from collectors and enthusiasts.
Soundtank Phaser PH5
Wah Wah
WH10v2 Wah
The Ibanez WH10v2 Wah pedal is a reissue of the classic 80s wah pedal from Ibanez, featuring a die-cast metal construction to ensure durability. It is equipped with a depth knob for controlling the level of the wah effect and a dry out for mixing a dry signal with the wah sound. The pedal features a multiple feedback opamp circuit, a feature rarely found in today's wah pedals, and has a unique tone character setting it apart from traditional wah pedals. The technical specifications of the WH10v2 Wah pedal are as follows: \- Input Impedance: 500k Ohms \- Output Impedance: < 1k Ohm \- Maximum Output Level: +4 dBv \- Wah Range for Guitar: 350Hz-2.2kHz, for Bass: 175Hz-1.1kHz \- Wah Depth: +6dB to +20dB \- Equivalent Input Noise: -95 dBv (IHF-A) \- Power Consumption: 6 mA \- Power Requirements: 9 V DC \- Dimensions: 200(D) x 89(W) x 55-84(H) mm \- Weight: 490g The pedal is suitable for guitar and bass use, offering a versatile wah effect with modern tweaks to accommodate changing musical styles.
WH10V2 Classic Wah Pedal
The Ibanez WH10V2 Classic Wah Pedal is a reissue of the classic 80s wah pedal. It features a sturdy metal housing and an op-amp circuit design based on the original model. The pedal has an input impedance of 500kOhms, an output impedance of 1kOhm, and a maximum output level of +4 dBv. It can be powered by a 9V battery or an AC power supply. The pedal measures 3-1/2"W x 2" - 3-1/2"H x 8"D. The WH10V2 is suitable for guitar and bass and offers a side wah depth control, dry output signal, and a bass/guitar switch.
AF9 Auto Filter
The Ibanez AF9 Auto Filter is an automatic "wah-wah" type sliding filter pedal that offers advanced features. It provides three selectable filter types, two slide directions, and two slide ranges. The Sensitivity control adjusts the auto threshold, and the Peak control determines the slide width. The chosen filter's slide action may be placed wherever the emphasis is desired, making the AF9 ideally suited for any type of instrument. Specifications: \- Input Impedance: 500K Ohms \- Output Impedance: 10K Ohms \- Residual Noise: -95 dB or less (input shorted IHF-A weighted) \- Filter Frequency: 100 Hz - 2 KHz (Low) / 200 Hz - 4 KHz (High) \- Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor) \- Current Consumption: 17 mA (9 V) / 19 mA (10 V) \- Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) \- Weight: 580g The AF9 Auto Filter is designed to provide a wide range of filter effects, making it suitable for various musical styles and instruments. It is a versatile tool for musicians seeking expressive and dynamic filtering capabilities in their performances.
AW7 Autowah
WD7 Weeping Demon Wah
The Ibanez WD7 Weeping Demon Wah pedal is a member of the Tone-Lok Series and is designed to produce wailing wah effects. It features the ability to switch between spring and normal footboard action, offering a tweakable wah range and other fine-tuning controls to achieve a specific sound. The "set and forget" Push-Lok rotary pots allow users to press the knob down without losing their settings. Technical Specifications: \- Power Supply: 9V battery (S-006P) or AC109, AC309, AC509 \- Current Consumption: 35mA maximum \- Dimensions: 259 (D) x 154 (W) x 117 (H) mm \- Weight: 1600g (with battery) Controls: \- Level: Controls the overall volume when the effect is on \- Auto Off Delay: Adjusts the time delay from when the pedal is returned until the effect switches off in AUTO SW. mode \- Q: Adjusts the character of the wah \- Lo: Adjusts the low-frequency range \- Range: Switches the frequency range which the wah sweeps, changing the tonal character The pedal offers two modes of operation: 1\. FOOT SW. mode: The foot switch turns the effect on/off, and a moderate amount of friction keeps the pedal angle as it was left. 2\. AUTO SW. mode: The effect automatically turns on when the wah pedal is depressed slightly, and turns off after a slight delay when the pedal is returned or foot is taken off. The Ibanez WD7 Weeping Demon Wah pedal is suitable for creating a variety of wah effects and is designed to be highly rugged and affordable.
WH10v3
The Ibanez WH10v3 is a highly popular wah pedal known for its unique features. It offers a guitar/bass range switch that enables switching between two preset frequency ranges best suited for each instrument. The pedal utilizes a multiple feedback opamp circuit, creating a different tonal quality compared to more common inductor-based wahs. It also features a volume boost for additional flexibility. Key technical specifications include: \- Controls: Depth \- Switches: Effect ON/OFF, Frequency range (Guitar/Bass), Buffered/True Bypass \- I/O's: Input, Output (Input on the right side, Output on the left side) \- Size: 100(W) x 202(D) x 84(H) mm \- Weight: 815g \- Required Current: 12mA @ 9V \- Power supply: One 9-volt battery or External DC 9-volt AC adapter \- Housing: Highly durable, die-cast Aluminum alloy body with a distinctive black finish The WH10v3 is designed to deliver a unique sonic character that sets it apart from other pedals in its class. It is suitable for guitar and bass use, offering a versatile wah effect with precise frequency control and a sturdy metal housing for road-worthy performance.
